215:. This collection featured the oppression that Chile was facing during the dictatorship, and the progression of it getting better and sometimes worse. This collection contains black and white photographs taken between the late 1970s to the early 2000s. Errázuriz was trying to show the different aspects of people's lives during the time of the dictatorship.
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and homosexuality were deemed particularly unacceptable and shameful during this time in
Chilean history. This made cross-dressing a dangerous thing for these transvestite prostitutes to do, despite them seeing it as an outward expression of their true selves. Errázuriz used the medium of photography to show the marginalization of this population.
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and of diverse press agencies. She is known for her work in marginalized communities. Errázuriz goes on to say about her work: "...what I photograph has to do with people who are not at the center, who stand outside and have always been subordinated to power." Errázuriz began her career in the 1970s,
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overtook Chile's
Presidential Palace in 1973, inspiring her to begin her photography career. She is the co-founder of the Association of Independent Photographers (AFI). Originally titled the "Asociación de Fotógrafos Independientes," she helped create the AFI in 1981 to make it easier for artists in
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The photography of Paz Errázuriz looks at different aspects of human life. She has been doing photography for a little over forty years. She more specifically looked at the daily life of citizens in Chile during the political regime. She is drawn to capture populations that are marginalized and were
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She spent time living with and getting to know these women personally for her project. She took several photos of three particular women from the same brothel community: Pilar, Evelyn and
Mercedes. Many of the people who were photographed in this collection feared for their life, as gender variance
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Errázuriz always made sure to have her camera in hand when in public places although it was not acceptable at this time for women to be taking pictures on the streets of Chile during the dictatorship, so for Errázuriz to be doing so it was a bold statement. Physically taking pictures with a camera
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at this time. Her own house was raided by the police in 1973, so she understood personally the circumstances of this period in history. Errázuriz made a statement about taking photos during the time of the dictatorship saying, "'The need to photograph was a constant, but one had to be extremely
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affected by the government during the 70s and 80s. She wanted to capture what their experience was like whether it was daily life or social movements. She captured photos of lower class status citizens in
Chilean society during this distressful period in history.
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Errázuriz displays photographs of children and elderly individuals to showcase the different stages of life and death. These photographs range from the late 1990s to the early and looks at the different aspects of being human through the lens of her camera.
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1986 Art in Chile: Margins and
Institutions / Art in Chile: Margins and Institutions. Experimental Art Foundation, Adelaide, Australia. Itineró / Travelled to: Artspace-Visual Arts Center, Sydney, Australia. George Paton Gallery, Melbourne,
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1989 UABC. Painting, Sculpture and
Photography from Uruguay, Argentina, Brazil and Chile Painting, sculpture and photography from Uruguay, Argentina, Brazil and Chile. Staedelijk Museum, Amsterdam, Nederlanden.
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1992 Photographic
Integrity and the Vital Link with the Environment, Integrity of photography and its vital link with the environment. The Museum of Contemporary Photography. Chicago, USA.
116:. Errázuriz's has said about her work: "They are topics that society doesn't look at, and my intention is to encourage people to dare to look." She was a teacher at a primary school when
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1987 A Marginal Body: the
Photographic Image in Latin America / A marginal body: the photographic image in Latin America. The Australian Center for Photography. Sydney, Australia.
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1993 Recovering
Histories. Aspects of Contemporary Art in Chile since 1982. Jane Voolhees Zimmerli Art Museum Rutgers, State University of New Jersey. New Brunswick, USA.
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1991 Old World New World / Old World New World. Three
Hispanic photographers: Paz Errázuriz, Graciela Iturbide, Cristina García Rodero. Seattle Art Museum, Seattle, USA.
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1992 Desires and Disguises / Wishes and disguises, Five Latin American Photographers Five Latin American photographers. The Photographers' Gallery London, England.
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1989 The apple of Adam / Adam's Apple, The Australian Center for Photography. Sydney, Australia. Itineró a / Travelled to: Ojo de Buey Gallery, Santiago, Chile.
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112:, Chile) is a Chilean photographer. Errázuriz documented marginalized communities such as sex workers, psychiatric patients, and circus performers during the
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Errázuriz said that during her time with these women she "learned so much about love, community, and I found a family that I wish had always been my own."
