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on unconventional materials, such as the insides of shoes or molded torsos or legs made of rice paper, resembling the mannequins from which they were modeled. One series of works also included paintings of classical
Chinese robes on paper and silk. Her mixed-media works deal with collective history, representation and replication, and often have a calligraphic element. After completing a painting, Peng will create a digital reproduction that is placed in conjuncture with the handcrafted original. Her work often contains a slight subversion of what initially appear to be strictly traditional works. Her work on clothing and shoes can also be read as delving into themes of embodiment, femininity, and history.
400:. Keats later died, and Bachmann's affair with Celan fell apart. At first glance, the accompaniment appears ordinary, but the themes of love, longing, sorrow and loss are echoed by the depiction of a parting at the shore, and another scene of a scholar looking out over an embankment, as boats are moored and unloaded. While the comparison may appear clear, the expression of emotion as restrained within the paintings, but vividly described within the letters emphasize cultural differences. Peng's body of work continues to delve into these themes of yearning, a sense of alienation, and nostalgia for the past.
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The
Beijing-based artist's works often feature classical ink and color painting, depicting landscapes of trees, rivers, and pagodas. Her work reflects on the impact of globalization upon China's cultural heritage, often also featuring motifs of fashion and production. Her paintings are often placed
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Her work, "Letters From a
Distance", 2012, won the APB Foundation Signature Art Prize 2014. Consisting of materials such as handmade linen paper, jade pins, and oxbone scrollbars, Peng draws upon tradition, fixing upon such techniques as an end to themselves for exploration, rather than a medium.
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art magazine. She was one of 25 artists included in the "Contemporary Art from China: Visual
Expression Through Ink and Paper" exhibition. Her work has been featured in exhibitions at the He Xiangning Museum in Shenzheng, the
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of the topic and provide significant coverage of it beyond a mere trivial mention. If notability cannot be shown, the article is likely to be
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with a BA in fine arts in 1997, and earned a
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Please help to demonstrate the notability of the topic by citing
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from the article and its talk page, especially if potentially
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592:"Romantic Parting at the Shore: Peng Wei's Borrowed Letters"
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320:: Péng Wēi) (born 1974) is a contemporary
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408:From 2000 to 2006 she was editor for
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636:Chuen, Ooi Kok (26 February 2004).
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515:"Sergio Rossi's Rice Paper Boots"
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665:"Peng Wei"
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445:References
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190:"Peng Wei"
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371:Letters
338:Chengdu
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316:: 彭 薇;
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