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rhythm), moving up and down the keyboard with the hands usually on top of one another. This is followed by a restatement of the opening clarinet theme, played loudly in the full orchestra, which transitions to a haunting variation of the theme by the solo piano. A quick, scalar passage from the
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The third movement, which
Prokofiev himself called an "argument" between soloist and orchestra, begins with an A-minor statement of the main theme in bassoons and pizzicato strings, interrupted by the piano's assertive entrance with a conflicting theme. Interplay between the piano and orchestra
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builds up steam, with a brief quickening of tempo (foreshadowing the lengthy Coda) before arriving at a slow, lyrical secondary theme (C♯ major/minor) in woodwinds. The piano offers a rather sarcastic reply, and the slow theme develops, through another
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The second theme, considerably more dissonant and ambiguous in tonality, is first taken by the orchestra, then expanded upon by the soloist. This leads into what is perhaps the most recognizable pianistic feat of the first movement: several lines of
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obbligato against a G major underpinning in strings. Then the coda explodes into a musical battle between soloist and orchestra, with prominent piano ornamentation over the orchestra (including famously difficult double-note
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received acclaim upon its first release and again when reissued in 2009. But a survey of 70 recordings by
International Piano Quarterly chose the 1996 live recording by
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movement's beginning is now taken up by the piano, in what is arguably the most difficult passage in the first movement for its challenges of fingering and phrasing.
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which he then set aside. Although he revisited the sketches in 1916–17, he did not fully devote himself to the project until 1921 when he was spending the summer in
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entry of the solo piano unexpectedly breaks the lyrical mood in an exuberant, harmonically fluid burst of brilliance and rhythm, utilizing fragments of the first
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Coda. The orchestra plays the main theme in its original form and tempo (one-half that of the preceding variation), with the piano providing double-time
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The second variation is presented by the orchestra at a galloping pace, with the piano providing excitement with long runs up and down the keyboard.
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The first variation is a broad, slow restatement by the piano, beginning with a long trill followed by a glissando-like run up the keyboard.
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and glissandi. The second theme is restated in the high register of the piano, first as blocked chords, then as frenetic sixteenth-note
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ending hinting at an E-major ending gives the piano the last word with a low-octave E-G chord (ambiguous between E minor or C Major)
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There are more than 120 commercial recordings of this popular work. Prokofiev himself made the first in June 1932 with the
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Prokofiev - Piano
Concerto No. 3 – A Beginner's Guide – Overview, analysis and the best recordings – The Classic Review
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clarinet solo, a long, lyrical melody that the whole orchestra eventually picks up and expands. The strings begin the
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for EMI, an effort that also garnered a Grammy Award. Abbado's final recording of this piece is with pianist
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This is the most virtuosic section of the concerto, with an allegro restatement of the main theme, again in
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conducted a lavishly praised performance in Paris. The first Soviet performance was on 22 March 1925, by
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Prokofiev himself played the solo part at the premiere on 16 December 1921 in
Chicago with the
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of the octave-triplet idea, as well as runs on the piano consisting entirely of ascending parallel
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This leads into an exact recapitulation of the piano's entrance, which now leads into a brilliant
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in London; it is the only recording that exists of the composer performing one of his concertos.
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The concerto is scored for solo piano and orchestra with the following instrumentation.
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1019:"PROKOFIEV: Piano Concerto No. 3 / Vision Fugitives (Prokofiev) (1932, 1935)"
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has made three recordings: in 1985, when he was 13 years old, with conductor
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The third variation is a heavily syncopated deconstruction of the main theme.
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section with a scalar passage which seems to accelerate towards an upwards
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Prokofiev began his work on the concerto as early as 1913 when he wrote a
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as “Historically the Best On Record.” Other recordings have been made by
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971:"Prokofiev: Piano Concerto No. 3 in C major, Op. 26 (page 1 of 14)"
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The fourth variation is a dialogue between the piano and orchestra.
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of roughly equal length which last just under 30 minutes in total.
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Piano
Concerto No. 3: Yuja Wang Performance 2010 (video; 32:56)
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Piano
Concerto No. 3: Prokofiev Performance 1932 (video; 24:34)
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Opening melody of the first movement, as introduced by the 1st
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The fifth variation is an "Allegro" for piano and orchestra.
