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recalled in later interviews that he was never happy with
Brachacki's contribution and only kept him on as designer out of necessity, as there was not the time to request a replacement. Original Doctor Who producer Verity Lambert was impressed with Brachacki's work on the TARDIS interior even though
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The TARDIS interior saw occasional redesigns over the following twenty-six years, but always in line with the original concept. The console room was completely redesigned for the show's fourteenth season, but still the concept was retained of the single central console and the roundels on the wall.
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the roundels set into the wall, intended to pulsate when the ship was in motion. (This and other initial concepts were never realised due to budgetary restraints.) Hussein later noted that the roundel pattern arose simply from the fact that the plastic with which
Brachacki had made his initial
71:, shot and broadcast in 1963. Despite the success of his design for the TARDIS interior set, he was not enthusiastic about working on the programme and did so under duress. He worked only on the very first episode and its re-mount, thereafter being replaced on the opening serial by
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109:. Similarly the Meddling Monk's TARDIS, and the Master's TARDIS during the Pertwee era, always followed roughly the same design as the Doctor's TARDIS, mostly because these last were obviously the same sets as were used for the Doctor's TARDIS, slightly redressed.
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TV movie, and the new series that began broadcasting in 2005. Even then the central console was retained, and the new television series includes the geometric patterns on the walls.
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This became the default TARDIS design: hence the same concept applied for the brief glimpse of the interior of the Rani's TARDIS in the episode season twenty-two serial
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in the 1960s. Although he worked on several programmes, he is best remembered as the first production designer for
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the central hexagonal console, designed so that all controls should be equally accessible to a single pilot
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the scattering about of random furniture and objects from different periods
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The
Handbook: The First Doctor – The William Hartnell Years 1963-1966
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The TARDIS interior was completely redesigned again for the 1996
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Brachacki was production designer for the very first episode of
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in 1963, making him responsible for the iconic design of the
276:"An Adventure in Space and Time: TARDIS designer cast"
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Brachacki’s concept for the TARDIS interior included:
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57:The Peter Brachacki-designed TARDIS interior
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100:concept model featured round patterning.
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274:Foster, Chuck (20 February 2013).
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80:she personally did not like him.
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87:the sterile, white timeless look
128:An Adventure in Space and Time
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253:. London: Virgin Publishing.
336:British production designers
351:Polish production designers
121:In 2013 the BBC produced a
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304:The Edge of Destruction
306:(DVD) production notes
157:When the Boat Comes In
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193:Paul Temple
330:Categories
209:References
133:Doctor Who
115:Doctor Who
63:Doctor Who
49:Doctor Who
45:interior.
38:Doctor Who
149:Blake's 7
123:docudrama
21:Dębieńsko
19:(1926 in
249:(1994).
226:BBC Two
125:called
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188:(1971)
182:(1971)
168:(1974)
160:(1976)
152:(1978)
43:TARDIS
25:Poland
321:IMDb
287:2013
255:ISBN
319:at
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