203:. She specifically showcased these conditions as a metaphor to most of her work being black and white. This work was done in 2003 in Chile. In the series
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2005 "Chile in 100 Looks", Plaza de la Constitución, Santiago, Chile. N. Art Museum, Bucharest, Romania. Convent of San Agnes, Prague, Czechoslovakia.
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2003 La Mirada, Viewing the photograph in Latin America today, Looking at Photography in Latin America Today. Daros Museum, Zürich, Schweiz.
312:)(editor Soledad García)(translation Kristina Cordero)(art direction Jerónimo Pérez) (edition Rita Ferrer text Camila Bralic) Santiago 2014
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2004 Replicas y sombras / Reiterations & Shadows - retrospective / retrospective 1983- 2002. Fundación Telefónica, Santiago, Chile.
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is a collection of photographs taken from 1982 through 1987 and depicts transgender women prostitutes working in brothels located in
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1989 Images of Silence / Images of silence. Museum of Latin American Modern Art Organization of American States. Washington DC, USA.
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She was a primary school teacher at the time when she started her photography, and was slowly taking pictures "under the radar."
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was a symbolic statement for standing up against the military regime during this time. Errázuriz was personally affected by the
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1989 Chilean Women / Chilean Women. Focus Gallery, Vancouver, Canada. Itineró a / Traveled to: Palazzo Valentini, Rome, Italy.
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1999 Anniversary of the indigenous peoples / Native Peoples' Anniversary. Museum of Contemporary Art MAC Santiago, Chile.
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1127:"Carlos Cabezas comparte con el público su mirada entorno a una obra de la Colección - Museo Nacional de Bellas Artes"
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2016 "Paz Errázuriz", Centro Cultura Antiguo Instituto, Gijón, Spain. & Alvarez Bravo Center, Oaxaca, Mexico.
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1984 Chilean and Argentinian Photography / Chilean Photography and Argentina. Focus Gallery. San Francisco, USA.
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1992 L'Amerique dans tous ses Etats, America in all its States. Art Museum of the Americas. Washington DC, USA.
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1990 National Encounter of Fine Arts, ENART National Encounter of Fine Arts Mapocho Station, Santiago, Chile.
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1994 Fragmented Realities / Fragmented Realities, With Alberto Korda, Edgar Moreno. Gallery L, Havana, Cuba.
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Expanded Edition (texts Claudia Donoso, Cecilia Brunson, Rita Ferrer, Pedro Lemebel, Juan Pablo Sutherland,
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1983 Association of Independent Photographers AFI. Independent Photographers Association. Nanterre, France.
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2007 "Photographs: Errázuriz, Poirot and Weinstein", Fundación I. Patiño, Santa Cruz de la Sierra. Bolivia
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1983 Chilenas / Chileans. Collective Exhibition of Women. Women Group Exhibition. Berlin, BR Deutschland.
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1993 Latin American Meeting of Photography. Latin American Encounter of Photography. Caracas, Venezuela.
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1992 Paz Errázuriz: Photographs 1981–1991, Museo de Arte Contemporáneo Carillo Gil, Mexico City, Mexico.
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2002 The infarct of the soul / The Infarct of the Soul Photogallery San Martin, Buenos Aires, Argentina.
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2014 Chilean art in Cuban collections. National Museum of Fine Arts, Casa de Las Améeicas. Havana Cuba.
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2005 "La Mirada", Art Museum of the Bank of the Republic. Luis angel arango library. Bogota Colombia.
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199:. In this series Errázuriz wanted to highlight the conditions of being blind and a condition called
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and ever since she has been a voice for subordinate groups in society, more specifically, in Chile.
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2001 MAC Collection: experimental works 1979–1995. Museum of Contemporary Art MAC. Santiago, Chile.
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1987 The fight against the angel / The Fight Against the Angel, Gallery La Plaza, Santiago, Chile.
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2006 "Paz Errázuriz, Photographs Chile 1981-2002" Centro Cultural Borges. Buenos Aires, Argentina.
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1996 The Nomads of the Sea / The Nomads of the Sea, National Museum of Fine Arts Santiago, Chile.
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1990 Chile Seen from Within / Chile seen from inside. Traveling exhibition in the United States.
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1397:"Chilean Photographer Paz Errázuriz Wins Important Spanish Photography Award | This is Chile"
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1997 Chilean Photography / Chilean Photography. Museum of Image and Sound. São Paulo, Brazil.
