25:
192:
cousin, Daniel Le Febvre, is described as "guardian" of the children of Peter (Pierre) Monamy, deceased. Andrew Monamy is also named in
Admiralty archival records as having served as boatswain in 1710 on a 20 gun privateer named "La Chasse", owned by a syndicate of Guernsey merchants. Later in the same year Andrew is recorded as lieutenant on another privateer owned by Daniel Lefebvre and Andrew Mesurier of Guernsey. The gunner on this vessel, named "The Revenge of the Flying Sloop", was an Andrew Clark.
789:], neither was he excell'd by many of the Ancients; but his Name and Character are too well known and establish'd among the Curious to need any artful Commendation to set them in greater Light to advance his Merit; neither can the warmest Praise add to his Fame when dead, who, in his Life, was the greatest Enemy to Adulation; and tho' some Notice is due to the Memory of so celebrated an Artist in Painting, yet his own Performances, which are extant in the World, will prove his most lasting Monument."
727:
744:, although Walpole added that "he had little reason to expect his fame", because of his training as an apprentice, and "the views of his family". Later art-historical comment, partly influenced by Walpole, but especially during the 20th century, has tended to disparagement. In some cases these later accounts of Monamy's career, including the entry written by Lionel Cust in the first edition of the
317:
469:
447:. A second painting of Winstanley's lighthouse, as well as one of Rudyard's, both by Monamy, are also known. During these years it may reasonably be conjectured that another daughter, Mary, would have been born to Peter and Hannah. There is no known record of her birth in London, but she later married Francis Swaine, on 26 June 1749, at Allhallows, London Wall.
95:
750:, 1885–1900, are wildly inaccurate. Although the entry for Monamy in E.H.H.Archibald's 1980 edition of his "Dictionary of Sea Painters" correctly gives Monamy's city of birth as London, it is otherwise riddled with a number of inexplicable errors. Notable among earlier inventive fabrications is an article which appeared in
510:
mentions that three of these paintings are signed, that they are executed "in a very cartographic manner", and "are of considerable historical interest". While establishing himself as London's pre-eminent marine painter, Monamy will have continued to undertake commissions as a house decorator. There
268:
mentions that Monamy served his apprenticeship on London Bridge, and that he exhibited his works in the window of his shop. There is no indication that Monamy worked for anyone other than his master, William Clark, and the very strong likelihood is that he succeeded to Clark's practice at his death,
179:, and his English wife, Dorothy Gilbert; and the grandson of André Monamy, 1612–1680, who had been a strongly committed Commonwealth Parliamentarian, and one of Guernsey's Governors, during the 1650s. Dorothy Gilbert, born 1660 in London, was the daughter of James Gilbert, who had been Master of the
772:
A tendency of later critics and art historians is to suppose that Monamy experienced little competition as a marine painter, following the death of the
Younger van de Velde in 1707. The truth, however, is that there were several native rivals in the marine genre, including Isaac Sailmaker (after 70
632:
he lived some years latter part of his life at
Westminster near the river side, for the conveniency in some measure of viewing the water & sky; though he made many excursions towards the coasts and seaports of England to improve himself from nature thus having run thro' his time being decayed
616:
his industry and understanding in the forms and buildings of shipping with all the tackles ropes & sails &c which he thoroughly understood made his paintings of greater value; besides his neatness and clean pencilling of sky and water by many was much esteemed, especially sea-faring people,
450:
From the above records, and subsequent comments, it can reasonably be surmised, as mentioned above, that Monamy set up in business on his own account, both as a decorator and easel painter, quite soon after being made free in 1704. He is repeatedly mentioned in later accounts as having owned a shop
183:
in 1670 and 1672. A marriage allegation, dated 22 October 1675, records the union of Peter Mon-Amy, of St Martin's in the Fields, and
Dorothy Gilbert, of St Trinity in the Minory, with her father's consent, at All Hallowes in the Wall, London. Peter (Pierre) Mon-Amy's age is given as "abt 23", and
567:
and line, after Monamy's works, were produced in the years from about 1730 until just before his death in 1749. These continued to be reproduced and copied, in some quantity, until well into the 19th century. Those engravings executed during Monamy's lifetime are an excellent guide to the genuine
705:
The range of Monamy's painting œuvre is remarkably wide and varied, and it is apparent that in his prime he must have headed a considerable studio, and that a number of younger and older assistants would have participated in studio productions during his 45-year career. It is very possible that
191:
since at least the 1530s. The painter's father, Pierre, who appears to have died in about 1685, had a brother named André, or Andrew, who was active in London as a merchant trader in salt and wool, during the late 17th and early 18th centuries. In
December, 1696, Andrew Monamy, together with his
302:
A further child, named Robert, is recorded as born to Peter and Hannah on 12 May 1720, and registered at St
Saviour's, Southwark, Surrey. This suggests that Peter had returned to live on London Bridge, having previously had an interim London address in Red Lion Street. There is no further known
558:
points out that "a national art in the making was reinforced by a number of modern history paintings by Peter Monamy, of
English naval victories". Two of these paintings (the Algerine Pirates and Sweet William's Farewell, both engraved by Paul Fourdrinier, who since about 1900 has also been
457:
Monamy, the marine painter, some of whose pictures were scarcely inferior to
Vandevelde's, served his apprenticeship on London Bridge, and exhibited his works in the window of his shop, to the delight of the sons of Neptune, men and boys, who were seen in crowds gazing at his wondrous
760:
family of marine painters, an unsupported assumption which first appeared in about 1950. Since about that time, or a little earlier, there has been a flow of paintings entering the market, and now forming parts of otherwise reputable collections, which can only be described as
773:
years in
England he can be counted a virtual Englishman); Francis Place; the Vale brothers, Humphrey and Robert; Thomas Baston; J.Boon; Robert Woodcock; and later J.Cook; Samuel Scott; Thomas Mellish; Thomas Allen; and others active during Monamy's final two decades.
714:, who became a highly regarded marine painter from about 1758 onwards, is explicitly referred to as "Old Swaine, pupil of Monamy", in a memoir of Admiral Sir George Young, who had taken part in the second Capture of Louisbourg, Nova Scotia, 1758. In Mark Noble's
633:
and infirm some years before his death, which happened at his house at
Westminster the beginning of Feb 1748/9 leaving many paintings begun and unfinished, his works being done for dealers at moderate prices kept him but in indifferent circumstances to his end.
291:; and another Andrew, baptised on 11 August 1712, also at St Mary's. As there is no further record of these children it must be assumed that all three died young, or in infancy. In 1708 the baptismal register records the couple, or the mother, as living in the
765:, detectable as inauthentic when compared with works that have solid 18th century provenance. In spite of the progressive adulteration of the Monamy oeuvre, and before the 20th century, it was nevertheless still possible for Julian Marshall to quote, in his
638:
These "indifferent circumstances", which only apply to his last two or three years, have been over-stressed in many later accounts of Monamy's life. Well over a year after his death, on 26 July 1750, his studio possessions, pictures, prints, drawings,
603:, a London newspaper, of Tuesday, 20 May 1740, that the Prince of Wales and Princess Augusta had selected "the Picture representing the taking of Porto Bello" for particular inspection during a visit to the Gardens the previous evening.
428:(1723–1759), has left a record of his presence in Ireland; and William van der Hagen, another painter-decorator, and occasional marine painter, is also associated with the city of Cork. Another possibility is of a period of residence in
175:, on 12 January 1681 (new style). His name seems to be of French origin, and it is probable that he was of French descent. He was the last of the five known children, all born in London, of Pierre, or Peter, Monamy, born circa 1650 in
298:
On 6 October 1708, Monamy registered an apprentice, Henry Kirby, who was bound to him for seven years by indenture. Kirby was the son of Henry Kirby, citizen and gunmaker of London, and a member of the Company of Gunmakers.
