1108:, which always occurs and only just before Socrates is about to do something he should not. A voice "from this very spot" forbids Socrates to leave before he makes atonement for some offense to the gods. Socrates then admits that he thought both of the preceding speeches were terrible, saying Lysias' repeated itself numerous times, seemed uninterested in its subject, and seemed to be showing off. Socrates states that he is a "seer". While he is not very good at it, he is good enough for his purposes, and he recognizes what his offense has been: if love is a god or something divine, as he and Phaedrus both agree he is, he cannot be bad, as the previous speeches have portrayed him. Socrates, baring his head, vows to undergo a rite of purification as a follower of the
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lover. Friendship with a non-lover, he says, demonstrates objectivity and prudence; it doesn't create gossip when you are seen together; it doesn't involve jealousy; and it allows for a much larger pool of possible partners. You will not be giving your favor to someone who is "more sick than sound in the head" and is not thinking straight, overcome by love. He explains that it is best to give your favor to one who can best return it, rather than one who needs it most. He concludes by stating that he thinks the speech is long enough, and the listener is welcome to ask any questions if something has been left out.
2824:; the dialectician, as described, is particularly resonant. To practice the art, one must have a grasp of the truth and a detailed understanding of the soul in order to properly persuade. Moreover, one must have an idea of what is good or bad for the soul and, as a result, know what the soul should be persuaded towards. To have mastered the tools of an art is not to have mastered the art itself, but only its preliminaries. This is much like the person who claims to have mastered harmony after learning the highest and lowest notes of the lyre. To practice an art, one must know what that art is
1229:. It generally takes 10,000 years for a soul to grow its wings and return to where it came, but philosophers, after having chosen such a life three times in a row, grow their wings and return after only 3,000 years. This is because they have seen the most and always keep its memory as close as possible, and philosophers maintain the highest level of initiation. They ignore human concerns and are drawn towards the divine. While ordinary people rebuke them for this, they are unaware that the lover of wisdom is possessed by a god. This is the fourth sort of madness, that of love.
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rise, and in noisy, sweaty discord they leave uninitiated, not having seen reality. Where they go after is then dependent on their own opinions, rather than the truth. Any soul that catches sight of any true thing is granted another circuit where it can see more; eventually, all souls fall back to earth. Those that have been initiated are put into varying human incarnations, depending on how much they have seen; those made into philosophers and artists have seen the most, while kings, statesmen, doctors, prophets, poets, manual laborers,
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when manifested in the love of beautiful bodies, is not "divine" madness, but rather just having lost one's head. The recent initiates, on the other hand, are overcome when they see a bodily form that has captured true beauty well, and their wings begin to grow. When this soul looks upon the beautiful boy it experiences the utmost joy; when separated from the boy, intense pain and longing occur, and the wings begin to harden. Caught between these two feelings, the lover is in utmost anguish, with the boy the only doctor for the pain.
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compare one with only knowledge of these tools to a doctor who knows how to raise and lower a body's temperature but does not know when it is good or bad to do so, stating that one who has simply read a book or came across some potions knows nothing of the art. One who knows how to compose the longest passages on trivial topics or the briefest passages on topics of great importance is similar, when he claims that to teach this is to impart the knowledge of composing
2666:, who was to disperse Theuth's gifts to the people of Egypt. After Theuth remarks on his discovery of writing as a remedy for the memory, Thamus responds that its true effects are likely to be the opposite; it is a remedy for reminding, not remembering, he says, with the appearance but not the reality of wisdom. Future generations will hear much without being properly taught, and will appear wise but not be so, making them difficult to get along with.
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the luxury of examining his reader's soul in order to determine the proper way to persuade. When attacked it cannot defend itself, and is unable to answer questions or refute criticism. As such, the philosopher uses writing "for the sake of amusing himself" and other similar things rather than for teaching others. A writer, then, is only a philosopher when he can himself argue that his writing is of little worth, among other requirements.
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3225:"Madness comes in two general forms: the diseased state of mental dysfunction, and a divergence from ordinary rationality that a god sometimes brings (see 265a–b). Divine madness in turn takes different forms: love, Dionysian frenzy, oracular prophecy, and poetic composition (244b–245a). In all four cases the possessed or inspired person (enthousiazôn: 241e, 249e, 253a, 263d) can accomplish what is impossible for someone in a sane state"
1210:, follow Zeus in this procession. While the chariots of the gods are balanced and easier to control, other charioteers must struggle with their bad horse, which will drag them down to earth if it has not been properly trained. As the procession works its way upward, it eventually makes it up to the high ridge of heaven where the gods take their stands and are taken in a circular motion to gaze at all that is beyond heaven.
2743:, Socrates makes the rather bold claim that some of life's greatest blessings flow from madness; and he clarifies this later by noting that he is referring specifically to madness inspired by the gods. Phaedrus is Plato's only dialogue that shows Socrates outside the city of Athens, out in the country. It was believed that spirits and nymphs inhabited the country, and Socrates specifically points this out after the long
2772:, madness here must go firmly hand in hand with reason, learning, and self-control in both love and art. This rather bold claim has puzzled readers and scholars of Plato's work for centuries because it clearly shows that Socrates saw genuine value in the irrational elements of human life, despite many other dialogues that show him arguing that one should pursue beauty and that wisdom is the most beautiful thing of all.
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that life is motion: the soul, being the principle (or source) of life, is that which moves itself, as opposed to inanimate objects that require an external source of motion to move them. The view that life is self-motion and that the soul is a self-mover is used by Plato to guarantee the immortality of the soul, making this a novel argument for the soul's immortality not found in the
2678:"The dialectician chooses a proper soul and plants and sows within it discourse accompanied by knowledge—discourse capable of helping itself as well as the man who planted it, which is not barren but produces a seed from which more discourse grows in the character of others. Such discourse makes the seed forever immortal and renders the man who has it happy as any human being can be."
2868:. Plato relies, further, on the view that the soul is a mind in order to explain how its motions are possible: Plato combines the view that the soul is a self-mover with the view that the soul is a mind in order to explain how the soul can move things in the first place (e.g., how it can move the body to which it is attached in life). Souls move things by means of their thoughts.
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will. Socrates then proceeds to give
Phaedrus credit for leading him out of his native land: "Yet you seem to have discovered a drug for getting me out. A hungry animal can be driven by dangling a carrot or a bit of greenstuff in front of it; similarly if you proffer me speeches bound in books I don't doubt you can cart me all around Attica, and anywhere else you please."
2651:, a musician would say that this knowledge is what one must learn before one masters harmony, but it is not the knowledge of harmony itself. This, then, is what must be said to those who attempt to teach the art of rhetoric through "Preambles" and "Recapitulations"; they are ignorant of dialectic, and teach only what is necessary to learn as preliminaries.
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harvest "a crop of really poor quality". Yet
Socrates does not dismiss the art of speechmaking. Rather, he says, it may be that even one who knew the truth could not produce conviction without knowing the art of persuasion; on the other hand, "As the Spartan said, there is no genuine art of speaking without a grasp of the truth, and there never will be".
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caught in something shameful would be like letting down his lover, therefore the boy is consistently acting his best. The absence of shame makes room for a sense of pride to come in; pride from the wealthy feeling of impressing one's own lover. Impressing one's own lover brings more learning and guidance into the boy's life.
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and sexual innuendo are abundant; we see the flirtation between
Phaedrus and Socrates. As Phaedrus encourages Socrates to make his first speech, Phaedrus makes a remark at noon-time that Socrates should not leave as the heat has not passed and it is "straight-up, as they say," Socrates wishes to know
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Phaedrus claims that to be a good speechmaker, one does not need to know the truth of what he is speaking on, but rather how to properly persuade, persuasion being the purpose of speechmaking and oration. Socrates first objects that an orator who does not know bad from good will, in
Phaedrus's words,
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Beauty, he states, was among the most radiant things to see beyond heaven, and on earth it sparkles through vision, the clearest of our senses. Some have not been recently initiated, and mistake this reminder for beauty itself and only pursue desires of the flesh. This pursuit of pleasure, then, even
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One comes to manifest this sort of love after seeing beauty here on earth and being reminded of true beauty as it was seen beyond heaven. When reminded, the wings begin to grow back, but as they are not yet able to rise, the afflicted gaze aloft and pay no attention to what goes on below, bringing on
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the soul to some decision or course of action. Socrates' great myth illustrates this motif most clearly when the soul is depicted as a charioteer and its horses, being led around a heavenly circuit. This is the occasion for the first appearance in Plato's dialogues of the prominent
Platonic doctrine
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This final critique of writing with which the dialogue concludes seems to be one of the more interesting facets of the conversation for those who seek to interpret Plato in general; Plato, of course, comes down to us through his numerous written works, and philosophy today is concerned almost purely
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Plato describes a "great circuit" which souls make as they follow the gods in the path of enlightenment. Those few souls which are fully enlightened are able to see the world of the forms in all its glory. Some souls have difficulty controlling the black horse, even with the help of the white horse.
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between two different kinds of things: one sort, like "iron" and "silver", suggests the same to all listeners; the other sort, such as "good" or "justice", lead people in different directions. Lysias failed to make this distinction, and accordingly, failed to even define what "love" itself is in the
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The immortal souls that follow the gods most closely are able to just barely raise their chariots up to the rim and look out on reality. They see some things and miss others, having to deal with their horses; they rise and fall at varying times. Other souls, while straining to keep up, are unable to
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As souls are immortal, those lacking bodies patrol all of heaven so long as their wings are in perfect condition. When a soul sheds its wings, it comes to earth and takes on an earthly body that then seems to move itself. These wings lift up heavy things to where the gods dwell and are nourished and
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As they must show that the madness of love is, indeed, sent by a god to benefit the lover and beloved in order to disprove the preceding speeches, Socrates embarks on a proof of the divine origin of this fourth sort of madness. It is a proof, he says, that will convince "the wise if not the clever".
