746:
772:
784:
111:
since it did not appear until after
Ireland's concerto was published. It is puzzling, therefore, that many commentators see echoes in Ireland's concerto not only of Prokofiev's concerto but also of Ravel's. In its jazzy rhythms, there are also hints of
170:
The Piano
Concerto is in three movements, with the slow movement leading directly into the finale without a break. Ireland is said to have included a quotation from Helen Perkin's Phantasy String Quartet, which won a
135:
in 1949, to celebrate
Ireland's 70th birthday (this performance was also recorded, and released commercially). After the concert, Eileen Joyce and her partner took Ireland to dinner, and
317:
470:
228:
58:. While it is considered one of the best piano concertos ever written by an Englishman, it is not often heard nowadays and is not part of the standard repertoire.
630:
448:
436:
216:
Richards, Fiona,"Helen Perkin: Pianist, Composer, and Muse of John
Ireland" in Foreman (Ed) "The John Ireland Companion". Boydell Press, 2011, p. 137.
598:
442:
824:
749:
582:
310:
814:
606:
421:
809:
243:
390:
303:
96:
382:
485:
225:
205:
61:
Encouraged by its success, Ireland planned to write a second concerto, but he only completed one movement, which he called
710:
574:
358:
762:
646:
272:
103:, and it is likely Ireland heard this performance and was influenced by the Russian's work. He had not, however, heard
175:
Prize for composition earlier that year. But Perkin herself said it was "more a reminiscence than a direct quotation".
614:
108:
26:'s only concerto. It was composed in 1930 and given its first performance on 2 October of that year by its dedicatee
819:
501:
366:
290:
493:
267:
139:
also attended. The concerto was again played at
Ireland's 80th birthday concert. It has also been recorded by
804:
638:
477:
65:. This was also dedicated to Helen Perkin and she performed it for the first time on 12 January 1934, with the
76:
Ireland was romantically interested in Perkin, but these feelings were not reciprocated. Perkin took up with
532:
455:
398:
326:
23:
566:
77:
776:
729:
695:
172:
100:
66:
463:
550:
429:
164:
669:
55:
702:
92:
81:
622:
590:
558:
414:
232:
160:
113:
39:
35:
262:
156:
136:
798:
509:
406:
152:
148:
128:
104:
51:
43:
38:. The work was an immediate success and was frequently performed by pianists such as
194:
788:
374:
120:
70:
47:
27:
124:
140:
284:
144:
263:
Hyperion
Records: The Romantic Piano Concerto, Vol. 39 – Delius & Ireland
132:
85:
31:
677:
268:
Alan Bush Music Trust: The
Correspondence of Alan Bush and John Ireland
131:. She was also the soloist when the concerto was played at a special
88:. As a result, Ireland withdrew the dedications of both works.
299:
295:
163:(as part of his complete John Ireland piano music edition) and
119:
The first person to record the Piano
Concerto in E-flat was
760:
721:
688:
661:
542:
524:
350:
333:
311:
8:
84:, later marrying him and moving with him to
80:(1901–1989), an architect and a disciple of
286:Piano Concerto (video; live concert; 25:37)
539:
347:
318:
304:
296:
190:
188:
767:
184:
583:Three Songs to Poems by Arthur Symons
7:
607:Three Songs to Poems by Thomas Hardy
195:Hyperion: The Romantic Concerto 39
14:
782:
770:
745:
744:
422:Leaves from a Child's Sketchbook
273:Review of Piers Lane recording
1:
825:Compositions in E-flat major
647:Five Sixteenth-Century Poems
815:Piano music by John Ireland
841:
631:We'll to the Woods No More
502:Sarnia: An Island Sequence
810:Concertos by John Ireland
740:
246:The Music of John Ireland
639:Songs Sacred and Profane
599:The Land of Lost Content
478:Ballade of London Nights
91:Helen Perkin had played
20:Piano Concerto in E-flat
443:Prelude in E-flat major
231:18 January 2016 at the
101:Royal College of Music
67:BBC Symphony Orchestra
226:Eileen Joyce timeline
78:George Mountford Adie
471:Two Pieces for Piano
449:Two Pieces for Piano
437:Two Pieces for Piano
123:, in 1942, with the
97:Piano Concerto No. 3
551:Songs of a Wayfarer
430:The Darkened Valley
670:The Forgotten Rite
391:Preludes for Piano
206:John Ireland Trust
820:1930 compositions
758:
757:
657:
656:
520:
519:
244:Richards, Fiona:
56:Arthur Rubinstein
32:Promenade Concert
832:
787:
786:
785:
775:
774:
773:
766:
748:
747:
703:A Downland Suite
575:Mother and Child
