227:, âI never really got into that play-the-head-take-turns-soloing-play-the-head-again type of jazz, that dependency on standard repertoire. Also there was something about the jazz playersâit was almost athletic in a certain sense. It was always like, who plays the fastest solo? Who's the hottest player? There was this sort of hierarchy, guys who knew all those be-bop solos and played really fast, and a lot of it seemed more about chops than about music. And I began being more interested in exploring a limited set of either musical skills or gestures, and really trying to look at things singularly from different points of view. Also, whatever you do in the jazz hierarchy, you're always competing against
28:
398:, a collaboration with video artist Kit Fitzgerald, his wife and frequent creative partner, premiered at BAM in 1988. According to Sublette, it was âthe first fusion of live orchestra and live video projection.â In fact, Gordon and Fitzgerald had merged projection and orchestration on earlier productions outside of New York City, including
219:. He told the critic Geeta Dayal, â...it was really through Beefheart that introduced me to the idea that rock music and pop music could be art simultaneously, and you didn't have to buy into the whole commercial record business. You could make really raw, funky music and have it be really smart at the same time.â
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He has said of the development of his style, â....once I started playing sax, I was trained more as a jazz musician than as a classical player. I did study classical music and composition in college, though from more of an experimental music perspective than a conservatory approach.â About jazz,
324:, âcreated an original kind of continuum between the composed and improvised, and between the acoustic and the virtual, one that gave performers a broad scope to create their own sound and their own parts while hewing to a carefully thought-out compositionâŠâ
176:, and Los Angeles. He began piano lessons at age 7 and learned the clarinet in early childhood. He started to play the saxophone, which would become his main instrument, at age 14. His earliest musical influences were jazz artists from
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Gordon was involved romantically with Kathy Acker, whom he lived with for six years. He resides in New York City with his wife and collaborator, the video artist Kit
Fitzgerald, and is a professor emeritus of Music Technology at
270:, âInitially, I had a very austere, modern, avant-garde classical schooling in San Diego and I rebelled against thatâŠ.I always had a mission to create music which integrated the head and the body.â
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Gordon has led a varied career: He has helmed his ensemble The Love Of Life
Orchestra, collaborated with other composers, and composed works for stage shows, particularly at
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released remixes by Gordon of "Beginning of the
Heartbreak/Don't Don't" and "That Hat," cowritten with Arthur Russell. They released a compilation,
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used Gordon's classic
Downtown tracks "Beginning of the Heartbreak" and "Don't Don't" to open and close their highly acclaimed dance mix
294:, Though if I had to name a sax hero, that would be John Coltrane.â As a composer, he was heavily influenced by his teacher Terry Riley.
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in 1976, and released as a recording on Unseen Worlds in 2019. He collaborated with writer Kathy Acker, artist
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1245:"Stepping Out of The Space: Kit Fitzgerald and Peter Gordon in Conversation with Charles Eppley"
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Gordon was an early proponent of Tape Music, which according to musicologist and composer
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in 1984, and had its U.S. premiere at
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and spent time at
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In 2015, Gordon directed a touring revival of Arthur
Russell's
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728:"Oh Men" b/w "I Couldn't Say it To Your Face" (O Genesis 2014)
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When he was a senior in high school, Gordon made friends with
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in 1985. That same year, Gordon composed the score for
731:"Tracks of My Past" b/w "Like I Already Do" (O Genesis 2015)
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recordings, performed live at the
University Art Museum in
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1269:"Arthur Russell's Instrumentals Directed by Peter Gordon"
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1034:"BOMB Magazine | Roses on the Disco Floor: Peter Gordon"
525:. Gordon wrote the scores for the serial mystery drama
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Gordon has collaborated on a number of occasions with
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in the late 1970s. At various points Arthur
Russell,
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The Society Architect Ponders the Golden Gate Bridge
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The Society Architect Ponders the Golden Gate Bridge
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640:(with the Balanescu String Quartet, Newtone, 1994)
297:Gordon co-founded The Love of Life Orchestra with
168:Gordon was born in New York City, and grew up in
949:"An Interview with Peter Gordon â WUOG 90.5 FM"
785:(with Robert Ashley et al., Lovely Music, 1991)
420:In addition to his own work, and that with his
975:"Interview | Peter Gordon | Manipulating Time"
317:were collaborators in Love of Life Orchestra.
868:, curated by James Murphy & Pat Mahoney (
509:In 2008 an excerpt of his opera (with artist
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1287:"Expedition â Willi Smith Community Archive"
700:Justine & Victorian Punks (aka Colette)
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876:Peter Gordon & Love of Life Orchestra
550:Peter Gordon & Love Of Life Orchestra
417:, whose first showing he scored in 1975.
823:"That Hat" (included on Gordon's record
760:"Westmusik" 12" (Zickzack Records, 1983)
1164:"OPERA: 'BIRTH OF A POET,' AVANT-GARDE"
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371:, a collaboration with choreographers
1119:Cowley, Julian (2015). "Symphony 5".
331:a number of times, including for the
238:Gordon earned a BA in composition at
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240:University of California, San Diego
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814:"Clean On Your Bean" b/w "Go Bang"
695: CD (New Tone Records, 1995)
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798:(Les Disques du Crépuscule, 1982)
1347:Gordon biography at Lovely Music
817:"Kiss Me Again" 12" (Sire, 1978)
804:(excerpt on Bridge Records 2008)
519:Crosstalk: American Speech Music
76:Composer, producer, orchestrator
1430:American experimental musicians
735:Same Language, Different Worlds
693:Love of Life Orchestra: Quartet
1460:Love of Life Orchestra members
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1405:American film score composers
1162:Rockwell, John (1985-12-05).