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As they walk out into the countryside, Socrates tries to convince
Phaedrus to repeat the speech of Lysias which he has just heard. Phaedrus makes several excuses, but Socrates suspects strongly that Phaedrus has a copy of the speech with him. Saying that while Lysias is present, he would never allow
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Writing, examined separately but ultimately equated with philosophy and rhetoric, is somewhat deprecated; it is stated that writing can do little but remind those who already know. Unlike dialectic and rhetoric, writing cannot be tailored to specific situations or students; the writer does not have
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When
Socrates and Phaedrus proceed to recount the various tools of speechmaking as written down by the great orators of the past, starting with the "Preamble" and the "Statement Facts" and concluding with the "Recapitulation", Socrates states that the fabric seems a little threadbare. He goes on to
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Socrates, rather than simply listing reasons as Lysias had done, begins by explaining that while all men desire beauty, some are in love and some are not. We are all ruled, he says, by two principles: one is our inborn desire for pleasure, and the other is our acquired judgment that pursues what is
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Phaedrus and
Socrates walk through a stream and find a seat in the shade. Phaedrus and Socrates both note how anyone would consider Socrates a foreigner in the countryside, and Socrates attributes this fault to his love of learning which "trees and open country won't teach," while "men in the town"
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Socrates then returns to the myth of the chariot. The charioteer is filled with warmth and desire as he gazes into the eyes of the one he loves. The good horse is controlled by its sense of shame, but the bad horse, overcome with desire, does everything it can to go up to the boy and suggest to it
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He begins by briefly proving the immortality of the soul. A soul is always in motion and as a self-mover has no beginning. A self-mover is itself the source of everything else that moves. So, by the same token, it cannot be destroyed. Bodily objects moved from the outside have no soul, while those
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The problem, he explains, is that one overcome with this desire will want to turn his boy into whatever is most pleasing to himself, rather than what is best for the boy. The boy's intellectual progress will be stifled, his physical condition will suffer, the lover will not wish the boy to mature
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Socrates, attempting to flatter
Phaedrus, responds that he is in ecstasy and that it is all Phaedrus' doing. Socrates comments that as the speech seemed to make Phaedrus radiant, he is sure that Phaedrus understands these things better than he does himself, and that he cannot help follow Phaedrus'
2793:. Socrates, ostensibly the lover, exhorts Phaedrus to lead the way at various times, and the dialogue ends with Socrates and Phaedrus leaving as "friends": equals, rather than partaking in the lover/beloved relationship inherent in Greek pederasty. In the beginning, they sit themselves under a
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The charioteer represents intellect, reason, or the part of the soul that must guide the soul to truth; one horse represents rational or moral impulse or the positive part of passionate nature (e.g., righteous indignation); while the other represents the soul's irrational passions, appetites, or
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After
Phaedrus concedes that this speech was certainly better than any Lysias could compose, they begin a discussion of the nature and uses of rhetoric itself. After showing that speech making itself isn't something reproachful, and that what is truly shameful is to engage in speaking or writing
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Phaedrus then commences to repeat Lysias' speech. Beginning with "You understand, then, my situation: I've told you how good it would be for us in my opinion, if this worked out", the speech proceeds to explain all the reasons why it is better to give your favor to a non-lover rather than a true
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When one is reminded of true beauty by the sight of a beautiful boy, he is called a lover. While all have seen reality, as they must have to be human, not all are so easily reminded of it. Those that can remember are startled when they see a reminder, and are overcome with the memory of beauty.
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Phaedrus believes that one of the greatest goods given is the relationship between lover and boy. This relationship brings guidance and love into the boy's life. Because the boy has a lover as such a valuable role model, he is on his best behavior to not get caught in something shameful. To get
1213:
What is outside of heaven, says Socrates, is quite difficult to describe, lacking color, shape, or solidity, as it is the subject of all true knowledge, visible only to intelligence. The gods delight in these things and are nourished. Feeling wonderful, they are taken around until they make a
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When Phaedrus begs to hear it, however, Socrates refuses to give the speech. Phaedrus warns him that he is younger and stronger, and Socrates should "take his meaning" and "stop playing hard to get". Finally, after Phaedrus swears on the plane tree that he will never recite another speech for
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Should that happen, the soul is incarnated into one of nine kinds of person, according to how much truth it beheld. In order of decreasing levels of truth seen, the categories are: (1) philosophers, lovers of beauty, or someone musical and erotic; (2) law-abiding kings or civic leaders; (3)
1267:"; it is the perfect combination of human self-control and divine madness, and after death, their souls return to heaven. Those who give in do not become weightless, but they are spared any punishment after their death, and will eventually grow wings together when the time comes.
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of beauty and self-control he had with the gods, and pulls back violently on the reins. As this occurs over and over, the bad horse eventually becomes obedient and finally dies of fright when seeing the boy's face, allowing the lover's soul to follow the boy in reverence and awe.
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The non-lover, he concludes, will do none of this, always ruled by judgment rather than desire for pleasure. Socrates, fearing that the nymphs will take complete control of him if he continues, states that he is going to leave before Phaedrus makes him "do something even worse".
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and the nymphs, and the Muses, in addition to the unusually explicit characterization of his own daemon. The importance of divine inspiration is demonstrated in its connection with the importance of religion, poetry and art, and above all else, love. Eros, much like in the
1141:
Socrates begins by discussing madness. If madness is all bad, then the preceding speeches would have been correct, but in actuality, madness given as a gift of the gods provides us with some of the best things we have. There are, in fact, several kinds of divine madness
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The role of divine inspiration in philosophy must also be considered; the philosopher is struck with the fourth kind of madness, that of love, and it is this divine inspiration that leads him and his beloved towards the good—but only when tempered with self-control.
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No written instructions for an art can yield results clear or certain, Socrates states, but rather can only remind those that already know what writing is about. Furthermore, writings are silent; they cannot speak, answer questions, or come to their own defense.
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Then begins the famous chariot allegory. A soul, says Socrates, is like the "natural union of a team of winged horses and their charioteer". While the gods have two good horses, everyone else has a mixture: one is beautiful and good, while the other is neither.
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A lover's friendship is divine, Socrates concludes, while that of a non-lover offers only cheap, human dividends, and tosses the soul about on earth for 9,000 years. He apologizes to the gods for the previous speeches, and Phaedrus joins him in the prayer.
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and take a family, all because the lover is shaping him out of desire for pleasure rather than what is best. At some point, "right-minded reason" will take the place of "the madness of love", and the lover's oaths and promises to his boy will be broken.
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complete circle. On the way they are able to see Justice, Self-control, Knowledge, and other things as they are in themselves, unchanging. When they have seen all things and feasted on them, coming all the way around, they sink back down inside heaven.
2699:"First the charioteer of the human soul drives a pair, and secondly one of the horses is noble and of noble breed, but the other quite the opposite in breed and character. Therefore in our case the driving is necessarily difficult and troublesome."
2801:. Notably, Socrates sees the pederastic relationship as ideally devoid of sexual consummation; rather than being used for sexual pleasure, the relationship is a form of divine madness, helping both lover and beloved to grow and reach the divine.
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what Phaedrus is holding under his cloak, and so on. The relationships discussed in the speeches are explicitly pederastic. And yet, this is tempered in various ways; role reversals between lover and beloved are constant, as they are in the
2673:
Accordingly, the legitimate sister of this is, in fact, dialectic; it is the living, breathing discourse of one who knows, of which the written word can only be called an image. The one who knows uses the art of dialectic rather than writing:
2626:"Every speech must be put together like a living creature, with a body of its own; it must be neither without head nor without legs; and it must have a middle and extremities that are fitting both to one another and to the whole work."
954:, has given a speech on love. Socrates, stating that he is "sick with passion for hearing speeches", walks into the countryside with Phaedrus. Socrates is hoping that Phaedrus will repeat the speech. They sit by a stream under a
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Socrates's speech, on the other hand, starts with a thesis and proceeds to make divisions accordingly, finding divine love, and setting it out as the greatest of goods. And yet, they agree, the art of making these divisions is
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The dialogue does not set itself as a re-telling of the day's events. It is given in the direct words of Socrates and Phaedrus, without other interlocutors to introduce the story. This is in contrast to dialogues such as the
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The lover now pursues the boy. As he gets closer to his quarry, and the love is reciprocated, the opportunity for sexual contact again presents itself. If the lover and beloved surpass this desire they have won the "true
2751:. After originally remarking that "landscapes and trees have nothing to teach me, only people do", Socrates goes on to make constant remarks concerning the presence and action of the gods in general, nature gods such as
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with the reading and writing of written texts. It seems proper to recall that Plato's ever-present protagonist and ideal man, Socrates, fits Plato's description of the dialectician perfectly, and never wrote a thing.
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Following different desires leads to different things; one who follows his desire for food is a glutton, and so on. The desire to take pleasure in beauty, reinforced by the kindred beauty in human bodies, is called
2813:
also gives us much in the way of explaining how art should be practiced. The discussion of rhetoric, the proper practice of which is found to actually be philosophy, has many similarities with Socrates's role as a
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himself to be used as a training partner for Phaedrus to practice his own speech-making on, he asks Phaedrus to expose what he is holding under his cloak. Phaedrus gives in and agrees to perform Lysias' speech.
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is passed among the characters (gay men during World War II) and the image of the charioteer and his white and black horses recurs as the protagonist struggles to choose between consummated and unconsummated
2725:, in which many different elements blend together and affect each other. He uses the allegory of the charioteer to explain that love is a reflection of love of the forms, and is thus a "divine madness," a
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They may bob up into the world of the forms, but at other times enlightenment is hidden from them. If overcome by the black horse or forgetfulness, the soul loses its wings and is pulled down to earth.
