238:, âI never really got into that play-the-head-take-turns-soloing-play-the-head-again type of jazz, that dependency on standard repertoire. Also there was something about the jazz playersâit was almost athletic in a certain sense. It was always like, who plays the fastest solo? Who's the hottest player? There was this sort of hierarchy, guys who knew all those be-bop solos and played really fast, and a lot of it seemed more about chops than about music. And I began being more interested in exploring a limited set of either musical skills or gestures, and really trying to look at things singularly from different points of view. Also, whatever you do in the jazz hierarchy, you're always competing against
39:
409:, a collaboration with video artist Kit Fitzgerald, his wife and frequent creative partner, premiered at BAM in 1988. According to Sublette, it was âthe first fusion of live orchestra and live video projection.â In fact, Gordon and Fitzgerald had merged projection and orchestration on earlier productions outside of New York City, including
230:. He told the critic Geeta Dayal, â...it was really through Beefheart that introduced me to the idea that rock music and pop music could be art simultaneously, and you didn't have to buy into the whole commercial record business. You could make really raw, funky music and have it be really smart at the same time.â
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He has said of the development of his style, â....once I started playing sax, I was trained more as a jazz musician than as a classical player. I did study classical music and composition in college, though from more of an experimental music perspective than a conservatory approach.â About jazz,
335:, âcreated an original kind of continuum between the composed and improvised, and between the acoustic and the virtual, one that gave performers a broad scope to create their own sound and their own parts while hewing to a carefully thought-out compositionâŠâ
187:, and Los Angeles. He began piano lessons at age 7 and learned the clarinet in early childhood. He started to play the saxophone, which would become his main instrument, at age 14. His earliest musical influences were jazz artists from
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Gordon was involved romantically with Kathy Acker, whom he lived with for six years. He resides in New York City with his wife and collaborator, the video artist Kit
Fitzgerald, and is a professor emeritus of Music Technology at
281:, âInitially, I had a very austere, modern, avant-garde classical schooling in San Diego and I rebelled against thatâŠ.I always had a mission to create music which integrated the head and the body.â
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Gordon has led a varied career: He has helmed his ensemble The Love Of Life
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released remixes by Gordon of "Beginning of the
Heartbreak/Don't Don't" and "That Hat," cowritten with Arthur Russell. They released a compilation,
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used Gordon's classic
Downtown tracks "Beginning of the Heartbreak" and "Don't Don't" to open and close their highly acclaimed dance mix
305:, Though if I had to name a sax hero, that would be John Coltrane.â As a composer, he was heavily influenced by his teacher Terry Riley.
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in 1976, and released as a recording on Unseen Worlds in 2019. He collaborated with writer Kathy Acker, artist
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1256:"Stepping Out of The Space: Kit Fitzgerald and Peter Gordon in Conversation with Charles Eppley"
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Gordon was an early proponent of Tape Music, which according to musicologist and composer
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in 1984, and had its U.S. premiere at
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1021:"Peter Gordon: The Love of Life Orchestra Founder's Formative Years"
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and spent time at
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In 2015, Gordon directed a touring revival of Arthur
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402:, earned him a 1985 Bessie award in the category of Composer.
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When he was a senior in high school, Gordon made friends with
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in 1985. That same year, Gordon composed the score for
742:"Tracks of My Past" b/w "Like I Already Do" (O Genesis 2015)
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recordings, performed live at the
University Art Museum in
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1280:"Arthur Russell's Instrumentals Directed by Peter Gordon"
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1045:"BOMB Magazine | Roses on the Disco Floor: Peter Gordon"
536:. Gordon wrote the scores for the serial mystery drama
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Gordon has collaborated on a number of occasions with
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in the late 1970s. At various points Arthur
Russell,
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The Society Architect Ponders the Golden Gate Bridge
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The Society Architect Ponders the Golden Gate Bridge
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651:(with the Balanescu String Quartet, Newtone, 1994)
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179:Gordon was born in New York City, and grew up in
960:"An Interview with Peter Gordon â WUOG 90.5 FM"
796:(with Robert Ashley et al., Lovely Music, 1991)
431:In addition to his own work, and that with his
986:"Interview | Peter Gordon | Manipulating Time"
328:were collaborators in Love of Life Orchestra.
879:, curated by James Murphy & Pat Mahoney (
520:In 2008 an excerpt of his opera (with artist
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1298:"Expedition â Willi Smith Community Archive"
711:Justine & Victorian Punks (aka Colette)
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887:Peter Gordon & Love of Life Orchestra
561:Peter Gordon & Love Of Life Orchestra
428:, whose first showing he scored in 1975.
834:"That Hat" (included on Gordon's record
771:"Westmusik" 12" (Zickzack Records, 1983)
1175:"OPERA: 'BIRTH OF A POET,' AVANT-GARDE"
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1130:Cowley, Julian (2015). "Symphony 5".
342:a number of times, including for the
249:Gordon earned a BA in composition at
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825:"Clean On Your Bean" b/w "Go Bang"
706: CD (New Tone Records, 1995)
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809:(Les Disques du Crépuscule, 1982)
1358:Gordon biography at Lovely Music
828:"Kiss Me Again" 12" (Sire, 1978)
815:(excerpt on Bridge Records 2008)
530:Crosstalk: American Speech Music
87:Composer, producer, orchestrator
1441:American experimental musicians
746:Same Language, Different Worlds
704:Love of Life Orchestra: Quartet
1471:Love of Life Orchestra members
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1173:Rockwell, John (1985-12-05).