522:
During the decade from 1730 to 1740 Monamy would have found that his practice became increasingly hard-pressed, as it met with the censure of groups of self-appointed arbiters of taste, and the importation of quantities of
783:"Yesterday Evening was buried at St. Margaret's Westminster, Mr.Peter Monamy, greatly eminent for his Skill in Painting Sea Pieces; in which Art, as he was not equall'd by any of his Cotemporaries [
610:
Monamy continued as the marine painter most esteemed by active serving seamen, even during his slow financial decline and loss of aristocratic patronage, and for many decades after his death. In 1749
550:, a pleasure resort for Londoners, as a show-place for native English paintings. Monamy supplied at least four prominently displayed naval scenes for the Gardens. These are now lost, but known from
280:. The child's death is registered on 7 May, and it must be assumed that her mother also died. On 9 January 1707 (new style), Peter Monamy is recorded as marrying Hannah Christopher, at Allhallows,
776:
As an indication of the esteem in which Monamy was held by a significant group of his fellow-Londoners, both as a person and as a practitioner of his craft, the following anonymous obituary, from
404:
At present it can only be conjectured what Monamy's whereabouts may have been during the years between about 1714 and 1720. It is not impossible, however, that he spent some time in
571:
During his final years a significant number of Monamy's paintings can be closely associated with the naval exploits of several English fleet officer members of the Durell family of
276:
On 17 April 1706, a daughter of Peter Monamy, painter, and Margaret, is recorded as baptised with the name of Margaret, at St Olave's, near London Bridge, on the south bank of the
718:, 1806, under the entry for Monamy, it is stated that "Swaine, of Stretton Ground, Westminster, his disciple, and bred under him, was an excellent painter of moon-light pieces."
227:, with a thriving business. House decoration comprised a wide range of activities, including the provision of paintings as overdoors and overmantels, and on panelling, house
812:
690:, and their eldest son, Peter Monamy Cornwall, was baptised on 20 January 1747, at St Margaret's, Westminster. Four months after Peter Monamy's death Mary Monamy married
486:
On taking up residence as a studio painter, in Westminster in the early 1720s, Monamy's practice to all appearances entered a new and prosperous phase. His standing as a
625:
A sailor … is a better judge of the principal circumstances which enter into the composition of a sea-piece, than the best painter in the world, who was never at sea.
287:
Three children were born to Peter and Hannah Monamy in rapid succession: Andrew, baptised on 15 December 1708, at St Botolph's; Hannah, baptised on 5 March 1710, at
769:
in the South Kensington National Art Library, 1895, that after completing his apprenticeship, Monamy had been "reckoned the finest painter of shipping in England."
655:, the sale lasting a full day. His house, which he must have moved into from Fish Yard some time after 1730, was described in the auctioneer's advertisement as "
579:
family of Guernsey, who were themselves linked by multiple marriage ties. In the period preceding Britain's crucial first bid for global naval supremacy, at
381:
Poor Rate Book, which lists "Peter Monyman" as living in Fish Yard, off St Margaret's Lane, from 1723 to 1729. Fish Yard was almost within the precincts of
1280:
825:
Monamy, Peter ( b London , Jan 12, 1681; d London , Feb 1, 1749 ). English painter. It seems likely that his family origins and name were French.
490:
of the Painter-Stainer's Company in 1726 was cemented by the donation to Painter's Hall of what was subsequently described by Thomas Pennant as "
1275:
200:
1250:
1126:
1099:
1009:
951:
238:, a fellow Painter-Stainer, who later became the first native English painter to be knighted, and whose major work is the decoration of the
1270:
756:
of April 1911, purporting to describe his life and work. Even this fantasy, however, does not suggest that Monamy was ever employed by the
588:
495:
444:
46:
231:
on canvas as well as decorative sign-boards for trade establishments. William Clark died before January, 1704, when his will was proved.
923:
499:
1079:
1037:
1023:
898:
364:
68:
969:
746:
1300:
1116:
1088:
734:
270:
180:
740:
Throughout the 18th century, and well into the 19th, Monamy was consistently described in all references as "famous", even by
1285:
342:
390:
338:
1305:
980:
915:
295:, near St Botolph's; and in 1712 in Red Lion Street, near St Mary's. The Minories was an area noted for its gunsmiths.