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1254:. The bad horse eventually wears out its charioteer and partner, and drags them towards the boy; yet when the charioteer looks into the boy's face, his memory is carried back to the sight of the
1011:
The dialogue consists of a series of three speeches on the topic of love that serves as the subject to construct a discussion on the proper use of rhetoric. They encompass discussions of the
2721:
Plato does not see the human soul as a sort of patchwork of emotions and concepts; this differs from the views of many philosophers of his time. Instead he views the soul as a sort of
4066:, "Therefore every man of worth, when dealing with matters of worth, will be far from exposing them to ill feeling and misunderstanding among men by committing them to writing."
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in the third person and using the name "Phaedrus," intended to reflect his opposition to certain educational and philosophical ideas. The character reappears in the follow-up "
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Lauschke, Jens. "A MADNESS CALLED LOVE: An Interpretation of Plato's Phaedrus." Taxila Publications. 2022. ISBN 978-3948459000. (Jowett translation and interpretation)
999:(λογογράφος, lit. "speech writer") in Athens during the time of Plato. Lysias was a rhetorician and a sophist whose best-known extant work is a defense speech, "
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concupiscent nature. The charioteer directs the entire chariot/soul, trying to stop the horses from going different ways, and to proceed towards enlightenment.
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2910:, students, including Maurice, attend Dean Cornwallis's translation class in which two undergraduates orally translate into English the text (based on)
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2797:, which is precisely what its name suggests—often known as "monk's pepper", it was used by monks to decrease sexual urges and is believed to be an
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relationships common to ancient Greek life are also at the fore of this dialogue. In addition to theme of love discussed in the speeches, seeming
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beginning; the rest of his speech appears thrown together at random, and is, on the whole, very poorly constructed. Socrates then goes on to say,
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970:, in which Plato sets up multiple layers between the day's events and our hearing of it, explicitly giving us an incomplete, fifth-hand account.
1003:". In the speech a man who killed his wife's lover claims that the laws of Athens required him to do it. The outcome of this speech is unknown.
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One need not suppose that Plato intended this as a literal discussion of metempsychosis or reincarnation: perhaps he meant it figuratively.
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grow in the presence of the wisdom, goodness, and beauty of the divine. However, foulness and ugliness make the wings shrink and disappear.
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They go on to discuss what is good or bad in writing. Socrates tells a brief legend, critically commenting on the gift of writing from the
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best (237d). Following your judgment is "being in your right mind", while following desire towards pleasure without reason is "outrage" (
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Socrates retorts that he is still in awe, and claims to be able to make an even better speech than Lysias on the same subject.
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that move from within have a soul. Moving from within, all souls are self-movers, and hence their immortality is necessary.
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Greek with translation by Harold N. Fowler. Loeb Classical Library 36. Harvard Univ. Press (originally published 1914).
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participants; (6) poets or imitative artists; (7) craftsmen or farmers; (8) sophists or demagogues; and (9) tyrants.
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251a, 255a–e), during which the Dean instructs one to "Omit the reference to the unspeakable vice of the Greeks".
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the charge of madness. This is the best form that possession by a god can take, for all those connected to it.
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3223:"Plato's Aesthetics", The Stanford Encyclopedia of Philosophy (Summer 2015 Edition), Edward N. Zalta (ed.)
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Hackett Publishing, 1997 (ed. this source was 1st source for criticism of < chronological order >)
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is assured by the motif of soul-leading. The discussion of rhetoric, for instance, features the orator
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politicians, estate-managers or businessmen; (4) ones who specialize in bodily health; (5) prophets or
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Remarking that he is in the grip of something divine, and may soon be overtaken by the madness of the
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shamefully or badly, Socrates asks what distinguishes good from bad writing, and they take this up.
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alone in his room after a visit to the "enormous mind," as Woolf characterizes the British Museum.
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However, just before Socrates is about to leave, he is stopped by the "familiar divine sign", his
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Lysias was one of the three sons of Cephalus, the patriarch whose home is the setting for Plato's
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J.M. Cooper (Stuart Professor of Philosophy, Princeton University c.1997), D. S. Hutchinson -
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2847:, wherein Plato (or the pseudo-Platonic author) says not to write down things of importance.
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in one of the most important medieval manuscripts of Plato, Codex Clarkianus 39 in the
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2985:, the introduction to "Revisions to a Manifesto" has speech similar to that found in
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1052:. Phaedrus picks up on Socrates' subtle sarcasm and asks Socrates not to joke.
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Campbell, Douglas R. "Self‐Motion and Cognition: Plato's Theory of the Soul"
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Campbell, Douglas R. "Self‐Motion and Cognition: Plato's Theory of the Soul"
3358:
Campbell, Douglas R. "Self‐Motion and Cognition: Plato's Theory of the Soul"
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was presumably composed around 370 BC, about the same time as Plato's
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4180:
The Rhetoric of Morality and Philosophy: Plato's Gorgias and Phaedrus
2851:
Soul: soul-leading; life as self-motion; self-motion and intelligence
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1992:
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Socrates if Socrates refuses, Socrates, covering his head, consents.
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and how it should be practiced, and dwells on subjects as diverse as
875:
407:
4167:
Bett, Richard. 1986. “Immortality and the Nature of the Soul in the
3341:
Bett, Richard. 1986. “Immortality and the Nature of the Soul in the
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on the outskirts of Athens. Phaedrus has just come from the home of
2138:
962:, and the rest of the dialogue consists of oration and discussion.
5086:
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4156:. Cambridge: Cambridge University Press, 1972 (orig. vers. 1952).
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4185:
Blyth, Dougal. 1997. “The Ever-Moving Soul in Plato’s Phaedrus.”
3328:
Blyth, Dougal. 1997. “The Ever-Moving Soul in Plato’s Phaedrus.”
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2887:, the narrator's young love Tadzio is associated with Phaedrus.
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To acquire the art of rhetoric, then, one must make systematic
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1024:
838:
124:
70:
29:
863:
4533:
On the Concept of Irony with Continual Reference to Socrates
4116:
Approaching Plato: A Guide to the Early and Middle Dialogues
914:, the discussion in the dialogue revolves around the art of
4213:
847:
97:
by removing unnecessary details and making it more concise.
5005:
94:
3398:, trans. by Alexander Nehamas and Paul Woodruff. From
3155:
Divine Madness in Ancient Greece and Rome: theia mania
2949:
Pirsig refers to his past self from before undergoing
2855:
Jessica Moss has argued that the entire unity of the
1202:
In heaven, he explains, there is a procession led by
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835:
1112:, and proceeds to give a speech praising the lover.
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Plato: Euthyphro, Apology, Crito, Phaedo, Phaedrus.
2692:Plato paints the picture of a charioteer driving a
2647:after learning the lowest and highest notes on the
832:
155:. Unsourced material may be challenged and removed.
3199:"Plato's Phaedrus - Plan of dialogue on rhetoric"
1023:inspiration, and the practice and mastery of an
3311:Moss, Jessica. "Soul-Leading: The Unity of the
3166:, criticism of writing, and Plato's esotericism
4199:Moss, Jessica. Soul-Leading: The Unity of the
2843:There is an echo of this point of view in the
1275:Discussion of rhetoric and writing (257c–279c)
5021:
4229:
2578:
801:
8:
894:, an interlocutor in several dialogues. The
2904:In a key scene from the film adaptation of
2219:A Dialogue Concerning Oratorical Partitions
64:Learn how and when to remove these messages
5254:
5028:
5014:
5006:
4592:
4427:
4236:
4222:
4214:
3011:Plato & Nichols, J. H. (tr. and ed.).
2585:
2571:
1278:
808:
794:
246:
2945:Zen and the Art of Motorcycle Maintenance
910:. Although ostensibly about the topic of
233:Learn how and when to remove this message
215:Learn how and when to remove this message
113:Learn how and when to remove this message
5613:List of manuscripts of Plato's dialogues
3434:
3432:
2942:'s fictionalized autobiographical novel
2747:with his comment about listening to the
2643:; if one were to claim to have mastered
2309:Copia: Foundations of the Abundant Style
4361:The unexamined life is not worth living
3387:
3176:
1290:
749:
703:
375:
325:
258:
4084:, in a collection of Plato's Dialogues
5592:List of speakers in Plato's dialogues
3034:, volume II. Oxford Classical Texts.
2512:Rhetoric of social intervention model
1132:Second speech of Socrates (244a–257b)
995:. Lysias was perhaps the most famous
7:
4205:Oxford Studies in Ancient Philosophy
3317:Oxford Studies in Ancient Philosophy
3129:Allegorical interpretations of Plato
1148:), of which he cites four examples:
1059:First speech of Socrates (237a–241d)
732:Allegorical interpretations of Plato
153:adding citations to reliable sources
4096:. Cornell University Press. (1998).
3062:Focus Philosophical Library, 2003.
3015:. Cornell University Press. (1998).
2601:Fragments of a papyrus roll of the
1222:, and tyrants follow respectively.
1163:, the initiatory or ritual madness;
4560:Serenade after Plato's "Symposium"
4439:Double Herm of Socrates and Seneca
2828:and what it can help one achieve.
759:
25:
4187:The American Journal of Philology
3330:The American Journal of Philology
1034:
45:This article has multiple issues.
5395:
4992:
4991:
4290:
4099:
1298:
828:
775:
266:
129:
88:too long or excessively detailed
75:
34:
1233:The madness of love (249d–257b)
140:needs additional citations for
53:or discuss these issues on the
5618:Cultural influence of Plato's
4194:Southern Journal of Philosophy
4182:. University of Chicago Press.
