300:
22:
430:-influenced rhythms and harmonies, he grew to like the piece. When Ravel first heard him play the concerto at a private concert in the French embassy in Vienna, he was furious. 'He heard lines taken from the orchestral part and added to the solo, harmonies changed, parts added, bars cut and at the end a newly created series of great swirling arpeggios in the final cadenza. The composer was beside himself with indignation and disbelief.' Later Wittgenstein agreed to perform the concerto as written, and the two men patched up their differences, 'but the whole episode left a bitter taste in both their mouths'.
69:
1334:
176:
1360:
450:
made an arrangement for piano two-hands and orchestra; however, Ravel did not approve of it and forbade its publication or performance. Cortot ignored this and played his arrangement, which caused Ravel to write to many conductors imploring them not to engage Cortot to play his concerto. After
443:(he conducted it too fast for Ravel's liking, who said he should play it at the slower speed he had in mind, or not at all). In September, Ravel patched up the relationship and invited Toscanini to conduct the world premiere of the Piano Concerto for the Left Hand, but the conductor declined.
232:
and in another as saying the piece is divided into two movements linked together. According to Marie-Noëlle Masson, the piece has a tripartite structure: slow–fast–slow, instead of the usual fast–slow–fast. Whatever the internal structure may be, the 18–19 minute piece negotiates several
280:
which first introduces the soloist and prefigures the piano's statement of the opening material. This material includes both an A and a B theme, though the B theme receives little exposure. An additional theme introduced at the beginning exhibits several similarities to the
537:
193:
1400:
541:
241:
without pause. Towards the end of the piece, some of the music of the early slow sections is overlaid with the faster music, so that two tempi occur simultaneously.
1380:
21:
1405:
878:
1385:
882:
909:
1222:
1074:
929:
460:
1196:
1129:
1210:
1046:
789:
727:
696:
669:
601:
574:
521:
491:
215:
1395:
1119:
954:
93:
197:
1268:
1254:
387:
1350:
303:
1139:
1134:
1096:
902:
49:
1390:
962:
186:
1053:
452:
1067:
122:
1364:
1337:
1302:
1297:
1275:
1240:
1182:
1144:
1011:
895:
622:
Masson, Marie-Noëlle (1998). "Ravel: Le
Concerto Pour La Main Gauche Ou Les Enjeux D'un NĂ©o-Classicisme".
403:
117:
77:
997:
329:
1175:
97:
1261:
970:
1292:
946:
257:
76:
In preparing for composition, Ravel studied several pieces written for one-handed piano, including
1025:
978:
1168:
1124:
1060:
760:
631:
306:
133:
159:
101:
29:
68:
853:
785:
779:
723:
692:
665:
659:
597:
591:
570:
517:
511:
487:
53:
717:
686:
564:
1247:
1216:
752:
481:
434:
341:
229:
152:
89:
843:
507:
285:
148:
451:
Ravel's death in 1937, Cortot resumed playing his arrangement, and even recorded it with
764:
1189:
1032:
415:
261:
256:. Although these notes are later given great structural weight, they are also the four
1374:
918:
447:
363:
355:
265:
253:
45:
25:
813:
713:
456:
337:
260:
on the double bass, creating the illusion at the start that the orchestra is still
144:
743:
Howe, Blake (April 2010). "Paul
Wittgenstein and the Performance of Disability".
1319:
367:
245:
238:
175:
105:
57:
1313:
1307:
391:
252:
an ambiguous harmony (E-A-D-G) being the background to an unusual solo of the
756:
857:
399:
282:
269:
1004:
439:
1018:
375:
351:
249:
85:
635:
1203:
1150:
1102:
1039:
407:
383:
371:
359:
325:
317:
Throughout the piece, Ravel creates ambiguity between triple and duple
292:
277:
200: in this section. Unsourced material may be challenged and removed.
41:
1120:
Introduction and
Allegro for Harp, Flute, Clarinet, and String Quartet
228:
Ravel is quoted in one source as saying that the piece is in only one
849:
395:
321:. This example highlights one of the more notable instances of this.