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Cantata for the 20th
Anniversary of the October Revolution
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interspersed with close tones either above or below (in a
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Three Pieces & Six Pieces & Ten Pieces from
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Lina and Serge: The Love and Wars of Lina
Prokofiev
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1984:Shostakovich v. Twentieth Century-Fox Film Corp.
299:An editor has performed a search and found that
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94:of quality, and to make it neutral in tone.
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1521:Sinfonietta in A major (orig. & rev.)
1107:International Music Score Library Project
995:"Piano Concerto No. 3 in C major, Op. 26"
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830:famously recorded the work in 1967 with
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16:1921 piano concerto by Sergei Prokofiev
1493:Symphony-Concerto for Cello in E minor
728:The middle movement (in E minor) is a
838:; she recorded it again in 1997 with
328:"Piano Concerto No. 3" Prokofiev
161:"Piano Concerto No. 3" Prokofiev
7:
317:adding citations to reliable sources
150:adding citations to reliable sources
2060:Piano concertos by Sergei Prokofiev
1789:No. 5 in C major (orig. & rev.)
1055:Morrison, Bryce (September 2009).
14:
1730:Sonata for Two Violins in C major
660:The first movement opens with an
34:This article has multiple issues.
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2010:
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1483:Violin Concerto No. 2 in G minor
1478:Violin Concerto No. 1 in D major
1040:Judd, Timothy (April 13, 2016).
647:Tema con variazioni (in E minor)
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635:The concerto consists of three
422:Piano Concerto No. 3 in C major
137:needs additional citations for
42:or discuss these issues on the
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892:Royal Concertgebouw Orchestra
858:for the Russian export label
1498:Cello Concertino in G minor
1329:The Tale of the Stone Flower
436:Composition and performances
1865:Tales of an Old Grandmother
1042:"Yuja Wang Plays Prokofiev"
774:III. Allegro, ma non troppo
676:climax, at which point the
305:to establish the subject's
254:the claims made and adding
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1873:The Love for Three Oranges
1740:Sonata for Solo Cello in C
1220:The Love for Three Oranges
1077:Parry, Tim (August 2009).
862:, released in the West on
453:Chicago Symphony Orchestra
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1685:Overture on Hebrew Themes
1488:Cello Concerto in E minor
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816:London Symphony Orchestra
730:theme and five variations
1904:Fantasia on Scheherazade
1241:Betrothal in a Monastery
302:sufficient sources exist
2070:Compositions in C major
1871:March and Scherzo from
1725:Cello Sonata in C major
1720:Flute Sonata in D major
1255:The Story of a Real Man
959:Music Web International
886:’s 1990 recording with
724:II. Tema con variazioni
1735:Sonata for Solo Violin
1044:. The Listeners' Club.
999:www.kennedy-center.org
872:Philharmonia Orchestra
846:, this time winning a
650:Allegro, ma non troppo
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75:may be written from a
1946:Mstislav Rostropovich
1654:Seven, They Are Seven
1640:Flourish, Mighty Land
860:Mezhdunarodnaya Kniga
442:theme with variations
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81:neutral point of view
1705:String Quartet No. 2
1700:String Quartet No. 1
1184:List of compositions
1103:Piano Concerto No. 3
1079:"BBC Music Magazine"
656:I. Andante – Allegro
469:Konstantin Saradzhev
313:improve this article
146:improve this article
1715:Violin Sonata No. 2
1710:Violin Sonata No. 1
1608:The Queen of Spades
836:Deutsche Grammophon
77:fan's point of view
1956:Prokofiev (crater)
1951:Nikolai Myaskovsky
1941:Sviatoslav Richter
1879:Three Pieces from
1845:Toccata in D minor
1690:Quintet in G minor
1647:On Guard for Peace
1555:Peter and the Wolf
1346:No. 1 in D major (
1117:The Prokofiev Page
938:and more recently
868:Vladimir Ashkenazy
856:Andrei Tchistiakov