4092:Nichols, J. H. (tr. and ed.).
3373:Southern Journal of Philosophy
3360:Southern Journal of Philosophy
2735:Madness and divine inspiration
1:
4123:"Plato (427-327 B.C.E.): The
2890:In Mary Renault's 1953 novel
2805:Rhetoric, philosophy, and art
2696:pulled by two winged horses:
2482:List of feminist rhetoricians
1001:On the Murder of Eratosthenes
5631:Platonism in the Renaissance
5483:Plato's political philosophy
2955:Lila: An Inquiry into Morals
2472:Glossary of rhetorical terms
876:
84:This article's plot summary
5626:Neoplatonism and Gnosticism
4133:. p. 3. Archived from
4109:public domain audiobook at
3160:Plato's unwritten doctrines
2319:Language as Symbolic Action
1225:Souls then begin cycles of
1089:in this place, he goes on.
737:Plato's unwritten doctrines
348:Analogy of the divided line
5739:
4354:I know that I know nothing
3060:Phaedrus (Scully Edition).
2683:Interpretations and themes
1035:Lysias' speech (230e–235e)
864:
5393:
4989:
4541:The Plot to Save Socrates
4288:
4251:
3402:, ed. by John M. Cooper.
2951:electroconvulsive therapy
2931:is inspired, in part, by
2229:De Optimo Genere Oratorum
4317:Socratic intellectualism
1156:, the prophetic madness;
922:(the Greek tradition of
886:, is a dialogue between
164:"Phaedrus" dialogue
4442:(3rd-century sculpture)
3240:, Retrieved 2010-11-17.
2872:References in other art
2605:from the 2nd century AD
2169:De Sophisticis Elenchis
4482:Der geduldige Socrates
4196:59 (4): 523–544. 2021.
4178:Benardete, S. (2009).
3375:59 (4): 523-544. 2021.
3362:59 (4): 523-544. 2021.
3119:Id, ego, and super-ego
3024:Fowler translation at
2999:Jowett translation at
2994:Texts and translations
2606:
2289:De doctrina Christiana
2279:Dialogus de oratoribus
2199:Rhetorica ad Herennium
1425:Captatio benevolentiae
1128:
5582:The Academy in Athens
5438:Platonic epistemology
4447:The Death of Socrates
3400:Plato: Complete Works
2600:
2457:Communication studies
2299:De vulgari eloquentia
2159:Rhetoric to Alexander
1170:, the poetic madness;
1118:
782:Philosophy portal
717:The Academy in Athens
4981:Religious skepticism
4337:Socratic questioning
3197:SUZANNE, Bernard F.
3185:Complete Works - xii
3104:Allegory of the cave
2818:of the soul" in the
1186:The soul (245c–249d)
985:Lysias (in absentia)
338:Allegory of the cave
303:Political philosophy
149:improve this article
5691:Poitier Meets Plato
5608:Unwritten doctrines
4528:(1st-century essay)
4261:Cultural depictions
4137:on February 6, 2015
3203:plato-dialogues.org
2982:The French Dispatch
2462:Composition studies
2393:Health and medicine
2259:Institutio Oratoria
1466:Eloquentia perfecta
1137:Madness (244a–245c)
1127:, copied in AD 895.
944:Epicrates of Athens
938:Socrates runs into
5718:Philosophy of love
5713:Dialogues of Plato
5658:Oxyrhynchus Papyri
4568:Barefoot in Athens
2770:literary criticism
2607:
2547:Terministic screen
2329:A General Rhetoric
1859:Resignation speech
1396:Studia humanitatis
1378:Byzantine rhetoric
1129:
750:Related categories
377:The works of Plato
343:Analogy of the Sun
5700:
5699:
5414:Euthyphro dilemma
5391:
5390:
5368:Second Alcibiades
5003:
5002:
4964:Euthyphro dilemma
4952:
4951:
4948:
4947:
4828:Second Alcibiades
4525:De genio Socratis
4506:Socrates on Trial
4312:Socratic dialogue
4277:Trial of Socrates
4121:Crompton, Louis.
3267:Project Gutenberg
2595:
2594:
2522:Rogerian argument
2269:Panegyrici Latini
1361:The age of Cicero
1250:the pleasures of
1119:The beginning of
974:Dramatis personae
873:
818:
817:
478:Second Alcibiades
308:Euthyphro dilemma
243:
242:
235:
225:
224:
217:
199:
123:
122:
115:
68:
16:(Redirected from
5730:
5651:and Christianity
5636:Middle Platonism
5587:Socratic problem
5549:The Divided Line
5488:Philosopher king
5471:Form of the Good
5424:Cardinal virtues
5399:
5255:
5108:First Alcibiades
5030:
5023:
5016:
5007:
4995:
4994:
4969:Form of the Good
4940:Socratic Letters
4688:First Alcibiades
4593:
4458:(1950 sculpture)
4428:
4332:Socratic paradox
4294:
4282:Socratic problem
4238:
4231:
4224:
4215:
4175:31, no. 1: 1–26.
4154:Plato's Phaedrus
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3349:31, no. 1: 1–26.
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3255:Jowett, Benjamin
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3226:
3219:
3213:
3212:
3210:
3209:
3194:
3188:
3181:
2940:Robert M. Pirsig
2786:double entendres
2688:Chariot allegory
2587:
2580:
2573:
2487:List of speeches
2334:
2324:
2314:
2304:
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2284:
2274:
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2254:
2244:
2234:
2224:
2214:
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2194:
2184:
2174:
2164:
2154:
2144:
2134:
1938:Neo-Aristotelian
1505:Figure of speech
1366:Second Sophistic
1302:
1279:
1265:Olympic Contests
1177:, erotic madness
1125:Bodleian Library
881:
869:
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761:
742:Pseudo-Platonica
722:Middle Platonism
704:Related articles
471:First Alcibiades
353:Philosopher king
288:Form of the Good
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5703:
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5466:Theory of Forms
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5259:
5253:
5039:
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4999:
4985:
4944:
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4582:
4563:(1954 serenade)
4547:
4512:
4501:(1919 oratorio)
4461:
4450:(1787 painting)
4423:
4421:
4419:
4413:
4366:
4341:
4327:Socratic method
4295:
4286:
4265:
4247:
4242:
4152:(tr. and ed.).
4140:
4138:
4120:
4100:
4088:Standard Ebooks
4077:
4075:Further reading
4072:
4064:Seventh Epistle
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3286:Dunkle, Roger.
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3216:
3207:
3205:
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3191:
3182:
3178:
3173:
3140:Theory of Forms
3134:Katha Upanishad
3076:
3048:Hackett, 1997.
3046:Complete Works.
2996:
2929:Terrence Malick
2921:The 2016 film,
2884:Death in Venice
2874:
2853:
2807:
2778:
2737:
2690:
2685:
2591:
2562:
2561:
2507:Public rhetoric
2445:
2444:
2435:
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2383:Native American
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2232:
2222:
2212:
2202:
2192:
2182:
2172:
2162:
2152:
2142:
2132:
2123:
2122:
2113:
2112:
1953:
1952:
1943:
1942:
1886:
1885:
1874:
1873:
1764:Funeral oration
1754:Farewell speech
1711:Socratic method
1667:
1666:
1657:
1656:
1419:
1418:
1409:
1408:
1314:
1313:
1277:
1235:
1188:
1139:
1134:
1061:
1037:
1009:
976:
936:
831:
827:
814:
776:
774:
767:
766:
765:
758:
283:Theory of forms
239:
228:
227:
226:
221:
210:
204:
201:
158:
156:
146:
134:
119:
108:
102:
99:
95:help improve it
92:
80:
76:
39:
35:
28:
23:
22:
15:
12:
11:
5:
5736:
5734:
5726:
5725:
5720:
5715:
5705:
5704:
5698:
5697:
5695:
5694:
5687:
5682:
5681:
5680:
5675:
5670:
5665:
5655:
5654:
5653:
5643:
5638:
5633:
5628:
5623:
5615:
5610:
5604:
5602:
5598:
5597:
5595:
5594:
5589:
5584:
5578:
5576:
5570:
5569:
5567:
5566:
5561:
5556:
5551:
5546:
5541:
5536:
5530:
5528:
5520:
5519:
5517:
5516:
5509:
5504:
5497:
5495:Platonic solid
5492:
5491:
5490:
5480:
5478:Theory of soul
5475:
5474:
5473:
5463:
5462:
5461:
5454:
5447:
5435:
5434:
5433:
5421:
5416:
5410:
5408:
5402:
5401:
5394:
5392:
5389:
5388:
5386:
5385:
5378:
5371:
5364:
5357:
5350:
5343:
5336:
5329:
5322:
5315:
5314:
5313:
5310:Seventh Letter
5299:
5292:
5285:
5278:
5271:
5263:
5261:
5252:
5251:
5244:
5237:
5230:
5223:
5216:
5209:
5202:
5195:
5188:
5181:
5174:
5167:
5160:
5153:
5146:
5139:
5132:
5125:
5118:
5111:
5104:
5097:
5090:
5083:
5076:
5069:
5062:
5055:
5047:
5045:
5041:
5040:
5035:
5033:
5032:
5025:
5018:
5010:
5001:
5000:
4990:
4987:
4986:
4984:
4983:
4978:
4971:
4966:
4960:
4958:
4954:
4953:
4950:
4949:
4946:
4945:
4943:
4942:
4937:
4929:
4927:
4923:
4922:
4920:
4919:
4912:
4905:
4898:
4890:
4888:
4884:
4883:
4881:
4880:
4873:
4866:
4859:
4852:
4845:
4838:
4831:
4824:
4817:
4810:
4803:
4796:
4789:
4782:
4775:
4768:
4761:
4754:
4747:
4740:
4733:
4726:
4719:
4712:
4705:
4698:
4691:
4684:
4677:
4670:
4663:
4656:
4649:
4642:
4635:
4628:
4621:
4614:
4607:
4599:
4597:
4590:
4584:
4583:
4581:
4580:
4572:
4564:
4555:
4553:
4549:
4548:
4546:
4545:
4537:
4529:
4520:
4518:
4514:
4513:
4511:
4510:
4502:
4494:
4486:
4478:
4469:
4467:
4463:
4462:
4460:
4459:
4451:
4443:
4434:
4432:
4425:
4415:
4414:
4412:
4411:
4405:
4399:
4393:
4387:
4381:
4374:
4372:
4368:
4367:
4365:
4364:
4357:
4349:
4347:
4343:
4342:
4340:
4339:
4334:
4329:
4324:
4322:Socratic irony
4319:
4314:
4309:
4303:
4301:
4297:
4296:
4289:
4287:
4285:
4284:
4279:
4273:
4271:
4267:
4266:
4264:
4263:
4258:
4252:
4249:
4248:
4243:
4241:
4240:
4233:
4226:
4218:
4212:
4211:
4208:
4207:43 1-23. 2012.
