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In addition, the group provided a supportive environment for their creativity, with discussion forums, access to models and professional instruction. The lifestyle choices of the members were unusual for the time: many of them never married; others who did marry chose not to have children or kept
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In 1998, in celebration of the school's 150th anniversary, the faculty of the Moore
College of Art and Design organized a retrospective of the Philadelphia Ten that traveled to museums throughout the country. The exhibition included 81 paintings and 9 sculptures.
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In 2010, Moore
College showed archived pieces dating from the 1920s–40s of seven of the first eleven members of The Philadelphia Ten, along with recent works by members of The Other Woman art collective, also formed by former students of the college.
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All of the members of the
Philadelphia Ten attended art school in Philadelphia. After the original exhibition by 11 painters, the group eventually grew to include 23 painters and 7 sculptors. The artists were generally not on the cutting edge of
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153:. Over the years, more women joined the group; in all, 30 artists participated in the 65 subsequent exhibitions. The final exhibition of the group was held in April 1945 at the Woodmere Gallery in Philadelphia.
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Tappert, Tara (October 1999). "Review: Commemorating the
Philadelphia Ten: The Philadelphia Ten: A Women's Artist Group 1917–1945 by Page Talbott; Patricia Tanis Sydney".
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97:, was a group of American female artists who exhibited together from 1917 to 1945. The group, eventually numbering 30 painters and sculptors, exhibited annually in
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in New York, and others. However, the
Philadelphia Ten is recognized as being the group that exhibited most widely and for the longest time.
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During the late 19th and early 20th centuries, many local and regional women's art organizations were formed and sponsored exhibitions. The
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An early 20th-century women's art collective empowered its members not only to make art but to make a career of it, too.
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their maiden names. For many of the women, the group became a source of friendships and collegial relationships.
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786:"1990s: The Philadelphia Ten: A Women's Artist Group 1917–1945, January 23 – March 15, 1998"
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Cartwright, Cochrane and Howard participated in all 65 exhibitions held by the group.
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The
Philadelphia Ten was formed to help women who wanted to move beyond the role of
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740:"Collectively Speaking, Then & Now: The Philadelphia Ten and The Other Woman"
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in
February 1917. It included 247 paintings by 11 artists, nine trained at the
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at their Art Club of
Philadelphia exhibition, January 28 – February 11, 1928.
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761:"The Philadelphia Ten | Philadelphia Women's History Month All-Star"
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The works exhibited reflected the influence of teachers such as
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and later had traveling exhibitions at museums throughout the
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559:"The Philadelphia Ten: A Women's Artist Group 1917–1945"
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Talbott, Page; Sydney, Patricia Tanis (January 1998).
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arts organization for women to promote members' works
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National Association of Women Painters and Sculptors
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190:of New York was among the first, followed by
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16:American female artists group (1917 to 1945)
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227:All of the original members were painters.
219:were not yet popular in the United States.
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851:Arts organizations based in Pennsylvania
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143:Philadelphia School of Design for Women
137:The group's first show was held at the
846:American artist groups and collectives
712:"Happy 96th to The Philadelphia Ten!"
151:Pennsylvania Academy of the Fine Arts
7:
826:Encyclopedia of Greater Philadelphia
563:Westmoreland Museum of American Art
416:M. Elizabeth Price, "Poppies", 1932
716:Learn with the Michener Art Museum
431:The Wine Shop, Quimperle, Brittany
408:Fern Coppedge, "Village in Winter"
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856:History of women in Pennsylvania
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645:(4). Golden Peak Media: 50–57.
447:Figures on the Sand, Annisquam,
147:Moore College of Art and Design
674:American Studies International
1:
445:Elizabeth Wentworth Roberts,
594:. Galleries at Moore / AAR.
342:Elizabeth Wentworth Roberts
262:Mary-Russell Ferrell Colton
56:; 79 years ago
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379:Harriet Whitney Frishmuth
369:Cornelia Van Auken Chapin
252:Isabel Branson Cartwright
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765:The Philadelphia Citizen
282:Katharine Hood McCormick
139:Art Club of Philadelphia
523:Susette Schultz Keast,
463:Portrait: Red and White
188:Ladies' Art Association
841:American women artists
790:The Galleries at Moore
461:Helen Kiner McCarthy,
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237:Katharine Marie Barker
861:Women in Philadelphia
510:Calendulas and Asters
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384:Genevieve Karr Hamlin
352:Edith Longstreth Wood
347:Susan Gertrude Schell
322:Susette Schultz Keast
312:Margaret Ralston Gest
307:Nancy Maybin Ferguson
194:in Philadelphia, the
508:Maude Drein Bryant,
429:M. Elizabeth Price,
364:Gladys Edgerly Bates
337:Mary Elizabeth Price
277:Helen Kiner McCarthy
22:The Philadelphia Ten
492:Harriet Frishmuth,
332:Emma Fordyce MacRae
327:Marian T. MacIntosh
149:) and two from the
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394:Mary Louise Lawser
297:Maude Drein Bryant
257:Constance Cochrane
133:History and legacy
123:juried competition
477:Beatrice Fenton,
242:Theresa Bernstein
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820:Philadelphia Ten
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796:on March 4, 2017
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192:The Plastic Club
175:and sculpture.
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91:Philadelphia Ten
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35:Philadelphia Ten
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822:by Page Talbott
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813:Further reading
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33:Members of the
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680:(3): 107–110.
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247:Cora S. Brooks
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232:Eleanor Abrams
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525:Inner Harbor
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389:Joan Hartley
317:Sue May Gill
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99:Philadelphia
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81:Philadelphia
77:Headquarters
34:
18:
169:still lifes
835:Categories
745:August 31,
721:August 31,
615:August 24,
532:References
165:landscapes
103:East Coast
800:March 12,
568:March 12,
465:, by 1916
433:, by 1921
358:Sculptors
209:modernism
173:portraits
119:hobbyists
51:Dissolved
43:Formation
686:41279715
610:40478663
105:and the
824:on the
400:Gallery
202:Members
113:Purpose
107:Midwest
95:The Ten
69:Purpose
59: (
684:
608:
598:
496:, 1922
682:JSTOR
494:Speed
145:(now
802:2017
772:2021
747:2021
723:2021
617:2021
606:OCLC
596:ISBN
570:2017
449:1915
215:and
89:The
61:1945
54:1945
46:1917
125:.
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63:)
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
