Knowledge (XXG)

Pesaro Madonna

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29: 229:, he broke with a centuries-long tradition of placing the devotional figures (the Virgin and Child) in the center of the painting and the painted space. By doing this, he allowed for a greater sense of movement through the painting, presaging the Baroque period's more complicated compositional techniques. The painting is particularly innovative and shows an example of developed High-Renaissance style, as Titian has used diagonal and triangular principles to draw the viewer's eye up to the Madonna and Child, thus creating hierarchy within the work and shows that the Pesaro family are pious. 140: 233:
subject of some controversy. X-rays reveal that Titian painted several other architectural elements in their place before settling on the columns. Some critics have even speculated that Titian did not paint the columns. The outdoors setting suggests that the activity is taking place in a portico, in which the grandeur of the columns somehow belittles the human beings which leave the figures and the viewer almost in awe of the greater implied force.
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Cross. The back of this angel is juxtaposed with the infant Christ, who turns playfully on Mary's lap and looks down at Saint Francis, who returns his gaze. The fabrics are characteristically rich and textured, particularly the flag and costumes. This attention to material textures is further enhanced by the variation of bright lights and dark accents in the sky. The light of Venice, sparkling in its waterways, seems to illuminate this painting.
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The members of the donor's family are motionless. All the other figures gesture energetically and occupy diagonal planes. The steps, surmounted by large columns cut off at the top, are thrust diagonally back into space. Infant angels appear on the cloud above. One seen in rear view holds the
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The architectural setting, involving the two large columns (which have been cropped to fit the altarpiece) draw emphasis vertically and to the height of the work; which draws the eye Heavenwards. These columns in the center of the painting are unprecedented in Renaissance painting, and are the
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The large red banner at the far left prominently displays the papal arms in the center and those of Jacopo below. Also displayed is a laurel branch, a symbol of victory. An unidentified knight has two prisoners in tow, a turbaned
2162: 1927: 249:. While the painting was being conserved, a replica photograph was displayed in the church. On September 21, 2017, more than 400 people attended a ceremony celebrating the re-installation of Titian's restored altarpiece. 2103: 151:. Prominently displayed on the step is Saint Peter's key; its diagonal plane, leading toward the Virgin, parallels that of Jacopo. The Virgin's position at the top of the steps alludes to her celestial role as 484: 127: 2555: 2141: 601: 1882: 2095: 171:
links the five kneeling Pesaro family members to Christ, suggesting that through his own route of identification with Christ's salvation can be achieved. Just behind Saint Francis is
2683: 2485: 2315: 846: 155:(Madonna of the Stairs) and as the Stairway to Heaven. Titian actually used his wife, who died in childbirth soon after, as the model for the Virgin Mary in this work. 2223: 978: 1040: 2215: 808: 2593: 2118: 1853: 962: 744: 322: 287: 1867: 2631: 1995: 1527: 838: 2508: 2462: 2454: 2346: 2270: 1078: 533: 2718: 2693: 784: 2532: 1950: 1109: 1024: 776: 2547: 729: 699: 519: 2616: 2049: 1747: 954: 768: 760: 28: 2713: 2570: 2439: 2262: 2192: 2087: 854: 368: 1032: 1016: 923: 752: 447: 2323: 1132: 970: 823: 714: 691: 242: 2417: 1942: 1606: 1328: 1197: 1189: 1001: 993: 892: 563: 102: 74: 405: 245:, Titian's painting was removed from view and began a lengthy conservation treatment funded by the non-profit organization 2524: 2231: 1488: 616: 2688: 1117: 939: 915: 900: 862: 646: 586: 1834: 1728: 1645: 1163: 492: 1559: 139: 2382: 2367: 2358: 2072: 1912: 1781: 1614: 1298: 931: 877: 631: 2293: 1567: 1465: 1155: 356: 334: 299: 213: 2424: 2177: 1980: 1675: 1374: 1366: 676: 2608: 2493: 2064: 2035: 1965: 1796: 1343: 1253: 467: 258: 168: 2703: 2578: 2397: 1897: 1094: 578: 172: 2708: 2411: 2239: 2021: 1358: 1086: 1055: 548: 2698: 2516: 2247: 1804: 1720: 1690: 1660: 1630: 1575: 1496: 1457: 1140: 440: 1598: 1480: 1442: 1313: 1238: 1070: 97:) (better known as the Madonna di Ca' Pesaro) is a painting by the late Italian Renaissance master 2662: 2477: 2278: 2207: 1705: 1622: 1535: 1382: 147:
Titian shows his patron in a devotional pose, kneeling before the Virgin and presented to her by
2639: 1819: 1551: 1427: 2155: 1283: 1268: 661: 246: 176: 90: 2657: 2331: 1543: 1519: 1412: 433: 1511: 1397: 371:, Venice an online exhibit, the University of Mary Washington. Accessed March 11, 2013 160: 2677: 1766: 800: 1223: 507: 330: 326: 295: 291: 217: 122: 167:, probably a reference to Jacopo's victory over the Turks in 1502. At the right, 109:
for which the work was painted, and where it remains today. Jacopo was Bishop of
101:, commissioned by Jacopo Pesaro, whose family acquired in 1518 the chapel in the 1590: 148: 226: 1759: 382:"Save Venice Inc. | Dedicated to preserving the artistic heritage of Venice" 200: 66:
4.88 m Γ— 2.69 m (16.0 ft Γ— 8.8 ft)
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Save Venice Inc. | Dedicated to preserving the artistic heritage of Venice
792: 179:, are Franciscans, as is the church of Santa Maria Gloriosa dei Frari. 2104:
Virgin and Child with Saint John the Baptist and an Unidentified Saint
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Replica of Titian's original painting displayed during conservation
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Jacopo Pesaro being presented by Pope Alexander VI to Saint Peter
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Jacopo Pesaro being presented by Pope Alexander VI to Saint Peter
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Madonna and Child with Saints Luke and Catherine of Alexandria
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Virgin and Child with Saints Anthony Abbot, Jerome and Francis
125:. This painting recalls one of Titian's earliest paintings 406:"Save Venice Inc. restores Titian's Madonna di Ca' Pesaro" 381: 1883:
Virgin and Child Between Saints Anthony of Padua and Roch
425: 117:, and had been named commander of the papal fleet by the 2163:
Virgin and Child with Saints Stephen, Jerome and Maurice
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The Virgin and Child with Saint George and Saint Dorothy
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Virgin and Child with Saints Stephen, Jerome and Maurice
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Christ Appearing to his Mother after his Resurrection
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1760:Giorgione 1740:Religious 1461:(1518–19) 1383:The Bravo 1087:Philip II 1056:A General 777:Charles V 477:Portraits 341:March 11, 306:March 11, 1931:(Paris; 1552:Sisyphus 1428:Violante 793:La Bella 520:New York 312:, video. 253:See also 77:, Venice 71:Location 2651:Related 2050:Private 2006:–1514; 1854:Glasgow 1269:Justice 1216:Secular 347:, text. 91:Italian 2635:(1576) 2574:(1565) 2528:(1559) 2520:(1558) 2512:(1575) 2489:(1554) 2481:(1554) 2473:–1559) 2458:(1552) 2420:(1549) 2414:(1548) 2408:–1545) 2393:–1544) 2378:–1544) 2361:, 1543 2359:Vienna 2327:(1540) 2289:–1534) 2274:(1531) 2266:(1531) 2243:(1530) 2235:(1530) 2227:(1529) 2219:(1525) 2158:(1520) 2129:–1520) 2114:–1520) 2068:(1515) 2036:Madrid 2017:Salome 2013:–1545) 1946:(1511) 1938:–1525) 1868:Vienna 1701:–1570) 1671:–1564) 1656:–1562) 1641:–1575) 1602:(1555) 1594:(1551) 1555:(1549) 1547:(1549) 1544:Tityus 1531:(1540) 1523:(1538) 1507:–1535) 1413:Vanity 1378:(1515) 1362:(1514) 1339:–1514) 1264:–1508) 1249:–1508) 1136:(1558) 1128:–1558) 1105:–1555) 1090:(1554) 1082:(1552) 1074:(1551) 1051:–1551) 1036:(1548) 1028:(1548) 1020:(1548) 1012:–1550) 997:(1546) 989:–1546) 935:(1545) 919:(1542) 850:(1538) 842:(1538) 819:–1540) 796:(1536) 756:(1533) 748:(1533) 740:–1532) 710:–1565) 700:A Lady 695:(1523) 687:–1525) 597:–1518) 582:(1515) 574:–1515) 559:–1515) 457:Titian 163:and a 121:pope, 119:Borgia 115:Cyprus 111:Paphos 107:Venice 99:Titian 55:Medium 42:Titian 39:Artist 2640:PietΓ  1560:DanaΓ« 1398:Flora 515:A Man 113:, in 2022:Rome 1908:–12) 343:2013 308:2013 165:Moor 161:Turk 83:The 47:Year 329:at 294:at 105:in 2680:: 2622:c. 2599:c. 2584:c. 2561:c. 2538:c. 2499:c. 2468:c. 2445:c. 2430:c. 2403:c. 2388:c. 2373:c. 2337:c. 2306:c. 2304:; 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Index


Santa Maria Gloriosa dei Frari
Italian
Titian
Frari Basilica
Venice
Paphos
Cyprus
Borgia
Alexander VI
Jacopo Pesaro being presented by Pope Alexander VI to Saint Peter

Saint Peter
Turk
Moor
Saint Francis of Assisi
Saint Anthony of Padua
Saint Bernardino

Titian's Madonna of the Pesaro Family
Smarthistory
altarpiece
2012 earthquakes in Northern Italy
Save Venice Inc
List of works by Titian




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