563:) appear to have been on display prior to the war with Spain, which began in 1739. A substantial number of prints, in
243:
1094:. Exhibition catalogue; St Barbe Museum and Art Gallery, Lymington, Hampshire, England, 13 August – 17 October 2009.
327:
39:
33:
854:"A Catalogue of engraved national portraits in the National Art Library / with a prefatory note by Julian Marshall"
604:
346:
331:
269:
and continued in the same business. This supposition is reinforced by the birth and baptism of his first child at
401:. A daughter, Anne, of Peter and Hannah Monamy, was baptised at St Margaret's, Westminster, on 3 September 1725.
424:, which are still owned by the club. Charles Brooking, father of the highly regarded marine painter, also named
50:
398:
699:
836:
752:
695:
164:
884:
Allegations for Marriage Licences issued by the Vicar-General of the Archbishop of Canterbury, 1669 to 1679
554:. In a review for the "Times Literary Supplement", 27 January 2012, of Coke and Borg's "Vauxhall Gardens",
858:
1225:
599:'s capture of Porto Bello, including a canvas for public display at Vauxhall Gardens. It was reported in
1107:
583:
in 1740, and during the mounting opposition to the appeasement policies and other political measures of
421:
382:
959:
1295:
1290:
1209:
436:
187:
The Monamy family had been prominent merchants and residents of Guernsey since the 1560s, and in the
726:
580:
224:
675:, 1761. However, it is clear that Monamy's two daughters, Mary and Ann, and more particularly his
1064:
592:
536:
452:
265:
595:
were among the most active and vociferous of his opponents. Monamy painted numerous versions of
1122:
1095:
1033:
1019:
1005:
947:
919:
894:
660:
386:
1191:
The First and Only Authoritative Account of the Life and Work of the Pictor Londini (website)
698:. Their second child, and only known son, was baptised Monamy Swaine on 27 February 1753, at
707:
547:
474:
440:
425:
417:
288:
208:
607:, 1707–1751, was at that time publicly heading the political opposition to Robert Walpole.
1190:
986:
620:
576:
540:
235:
188:
1255:
1092:
The Call of the Sea: Peter Monamy, Charles Brooking and the early British marine painters
1240:
234:
Monamy was made free of his apprenticeship on 1 March 1704 (new style), the same day as
1172:
1156:
1042:
741:
711:
691:
668:
596:
584:
211:. Clark is recorded in several capacities in the London of the late 17th century, as a
196:
146:
1264:
1147:
611:
507:
394:
220:
184:
Dorothy Gilbert's age as "abt 18". Their actual ages appear to have been 25 and 15.
958:
928:
757:
555:
494:", which is still in situ. Five large paintings, one dated 1725, were produced for
433:
277:
239:
546:
Hogarth is credited with hitting upon the idea of using the re-opening in 1736 of
664:
560:
516:
405:
378:
316:
281:
539:. These were sufficiently detrimental to native English practitioners to drive
1142:
Calendar of Treasury Papers, Volume 1: 1556–1696: Vol 42: 22–31 December 1696.
964:
683:
640:
524:
251:
149:
199:
for seven years by indenture to William Clark, a former (1687) Master of the
762:
648:
644:
564:
551:
487:
468:
212:
1245:
412:, which at this time was a hive of activity for English, and particularly
94:
702:. Monamy Swaine followed his father and grandfather as a marine painter.
512:
429:
413:
292:
254:
176:
152:
853:
687:
652:
409:
172:
1246:
Painters' Hall website, with Monamy's 1726 donation in the Livery Hall
1229:
572:
532:
515:
firmly attributable to him in a house in Old Burlington Street, near
478:
168:
1132:
891:
Henry Winstanley: Artist, Inventor and Lighthouse-builder, 1644–1703
420:. There are two notable paintings by Monamy depicting yachts of the
1153:, first published by the Walpole Society, 1929–1942 & 1948–1950
725:
676:
528:
467:
228:
204:
1235:
635:" Monamy was buried in St Margaret's Church on 7 February 1749.