318:
273:
234:
67:
20:
719:
Arturo
Toscanini from 1915 to 1946: Art in the Shadow of Politics
887:
427:
411:
379:
333:
291:
An excerpt from the faster section, sometimes referenced as the
891:
483:
Concerto for the Left Hand: Disability and the
Defamiliar Body
169:
32:
playing the Piano
Concerto for the Left Hand in Paris in 1937
324:
The concerto is scored for a large orchestra consisting of
151:
on 5 January 1932; Ravel had first offered the premiere to
661:
The
Ballets of Maurice Ravel: Creation and Interpretation
305:
Audio playback is not supported in your browser. You can
711:
English translation and facsimile of French original in
648:
540:. San Francisco Symphony. October 2015. Archived from
56:, a concert pianist who had lost his right arm in the
1348:
463:, earning him fourth place in the piano competition.
538:"Ravel: Piano Concerto in D major for the Left Hand"
433:
In May 1930 Ravel had had a major disagreement with
1285:
1232:
1160:
1112:
1084:
989:
938:
426:Although at first Wittgenstein did not take to its
688:Marguerite Long: A Life in French Music, 1874–1966
158:The first French pianist to perform the work was
903:
48:between 1929 and 1930, concurrently with his
8:
1401:Concertos for piano left-hand and orchestra
455:leading the Paris Conservatoire Orchestra.
276:. Not so traditional is the dramatic piano
910:
896:
888:
883:International Music Score Library Project
264:up. As is traditional in a concerto, the
216:Learn how and when to remove this message
143:Paul Wittgenstein gave the premiere with
691:. Indiana University Press. p. 97.
617:
615:
613:
596:. Hal Leonard Corporation. p. 148.
593:French Pianism: A Historical Perspective
1355:
472:
459:also played this piece during the 1986
486:. Oxford University Press. p. 2.
138:Prelude and Nocturne for the Left Hand
1092:Piano Concerto in D for the Left Hand
480:Davidson, Michael (26 October 2000).
461:International Tchaikovsky Competition
295:, is shown in the following example.
112:(School of the Left Hand) (Op. 399),
7:
516:. Courier Corporation. p. 202.
198:adding citations to reliable sources
1381:Piano compositions by Maurice Ravel
812:Ivry, Benjamin (28 February 2009).
1406:Concertante works by Maurice Ravel
781:Maurice Ravel: A Guide to Research
446:Even before the premiere, in 1931
14:
852:). North Texas State University.
566:Arturo Toscanini dal 1915 al 1946
1386:Commissions by Paul Wittgenstein
1358:
1333:
1332:
879:Piano Concerto for the Left Hand
174:
52:. The piece was commissioned by
38:Piano Concerto for the Left Hand
1211:Pavane pour une infante défunte
1047:Pavane pour une infante défunte
185:needs additional citations for
94:transcription for the left hand
1223:Valses nobles et sentimentales
1075:Valses nobles et sentimentales
88:for the Left Hand) (Op. 135),
82:Six Études pour la main gauche
72:Paul Wittgenstein at the piano
1:
778:Zank, Stephen (24 May 2013).
244:The concerto begins with the
114:24 Ă©tudes pour la main gauche
1293:Pierre-Joseph Ravel (father)
845:The Piano Concertos of Ravel
302:
1130:Sonata for Violin and Cello
842:Lewis, Cary (August 1965).
814:"Sound of One Hand Playing"
437:over the correct tempo for
1422:
955:L'enfant et les sortilèges
722:. Turin: EDT. p. 50.
590:Timbrell, Charles (1999).
268:is presented first in the
1328:
1197:Menuet sur le nom d'Haydn
1054:Pictures at an Exhibition
925:
685:Dunoyer, Cecilia (1993).
149:Vienna Symphony Orchestra
50:Piano Concerto in G major
16:Concerto by Maurice Ravel
1269:Trois poèmes de Mallarmé
1255:Don Quichotte à Dulcinée
784:. Routledge. note B206.
765:10.1525/jm.2010.27.2.135
757:10.1525/jm.2010.27.2.135
664:. Ashgate. p. 224.