540:
525:Vocal and choral
348:
320:
313:
306:
297:
287:
250:
241:
235:
223:
217:
214:
208:
203:
197:
192:
109:G major Concerto
82:George Gurdjieff
840:
839:
835:
834:
833:
831:
830:
829:
805:Piano concertos
795:
794:
793:
783:
781:
777:Classical music
771:
769:
761:
759:
754:
736:
730:The Overlanders
717:
684:
653:
538:
516:
415:The Towing Path
383:The Almond Tree
346:
329:
324:
285:
281:
259:
254:
253:
248:, Ashgate, 2000
242:
238:
233:Wayback Machine
224:
220:
215:
211:
204:
200:
193:
186:
181:
161:Mark Bebbington
125:Hallé Orchestra
114:George Gershwin
40:Clifford Curzon
12:
11:
5:
838:
836:
828:
827:
822:
817:
812:
807:
797:
796:
792:
791:
779:
756:
755:
753:
752:
741:
738:
737:
735:
734:
725:
723:
719:
718:
716:
715:
711:Fantasy-Sonata
707:
699:
692:
690:
686:
685:
683:
682:
674:
665:
663:
659:
658:
655:
654:
652:
651:
643:
635:
627:
619:
611:
603:
595:
587:
579:
571:
563:
555:
546:
544:
537:
536:
528:
526:
522:
521:
518:
517:
515:
514:
506:
498:
490:
482:
474:
468:
460:
452:
446:
440:
434:
426:
418:
411:
403:
395:
387:
379:
371:
363:
359:First Rhapsody
354:
352:
345:
344:
341:Piano Concerto
337:
335:
331:
330:
325:
323:
322:
315:
308:
300:
294:
293:
280:
279:External links
277:
276:
275:
270:
265:
258:
255:
252:
251:
236:
218:
209:
198:
183:
182:
180:
177:
157:Geoffrey Tozer
137:Percy Grainger
13:
10:
9:
6:
4:
3:
2:
837:
826:
823:
821:
818:
816:
813:
811:
808:
806:
803:
802:
800:
790:
780:
778:
768:
764:
751:
743:
742:
739:
732:
731:
727:
726:
724:
720:
713:
712:
708:
705:
704:
700:
697:
694:
693:
691:
687:
680:
679:
675:
672:
671:
667:
666:
664:
660:
649:
648:
644:
641:
640:
636:
633:
632:
628:
625:
624:
620:
617:
616:
612:
609:
608:
604:
601:
600:
596:
593:
592:
588:
585:
584:
580:
577:
576:
572:
569:
568:
564:
561:
560:
556:
553:
552:
548:
547:
545:
541:
534:
530:
529:
527:
523:
512:
511:
510:Three Pastels
507:
504:
503:
499:
496:
495:
491:
488:
487:
483:
480:
479:
475:
472:
469:
466:
465:
461:
458:
457:
453:
450:
447:
444:
441:
438:
435:
432:
431:
427:
424:
423:
419:
417:
416:
412:
409:
408:
407:London Pieces
404:
401:
400:
396:
393:
392:
388:
385:
384:
380:
377:
376:
372:
369:
368:
364:
362:(1905?/1906?)
361:
360:
356:
355:
353:
349:
342:
339:
338:
336:
332:
328:
321:
316:
314:
309:
307:
302:
301:
298:
292:
288:
283:
282:
278:
274:
271:
269:
266:
264:
261:
260:
256:
249:
247:
240:
237:
234:
230:
227:
222:
219:
213:
210:
207:
202:
199:
196:
191:
189:
185:
178:
176:
174:
168:
166:
162:
158:
154:
153:Colin Horsley
150:
149:Kathryn Stott
146:
142:
138:
134:
133:Proms concert
130:
129:Leslie Heward
126:
122:
117:
115:
110:
106:
102:
98:
94:
89:
87:
83:
79:
74:
72:
69:conducted by
68:
64:
59:
57:
53:
52:Gina Bachauer
49:
45:
44:Moura Lympany
41:
37:
33:
29:
25:
21:
16:
728:
709:
701:
696:Cello Sonata
676:
668:
645:
637:
629:
621:
613:
605:
597:
589:
581:
573:
565:
557:
549:
533:Love Unknown
508:
500:
492:
486:Month's Mind
484:
476:
462:
454:
428:
420:
413:
405:
397:
389:
381:
375:The Holy Boy
373:
365:
357:
340:
327:John Ireland
245:
239:
221:
212:
201:
169:
165:John Lenehan
121:Eileen Joyce
118:
90:
75:
71:Adrian Boult
62:
60:
48:Eileen Joyce
36:Queen's Hall
28:Helen Perkin
24:John Ireland
19:
17:
15:
615:Three Songs
543:Song cycles
505:(1940–1941)
473:(1929–1930)
459:(1926–1927)
410:(1917–1920)
394:(1913–1915)
367:Decorations
141:Eric Parkin
799:Categories
722:Film score
662:Orchestral
494:Green Ways
145:Piers Lane
623:Two Songs
591:Two Songs
567:Two Songs
559:Two Songs
143:(twice),
93:Prokofiev
86:Australia
750:Category
535:" (1925)
456:Sonatina
399:Rhapsody
229:Archived
763:Portals
689:Chamber
678:Mai-Dun
291:YouTube
257:Sources
173:Cobbett
99:at the
34:in the
733:(1946)
714:(1943)
706:(1932)
698:(1923)
681:(1921)
673:(1913)
650:(1938)
642:(1931)
634:(1928)
626:(1928)
618:(1926)
610:(1925)
602:(1921)
594:(1920)
586:(1919)
578:(1918)
570:(1918)
562:(1916)
554:(1911)
513:(1941)
497:(1937)
489:(1935)
481:(1930)
467:(1929)
464:Ballad
451:(1925)
445:(1924)
439:(1921)
433:(1920)
425:(1918)
402:(1915)
386:(1913)
378:(1913)
370:(1913)
343:(1930)
127:under
63:Legend
789:Music
334:Piano
179:Notes
105:Ravel
30:at a
351:Solo
54:and
22:was
18:The
289:on
107:'s
95:'s
801::
187:^
167:.
159:,
155:,
151:,
147:,
116:.
73:.
50:,
46:,
42:,
765::
531:"
319:e
312:t
305:v
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.