247:
216:
1003:
Charles Brooking (1723–59) and the 18th Century Marine Painters
785:
310:
18:
663:. The building is noticeable in an engraving of the Abbey by
543:, Monamy's close contemporary, to expressions of near-fury.
443:'s earlier Eddystone lighthouse by Peter Monamy, now in the
195:
On 3 September 1696, Peter Monamy, aged 15, was bound as an
1256:
Guide to the works of Peter Monamy in galleries and museums
432:, where Charles Brooking Senior was involved in furbishing
535:, as well as of artists and aesthetic concepts from the
1060:
Gentleman's & Connoisseur's Dictionary of Painters
657:
next to King Henry VIIth’s Chapel, in Old Palace Yard
455:, an artist and raconteur (1769–1843) mentions that "
377:
The next confirmed biographical item comes from the
273:in the vicinity of the south end of London Bridge.
132:
116:
104:
85:
1251:National Maritime Museum biography of Peter Monamy
886:. (Publications of the Harleian Society; Vol. 34.)
1169:(1951); "The Pictures" by Oliver Millar, page 44.
933:Realism in the Protestant and Bourgeois Countries
912:The History of the Worshipful Company of Painters
223:, and practised as what would today be called an
502:from 1727, commemorating his naval triumphs. In
973:. Vol. 38. London: Smith, Elder & Co.
686:, on 14 February 1745, at St George's Chapel,
8:
1211:The Vernacular Art of the Artisan in England
559:mistakenly referred to as Peter, or Pierre,
991:Essays, Moral, Religious, and Miscellaneous
682:Ann Monamy had married Thomas Cornwall, an
345:. Unsourced material may be challenged and
163:Peter Monamy was baptised at the church of
93:
82:
365:Learn how and when to remove this message
219:, with premises in Thames Street, and on
69:Learn how and when to remove this message
767:Catalogue of Engraved National Portraits
617:officers & others, merchants &c.
385:, the seat of government, very close to
32:This article includes a list of general
1165:Whitbread, Major Samuel. Introduction.
1001:Joel, David & Taylor, James (1999)
803:
679:, were left in financial difficulties.
473:"A Third-rate joining her Squadron off
99:Peter Monamy, by Thomas Stubley, c 1730
1213:, The Magazine Antiques, February 1997
1151:Vertue Notebooks, Notebooks I-V and VI
201:Worshipful Company of Painter-Stainers
1236:Biographical website for Peter Monamy
1075:Ambulator: or ... a Tour round London
937:Larousse: Renaissance and Baroque Art
906:The History of the Island of Guernsey
7:
1226:69 artworks by or after Peter Monamy
942:Coke, David & Borg, Alan (2011)
710:was one of these, during the 1740s.
519:, London, which is datable to 1728.
496:George Byng, 1st Viscount Torrington
343:adding citations to reliable sources
1067:, alias Ephraim Hardcastle (1823)
439:. There is a striking painting of
38:it lacks sufficient corresponding
14:
1281:18th-century English male artists
841:A Biographical History of England
694:, 1725–1782, on 29 June 1749, at
673:London and its Environs Described
155:who lived between 1681 and 1749.
970:Dictionary of National Biography
882:Armytage, George J., ed. (1892)
747:Dictionary of National Biography
731:British Men of War in a Calm Sea
315:
23:
1241:"Peter Monamy: the island wiki"
1117:Worshipful Company of Gunmakers
1089:St Barbe Museum and Art Gallery
735:Museum of the Shenandoah Valley
716:Biographical History of England
630:Vertue goes on to relate that "
181:Worshipful Company of Gunmakers
1030:Eddystone: The Finger of Light
997:London & its Neighbourhood
1:
1276:18th-century English painters
1157:Walpole, Horace: Lord Orford
1113:Stimpson, Derek, ed. (2008)
977:Englefield, W. A. D. (1923)
614:expressed this reputation: "
271:St Olave's Church, Southwark
165:St Botolph's-without-Aldgate
1271:17th-century English people
1205:of the Société Guernesiaise
1058:Pilkington, Matthew (1798)
957:Cust, Lionel Henry (1894).