64:Composition and premiere
1396:Compositions in D major
658:Mawer, Deborah (2006).
569:. EDT srl. p. 50.
513:Ravel: Man and Musician
307:download the audio file
272:and then echoed by the
110:Ecole de la main gauche
1303:Impressionism in music
1298:Close and open harmony
1183:Le Tombeau de Couperin
1012:Le Tombeau de Couperin
563:Sachs, Harvey (1987).
418:, and the solo piano.
118:Charles-Valentin Alkan
73:
33:
1125:Piano Trio in A minor
998:Alborada del gracioso
745:Journal of Musicology
71:
24:
1262:Histoires naturelles
963:L'Ă©ventail de Jeanne
930:List of compositions
422:Reception and legacy
233:sections in various
194:improve this article
132:(Op. 76 No. 1), and
1241:Chansons madécasses
1145:String Quartet in F
1140:Violin Sonata No. 2
1135:Violin Sonata No. 1
1097:Piano Concerto in G
818:Wall Street Journal
162:, chosen by Ravel.
78:Camille Saint-Saëns
1169:Gaspard de la nuit
1061:Rapsodie espagnole
134:Alexander Scriabin
104:(Opp. 10 and 25),
74:
34:
1391:1930 compositions
1346:
1345:
971:L'heure espagnole
311:
266:thematic material
226:
225:
218:
54:Paul Wittgenstein
1413:
1363:
1362:
1361:
1354:
1336:
1335:
1248:Two Hebrew Songs
947:Daphnis et Chloé
912:
905:
898:
889:
881:: Scores at the
868:
866:
864:
829:
828:
826:
824:
809:
803:
802:
800:
798:
775:
769:
768:
740:
734:
733:
709:
703:
702:
682:
676:
675:
655:
649:
646:
640:
639:
619:
608:
607:
587:
581:
580:
560:
554:
553:
551:
549:
544:on 21 April 2017
534:
528:
527:
508:Orenstein, Arbie
504:
498:
497:
477:
435:Arturo Toscanini
349:
348:
342:piccolo clarinet
221:
214:
210:
207:
201:
178:
170:
155:, who declined.
153:Arturo Toscanini
128:
127:
90:Leopold Godowsky
44:was composed by
1421:
1420:
1416:
1415:
1414:
1412:
1411:
1410:
1371:
1370:
1369:
1365:Classical Music
1359:
1357:
1349:
1347:
1342:
1324:
1281:
1228:
1156:
1108:
1080:
985:
934:
921:
916:
875:
862:
860:
841:
838:
836:Further reading
833:
832:
822:
820:
811:
810:
806:
796:
794:
792:
777:
776:
772:
742:
741:
737:
730:
712:
710:
706:
699:
684:
683:
679:
672:
657:
656:
652:
647:
643:
621:
620:
611:
604:
589:
588:
584:
577:
562:
561:
557:
547:
545:
536:
535:
531:
524:
506:
505:
501:
494:
479:
478:
474:
469:
424:
346:
345:
313:
312:
310:
222:
211:
205:
202:
191:
179:
168:
160:Jacques FĂ©vrier
125:
124:
98:Frédéric Chopin
66:
58:First World War
30:Jacques FĂ©vrier
17:
12:
11:
5:
1419:
1417:
1409:
1408:
1403:
1398:
1393:
1388:
1383:
1373:
1372:
1368:
1367:
1344:
1343:
1341:
1340:
1329:
1326:
1325:
1323:
1322:
1317:
1310:
1305:
1300:
1295:
1289:
1287:
1283:
1282:
1280:
1279:
1276:Trois Chansons
1272:
1265:
1258:
1251:
1244:
1236:
1234:
1230:
1229:
1227:
1226:
1219:
1214:
1207:
1200:
1193:
1190:Menuet antique
1186:
1179:
1172:
1164:
1162:
1158:
1157:
1155:
1154:
1147:
1142:
1137:
1132:
1127:
1122:
1116:
1114:
1110:
1109:
1107:
1106:
1099:
1094:
1088:
1086:
1082:
1081:
1079:
1078:
1071:
1064:
1057:
1050:
1043:
1036:
1033:Menuet antique
1029:
1022:
1015:
1008:
1001:
993:
991:
987:
986:
984:
983:
975:
967:
959:
951:
942:
940:
936:
935:
933:
932:
926:
923:
922:
917:
915:
914:
907:
900:
892:
886:
885:
874:
873:External links
871:
870:
869:
837:
834:
831:
830:
804:
791:978-1135173517
790:
770:
751:(2): 135–180.
