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Another interesting characteristic of the work is its rather strong thematic integration of the movements, which would become ever more important in the nineteenth century. The principal theme of the
Larghetto, for instance, is revived as the second theme of the final movement (in measure 65). The
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311:. If so, this was Mozart's last appearance in a public concert, as he fell ill in September 1791 and died on 5 December 1791. Another possibility is that it was premiered by Mozart's pupil
423:
Simon Keefe has discussed the concerto in detail, with emphasis on the distinctive character and experiments in style of the concerto compared to Mozart's other concerti in this genre.
191:
283:'s analysis of the paper on which Mozart composed the work indicated that Mozart used this paper between December 1788 and February 1789, which implies composition well before 1791.
409:
principal theme for the finale was also used in Mozart's song "Sehnsucht nach dem Frühling" (also called "Komm, lieber Mai"), K. 596, which immediately follows this concerto in the
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445:(2001). "A Complementary Pair: Stylistic Experimentation in Mozart's Final Piano Concertos, K. 537 in D and K. 595 in B".
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has discussed the controversy over the time of composition in his review of the published facsimile of the score.
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of the first movement (in the dominant minor), as well as the presence of a remote minor key in the early
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493:(September 1990). "Music Reviews: 'Klavierkonzert F-dur, KV 459' and 'Klavierkonzert B-dur, KV 595'".
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The concerto may have been first performed at a concert on 4 March 1791 in
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has stated that Mozart composed this concerto in late 1790 and early 1791.
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has written that the composition of the work dates from 1788. By contrast,
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of that movement and of the tonic minor in the middle of the
Larghetto.
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271:; it was first performed early in 1791, the year of his death.
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397:, minor keys are suggested, as is evident from the second
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Wolfgang Amadé Mozart: Essays on his Life and his Music
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540:. Stanford: Stanford University Press. p. 387.
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279:The manuscript is dated 5 January 1791. However,
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553:, "Mozart's Reception in Vienna 1787–1791", in
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601:Konzert in B für Klavier und Orchester KV 595
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315:on the occasion of a public concert at the
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627:International Music Score Library Project
54:Opening page of the autograph manuscript
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790:No. 7 in F major for 3 Pianos, K. 242 (
713:Three Concertos after J.C. Bach, K. 107
437:
435:
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393:Although all three movements are in a
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420:for the first and third movements.
16:1791 piano concerto by W. A. Mozart
236:Problems playing these files? See
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557:, (Oxford, Clarendon 1996), p. 90
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997:About the Mozart piano concertos
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188:
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538:Mozart: A Documentary Biography
307:by Mozart and the clarinetist
1:
1050:Compositions in B-flat major
948:No. 26 in D major, K. 537 (
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805:major for 2 Pianos, K. 365
747:No. 8 in C major, K. 246 (
992:
930:No. 25 in C major, K. 503
925:No. 24 in C minor, K. 491
920:No. 23 in A major, K. 488
904:No. 21 in C major, K. 467
899:No. 20 in D minor, K. 466
894:No. 19 in F major, K. 459
878:No. 17 in G major, K. 453
873:No. 16 in D major, K. 451
833:No. 13 in C major, K. 415
828:No. 12 in A major, K. 414
823:No. 11 in F major, K. 413
448:The Journal of Musicology
222:London Symphony Orchestra
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731:No. 5 in D major, K. 175
477:10.1525/jm.2001.18.4.658
461:10.1525/jm.2001.18.4.658
708:No. 4 in G major, K. 41
703:No. 3 in D major, K. 40
687:No. 1 in F major, K. 37
669:Wolfgang Amadeus Mozart
327:The work is scored for
265:Wolfgang Amadeus Mozart
843:Major Vienna concertos
815:Early Vienna concertos
679:Childhood arrangements
416:Mozart wrote down his
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623:Piano Concerto No. 27
247:Piano Concerto No. 27
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574:"A Scena in Haydn's
617:Neue Mozart-Ausgabe
580:La fedeltà premiata
534:Deutsch, Otto Erich
226:Sir John Barbirolli
23:Piano Concerto in B
723:Salzburg concertos
576:Die belohnte Treue
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1060:1791 compositions
1055:1788 compositions
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780:Concertos for two
499:. Second Series.
319:in January 1791.
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317:Palais Auersperg
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592:External links
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509:10.2307/940558
503:(1): 207–210.
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455:(4): 658–684.
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698:major, K. 39
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586:academia.edu
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575:
570:John A. Rice
554:
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491:Eisen, Cliff
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443:Keefe, Simon
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246:
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184:2. Larghetto
42:W. A. Mozart
957:No. 27 in B
909:No. 22 in E
883:No. 18 in B
862:No. 15 in B
851:No. 14 in E
799:No. 10 in E
612:(in German)
551:Dexter Edge
403:development
309:Joseph Beer
305:Jahn's Hall
293:Cliff Eisen
285:Simon Keefe
1039:Categories
950:Coronation
764:Jeunehomme
756:No. 9 in E
736:No. 6 in B
692:No. 2 in B
427:References
281:Alan Tyson
263:. 595, is
238:media help
228:conducting
202:3. Allegro
166:1. Allegro
469:0277-9269
395:major key
364:movements
143:orchestra
127:Larghetto
122:Movements
107:Performed
76:Catalogue
960:♭
912:♭
886:♭
865:♭
854:♭
802:♭
759:♭
739:♭
695:♭
572:(n.d.),
536:(1965).
418:cadenzas
381:♭
337:bassoons
299:Premiere
267:'s last
254:♭
220:and the
67:♭
26:♭
614:in the
388:Allegro
372:Allegro
357:timpani
353:trumpet
349:strings
275:History
134:Scoring
129:Allegro
125:Allegro
112: (
1015:Portal
792:Lodron
768:Jenamy
749:Lützow
599:
584:– vie
517:940558
515:
475:
467:
339:, two
335:, two
331:, two
35:No. 27
605:Score
513:JSTOR
496:Notes
473:JSTOR
399:theme
384:major
345:piano
341:horns
333:oboes
329:flute
323:Music
257:major
140:Piano
97:Style
87:Genre
70:major
29:major
607:and
465:ISSN
355:and
347:and
245:The
114:1791
110:1791
665:by
505:doi
457:doi
249:in
82:595
60:Key
40:by
1041::
766:/
603::
525:^
511:.
501:47
471:.
463:.
453:18
451:.
434:^
413:.
366::
359:.
259:,
224:,
80:K.
1017::
952:)
794:)
770:)
751:)
655:e
648:t
641:v
578:(
519:.
507::
479:.
459::
378:E
261:K
251:B
240:.
116:)
64:B
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