944:Vauxhall Gardens: a history
500:First Lord of the Admiralty
391:St. Margaret's, Westminster
1322:
1193:, Charles Harrison-Wallace
1173:Young, Sir George, 3rd Bt.
1049:(five editions, 1790–1813)
780:of 9 February 1749, says:
733:(1730s) on display in the
605:Frederick, Prince of Wales
203:, one of London's ancient
1167:Southill: A Regency House
1084:Nollekens & His Times
981:Painter-Stainers' Company
916:Painter-Stainers' Company
851:Marshall, Julian (1895)
811:Deuchar, Stephen (2003).
587:, England's long-serving
504:Southill: A Regency House
92:
1199:of the Société Jersiaise
1104:St Leger, Alicia (2005)
862:. Inventory no. 1151160.
667:included in Volume 1 of
492:a fine piece of shipping
244:Greenwich Naval Hospital
1014:McCormack, John (1980)
696:All Hallows-on-the-Wall
53:more precise citations.
1301:British marine artists
1052:Phillips, Hugh (1954)
1047:Some Account of London
995:Hughson, David (1806)
904:Berry, William (1815)
889:Barnes, Alison (2003)
859:Royal Collection Trust
737:
659:", at the east end of
623:noted, in 1766, that "
568:manner of his oeuvre.
483:
303:record of this child.
289:St Mary's, Whitechapel
246:, celebrating English
1286:English male painters
1108:Royal Cork Yacht Club
1073:Scatcherd, J. (1774)
960:"Monamy, Peter"
729:
722:Posthumous reputation
700:St Dunstan's, Stepney
471:
422:Royal Cork Yacht Club
393:, which is still the
159:Early life and family
1208:Ayres, James (1997)
1135:The London Gazetteer
1028:Palmer, Mike (2005)
778:The London Gazetteer
753:The Mariner's Mirror
437:Eddystone Lighthouse
339:improve this section
1306:Artists from London
1065:Pyne, William Henry
1054:Mid-Georgian London
815:. Oxford Art Online
511:is extant a marine
1137:of 9 February 1749
1069:Wine & Walnuts
1016:The Guernsey House
910:Borg, Alan (2005)
738:
647:and collection of
484:
453:William Henry Pyne
451:on London Bridge.
266:William Henry Pyne
225:interior decorator
1127:978-0-9559032-0-5
1106:A History of the
1100:978-0-9559729-1-1
1032:. Seafarer Books
1010:978-1-85149-277-0
952:978-0-300-17382-6
876:Printed materials
661:Westminster Abbey
387:Westminster Abbey
375:
374:
367:
140:
139:
136:Maritime painting
79:
78:
71:
1313:
1177:Young of Formosa
987:Highmore, Joseph
974:
962:
864:
863:
849:
843:
834:
828:
827:
822:
820:
808:
708:Charles Brooking
548:Vauxhall Gardens
475:Elizabeth Castle
441:Henry Winstanley
399:House of Commons
383:Westminster Hall
370:
363:
359:
356:
350:
319:
311:
262:Wine and Walnuts
250:prowess and the
123:
97:
83:
74:
67:
63:
60:
54:
49:this article by
40:inline citations
27:
26:
19:
1321:
1320:
1316:
1315:
1314:
1312:
1311:
1310:
1261:
1260:
1222:
1217:
1181:
1043:Pennant, Thomas
979:History of the
956:
873:
868:
867:
852:
850:
846:
835:
831:
818:
816:
813:"Monamy, Peter"
810:
809:
805:
800:
795:
724:
621:Joseph Highmore
541:William Hogarth
527:paintings from
466:
445:Plymouth Museum
371:
360:
354:
351:
336:
320:
309:
236:James Thornhill
189:Channel Islands
161:
128:
125:
121:
120:7 February 1749
112:
109:
100:
88:
75:
64:
58:
55:
45:Please help to
44:
28:
24:
17:
16:English painter
12:
11:
5:
1319:
1317:
1309:
1308:
1303:
1298:
1293:
1288:
1283:
1278:
1273:
1263:
1262:
1259:
1258:
1253:
1248:
1243:
1238:
1233:
1221:
1220:External links
1218:
1216:
1215:
1206:
1200:
1194:
1187:
1186:
1185:
1180:
1179:
1170:
1163:
1161:Complete Works
1154:
1148:Vertue, George
1145:
1138:
1129:
1111:
1102:
1086:
1077:
1071:
1062:
1056:
1050:
1040:
1026:
1012:
999:
993:
984:
975:
954:
940:
926:
924:978-1905217052
908:
902:
887:
879:
878:
877:
872:
869:
866:
865:
844:
829:
802:
801:
799:
796:
794:
791:
742:Horace Walpole
723:
720:
712:Francis Swaine
692:Francis Swaine
669:Robert Dodsley
601:The Daily Post
597:Admiral Vernon
589:Prime Minister
585:Robert Walpole
498:, (1663–1733)
465:
462:
373:
372:
323:
321:
314:
308:
305:
160:
157:
138:
137:
134:
130:
129:
126:
124:(aged 68)
118:
114:
113:
110:
106:
102:
101:
98:
90:
89:
86:
77:
76:
31:
29:
22:
15:
13:
10:
9:
6:
4:
3:
2:
1318:
1307:
1304:
1302:
1299:
1297:
1294:
1292:
1289:
1287:
1284:
1282:
1279:
1277:
1274:
1272:
1269:
1268:
1266:
1257:
1254:
1252:
1249:
1247:
1244:
1242:
1239:
1237:
1234:
1231:
1227:
1224:
1223:
1219:
1214:
1212:
1207:
1204:
1201:
1198:
1195:
1192:
1189:
1188:
1184:Other sources
1183:
1182:
1178:
1174:
1171:
1168:
1164:
1162:
1158:
1155:
1152:
1149:
1146:
1143:
1139:
1136:
1133:
1130:
1128:
1124:
1120:
1118:
1112:
1110:
1109:
1103:
1101:
1097:
1093:
1090:
1087:
1085:
1081:
1078:
1076:
1072:
1070:
1066:
1063:
1061:
1057:
1055:
1051:
1048:
1044:
1041:
1039:
1038:0-9547062-0-X
1035:
1031:
1027:
1025:
1024:0-85033-380-6
1021:
1017:
1013:
1011:
1007:
1004:
1000:
998:
994:
992:
988:
985:
983:
982:
976:
972:
971:
966:
961:
955:
953:
949:
945:
941:
938:
934:
930:
929:Brion, Marcel
927:
925:
921:
917:
914:. (Otherwise
913:
909:
907:
903:
900:
899:0-905993-81-0
896:
892:
888:
885:
881:
880:
875:
874:
870:
861:
860:
855:
848:
845:
842:
838:
833:
830:
826:
814:
807:
804:
797:
792:
790:
788:
787:
781:
779:
774:
770:
768:
764:
759:
755:
754:
749:
748:
743:
736:
732:
728:
721:
719:
717:
713:
709:
703:
701:
697:
693:
689:
685:
680:
678:
674:
670:
666:
662:
658:
654:
650:
646:
642:
636:
634:
628:
626:
622:
618:
613:
612:George Vertue
608:
606:
602:
598:
594:
590:
586:
582:
578:
574:
569:
566:
562:
557:
553:
549:
544:
542:
538:
534:
530:
526:
520:
518:
514:
509:
508:Oliver Millar
505:
501:
497:
493:
489:
482:
480:
476:
470:
463:
461:
459:
454:
448:
446:
442:
438:
435:
431:
427:
423:
419:
415:
411:
407:
402:
400:
396:
395:parish church
392:
388:
384:
380:
369:
366:
358:
348:
344:
340:
334:
333:
329:
324:This section
322:
318:
313:
312:
307:Missing years
306:
304:
300:
296:
294:
290:
285:
283:
279:
274:
272:
267:
263:
258:
256:
253:
249:
245:
241:
237:
232:
230:
226:
222:
221:London Bridge
218:
214:
210:
206:
202:
198:
193:
190:
185:
182:
178:
174:
170:
166:
158:
156:
154:
151:
148:
144:
135:
131:
119:
115:
107:
103:
96:
91:
84:
81:
73:
70:
62:
52:
48:
42:
41:
35:
30:
21:
20:
1228: at the
1210:
1203:Transactions
1202:
1196:
1176:
1166:
1160:
1150:
1141:
1134:
1131:Obituary in
1114:
1105:
1091:
1083:
1080:Smith, J. T.