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2005 "Open Maps, Latin American photography 1991-2002" Fundación Telefónica, Santiago, Chile.
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2002 Migrations / Migrations Chile-Canada, Matucana Cultural Center 100. Santiago, Chile.
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2009 "Workshop Culture" with Luis Poirot. Cultural Institute Las Condes. Santiago, Chile.
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855:"Fotógrafa Paz Errázuriz es el Premio Nacional de Artes Plásticas 2017 - Cooperativa.cl"
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1991 Six Chilean Photographers / Six Chilean Photographers. Sala Patiño, Genève, Suisse.
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1999 Guest Artists Salon / Saloon of Invited Artists Sala El Farol, Valparaíso, Chile.
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2006 "On the Other Side", Women Artists, La Moneda Cultural Center, Santiago, Chile.
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1980 People / Persons, Chilean-North American Institute of Culture, Santiago, Chile.
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1991 A certain time / A Certain Time, National Museum of Fine Arts, Santiago, Chile.
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2015 Dark Mirror, Art from Latin America since 1968, Kunstmuseum, Wolfburg, Germany.
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2010 "The Light that Blinds Me" MAC. Museum of Contemporary Art, Santiago, Chile.
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1991 Women in Art / Women in Art. National Museum of Fine Arts. Santiago, Chile.
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1988 De a dos / Two by Two, Gallery Carmen Waugh La Casa Larga. Santiago, Chile.
148:, which contains multiple collections of her works. The photographs featured in
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795:"Paz Errázuriz: the woman who dared to defy the Pinochet regime – in pictures"
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1990 Open Museum / Open Museum. National Museum of Fine Arts. Santiago, Chile.
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1994 Six visions / Six Visions. National Museum of Fine Arts. Santiago, Chile.
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191:. The pictures featured in this collection were taken from her series called,
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2006 "Paz Errázuriz, Photographs Chile 1981-2002" Museum of Osma, Lima, Peru.
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2012 "Here we are", PhotoEspaña 2012. Circulo de Bellas Artes. Madrid, Spain.
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2014 "Urbes Mutantes" ICP International Center of Photography. New York USES.
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1985 Gallery Fondo de Sol Visual. Arts and Media Center. Washington DC, USA.
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1993 Contact Proofs / Contact Testing. Jersey City Museum, Jersey City, USA.
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1992 Photographs by Paz Errázuriz, The Photography Gallery, Toronto, Canada.
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2001 The sacrifice / The Sacrifice (video). Galería Animal, Santiago, Chile.
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2004 "Chilean Art Passing Borders" Klovicevi Gallery Dvori. Zagreb, Croatia.
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2018 Brooklyn Museum, Brooklyn, Radical Women: Latin American Art, 1960–1985
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1985 Collective Exhibition of Women Women Group Exhibition Nairobi, Kenya.
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1995 Havanna - São Paulo. Haus der Kulturen der Welt, Berlin, Deutschland.
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2005 "Paz Errázuriz, Photographs" Lord Cochrane Museum, Valparaíso, Chile.
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2015 "Here we see ourselves", Centro Cultural Kirchner, Bs. As. Argentina
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2005 "La Mirad" Art Museum of the Bank of the Republic. Bogota, Colombia.
283:(children's story, text and photographs by Paz Errázuriz), Santiago 1973
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1994 States of Loss / Loss States. Jersey City Museum, Jersey City, USA.
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1986 Photographs, Carmen Waugh Gallery The Long House, Santiago, Chile.
266:. Photographs by Paz Errázuriz (1st ed.). New York: W.W. Norton.
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Marco Antonio de la Parra; Ariel Dorfman (1990). Susan Meiselas (ed.).
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were taken from several of her more specific collections, specifically
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1987 Chile lives / Chile Is Alive. Circle of Fine Arts. Madrid, Spain.
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1990 Grant from the Andes Foundation, Santiago, for work in progress
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1999 Women / Women. Photography Dissemination Center Santiago, Chile.
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1983 Entreacts / Entr'actes, University of Bio-Bio Concepción, Chile.
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2010 "Huellas del Catidiano." Mohammed Fassi Gallery. Rabat. Morocco.
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2007 "The Colors of the Meat", José Guerrero Center, Granada, Spain.
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2005 "Paz Errázuriz, Photographs" Espacio Achromatik. Paris, France.