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532:(Bridge Records) produced by
234:though, he told the composer
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1401:Composers from New York City
1302:Willismitharchive.cargo.site
784: LP (Lovely Music 1980)
698:Geneva and Extended Niceties
682: EP (Lust/Unlust 1979)
1254:Burns, Jamie (2018-03-27).
729:CD/LP (Unseen Worlds, 2019)
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873:(Disques Crepescule, 1982)
844:(reissued on Audika, 2017)
700:CD (Newtone reissue, 1992)
649:Still Life and the Deadman
619:LP (CBS Masterworks, 1986)
261:; he earned an MFA at the
1461:21st-century clarinetists
871:Fruit of the Original Sin
855:Sugar, Alcohol & Meat
694:EP (Italian Records 1982)
674:W/ Love of Life Orchestra
605:Les Disques du Crépuscule
291:Brooklyn Academy of Music
273:. Discussing his time in
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1107:"Peter Gordon Biography"
721:With "Blue" Gene Tyranny
603:, with Lawrence Weiner (
498:and shot on location in
413:, a 1984 performance at
253:, where he studied with
175:Early life and education
1406:American jazz composers
831:"Love is Overtaking Me"
748:CD/LP (O Genesis, 2016)
463:, âBlueâ Gene Tyranny,
790:EP (Lovely Music 1981)
433:Love of Life Orchestra
49:Background information
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859:Giorno Poetry Systems
761:(Piano Records, 1996)
753:With David Cunningham
688:LP (Lust/Unlust 1980)
645:CD/LP (Newtone, 1990)
534:Mendi + Keith Obadike
490:, including the film
411:Return of the Animals
360:The Birth Of The Poet
338:He collaborated with
125:Peter Laurence Gordon
59:Peter Laurence Gordon
18:Peter Laurence Gordon
1446:Bessie Award winners
865:Just Another Asshole
801:With Lawrence Weiner
663:(Foom Music EP 2017)
550:Desperate Housewives
407:Return of the Native
1211:levyarchive.bam.org
820:With Arthur Russell
766:With Thomas Fehlman
613:(Artservices, 1984)
544:. He worked on the
509:and Pat Mahoney of
340:âBlueâ Gene Tyranny
1326:Bloomfield College
1322:"Music Technology"
1179:The New York Times
776:With Robert Ashley
574:Bloomfield College
465:The Flying Lizards
362:, which opened in
228:Trout Mask Replica
1051:. 12 October 2010
788:Music, Word, Fire
680:Extended Niceties
469:David Van Tieghem
310:David Van Tieghem
224:Captain Beefheart
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380:Secret Pastures
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240:Charlie Parker
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1372:Peter Gordon
1363:Peter Gordon
1329:. Retrieved
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1155:. 2019-06-26
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232:
221:
201:Albert Ayler
197:The Ventures
178:
124:
123:
93:Years active
31:Peter Gordon
1391:1951 births
1235:The Bessies
585:Solo albums
580:Discography
557:DFA Records
496:Max Vadukul
486:'s company
484:Willi Smith
396:Willi Smith
352:David Salle
326:Peter Zummo
318:Kathy Acker
303:King Curtis
295:Gene Ammons
271:Terry Riley
213:The Animals
193:The Shadows
189:New Orleans
161:world music
133:clarinetist
129:saxophonist
111:petergordon
1385:Categories
1331:2020-08-10
1307:2022-07-16
1265:2022-07-16
1240:2022-07-16
1216:2022-07-16
1192:2022-07-16
1159:2022-07-16
1116:2022-07-16
1079:2022-07-16
1055:2022-07-16
1030:2022-07-16
995:2022-07-16
966:2022-07-16
938:2022-07-16
908:References
655:Symphony 5
546:soundtrack
492:Expedition
457:Dinosaur L
388:Arnie Zane
376:Obie Award
275:California
70:1951-06-20
55:Birth name
1187:0362-4331
1111:Stalk.net
867:LP (1981)
836:Innocent,
591:Star Jaws
555:In 2010,
505:In 2007,
502:.
488:Williwear
390:, artist
364:Rotterdam
157:classical
1367:AllMusic
1260:Roulette
1132:The Wire
857: (
667:Eighteen
633:Brooklyn
617:Innocent
348:Berkeley
181:Virginia
903:, 2020)
893:, 2010)
861:, 1980)
782:The Bar
639:, 1987)
635:CD/LP (
607:, 1982)
597:, 1978)
131:,
106:Website
1185:
692:Casino
686:Geneva
623:Otello
475:, and
400:Otello
368:Otello
285:Career
209:Sun Ra
185:Munich
1284:Ra.co
883:2007)
838:1986)
661:Condo
500:Dakar
419:Turin
153:opera
141:disco
1376:IMDb
1183:ISSN
627:ROIR
593:LP (
386:and
324:and
269:and
257:and
242:and
215:and
159:and
149:rock
145:funk
137:jazz
113:.com
64:Born
1374:at
1365:at
891:DFA
548:to
417:in
374:'s
246:.â
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