1074:
1068:
1059:
1053:
1046:
1029:
1015:
1002:
996:
990:
978:
968:
943:
936:
932:
911:
905:
890:
883:
857:
847:
840:
832:
824:
817:. Retrieved
806:
784:
782:
777:
775:
771:
766:
758:van de Velde
751:
745:
739:
730:
715:
704:
681:
672:
656:
637:
631:
629:
624:
615:
609:
600:
593:sea-captains
577:de Sausmarez
570:
556:John Barrell
545:
521:
506:, 1951, Sir
503:
491:
485:
472:
456:
449:
403:
376:
361:
352:
337:Please help
325:
301:
297:
286:
275:
261:
259:
240:Painted Hall
233:
194:
186:
162:
143:Peter Monamy
142:
141:
122:(1749-02-07)
87:Peter Monamy
80:
65:
56:
37:
1296:1749 deaths
1291:1681 births
1119:: a history
965:Lee, Sidney
837:Noble, Mark
665:Samuel Wale
641:ship models
581:Porto Bello
561:Fourdrinier
517:Bond Street
379:Westminster
282:London Wall
51:introducing
1265:Categories
819:8 November
793:References
684:apothecary
575:, and the
552:engravings
525:Old Master
513:overmantel
464:Later life
355:March 2018
252:Protestant
197:apprentice
59:March 2016
34:references
1140:Treasury
798:Citations
763:pastiches
653:auctioned
645:furniture
565:mezzotint
537:continent
488:Liveryman
434:Rudyard's
418:craftsmen
326:does not
213:constable
209:craftsmen
1197:Bulletin
591:, these
430:Plymouth
414:Huguenot
293:Minories
255:monarchy
177:Guernsey
133:Movement
1175:(1927)
1159:(1798)
1082:(1828)
1045:(1790)
989:(1766)
967:(ed.).
931:(1964)
871:Sources
839:(1806)
688:Mayfair
426:Charles
410:Ireland
397:of the
347:removed
332:sources
242:of the
217:juryman
173:England
153:painter
147:English
145:was an
47:improve
1230:Art UK
1125:
1098:
1036:
1022:
1008:
950:
922:
897:
573:Jersey
533:France
479:Jersey
389:, and
278:Thames
229:murals
205:guilds
169:London
150:marine
127:London
111:London
36:, but
963:. In
677:widow
651:were
649:china
529:Italy
248:naval
1232:site
1144:1868
1123:ISBN
1115:The
1096:ISBN
1034:ISBN
1020:ISBN
1006:ISBN
948:ISBN
920:ISBN
895:ISBN
893:.
821:2021
531:and
458:art.
406:Cork
330:any
328:cite
215:and
117:Died
108:1681
105:Born
935:in
918:).
786:sic
671:'s
627:"
341:by
260:In
207:of
1267::
1121:.
1018:.
946:.
856:.
823:.
643:,
619:"
477:,
460:"
416:,
408:,
284:.
264:,
257:.
171:,
167:,
939:.
901:.
481:"
368:)
362:(
357:)
353:(
349:.
335:.
72:)
66:(
61:)
57:(
43:.
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
