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in
February 1945, constant bombing and fighting by the Americans and Japanese completely devastated the city. Historic buildings were burned along with countless treasures and documents stored within them. Francisco Santiago's compositions weren't spared – while escaping the bombings, a wooden cart
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In 1952, the
Antipolo Church Reconstruction Committee planned a concert featuring Francisco Santiago's compositions. The Committee sponsored the reconstruction of several of Santiago's destroyed works, including the Concerto.
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was written in 1924 as his doctoral dissertation while he was studying at
Chicago. It was premiered at Chicago on June 15, 1924, as a part of Santiago's graduation recital. He was assisted by his teacher
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full of his compositions (most of them unpublished) and other valuables caught fire near a church, destroying most of his compositions, including his Piano
Concerto.
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Manuel, E. A. (1995). Santiago, Francisco. Dictionary of
Philippine Biography (Vol. 4). Filipiniana Publications.
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and others, they finished reconstructing the
Concerto on September 12, 1952, and it was performed shortly after.
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spearheaded the reconstruction of the
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The
Concerto was cast in three movements, with each movement using folk songs as themes:
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The composer in 1924, shortly after the completion of his Piano
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Francisco
Santiago memorial concert (Souvenir Program)
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277:. Antipolo Church Reconstruction Committee. 1952.
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207:The pianist and Santiago's former pupil
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240:"Santiago's Triumph is Real Thing".
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191:Destruction and reconstruction
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248:(10). October 1924.
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