4197:
4190:
4183:
4176:
4165:
4147:
4118:
4113:
4097:
4090:
4076:
4073:
4071:
4070:
4055:
4043:
4031:
4019:
4007:
3995:
3983:
3971:
3959:
3947:
3935:
3923:
3911:
3899:
3887:
3875:
3863:
3851:
3839:
3827:
3815:
3803:
3791:
3779:
3767:
3755:
3743:
3731:
3719:
3707:
3695:
3683:
3671:
3659:
3647:
3635:
3623:
3611:
3599:
3587:
3575:
3563:
3551:
3539:
3527:
3515:
3503:
3491:
3479:
3467:
3455:
3443:
3428:
3416:
3386:
3384:
3381:
3378:
3377:
3364:
3351:
3334:
3321:
3319:43 1-23. 2012.
3304:
3278:
3242:
3238:, section 246b
3227:
3214:
3189:
3175:
3174:
3172:
3169:
3168:
3167:
3157:
3152:
3147:
3142:
3136:
3131:
3126:
3124:Jonathan Haidt
3121:
3116:
3111:
3106:
3101:
3093:
3085:
3075:
3072:
3071:
3070:
3068:978-0941051545
3056:
3054:978-0872203495
3042:
3040:978-0198145417
3028:
3022:
3016:
3009:
3005:Greek text at
3003:
3001:StandardEbooks
2995:
2992:
2991:
2990:
2973:
2968:, Jacob reads
2964:'s 1922 novel
2962:Virginia Woolf
2958:
2936:
2924:Knight of Cups
2919:
2902:
2893:The Charioteer
2888:
2873:
2870:
2852:
2849:
2845:Seventh Letter
2806:
2803:
2799:antaphrodisiac
2777:
2774:
2736:
2733:
2689:
2686:
2684:
2681:
2680:
2679:
2628:
2627:
2593:
2592:
2590:
2589:
2582:
2575:
2567:
2564:
2563:
2560:
2559:
2554:
2549:
2544:
2539:
2534:
2529:
2524:
2519:
2514:
2509:
2504:
2499:
2494:
2489:
2484:
2479:
2474:
2469:
2464:
2459:
2454:
2451:Ars dictaminis
2446:
2442:
2441:
2440:
2437:
2436:
2433:
2432:
2431:
2430:
2420:
2415:
2410:
2405:
2400:
2395:
2390:
2385:
2380:
2375:
2370:
2365:
2360:
2355:
2349:
2345:
2344:
2343:
2340:
2339:
2336:
2335:
2325:
2315:
2305:
2295:
2285:
2275:
2265:
2255:
2249:On the Sublime
2245:
2235:
2225:
2215:
2205:
2195:
2185:
2175:
2165:
2155:
2145:
2135:
2124:
2120:
2119:
2118:
2115:
2114:
2111:
2110:
2105:
2100:
2095:
2090:
2085:
2080:
2075:
2070:
2065:
2060:
2055:
2050:
2045:
2040:
2035:
2030:
2025:
2020:
2015:
2010:
2005:
2000:
1995:
1990:
1985:
1980:
1975:
1970:
1965:
1960:
1954:
1950:
1949:
1948:
1945:
1944:
1941:
1940:
1935:
1930:
1925:
1920:
1915:
1910:
1905:
1904:
1903:
1893:
1887:
1881:
1880:
1879:
1876:
1875:
1872:
1871:
1866:
1861:
1856:
1855:
1854:
1844:
1843:
1842:
1832:
1831:
1830:
1825:
1820:
1810:
1805:
1800:
1798:Lightning talk
1795:
1794:
1793:
1783:
1778:
1777:
1776:
1766:
1761:
1756:
1751:
1746:
1745:
1744:
1739:
1727:
1722:
1715:
1714:
1713:
1703:
1698:
1693:
1692:
1691:
1679:
1674:
1668:
1664:
1663:
1662:
1659:
1658:
1655:
1654:
1647:
1640:
1639:
1638:
1628:
1623:
1622:
1621:
1614:
1607:
1595:
1590:
1585:
1583:Method of loci
1580:
1573:
1566:
1561:
1560:
1559:
1552:
1545:
1538:
1531:
1519:
1518:
1517:
1512:
1502:
1501:
1500:
1490:
1483:
1478:
1471:
1470:
1469:
1457:
1452:
1445:
1438:
1433:
1428:
1420:
1416:
1415:
1414:
1411:
1410:
1407:
1406:
1401:
1400:
1399:
1387:
1386:
1385:
1380:
1370:
1369:
1368:
1363:
1353:
1348:
1347:
1346:
1341:
1336:
1331:
1326:
1319:Ancient Greece
1315:
1309:
1308:
1307:
1304:
1303:
1295:
1294:
1288:
1287:
1276:
1273:
1234:
1231:
1187:
1184:
1179:
1178:
1171:
1164:
1157:
1138:
1135:
1133:
1130:
1060:
1057:
1050:Bacchic frenzy
1048:lead into his
1036:
1033:
1008:
1005:
987:
986:
983:
980:
975:
972:
935:
932:
920:metempsychosis
882:), written by
816:
815:
813:
812:
805:
798:
790:
787:
786:
785:
784:
769:
768:
757:
756:
755:
752:
751:
747:
746:
745:
744:
739:
734:
729:
724:
719:
714:
706:
705:
701:
700:
699:
698:
691:
684:
677:
670:
663:
656:
649:
642:
635:
628:
621:
614:
607:
600:
593:
586:
579:
572:
565:
558:
551:
544:
537:
530:
523:
516:
509:
502:
495:
488:
481:
474:
467:
460:
453:
446:
439:
432:
425:
418:
411:
404:
397:
390:
380:
379:
373:
372:
371:
370:
365:
360:
355:
350:
345:
340:
332:
331:
323:
322:
321:
320:
315:
310:
305:
300:
295:
293:Theory of soul
290:
285:
280:
272:
271:
263:
262:
256:
255:
241:
240:
223:
222:
137:
135:
128:
121:
120:
83:
81:
74:
69:
43:
42:
40:
33:
26:
24:
14:
13:
10:
9:
6:
4:
3:
2:
5735:
5724:
5721:
5719:
5716:
5714:
5711:
5710:
5708:
5693:
5692:
5688:
5686:
5685:Plato's Dream
5683:
5679:
5676:
5674:
5671:
5669:
5666:
5664:
5661:
5660:
5659:
5656:
5652:
5649:
5648:
5647:
5644:
5642:
5639:
5637:
5634:
5632:
5629:
5627:
5624:
5622:
5621:
5616:
5614:
5611:
5609:
5606:
5605:
5603:
5599:
5593:
5590:
5588:
5585:
5583:
5580:
5579:
5577:
5575:
5571:
5565:
5562:
5560:
5559:Ship of State
5557:
5555:
5552:
5550:
5547:
5545:
5542:
5540:
5539:Ring of Gyges
5537:
5535:
5532:
5531:
5529:
5527:
5526:and metaphors
5521:
5515:
5514:
5510:
5508:
5505:
5503:
5502:
5498:
5496:
5493:
5489:
5486:
5485:
5484:
5481:
5479:
5476:
5472:
5469:
5468:
5467:
5464:
5460:
5459:
5455:
5453:
5452:
5448:
5446:
5445:
5441:
5440:
5439:
5436:
5432:
5431:
5427:
5426:
5425:
5422:
5420:
5419:Platonic love
5417:
5415:
5412:
5411:
5409:
5407:
5403:
5398:
5384:
5383:
5379:
5377:
5376:
5372:
5370:
5369:
5365:
5363:
5362:
5358:
5356:
5355:
5351:
5349:
5348:
5344:
5342:
5341:
5337:
5335:
5334:
5330:
5328:
5327:
5323:
5321:
5320:
5316:
5312:
5311:
5307:
5306:
5305:
5304:
5300:
5298:
5297:
5293:
5291:
5290:
5286:
5284:
5283:
5279:
5277:
5276:
5272:
5270:
5269:
5265:
5264:
5262:
5256:
5250:
5249:
5245:
5243:
5242:
5238:
5236:
5235:
5231:
5229:
5228:
5224:
5222:
5221:
5217:
5215:
5214:
5210:
5208:
5207:
5203:
5201:
5200:
5196:
5194:
5193:
5189:
5187:
5186:
5182:
5180:
5179:
5175:
5173:
5172:
5168:
5166:
5165:
5161:
5159:
5158:
5154:
5152:
5151:
5147:
5145:
5144:
5140:
5138:
5137:
5133:
5131:
5130:
5129:Hippias Minor
5126:
5124:
5123:
5122:Hippias Major
5119:
5117:
5116:
5112:
5110:
5109:
5105:
5103:
5102:
5098:
5096:
5095:
5091:
5089:
5088:
5084:
5082:
5081:
5077:
5075:
5074:
5070:
5068:
5067:
5063:
5061:
5060:
5056:
5054:
5053:
5049:
5048:
5046:
5042:
5038:
5031:
5026:
5024:
5019:
5017:
5012:
5011:
5008:
4998:
4988:
4982:
4979:
4977:
4976:
4972:
4970:
4967:
4965:
4962:
4961:
4959:
4955:
4941:
4938:
4936:
4935:
4931:
4930:
4928:
4924:
4918:
4917:
4913:
4911:
4910:
4906:
4904:
4903:
4899:
4897:
4896:
4892:
4891:
4889:
4885:
4879:
4878:
4874:
4872:
4871:
4867:
4865:
4864:
4860:
4858:
4857:
4853:
4851:
4850:
4846:
4844:
4843:
4839:
4837:
4836:
4832:
4830:
4829:
4825:
4823:
4822:
4818:
4816:
4815:
4811:
4809:
4808:
4804:
4802:
4801:
4797:
4795:
4794:
4790:
4788:
4787:
4783:
4781:
4780:
4776:
4774:
4773:
4769:
4767:
4766:
4762:
4760:
4759:
4755:
4753:
4752:
4748:
4746:
4745:
4741:
4739:
4738:
4734:
4732:
4731:
4727:
4725:
4724:
4720:
4718:
4717:
4716:Hippias Minor
4713:
4711:
4710:
4709:Hippias Major
4706:
4704:
4703:
4699:
4697:
4696:
4692:
4690:
4689:
4685:
4683:
4682:
4678:
4676:
4675:
4671:
4669:
4668:
4664:
4662:
4661:
4657:
4655:
4654:
4650:
4648:
4647:
4643:
4641:
4640:
4636:
4634:
4633:
4629:
4627:
4626:
4622:
4620:
4619:
4615:
4613:
4612:
4608:
4606:
4605:
4601:
4600:
4598:
4594:
4591:
4589:
4585:
4578:
4577:
4573:
4570:
4569:
4565:
4562:
4561:
4557:
4556:
4554:
4550:
4543:
4542:
4538:
4536:(1841 thesis)
4535:
4534:
4530:
4527:
4526:
4522:
4521:
4519:
4515:
4508:
4507:
4503:
4500:
4499:
4495:
4492:
4491:
4487:
4484:
4483:
4479:
4477:(423 BC play)
4476:
4475:
4471:
4470:
4468:
4464:
4457:
4456:
4452:
4449:
4448:
4444:
4441:
4440:
4436:
4435:
4433:
4429:
4426:
4416:
4409:
4406:
4403:
4400:
4397:
4394:
4391:
4388:
4385:
4382:
4379:
4376:
4375:
4373:
4369:
4362:
4358:
4355:
4351:
4350:
4348:
4344:
4338:
4335:
4333:
4330:
4328:
4325:
4323:
4320:
4318:
4315:
4313:
4310:
4308:
4307:Social gadfly
4305:
4304:
4302:
4298:
4293:
4283:
4280:
4278:
4275:
4274:
4272:
4268:
4262:
4259:
4257:
4254:
4253:
4250:
4246:
4239:
4234:
4232:
4227:
4225:
4220:
4219:
4216:
4209:
4206:
4202:
4198:
4195:
4191:
4189:118: 185–217.
4188:
4184:
4181:
4177:
4174:
4170:
4166:
4163:
4162:0-521-09703-7
4159:
4155:
4151:
4150:Hackforth, R.
4148:
4136:
4132:
4128:
4126:
4119:
4117:
4114:
4112:
4108:
4107:
4098:
4095:
4091:
4089:
4085:
4083:
4079:
4078:
4074:
4068:
4065:
4059:
4056:
4052:
4047:
4044:
4040:
4035:
4032:
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3987:
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3408:0-87220-349-2
3405:
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3382:
3374:
3368:
3365:
3361:
3355:
3352:
3348:
3344:
3338:
3335:
3332:118: 185–217.
3331:
3325:
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3318:
3314:
3308:
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3293:
3291:
3282:
3279:
3268:
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3141:
3137:
3135:
3132:
3130:
3127:
3125:
3122:
3120:
3117:
3115:
3114:Ratha Kalpana
3112:
3110:
3107:
3105:
3102:
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3091:
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2879:Thomas Mann's
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2583:
2581:
2576:
2574:
2569:
2568:
2566:
2565:
2558:
2555:
2553:
2552:Toulmin model
2550:
2548:
2545:
2543:
2540:
2538:
2537:Talking point
2535:
2533:
2532:Speechwriting
2530:
2528:
2525:
2523:
2520:
2518:
2515:
2513:
2510:
2508:
2505:
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2359:
2356:
2354:
2353:Argumentation
2351:
2350:
2342:
2341:
2331:
2330:
2326:
2321:
2320:
2316:
2311:
2310:
2306:
2301:
2300:
2296:
2291:
2290:
2286:
2281:
2280:
2276:
2271:
2270:
2266:
2261:
2260:
2256:
2251:
2250:
2246:
2241:
2240:
2236:
2231:
2230:
2226:
2221:
2220:
2216:
2211:
2210:
2206:
2201:
2200:
2196:
2191:
2190:
2189:De Inventione
2186:
2181:
2180:
2176:
2171:
2170:
2166:
2161:
2160:
2156:
2151:
2150:
2146:
2141:
2140:
2136:
2131:
2130:
2126:
2125:
2117:
2116:
2109:
2106:
2104:
2101:
2099:
2096:
2094:
2091:
2089:
2086:
2084:
2081:
2079:
2076:
2074:
2071:
2069:
2066:
2064:
2061:
2059:
2056:
2054:
2051:
2049:
2046:
2044:
2041:
2039:
2036:
2034:
2031:
2029:
2026:
2024:
2021:
2019:
2016:
2014:
2011:
2009:
2006:
2004:
2001:
1999:
1996:
1994:
1991:
1989:
1986:
1984:
1981:
1979:
1976:
1974:
1971:
1969:
1966:
1964:
1961:
1959:
1956:
1955:
1947:
1946:
1939:
1936:
1934:
1931:
1929:
1926:
1924:
1921:
1919:
1916:
1914:
1911:
1909:
1906:
1902:
1899:
1898:
1897:
1894:
1892:
1889:
1888:
1884:
1878:
1877:
1870:
1869:War-mongering
1867:
1865:
1862:
1860:
1857:
1853:
1850:
1849:
1848:
1845:
1841:
1838:
1837:
1836:
1835:Progymnasmata
1833:
1829:
1826:
1824:
1821:
1819:
1816:
1815:
1814:
1811:
1809:
1806:
1804:
1803:Maiden speech
1801:
1799:
1796:
1792:
1789:
1788:
1787:
1784:
1782:
1779:
1775:
1772:
1771:
1770:
1767:
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1762:
1760:
1757:
1755:
1752:
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1747:
1743:
1740:
1738:
1737:
1733:
1732:
1731:
1728:
1726:
1723:
1721:
1720:
1716:
1712:
1709:
1708:
1707:
1704:
1702:
1699:
1697:
1694:
1690:
1689:
1685:
1684:
1683:
1680:
1678:
1675:
1673:
1670:
1669:
1661:
1660:
1653:
1652:
1648:
1646:
1645:
1641:
1637:
1634:
1633:
1632:
1629:
1627:
1624:
1620:
1619:
1615:
1613:
1612:
1608:
1606:
1605:
1601:
1600:
1599:
1596:
1594:
1591:
1589:
1586:
1584:
1581:
1579:
1578:
1574:
1572:
1571:
1567:
1565:
1562:
1558:
1557:
1553:
1551:
1550:
1546:
1544:
1543:
1539:
1537:
1536:
1532:
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1529:
1525:
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1516:
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1506:
1503:
1499:
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1479:
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1461:
1458:
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1446:
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1443:
1439:
1437:
1434:
1432:
1429:
1427:
1426:
1422:
1421:
1413:
1412:
1405:
1404:Modern period
1402:
1398:
1397:
1393:
1392:
1391:
1388:
1384:
1381:
1379:
1376:
1375:
1374:
1371:
1367:
1364:
1362:
1359:
1358:
1357:
1354:
1352:
1351:Ancient India
1349:
1345:
1342:
1340:
1337:
1335:
1334:Attic orators
1332:
1330:
1327:
1325:
1322:
1321:
1320:
1317:
1316:
1312:
1306:
1305:
1301:
1297:
1296:
1293:
1289:
1285:
1281:
1280:
1274:
1272:
1268:
1266:
1260:
1257:
1253:
1247:
1243:
1239:
1232:
1230:
1228:
1227:reincarnation
1223:
1221:
1215:
1211:
1209:
1205:
1200:
1196:
1192:
1185:
1183:
1176:
1172:
1169:
1165:
1162:
1158:
1155:
1151:
1150:
1149:
1147:
1146:
1136:
1131:
1126:
1122:
1117:
1113:
1111:
1107:
1102:
1098:
1094:
1090:
1088:
1083:
1081:
1075:
1073:
1072:
1065:
1058:
1056:
1053:
1051:
1045:
1041:
1032:
1028:
1026:
1022:
1018:
1014:
1006:
1004:
1002:
998:
994:
993:
984:
981:
978:
977:
973:
971:
969:
963:
961:
957:
953:
949:
945:
941:
933:
931:
929:
925:
924:reincarnation
921:
917:
913:
909:
908:
903:
902:
897:
893:
889:
885:
880:
879:
872:
861:
855:
825:
824:
811:
806:
804:
799:
797:
792:
791:
789:
788:
783:
773:
772:
771:
770:
764:
760:
754:
753:
748:
743:
740:
738:
735:
733:
730:
728:
725:
723:
720:
718:
715:
713:
710:
709:
708:
707:
702:
697:
696:
692:
690:
689:
685:
683:
682:
678:
676:
675:
671:
669:
668:
664:
662:
661:
657:
655:
654:
650:
648:
647:
643:
641:
640:
636:
634:
633:
629:
627:
626:
622:
620:
619:
615:
613:
612:
608:
606:
605:
601:
599:
598:
594:
592:
591:
587:
585:
584:
580:
578:
577:
573:
571:
570:
566:
564:
563:
562:Hippias Minor
559:
557:
556:
555:Hippias Major
552:
550:
549:
545:
543:
542:
538:
536:
535:
531:
529:
528:
524:
522:
521:
517:
515:
514:
510:
508:
507:
503:
501:
500:
496:
494:
493:
489:
487:
486:
482:
480:
479:
475:
473:
472:
468:
466:
465:
461:
459:
458:
454:
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451:
447:
445:
444:
440:
438:
437:
433:
431:
430:
426:
424:
423:
419:
417:
416:
412:
410:
409:
405:
403:
402:
398:
396:
395:
391:
389:
388:
384:
383:
382:
381:
378:
374:
369:
366:
364:
363:Ring of Gyges
361:
359:
358:Ship of State
356:
354:
351:
349:
346:
344:
341:
339:
336:
335:
334:
333:
330:
329:
324:
319:
316:
314:
311:
309:
306:
304:
301:
299:
296:
294:
291:
289:
286:
284:
281:
279:
276:
275:
274:
273:
269:
265:
264:
261:
257:
253:
249:
248:
245:
237:
234:
219:
216:
208:
197:
194:
190:
187:
183:
180:
176:
173:
169:
166: –
165:
161:
160:Find sources:
154:
150:
144:
143:
138:This article
136:
132:
127:
126:
117:
114:
106:
96:
91:
89:
82:
73:
72:
67:
65:
58:
57:
52:
51:
46:
41:
32:
31:
27:Work by Plato
19:
5689:
5646:Neoplatonism
5641:Commentaries
5619:
5513:Hyperuranion
5511:
5499:
5456:
5449:
5442:
5428:
5380:
5373:
5366:
5361:Rival Lovers
5359:
5352:
5345:
5338:
5331:
5324:
5317:
5308:
5301:
5294:
5287:
5280:
5273:
5266:
5260:authenticity
5246:
5239:
5232:
5225:
5218:
5211:
5204:
5197:
5191:
5190:
5183:
5176:
5169:
5162:
5155:
5148:
5141:
5134:
5127:
5120:
5113:
5106:
5099:
5092:
5085:
5078:
5071:
5064:
5057:
5050:
4973:
4932:
4914:
4907:
4900:
4893:
4875:
4868:
4861:
4854:
4847:
4840:
4833:
4826:
4821:Rival Lovers
4819:
4812:
4805:
4798:
4792:
4791:
4784:
4777:
4770:
4763:
4756:
4749:
4742:
4735:
4728:
4721:
4714:
4707:
4700:
4693:
4686:
4679:
4672:
4665:
4658:
4651:
4644:
4637:
4630:
4623:
4616:
4609:
4602:
4574:
4566:
4558:
4544:(2006 novel)
4539:
4531:
4523:
4504:
4496:
4488:
4485:(1721 opera)
4480:
4472:
4453:
4445:
4437:
4378:Sophroniscus
4256:Bibliography
4204:
4200:
4193:
4186:
4179:
4172:
4168:
4153:
4139:. Retrieved
4135:the original
4124:
4105:
4093:
4081:
4063:
4058:
4050:
4046:
4038:
4034:
4026:
4022:
4014:
4010:
4002:
3998:
3990:
3986:
3978:
3974:
3966:
3962:
3954:
3950:
3942:
3938:
3930:
3926:
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3914:
3906:
3902:
3894:
3890:
3882:
3878:
3870:
3866:
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3834:
3830:
3822:
3818:
3810:
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3798:
3794:
3786:
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3734:
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3690:
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3678:
3674:
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3654:
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3630:
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3594:
3590:
3582:
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3558:
3554:
3546:
3542:
3534:
3530:
3522:
3518:
3510:
3506:
3498:
3494:
3486:
3482:
3474:
3470:
3462:
3458:
3450:
3446:
3438:
3423:
3419:
3399:
3395:
3390:
3372:
3367:
3359:
3354:
3346:
3342:
3337:
3329:
3324:
3316:
3312:
3307:
3296:. Retrieved
3289:
3281:
3270:. Retrieved
3260:
3245:
3235:
3230:
3221:Pappas, N.,
3217:
3206:. Retrieved
3202:
3192:
3179:
3163:
3145:Hyperuranion
3096:
3088:
3080:
3059:
3045:
3031:
3018:
3012:
2986:
2980:
2977:Wes Anderson
2969:
2966:Jacob's Room
2965:
2943:
2932:
2922:
2911:
2905:
2897:
2896:, a text of
2891:
2882:
2865:
2860:
2856:
2854:
2842:
2838:
2834:
2830:
2825:
2819:
2810:
2808:
2790:
2779:
2763:
2757:
2740:
2738:
2726:
2720:
2717:
2713:mystery cult
2709:
2705:
2701:
2698:
2691:
2672:
2668:
2653:
2637:
2629:
2616:
2612:
2608:
2602:
2477:Glossophobia
2449:
2368:Constitutive
2327:
2317:
2307:
2297:
2287:
2277:
2267:
2257:
2247:
2237:
2227:
2217:
2207:
2197:
2187:
2177:
2167:
2157:
2147:
2137:
2127:
1951:Rhetoricians
1864:Stump speech
1781:Invitational
1734:
1719:Dissoi logoi
1717:
1696:Deliberative
1688:Controversia
1686:
1649:
1642:
1616:
1609:
1602:
1575:
1568:
1556:Pronuntiatio
1554:
1547:
1540:
1533:
1526:
1485:
1473:
1464:
1447:
1440:
1423:
1394:
1356:Ancient Rome
1269:
1261:
1248:
1244:
1240:
1236:
1224:
1216:
1212:
1201:
1197:
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727:Neoplatonism
712:Commentaries
693:
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492:Rival Lovers
490:
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328:The Republic
326:
298:Epistemology
244:
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211:
205:January 2023
202:
192:
185:
178:
171:
159:
147:Please help
142:verification
139:
109:
103:January 2023
100:
85:
61:
54:
48:
47:Please help
44:
5501:Anima mundi
5458:Theia mania
5275:Definitions
5258:Of doubtful
4909:Oeconomicus
4902:Memorabilia
4579:(1971 film)
4571:(1966 film)
4509:(2007 play)
4493:(1759 play)
4141:February 5,
3294:. AbleMedia
2795:chaste tree
2728:theia mania
2557:Wooden iron
2517:Rhetrickery
2492:Oral skills
2428:Composition
2363:Contrastive
2183:(c. 350 BC)
2173:(c. 350 BC)
2163:(c. 350 BC)
2153:(c. 350 BC)
2143:(c. 370 BC)
2003:Demosthenes
1983:Brueggemann
1918:Ideological
1769:Homiletics
1682:Declamation
1672:Apologetics
1522:Five canons
1390:Renaissance
1373:Middle Ages
1145:theia mania
997:logographos
960:chaste tree
928:erotic love
639:Definitions
5707:Categories
5564:Myth of Er
5524:Allegories
5430:Sophrosyne
5406:Philosophy
5347:On Justice
5333:Hipparchus
5241:Theaetetus
5206:Protagoras
5178:Parmenides
5094:Euthydemus
4863:Theaetetus
4807:Protagoras
4779:Parmenides
4765:On Justice
4702:Hipparchus
4674:Euthydemus
4517:Literature
4474:The Clouds
4396:Lamprocles
4384:Phaenarete
3383:References
3298:2007-02-02
3272:2006-12-05
3208:2017-05-31
3162:, for the
2821:Theaetetus
2782:pederastic
2413:Technology
2403:Procedural
2223:(c. 50 BC)
2209:De Oratore
2073:Quintilian
2068:Protagoras
1923:Metaphoric
1847:Propaganda
1730:Epideictic
1644:Sotto voce
1598:Persuasion
1593:Operations
1535:Dispositio
1431:Chironomia
956:plane tree
646:On Justice
534:Protagoras
527:Euthydemus
485:Hipparchus
443:Parmenides
422:Theaetetus
368:Myth of Er
175:newspapers
50:improve it
5451:Peritrope
5354:On Virtue
5282:Demodocus
5234:Symposium
5227:Statesman
5164:Menexenus
5101:Euthyphro
5066:Clitophon
5059:Charmides
4975:Peritrope
4916:Symposium
4856:Symposium
4849:Statesman
4772:On Virtue
4744:Menexenus
4681:Euthyphro
4653:Demodocus
4625:Clitophon
4618:Charmides
4588:Dialogues
4402:Menexenus
4390:Xanthippe
4173:Phronesis
4131:glbtq.com
4041:276e–277a
3993:274e–275b
3945:266d–268a
3909:263e–264b
3837:256e–257c
3813:255e–256b
3801:253d–254e
3789:250d–252b
3753:248e–249d
3741:247e–248e
3693:246e–247b
3347:Phronesis
3315:, Again"
3288:"Plato's
3150:Pharmakon
3109:Platonism
3082:Symposium
2916:Stephanus
2791:Symposium
2776:Pederasty
2759:Symposium
2723:composite
2641:tragedies
2633:dialectic
2619:divisions
2527:Seduction
2358:Cognitive
2346:Subfields
2273:(100–400)
2028:Isocrates
1968:Augustine
1958:Aristotle
1933:Narrative
1883:Criticism
1828:Philippic
1742:Panegyric
1725:Elocution
1706:Dialectic
1626:Situation
1487:Facilitas
1481:Enthymeme
1460:Eloquence
1442:Delectare
1175:Aphrodite
1166:From the
968:Symposium
950:, son of
907:Symposium
871:translit.
