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344:, although using a less-common ABACABA form. It is testimony to Mozart's greatness that although this movement is extremely difficult from a technical point of view, it never sounds like a 'showpiece' meant to display the performer's skills. Some of the demands made on the pianist include fast ascending-descending
292:
Many pianists consider this to be one of the most difficult of Mozart's piano concertos. The concerto is primarily difficult from its many quick scale patterns which must be played perfectly and also from its many fast chord patterns moving up and down. Beginning with this concerto, Mozart began to
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has noted contemporary comments from Mozart's era on how the woodwind writing in this concerto showed a "newly intricate and sophisticated" character compared to Mozart's prior keyboard concerti. Elaine Sisman has postulated that Mozart modeled the slow movement on a theme-and-variations movement
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Mozart composed the concerto for performance at a series of concerts at the Vienna venues of the
Trattnerhof and the Burgtheater in the first quarter of 1784, where he was himself the soloist in March 1784.
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Keefe, Simon P. (4 November 2001). "'An
Entirely Special Manner': Mozart's Piano Concerto No. 14 in E Flat, K.449, and the Stylistic Implications of Confrontation".
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Wolfgang
Amadeus Mozart: Klavierkonzerte fĂĽr Klavier und Orchester. Ausgaben fĂĽr zwei Klaviere. Urtext; hrsg von. Christoph Wolff und Christian Zacharias
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where the soloist 'battles against' the orchestra. This movement is among the most challenging works which Mozart has ever written for the keyboard.
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use the term "grand" to describe his concerto such as K. 450 which feature a prominent and required wind section for the ensemble.
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657:"Dramatic Dialogue in Mozart's Viennese Piano Concertos: A Study of Competition and Cooperation in Three First Movements"
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288:"I consider them both to be concertos which make one sweat; but the B flat one beats the one in D for difficulty."
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Eisen, Cliff; Mozart, Wolfgang
Amadeus; Wolff, Christoph; Zacharias, Christian (1994). "Music Reviews:
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Portowitz, Adena (December 2001). "Art and Taste in Mozart's Sonata-Rondo
Finales: Two Case Studies".
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264:. A brief section of the third movement is heard in a transitional scene of the movie
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In a letter to his father, Mozart compared this concerto with the
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Mercado, Mario R.; Zaslaw, Neal (June 1999). "Book Review:
633:, Oxford University Press (original publication, 1948).
509:(April 1947). "The Concerto: Contest or Co-Operation?".
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Mozart's Piano
Concertos: Text, Context, Interpretation
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1508:List of compositions by Wolfgang Amadeus Mozart
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1551:Piano concertos by Wolfgang Amadeus Mozart
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718:International Music Score Library Project
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599:(4). Music Library Association: 879–883.
438:(2). Music Library Association: 733–737.
340:. The finale is (as usual for Mozart) a
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1296:No. 7 in F major for 3 Pianos, K. 242 (
1219:Three Concertos after J.C. Bach, K. 107
631:A Companion to Mozart's Piano Concertos
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204:
488:. Cambridge University Press (2003,
7:
336:. The middle movement consists of a
240:. The concerto is scored for solo
205:Problems playing these files? See
14:
485:The Cambridge Companion to Mozart
332:The first movement is in typical
1528:
1503:About the Mozart piano concertos
1122:
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982:Maria Anna Thekla Mozart (Bäsle)
641:The Concerto: A Listener's Guide
190:
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1099:Beethoven–Haydn–Mozart Memorial
655:Keefe, Simon P. (Summer 1999).