824:Abbey Road Studios
708:involving various
461:Serge Koussevitzky
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884:Horacio Gutiérrez
882:in 2009. Pianist
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1678:Chamber music
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852:Evgeny Kissin
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820:Piero Coppola
818:conducted by
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369:December 2023
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330: –
329:
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324:Find sources:
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264:December 2023
257:
253:
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237:This article
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205:
202:December 2023
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163: –
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157:Find sources:
151:
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135:This article
133:
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100:December 2023
93:
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73:This article
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2009:
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1849:
1828:(unfinished)
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1527:Summer Night
1525:
1500:(unfinished)
1461:(unfinished)
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1301:Prodigal Son
1299:
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1234:Semyon Kotko
1232:
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1082:. Retrieved
1072:
1060:. Retrieved
1057:"Gramophone"
1050:
1035:
1023:. Retrieved
1013:
1002:. Retrieved
998:
989:
978:. Retrieved
975:Presto Music
974:
965:
954:
936:Kun-Woo Paik
908:Terence Judd
848:Grammy Award
813:
785:
781:Rachmaninoff
777:
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311:Please help
300:
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168:
156:
144:Please help
139:verification
136:
106:
97:
74:
50:
43:
37:
36:Please help
33:
1755:Piano music
1618:Vocal music
1569:Waltz Suite
1450:(left-hand)
1348:"Classical"
1273:Ala i Lolli
1213:The Gambler
1021:. Naxos.com
924:Van Cliburn
888:Neeme Järvi
804:ninth chord
710:figurations
88:clean it up
2054:Categories
1897:Cinderella
1810:No. 8 in B
1799:No. 7 in B
1579:Film music
1442:No. 4 in B
1421:No. 1 in D
1392:No. 7 in C
1381:No. 6 in E
1370:No. 5 in B
1339:Symphonies
1322:Cinderella
1004:2018-05-08
980:2024-02-04
946:References
810:Recordings
586:Tambourine
559:Percussion
339:newspapers
307:notability
248:improve it
172:newspapers
39:improve it
1668:Zdravitsa
1407:Concertos
1206:Maddalena
1199:The Giant
916:Lang Lang
898:with the
876:Yuja Wang
760:obbligato
718:arpeggios
674:glissando
637:movements
581:Castanets
571:Bass drum
547:Trombones
514:Clarinets
252:verifying
45:talk page
2004:Category
1851:Sarcasms
1813:♭
1802:♭
1743:♯
1445:♭
1424:♭
1395:♯
1384:♭
1373:♭
890:and the
788:bassoons
765:A short
631:Analysis
541:Trumpets
520:Bassoons
489:Woodwind
446:Brittany
415:clarinet
1826:No. 10
1762:Sonatas
1287:Trapèze
1265:Ballets
1139:YouTube
1128:YouTube
1084:19 July
1062:17 July
1025:28 July
878:at the
797:arpeggi
792:bitonal
767:andante
738:gavotte
698:triplet
694:octaves
678:allegro
669:allegro
663:andante
600:Violins
593:Strings
576:Cymbals
566:Timpani
501:Piccolo
353:scholar
246:Please
186:scholar
86:Please
2030:Portal
1907:(1926)
1459:No. 6
1191:Operas
714:triads
622:
610:Cellos
605:Violas
497:Flutes
355:
348:
341:
334:
326:
188:
181:
174:
167:
159:
2016:Audio
1838:Other
1816:major
1805:major
1746:minor
1471:Other
1448:major
1427:major
1414:Piano
1398:minor
1387:minor
1376:major
1280:Chout
801:tonic
686:march
682:theme
535:Horns
527:Brass
508:Oboes
360:JSTOR
346:books
193:JSTOR
179:books
1086:2011
1064:2011
1027:2015
902:and
842:for
834:for
706:coda
332:news
165:news
1137:on
1126:on
864:RCA
844:EMI
822:at
732:.
428:by
315:by
250:by
148:by
2056::
997:.
973:.
942:.
934:,
930:,
926:,
922:,
918:,
914:,
910:,
850:.
806:.
545:3
539:2
533:4
518:2
512:2
506:2
495:2
471:.
448:.
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2032::
1350:)
1167:e
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55:)
51:(
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