660:Demodocus
653:On Virtue
583:Clitophon
576:Menexenus
506:Charmides
457:Symposium
436:Statesman
387:Euthyphro
260:Platonism
56:talk page
5723:Rhetoric
5620:Republic
5544:The Cave
5534:Atlantis
5507:Demiurge
5444:Amanesis
5375:Sisyphus
5303:Epistles
5296:Epinomis
5289:Epigrams
5268:Axiochus
5213:Republic
5199:Philebus
5192:Phaedrus
5073:Cratylus
4997:Category
4887:Xenophon
4835:Sisyphus
4814:Republic
4800:Philebus
4793:Phaedrus
4660:Epinomis
4632:Cratylus
4611:Axiochus
4576:Socrates
4490:Socrates
4455:Socrates
4424:Socrates
4386:(mother)
4380:(father)
4300:Concepts
4245:Socrates
4201:Phaedrus
4169:Phaedrus
4125:Phaedrus
4111:LibriVox
4106:Phaedrus
4094:Phaedrus
4082:Phaedrus
4051:Phaedrus
4039:Phaedrus
4027:Phaedrus
4015:Phaedrus
4003:Phaedrus
3991:Phaedrus
3979:Phaedrus
3967:Phaedrus
3955:Phaedrus
3943:Phaedrus
3931:Phaedrus
3919:Phaedrus
3907:Phaedrus
3895:Phaedrus
3883:Phaedrus
3871:Phaedrus
3859:Phaedrus
3847:Phaedrus
3835:Phaedrus
3823:Phaedrus
3811:Phaedrus
3799:Phaedrus
3787:Phaedrus
3775:Phaedrus
3763:Phaedrus
3751:Phaedrus
3739:Phaedrus
3727:Phaedrus
3715:Phaedrus
3703:Phaedrus
3691:Phaedrus
3679:Phaedrus
3667:Phaedrus
3655:Phaedrus
3643:Phaedrus
3631:Phaedrus
3619:Phaedrus
3607:Phaedrus
3595:Phaedrus
3583:Phaedrus
3571:Phaedrus
3559:Phaedrus
3547:Phaedrus
3535:Phaedrus
3523:Phaedrus
3511:Phaedrus
3501:237e–238
3499:Phaedrus
3489:236e–237
3487:Phaedrus
3475:Phaedrus
3463:Phaedrus
3451:Phaedrus
3441:230d–231
3439:Phaedrus
3424:Phaedrus
3412:stph. p.
3410:, 228b (
3396:Phaedrus
3343:Phaedrus
3313:Phaedrus
3290:Republic
3261:Phaedrus
3236:Phaedrus
3164:Phaedrus
3090:Republic
3074:See also
3013:Phaedrus
2987:Phaedrus
2979:'s film
2970:Phaedrus
2933:Phaedrus
2912:Phaedrus
2898:Phaedrus
2881:novella
2857:Phaedrus
2811:Phaedrus
2745:palinode
2741:Phaedrus
2662:to King
2656:Egyptian
2603:Phaedrus
2398:Pedagogy
2378:Feminist
2149:Rhetoric
2139:Phaedrus
2133:(380 BC)
2083:Richards
2053:Perelman
1901:Pentadic
1896:Dramatic
1840:Suasoria
1818:Diatribe
1759:Forensic
1736:Encomium
1701:Demagogy
1570:Imitatio
1542:Elocutio
1528:Inventio
1498:Informal
1417:Concepts
1344:Sophists
1339:Calliope
1329:Atticism
1324:Asianism
1292:Rhetoric
1284:a series
1282:Part of
1220:sophists
1161:Dionysus
1121:Phaedrus
992:Republic
982:Phaedrus
979:Socrates
952:Cephalus
946:, where
940:Phaedrus
916:rhetoric
901:Republic
896:Phaedrus
892:Phaedrus
888:Socrates
878:Phaidros
823:Phaedrus
695:Epigrams
688:Axiochus
667:Sisyphus
632:Epistles
625:Epinomis
590:Republic
464:Phaedrus
450:Philebus
415:Cratylus
318:Atlantis
313:Demiurge
252:a series
250:Part of
18:Phaidros
5554:The Sun
5382:Theages
5326:Halcyon
5319:Eryxias
5248:Timaeus
5220:Sophist
5115:Gorgias
5080:Critias
5052:Apology
4957:Related
4934:Halcyon
4895:Apology
4877:Timaeus
4870:Theages
4842:Sophist
4695:Gorgias
4667:Eryxias
4639:Critias
4604:Apology
4498:Socrate
4422:include
4346:Phrases
4203:, Again
4062:Plato,
3465:235a, c
3394:Plato,
3263:, p 41"
3098:Gorgias
3058:Plato.
3044:Plato.
3030:Plato.
3026:Perseus
3007:Perseus
2907:Maurice
2861:leading
2816:midwife
2749:cicadas
2739:In the
2694:chariot
2645:harmony
2443:Related
2418:Therapy
2408:Science
2373:Digital
2253:(c. 50)
2243:(46 BC)
2233:(46 BC)
2213:(55 BC)
2203:(80 BC)
2193:(84 BC)
2129:Gorgias
2098:Toulmin
2093:Tacitus
2043:McLuhan
2018:Gorgias
2013:Erasmus
2008:Derrida
1973:Bakhtin
1963:Aspasia
1928:Mimesis
1891:Cluster
1823:Eristic
1813:Polemic
1808:Oratory
1786:Lecture
1549:Memoria
1493:Fallacy
1436:Decorum
1383:Trivium
1311:History
1017:madness
1007:Summary
934:Setting
865:Φαῖδρος
681:Eryxias
674:Halcyon
604:Critias
597:Timaeus
541:Gorgias
499:Theages
429:Sophist
394:Apology
189:scholar
93:Please
86:may be
5601:Legacy
5185:Phaedo
5143:Laches
4786:Phaedo
4730:Laches
4410:(wife)
4392:(wife)
4371:Family
4160:
4005:275d–e
3981:269b–c
3969:268c–e
3957:268a–c
3825:256b–e
3765:249d–e
3729:247d–e
3705:247b–c
3681:246d–e
3657:246a–b
3645:245c–e
3609:243a–b
3597:242c–e
3525:238c–d
3513:238a–c
3477:236c–d
3453:234d–e
3426:228a–e
3406:
3066:
3052:
3038:
2866:Phaedo
2664:Thamus
2660:Theuth
2502:Pistis
2497:Orator
2423:Visual
2333:(1970)
2323:(1966)
2313:(1521)
2303:(1305)
2239:Orator
2179:Topics
2108:Weaver
2038:Lysias
2033:Lucian
2023:Hobbes
1998:de Man
1993:Cicero
1791:Public
1774:Sermon
1749:Eulogy
1677:Debate
1665:Genres
1611:Pathos
1577:Kairos
1564:Hypsos
1510:Scheme
1475:Eunoia
1455:Device
1449:Docere
1208:Hestia
1154:Apollo
1106:daemon
1087:nymphs
1071:hubris
1021:divine
958:and a
948:Lysias
926:) and
874:
513:Laches
408:Phaedo
191:
184:
177:
170:
162:
5340:Minos
5157:Lysis
5087:Crito
5044:Works
5037:Plato
4926:Other
4758:Minos
4737:Lysis
4646:Crito
4596:Plato
4552:Other
4466:Stage
4418:Works
4408:Myrto
4404:(son)
4398:(son)
3251:Plato
3171:Notes
3032:Opera
2901:love.
2293:(426)
2283:(102)
2121:Works
2088:Smith
2078:Ramus
2063:Plato
2058:Pizan
1988:Burke
1978:Booth
1913:Genre
1908:Frame
1651:Topos
1636:Grand
1631:Style
1618:Logos
1604:Ethos
1588:Modes
1515:Trope
1256:forms
1173:From
1168:Muses
1159:From
1152:From
1110:Muses
884:Plato
860:Greek
763:Plato
611:Minos
520:Lysis
401:Crito
196:JSTOR
182:books
5574:Life
5171:Meno
5150:Laws
4751:Meno
4420:that
4270:Life
4158:ISBN
4143:2015
4053:230d
4029:276a
4017:275e
3933:266c
3921:264c
3897:263b
3885:260e
3873:260d
3861:260a
3849:258d
3777:250a
3717:247c
3669:246c
3633:245c
3621:244a
3585:242a
3573:241a
3561:240a
3549:239c
3537:238e
3404:ISBN
3138:The
3095:The
3087:The
3079:The
3064:ISBN
3050:ISBN
3036:ISBN
2809:The
2780:The
2658:god
2649:lyre
2467:Doxa
2263:(95)
2103:Vico
1852:Spin
1204:Zeus
1080:Eros
1013:soul
912:love
904:and
890:and
820:The
618:Laws
548:Meno
278:Life
168:news
5678:229
5673:228
5136:Ion
4723:Ion
4431:Art
4171:.”
4086:at
3345:.”
2975:In
2960:In
2938:In
2927:by
2877:In
2826:for
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2753:Pan
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2388:New
2048:Ong
1252:sex
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569:Ion
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