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2015 Inside-Outside, Retrospective. Mapfre Foundation. Madrid Spain.
1024:"The Photographer Who Documented the Underbelly of Chilean Society"
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2010 "Mois de la Photo" Maison de L'Amerique Latine, Paris, France.
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2017 "Radical Women: Latin American Art, 1960–1985," Hammer Museum
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2007 "Preventive Measures", Librería Heavy Metals, Santiago Chile
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2012 "Chile, Art and Politics" Reina Sofía Museum, Madrid, Spain.
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2013 "Ephemerides", National Historical Museum, Santiago, Chile.
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2012 "The Fight against the Angel", Gallery 64, Santiago, Chile.
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2008 "The Chileans I Calbuco" House of Culture, Calbuco, Chile.
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1347:"Radical Women: Latin American Art, 1960–1985 | Hammer Museum"
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Desires and disguises : five Latin American photographers
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2014 "Paz Errázuriz, Photography", Berkeley Art Museum. Cause.
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2017 "Paz Errázuriz", Atelier de la Mecanique, Arles, France.
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2016 "Storms", National Historical Museum, La Serena, Chile.
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2018 "Paz Errázuriz", Museum of Fine Arts. Santiago, Chile.
1102:"'Adam's Apple', Paz Errázuriz, 1983, printed 2008 | Tate"
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1998 Boxer I / Boxer I, Gallery Muro Sur, Santiago, Chile.
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Chile to find legal support and organize group art shows.
767:"11 Radical Latin American Women Artists You Should Know"
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2005 "Exéresis" Libería Metales Pesados. Santiago, Chile.
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2007 "The Battle against the Angel" MAC, Valdivia. Chile.
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2014 Biennial of Tucumán. San José de Tucumán, Argentina.
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2018 "Another Kind of Life", Barbican Gallery, London. UK
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Errázuriz has put out multiple collections that includes
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Desires and disguises: five Latin American photographers
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2015 "Paz Errazuriz", D21 Art Projects, Santiago, Chile.
1372:"How one woman used her camera to defy a dictatorship"
995:"How one woman used her camera to defy a dictatorship"
827:"How one woman used her camera to defy a dictatorship"
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2013 "Cuerpos", Espacio Mínimo Gallery, Madrid, Spain.
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2006 "Allegory of the Baroque", MAC. Santiago, Chile.
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Mosquera, Gerardo; Errázuriz, Paz (March 22, 2016).
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Errázuriz, Paz; Mosquera, Gerardo (March 22, 2016).
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2007 Biennial Art in the Desert, Humberstone, Chile.
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2007 "The Chileans I Calbuco" AFA Gallery, Santiago.
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398:2011 "The Light that Blinds Me", Paz Errázuriz and
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2015 56th Venice Biennale. Venice, Chilean Pavilion
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2017 "Paz Errázuriz", Museo Amparo, Puebla, Mexico.
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2017 Stories of Sexuality, MASP, San Paulo, Brazil.
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1272:Donoso, Claudia; Errazuriz, Paz (September 1990).
1209:. Chile: Servicios Editoriales Y Educativos LTDA.
183:Another collection of photographs by Errázuriz is
522:2007 "Signes d'existence", MAC Santiago, Chile.
489:1982 Photographs, Galería Sur, Santiago, Chile.
187:, which was published in her 2016 book called,
1506:Pontifical Catholic University of Chile alumni
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528:2007 "Points of View", Bochum Museum. Germany.
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687:The Child in Latin America and the Caribbean
555:2000 Museum of Visual Arts. Santiago, Chile.
211:This book also includes a collection called
124:She is also a collaborator for the magazine
426:2006 "Bodies" Espace Arpete. Paris. France
963:Errázuriz, Paz; Mosquera, Gerardo (2016).
249:Military dictatorship of Chile (1973–1990)
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639:1986 II Biennial of Havana. Havana, Cuba.
296:(text Patricio Marchant), Santiago, 1983
65:Cambridge Institute of Education, England
1287:Donoso, Claudia; Errazuriz, Paz (2014).
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576:1994 V Biennial of Havana. Havana, Cuba.
383:2014 Poetry and Dreams. Tate. London UK.
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681:National Prize for Plastic Arts (Chile)
144:, which was published in her 2016 book
82:Pontifical Catholic University of Chile
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573:1994 Chile in Venice. Venezia, Italy.
