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His tenure as master of the choirboys was not without difficulty; several times he was reprimanded by the chapel authorities for failing to keep his charges out of trouble. However, he was the first person to hold the position for five years; in the preceding three years, no less than five separate
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Sometime before 1490 he returned to Ste
Chapelle, but since all records from the chapel between 1476 and 1486 are lost, the exact date cannot be determined. Basiron was vicar of a nearby church in 1490, and had to have died shortly before 31 May 1491, since a benefice of his passed to a brother on
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Basiron's music was widely distributed in Europe, and was highly praised by his contemporaries. In addition he was precocious: many of his chansons were written in his teens, and probably much more of his early music has been lost. A total of four masses, three motets and six chansons have
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Stylistically
Basiron's music resembles that of Ockeghem, and is innovative in several ways. He used sequential repetition, and was perhaps the first composer to write a piece in which imitation was the main structural device from beginning to end (the
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In 1464 he already had a position of authority, being given the responsibility for the musical instruction of the other boys. In 1466 he became vicar-choral, and on 5 February 1469 he became
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also visited
Bourges that year, but if the boy made his acquaintance then is not known; however the influence, and possibly friendship, of the older composer was to become clear later.
179:(master of the choirboys); he may have been a formative influence on the young Philippe. The boy's musical gifts were sufficiently distinguished that he had a
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people had tried and failed to maintain the unruly choir. In 1474 he left Ste
Chapelle, but the circumstances are not known. His successor there was
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Higgins, Paula (January–April 1990). "Tracing the
Careers of Late Medieval Composers: The Case of Philippe Basiron of Bourges".
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227:). He also was capable of creating long movements by juxtaposing sections of varying texture, but without disunity; his
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129:. He was an innovative and prominent composer of the late 15th century, and was praised by many of his contemporaries.
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Jeffrey Dean: "Philippe
Basiron", Grove Music Online ed. L. Macy (Accessed September 13, 2005),
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Missa l'homme armé (mentioned as a new composition on 24 March 1484, in
Ferrara) (4vv);
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mentioned
Basiron in 1508 as among the "20 great composers of the 15th century"; both
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Nul ne l'a tele (3vv) (Bergerette, based on "Je ne viz onques la pareille" by
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443:, ed. Stanley Sadie. 20 vol. London, Macmillan Publishers Ltd., 1980.
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survived, and also one mass which has an uncertain attribution to him.
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purchased for him in 1462, an extremely rare occurrence for a
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D’ung aultre amer I (4vv) (uses "L'homme armé" in the tenor);
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Salve regina (4vv) (also, erroneously, attributed to
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Oh
Flanders Free. Music of the Flemish Renaissance:
141:, and received his early training there, becoming a
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332:De m'esjouir plus n'ay puissance (3vv) (Rondeau);
441:The New Grove Dictionary of Music and Musicians
239:, heard of Basiron's fame, and asked that his
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257:praised him highly; and most famously, poet
460:. New York, W.W. Norton & Co., 1954.
263:Déploration sur le trépas de Jean Ockeghem
482:International Music Score Library Project
288:Missa tetradi pladis (lost; described by
106:Learn how and when to remove this message
156:attached to the royal palace (now the
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44:adding citations to reliable sources
439:Martin Picker, "Philippe Basiron,"
359:Tant fort me tarde (3vv) (Rondeau).
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392:. Alamire LUB 03, Naxos 8.554516.
312:Inviolata integra et casta (4vv);
341:Je le sçay bien (3vv) (Rondeau);
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508:French male classical composers
478:Free scores by Philippe Basiron
31:needs additional citations for
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302:Missa D'ung aultre amer (4vv)
231:is the most famous example.
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338:D’ung aultre amer II (4vv);
171:, and in 1462 the composer
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518:15th-century French people
147:Sainte-Chapelle de Bourges
285:Missa Regina caeli (4vv);
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290:Franchinus Gaffurius
123:Philippon de Bourges
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292:) (voicing unknown)
214:Music and influence
315:Regina celi (4vv);
241:Missa l'homme armé
55:"Philippe Basiron"
419:(Fasc. 1): 1–28.
412:Acta Musicologica
320:Johannes Ockeghem
297:Mass (attributed)
196:magister puerorum
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225:Regina celi
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127:Renaissance
492:Categories
397:References
235:, duke of
181:clavichord
66:newspapers
385:De la Rue
364:Recording
261:, in his
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373:Ockeghem
327:Chansons
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185:choirboy
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377:Josquin
369:1996 -
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