1:
1556:Compositions in B-flat major
1008:(paternal great-grandfather)
851:Concert arias, songs, canons
1454:No. 26 in D major, K. 537 (
988:Franz Xaver Wolfgang Mozart
970:Maria Anna Mozart (Nannerl)
248:(third movement only), two
55:(Augsburg, 1775) – Berlin,
1577:
1311:major for 2 Pianos, K. 365
1253:No. 8 in C major, K. 246 (
234:concertante work for piano
1498:
1436:No. 25 in C major, K. 503
1431:No. 24 in C minor, K. 491
1426:No. 23 in A major, K. 488
1410:No. 21 in C major, K. 467
1405:No. 20 in D minor, K. 466
1400:No. 19 in F major, K. 459
1384:No. 17 in G major, K. 453
1379:No. 16 in D major, K. 451
1339:No. 13 in C major, K. 415
1334:No. 12 in A major, K. 414
1329:No. 11 in F major, K. 413
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1094:Mozart in popular culture
906:Relationship with G minor
546:The Journal of Musicology
301:The concerto is in three
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36:
31:
1237:No. 5 in D major, K. 175
823:Appearance and character
574:10.1525/jm.2001.18.1.129
558:10.1525/jm.2001.18.1.129
338:theme and two variations
57:Musikinstrumenten-Museum
1214:No. 4 in G major, K. 41
1209:No. 3 in D major, K. 40
1193:No. 1 in F major, K. 37
1175:Wolfgang Amadeus Mozart
1109:Mozart Monument, Vienna
754:Wolfgang Amadeus Mozart
523:10.1093/ml/XXVIII.2.115
238:Wolfgang Amadeus Mozart
1349:Major Vienna concertos
1321:Early Vienna concertos
1185:Childhood arrangements
1002:(paternal grandfather)
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714:Piano Concerto No. 15
661:The Musical Quarterly
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216:Piano Concerto No. 15
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901:Compositional method
881:Works for solo piano
53:Johann Andreas Stein
1000:Johann Georg Mozart
935:Neue Mozart-Ausgabe
928:Alte Mozart-Ausgabe
708:Neue Mozart-Ausgabe
692:Konzert in B KV 450
674:10.1093/mq/83.2.169
629:Hutchings, Arthur,
511:Music & Letters
405:10.1093/ml/82.4.559
393:Music & Letters
334:sonata-allegro form
20:Piano Concerto in B
1229:Salzburg concertos
994:Karl Thomas Mozart
637:Steinberg, Michael
464:Hutchings (p. 290)
282:16th concerto in D
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1561:1784 compositions
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1286:Concertos for two
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964:Anna Maria Mozart
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595:. Second Series.
591:by Neal Zaslaw".
482:Keefe, Simon P.,
434:. Second Series.
236:and orchestra by
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922:Köchel catalogue
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896:Violin concertos
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1204:major, K. 39
1089:Georg Nissen
1036:Sophie Weber
1012:Joseph Lange
1006:Franz Mozart
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828:Pet starling
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39:W. A. Mozart
1463:No. 27 in B
1415:No. 22 in E
1389:No. 18 in B
1368:No. 15 in B
1357:No. 14 in E
1305:No. 10 in E
1063:Freemasonry
788:Nationality
768:Biographies
703:(in German)
360:Simon Keefe
350:semiquavers
315:Andante in
232:. 450 is a
1545:Categories
1456:Coronation
1270:Jeunehomme
1262:No. 9 in E
1242:No. 6 in B
1198:No. 2 in B
1046:Influences
891:Symphonies
778:Grand tour
773:Birthplace
375:References
207:media help
186:3. Allegro
168:2. Andante
150:1. Allegro
1053:Beethoven
798:Scatology
793:Residence
761:Biography
566:0277-9269
496:), p. 88.
473:Steinberg
363:from the
346:arpeggios
303:movements
127:orchestra
106:Movements
80:Catalogue
1466:♭
1418:♭
1392:♭
1371:♭
1360:♭
1308:♭
1265:♭
1245:♭
1201:♭
1127:Category
972:(sister)
966:(mother)
960:(father)
915:Editions
803:Smallpox
320:♭
254:bassoons
223:♭
91:Composed
71:♭
23:♭
1082:Related
1073:Salieri
886:Sonatas
705:in the
624:Sources
413:3526277
354:tremolo
327:Allegro
311:Allegro
272:History
266:Amadeus
262:strings
118:Scoring
113:Allegro
111:Andante
109:Allegro
96: (
1521:Portal
1298:Lodron
1274:Jenamy
1255:LĂĽtzow
978:(wife)
950:Family
871:Operas
866:Masses
856:Dances
818:Prague
813:Berlin
690:
647:
613:899584
611:
572:
564:
531:855524
529:
492:
452:898906
450:
411:
260:, and
256:, two
252:, two
32:No. 15
1068:Haydn
996:(son)
990:(son)
843:Music
833:Death
808:Italy
696:Score
609:JSTOR
593:Notes
570:JSTOR
527:JSTOR
448:JSTOR
432:Notes
409:JSTOR
323:major
297:Music
258:horns
250:oboes
246:flute
242:piano
226:major
124:Piano
86:. 450
74:major
26:major
783:Name
698:and
645:ISBN
562:ISSN
490:ISBN
214:The
98:1784
94:1784
1171:by
669:doi
601:doi
554:doi
519:doi
440:doi
430:".
401:doi
367:of
218:in
64:Key
37:by
1547::
1272:/
694::
665:83
663:.
659:.
639:,
607:.
597:55
568:.
560:.
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407:.
397:82
395:.
383:^
371:.
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244:,
230:KV
228:,
1523::
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1161:e
1154:t
1147:v
746:e
739:t
732:v
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317:E
220:B
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100:)
84:K
68:B
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