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1276:. Santiago de Chile: Zona Editorial.
1180:Mosquera, Gerardo (March 22, 2016).
1077:"Paz Errázuriz. Evelyn. 1981 | MoMA"
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302:(text Claudia Donoso), Santiago 1990
233:Chilean National Museum of Fine Arts
1291:. Santiago de Chile: Fundación Ama.
1247:. London: Serpent's Tail. pp.
740:. London: Serpent's Tail. pp.
223:Her work has been collected by the
1491:21st-century Chilean women artists
1476:20th-century Chilean women artists
1306:. Santiago de Chile: D21 Editores.
967:. Aperture. pp. 70, 170–213.
696:, Vicaria de la Solidaridad, Chile
213:Agents and Spaces of Social Change
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1022:Baconsky, Irina (13 April 2018).
765:Gotthardt, Alexxa (23 May 2018).
706:1989 European Economic Community
1486:21st-century women photographers
1471:20th-century women photographers
166:La Manzana de Adán, Adam's apple
402:. Galería E, Valparaíso, Chile.
1207:Amalia. Historia de una gallin
1131:Museo Nacional de Bellas Artes
114:military dictatorship of Chile
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708:Prize for Women Seen by Women
1496:21st-century Chilean artists
1481:20th-century Chilean artists
993:Howard, Ellie (2017-07-13).
825:Howard, Ellie (2017-07-13).
701:The French Presence in Chile
264:Chile from within, 1973-1988
70:Catholic University of Chile
1052:"Exhibition: Paz Errázuriz"
294:Amor de Errázuriz-Fotógrafo
252:careful' – Paz Errázuriz".
150:Sex, Instrument of Survival
142:Sex, Instrument of Survival
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1241:Hopkinson, Amanda (1992).
734:Hopkinson, Amanda (1992).
205:Stages of Life (And Death)
73:Self taught in Photography
689:, UNICEF, Santiago, Chile
108:(born 2 February 1944 in
68:BA in Education from the
1427:"Paz Errazuriz on Vimeo"
1184:. Aperture. p. 11.
1156:. Aperture. p. 10.
910:. Aperture. p. 10.
699:1983 Prize for entry on
692:1982 Prize for entry on
685:1981 Prize for entry on
162:Dolls: Chile-Peru border
1302:Errazuriz, Paz (2015).
1205:Errázuriz, Paz (2013).
935:. Aperture. p. 3.
185:Impediments of the Gaze
676:2015 PhotoEspaña Award
499:Collective exhibitions
1501:Artists from Santiago
1456:Chilean photographers
1152:Aliaga, Juan (2016).
672:Guggenheim Fellowship
1370:Dazed (2017-07-13).
238:Style and influences
225:Museum of Modern Art
23:Paz Errázuriz Körner
16:Chilean photographer
1401:www.thisischile.cl
1289:La manzana de Adán
1274:La manzana de Adán
694:The Chilean Family
306:La manzana de Adán
300:La manzana de Adán
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1430:
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1081:www.moma.org
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861:(in Spanish)
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799:The Guardian
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154:Adam's apple
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1461:1944 births
882:"Biography"
710:, Venezuela
219:Collections
53:Nationality
1450:Categories
1356:2019-11-07
1004:3 February
891:1 February
718:References
703:, Santiago
643:Australia.
310:Juan Yarur
231:, and the
35:1944-02-02
1431:vimeo.com
193:Blindness
61:Education
1061:10 March
1056:ArtNexus
170:Santiago
158:Brothels
136:Artworks
110:Santiago
46:Santiago
1331:5 March
1028:AnOther
88:Website
56:Chilean
1437:1 June
1407:31 May
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281:Amalia
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160:, and
1376:Dazed
999:Dazed
831:Dazed
771:Artsy
679:2017
670:1986
1439:2018
1409:2018
1383:2018
1333:2019
1253:ISBN
1211:ISBN
1186:ISBN
1158:ISBN
1139:2018
1113:2018
1106:Tate
1088:2018
1063:2019
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969:ISBN
937:ISBN
912:ISBN
893:2019
867:2018
838:2019
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746:ISBN
314:ISBN
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229:Tate
195:and
172:and
126:Apsi
97:.com
29:Born
93:www
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