1014:daily.redbullmusicacademy.com
521:(Bridge Records) produced by
223:though, he told the composer
1400:American male jazz composers
1390:Composers from New York City
1291:Willismitharchive.cargo.site
773: LP (Lovely Music 1980)
687:Geneva and Extended Niceties
671: EP (Lust/Unlust 1979)
1243:Burns, Jamie (2018-03-27).
718:CD/LP (Unseen Worlds, 2019)
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1420:American male saxophonists
862:(Disques Crepescule, 1982)
833:(reissued on Audika, 2017)
689:CD (Newtone reissue, 1992)
638:Still Life and the Deadman
608:LP (CBS Masterworks, 1986)
250:; he earned an MFA at the
1450:21st-century clarinetists
860:Fruit of the Original Sin
844:Sugar, Alcohol & Meat
683:EP (Italian Records 1982)
663:W/ Love of Life Orchestra
594:Les Disques du Crépuscule
280:Brooklyn Academy of Music
262:. Discussing his time in
25:
1096:"Peter Gordon Biography"
710:With "Blue" Gene Tyranny
592:, with Lawrence Weiner (
487:and shot on location in
402:, a 1984 performance at
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164:Early life and education
1395:American jazz composers
820:"Love is Overtaking Me"
737:CD/LP (O Genesis, 2016)
452:, âBlueâ Gene Tyranny,
779:EP (Lovely Music 1981)
422:Love of Life Orchestra
38:Background information
1425:American clarinetists
1415:American keyboardists
848:Giorno Poetry Systems
750:(Piano Records, 1996)
742:With David Cunningham
677:LP (Lust/Unlust 1980)
634:CD/LP (Newtone, 1990)
523:Mendi + Keith Obadike
479:, including the film
400:Return of the Animals
349:The Birth Of The Poet
327:He collaborated with
114:Peter Laurence Gordon
48:Peter Laurence Gordon
1435:Bessie Award winners
854:Just Another Asshole
790:With Lawrence Weiner
652:(Foom Music EP 2017)
539:Desperate Housewives
396:Return of the Native
1200:levyarchive.bam.org
809:With Arthur Russell
755:With Thomas Fehlman
602:(Artservices, 1984)
533:. He worked on the
498:and Pat Mahoney of
329:âBlueâ Gene Tyranny
1315:Bloomfield College
1311:"Music Technology"
1168:The New York Times
765:With Robert Ashley
563:Bloomfield College
454:The Flying Lizards
351:, which opened in
217:Trout Mask Replica
1040:. 12 October 2010
777:Music, Word, Fire
669:Extended Niceties
458:David Van Tieghem
299:David Van Tieghem
213:Captain Beefheart
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500:LCD Soundsystem
462:Lawrence Weiner
426:Laurie Anderson
383:, and designer
369:Secret Pastures
345:Richard Foreman
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450:Museum of Love
438:Elliott Murphy
434:David Johansen
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244:Kenneth Gaburo
229:Charlie Parker
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63:June 20, 1951
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1361:Peter Gordon
1352:Peter Gordon
1318:. Retrieved
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1294:. Retrieved
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1252:. Retrieved
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1144:. 2019-06-26
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190:Albert Ayler
186:The Ventures
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82:Years active
20:Peter Gordon
1380:1951 births
1224:The Bessies
574:Solo albums
569:Discography
546:DFA Records
485:Max Vadukul
475:'s company
473:Willi Smith
385:Willi Smith
341:David Salle
315:Peter Zummo
307:Kathy Acker
292:King Curtis
284:Gene Ammons
260:Terry Riley
202:The Animals
182:The Shadows
178:New Orleans
150:world music
122:clarinetist
118:saxophonist
100:petergordon
1374:Categories
1320:2020-08-10
1296:2022-07-16
1254:2022-07-16
1229:2022-07-16
1205:2022-07-16
1181:2022-07-16
1148:2022-07-16
1105:2022-07-16
1068:2022-07-16
1044:2022-07-16
1019:2022-07-16
984:2022-07-16
955:2022-07-16
927:2022-07-16
897:References
644:Symphony 5
535:soundtrack
481:Expedition
446:Dinosaur L
377:Arnie Zane
365:Obie Award
264:California
59:1951-06-20
44:Birth name
1176:0362-4331
1100:Stalk.net
856:LP (1981)
825:Innocent,
580:Star Jaws
544:In 2010,
494:In 2007,
491:.
477:Williwear
379:, artist
353:Rotterdam
146:classical
1356:AllMusic
1249:Roulette
1121:The Wire
846: (
656:Eighteen
622:Brooklyn
606:Innocent
337:Berkeley
170:Virginia
892:, 2020)
882:, 2010)
850:, 1980)
771:The Bar
628:, 1987)
624:CD/LP (
596:, 1982)
586:, 1978)
120:,
95:Website
1174:
681:Casino
675:Geneva
612:Otello
464:, and
389:Otello
357:Otello
274:Career
198:Sun Ra
174:Munich
1273:Ra.co
872:2007)
827:1986)
650:Condo
489:Dakar
408:Turin
142:opera
130:disco
1365:IMDb
1172:ISSN
616:ROIR
582:LP (
375:and
313:and
258:and
246:and
231:and
204:and
148:and
138:rock
134:funk
126:jazz
102:.com
53:Born
1363:at
1354:at
880:DFA
537:to
406:in
363:'s
235:.â
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