735:
728:
704:
697:
677:
670:
650:
641:
630:(3/4): 37–52.
609:
602:
582:
575:
555:
529:
522:
499:
492:
471:
470:
468:
465:
423:
420:
315:
314:
304:
301:
299:
224:
223:
182:
180:
173:
167:
164:
123:Fantaisie in A
65:
62:
15:
13:
10:
9:
6:
4:
3:
2:
1418:
1407:
1404:
1402:
1399:
1397:
1394:
1392:
1389:
1387:
1384:
1382:
1379:
1378:
1376:
1366:
1356:
1352:
1339:
1331:
1330:
1327:
1321:
1318:
1316:
1315:
1311:
1309:
1306:
1304:
1301:
1299:
1296:
1294:
1291:
1290:
1288:
1284:
1278:
1277:
1273:
1271:
1270:
1266:
1264:
1263:
1259:
1257:
1256:
1252:
1250:
1249:
1245:
1243:
1242:
1238:
1237:
1235:
1231:
1225:
1224:
1220:
1218:
1215:
1213:
1212:
1208:
1206:
1205:
1201:
1199:
1198:
1194:
1192:
1191:
1187:
1185:
1184:
1180:
1178:
1177:
1173:
1171:
1170:
1166:
1165:
1163:
1159:
1153:
1152:
1148:
1146:
1143:
1141:
1138:
1136:
1133:
1131:
1128:
1126:
1123:
1121:
1118:
1117:
1115:
1111:
1105:
1104:
1100:
1098:
1095:
1093:
1090:
1089:
1087:
1083:
1077:
1076:
1072:
1070:
1069:
1065:
1063:
1062:
1058:
1056:
1055:
1051:
1049:
1048:
1044:
1042:
1041:
1037:
1035:
1034:
1030:
1028:
1027:
1026:Ma mère l'Oye
1023:
1021:
1020:
1016:
1014:
1013:
1009:
1007:
1006:
1002:
1000:
999:
995:
994:
992:
988:
981:
980:
979:Ma mère l'Oye
976:
973:
972:
968:
965:
964:
960:
957:
956:
952:
949:
948:
944:
943:
941:
937:
931:
928:
927:
924:
920:
919:Maurice Ravel
913:
908:
906:
901:
899:
894:
893:
890:
884:
880:
877:
876:
872:
859:
855:
851:
847:
846:
840:
839:
835:
819:
815:
808:
805:
793:
787:
783:
782:
774:
771:
766:
762:
758:
754:
750:
746:
739:
736:
731:
729:88-7063-056-0
725:
721:
720:
715:
714:Sachs, Harvey
708:
705:
700:
698:0-253-31839-4
694:
690:
689:
681:
678:
673:
671:9780754630296
667:
663:
662:
654:
651:
645:
642:
637:
633:
629:
625:
618:
616:
614:
610:
605:
603:9781574670455
599:
595:
594:
586:
583:
578:
576:9788870630565
572:
568:
567:
559:
556:
543:
539:
533:
530:
525:
523:9780486266336
519:
515:
514:
509:
503:
500:
495:
493:9780198026341
489:
485:
484:
476:
473:
466:
464:
462:
458:
454:
453:Charles Munch
449:
448:Alfred Cortot
444:
442:
441:
436:
431:
429:
421:
419:
417:
413:
409:
405:
401:
397:
393:
389:
385:
381:
377:
373:
369:
365:
364:contrabassoon
361:
357:
356:bass clarinet
353:
343:
339:
335:
331:
327:
322:
320:
308:
298:
297:
296:
294:
289:
287:
284:
279:
275:
271:
267:
263:
259:
255:
254:contrabassoon
251:
247:
246:double basses
242:
240:
236:
231:
220:
217:
209:
206:February 2016
199:
195:
189:
188:
183:This section
181:
177:
172:
171:
165:
163:
161:
156:
154:
150:
146:
141:
139:
135:
131:
130:
119:
115:
111:
107:
103:
99:
95:
91:
87:
83:
79:
70:
63:
61:
59:
55:
51:
47:
46:Maurice Ravel
43:
39:
31:
27:
26:Maurice Ravel
23:
19:
1312:
1274:
1267:
1260:
1253:
1246:
1239:
1221:
1209:
1202:
1195:
1188:
1181:
1174:
1167:
1149:
1101:
1091:
1073:
1066:
1059:
1052:
1045:
1038:
1031:
1024:
1017:
1010:
1003:
996:
977:
969:
961:
953:
945:
861:. Retrieved
844:
821:. Retrieved
817:
807:
795:. Retrieved
780:
773:
748:
744:
738:
718:
707:
687:
680:
660:
653:
644:
627:
623:
592:
585:
565:
558:
546:. Retrieved
542:the original
532:
512:
502:
482:
475:
457:Roger Muraro
445:
438:
432:
425:
338:English horn
323:
316:
290:
258:open strings
250:arpeggiating
243:
227:
212:
203:
192:Please help
187:verification
184:
157:
145:Robert Heger
142:
137:
121:
113:
109:
81:
75:
37:
35:
18:
1320:Les Apaches
1085:Concertante
1068:Shéhérazade
797:25 February
116:(Op. 718),
106:Carl Czerny
1375:Categories
1314:The Bolero
1308:Ravel Peak
1176:Jeux d'eau
1161:Solo piano
990:Orchestral
467:References
404:wood block
392:snare drum
358:(in A), 2
400:bass drum
376:trombones
352:clarinets
283:Dies irae
270:orchestra
166:Structure
140:(Op. 9).
1338:Category
1217:Sonatine
1019:La valse
982:(ballet)
966:(ballet)
950:(ballet)
863:24 April
858:42709867
823:20 April
716:(1987).
636:40591796
624:Musurgia
548:20 April
510:(1975).
388:triangle
374:in C, 3
372:trumpets
370:in F, 3
360:bassoons
354:(in A),
347:♭
230:movement
147:and the
126:♭
1286:Related
1204:Miroirs
1151:Tzigane
1113:Chamber
1103:Tzigane
1040:Miroirs
974:(opera)
958:(opera)
416:strings
408:tam-tam
396:cymbals
384:timpani
326:piccolo
319:rhythms
293:scherzo
278:cadenza
248:softly
42:D major
1351:Portal
1005:Boléro
856:
850:M.Mus.
788:
763:
726:
695:
668:
634:
600:
573:
520:
490:
440:Boléro
330:flutes
262:tuning
102:Etudes
86:Études
1233:Vocal
939:Stage
761:JSTOR
632:JSTOR
368:horns
350:), 2
344:(in E
334:oboes
286:chant
274:piano
235:tempi
129:major
84:(Six
28:with
865:2017
854:OCLC
825:2017
799:2014
786:ISBN
724:ISBN
693:ISBN
666:ISBN
598:ISBN
571:ISBN
550:2017
518:ISBN
488:ISBN
428:jazz
412:harp
380:tuba
366:, 4
332:, 2
328:, 2
239:keys
237:and
36:The
753:doi
196:by
136:'s
120:'s
108:'s
100:'s
96:of
92:'s
80:'s
60:.
40:in
1377::
816:.
759:.
749:27
747:.
626:.
612:^
414:,
410:,
406:,
402:,
398:,
394:,
390:,
386:,
382:,
378:,
362:,
340:,
336:,
288:.
1353::
911:e
904:t
897:v
867:.
848:(
827:.
801:.
767:.
755::
732:.
701:.
674:.
638:.
628:5
606:.
579:.
552:.
526:.
496:.
309:.
219:)
213:(
208:)
204:(
190:.
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
