90:. The engagement lasted for less than four months, and Marianne broke it off, to Fauré's considerable distress. It was in the later stages of their relationship that he began work on the quartet, in the summer of 1876. He completed it in 1879, and revised it in 1883, completely rewriting the finale. The first performance of the original version was given on 14 February 1880. In a study dated 2008, Kathryn Koscho notes that the original finale has not survived, and is believed to have been destroyed by Fauré in his last days.
967:
22:
993:
165:
After the high-spirited scherzo, the slow movement has a strong air of sadness. Koscho writes, "It is striking for its unsettled, lachrymose air, which Fauré prolongs through a combination of frustrated harmonic progressions and ascending melodic fragments." It is in conventional ternary form with
144:
comments that here, as in the First Violin Sonata, composed just before the quartet, the composer felt a brilliant scherzo necessary to preserve the balance of the whole work. The movement follows the traditional scherzo–trio–scherzo structure and consists of two contrasting principal themes in
172:
major, before returning to end the movement. The critic
Stephen Johnson writes that the movement gives the listener "more than a hint" of Fauré's sadness at the events of 1877, though "the emotion is always nobly restrained, with not even the slightest hint of self-indulgence."
132:
major (later in the movement it is in C major), in which the off-beats are lightly stressed, unlike the flowing first theme. The movement ends with a final statement of the opening theme.
56:
of the emotional turmoil of Fauré's life at the time of the composition. The first piano quartet is considered one of the three masterpieces of his youth, along with the
495:
181:
The lively finale is based on two themes, the first in C minor, referring back to themes earlier in the quartet, and the second tonally ambiguous but primarily in E
140:
The second movement, a playful scherzo, is one of Fauré's rare virtuoso pieces. He generally shied away from brilliant instrumental display, but the Fauré scholar
122:
and extreme refinement of texture" of the opening movements of both of Fauré's piano quartets. The opening theme, a vigorous melody showing the influence of
98:
The work follows the conventional layout of the genre, with four movements of roughly similar proportions. The opening movement is the longest, the second,
1013:
569:
528:
587:
1018:
524:
508:
415:
645:
70:. It was favorably received at its premiere in 1880, and was among the chamber works for which he had been awarded the Prix Chartier by the
834:
861:
885:
477:
374:
86:
In 1877, after wooing her for five years, Fauré had finally become engaged to
Marianne Viardot, daughter of the well-known singer
1028:
809:
537:
469:
772:
754:
748:
725:
697:
562:
75:
57:
766:
760:
677:
983:
739:
893:
1023:
933:
671:
71:
970:
951:
784:
555:
445:
877:
533:
441:
826:
653:
500:
718:
997:
917:
429:
778:
732:
901:
869:
710:
461:
141:
925:
842:
637:
61:
629:
504:
473:
421:
411:
392:
370:
802:
578:
53:
29:
489:
123:
87:
602:
909:
610:
1007:
362:
115:
45:
433:
111:
49:
41:
534:
Performance of Piano
Quartet No. 1 by Musicians from Ravinia's Steans Institute
21:
425:
405:
187:
major. The two themes are brought together in C major to conclude the piece.
396:
119:
52:
it is predominantly positive in tone, though with some hints in the slow
99:
37:
48:
combination of piano, violin, viola and cello. Despite being in a
44:
15, is one of the two chamber works he wrote for the conventional
20:
547:
551:
541:
151:
major and G minor in the scherzo sections with a third in B
166:
the main C minor melody giving way to a central theme in A
407:
An
Analysis of Three French Piano Quartets of the 1870s
981:
944:
853:
818:
794:
690:
664:
621:
594:
442:"Brahms and Fauré – Chamber Music with the LA Phil"
488:
410:(D.M.A thesis). Oklahoma: University of Oklahoma.
563:
126:, contrasts with a delicate second theme in E
8:
369:. Berkeley: University of California Press.
570:
556:
548:
529:International Music Score Library Project
472:. Cambridge: Cambridge University Press.
250:
157:major in the central trio section only.
988:
322:
286:
214:
202:
195:
346:
334:
310:
298:
274:
262:
238:
226:
7:
14:
835:Messe des pêcheurs de Villerville
16:1879 composition by Gabriel Fauré
991:
966:
965:
538:Isabella Stewart Gardner Museum
1019:Compositions for piano quartet
1014:Chamber music by Gabriel Fauré
466:Gabriel Fauré – A Musical Life
118:refers to the "almost opulent
1:
674: (1878–1879; unfinished)
487:Nectoux, Jean-Michel (2001).
391:. London: Hyperion Records.
389:Gabriel Fauré Piano Quartets
525:Piano Quartet No. 1 (Fauré)
1045:
74:in 1885. He later wrote a
961:
886:Cinq mélodies "de Venise"
585:
490:"Fauré, Gabriel (Urbain)"
384:Johnson, Stephen (1986).
136:II. Scherzo, Allegro vivo
110:The first movement is in
106:I. Allegro molto moderato
102:, movement the shortest.
446:Los Angeles Philharmonic
404:Koscho, Kathryn (2008).
367:Nineteenth Century Music
1029:Compositions in C minor
827:Cantique de Jean Racine
654:Masques et bergamasques
501:Oxford University Press
72:Académie des Beaux-Arts
952:Emmanuel Fauré-Fremiet
26:
862:Trois mélodies, Op. 7
24:
934:L'horizon chimérique
646:Pelléas et Mélisande
588:List of compositions
462:Nectoux, Jean-Michel
902:le plus doux chemin
773:Piano Quintet No. 2
755:Violin Sonata No. 2
749:Piano Quintet No. 1
726:Piano Quartet No. 2
704:Piano Quartet No. 1
698:Violin Sonata No. 1
142:Jean-Michel Nectoux
58:first violin sonata
34:Piano Quartet No. 1
795:Piano solo and duo
767:Cello Sonata No. 2
761:Cello Sonata No. 1
496:Grove Music Online
114:. The commentator
78:work in the form.
27:
1024:1879 compositions
979:
978:
510:978-1-56159-263-0
417:978-0-549-52779-4
349:, pp. 96–97.
177:IV. Allegro molto
1036:
996:
995:
994:
987:
969:
968:
945:Related articles
918:La chanson d'Ève
894:la bonne chanson
572:
565:
558:
549:
527:: Scores at the
514:
499:(8th ed.).
492:
483:
468:. Translated by
457:
455:
453:
444:(program note).
437:
400:
380:
350:
344:
338:
332:
326:
320:
314:
308:
302:
296:
290:
284:
278:
272:
266:
260:
254:
248:
242:
236:
230:
224:
218:
212:
206:
200:
186:
185:
171:
170:
156:
155:
150:
149:
131:
130:
67:
66:
1044:
1043:
1039:
1038:
1037:
1035:
1034:
1033:
1004:
1003:
1002:
998:Classical music
992:
990:
982:
980:
975:
957:
940:
921: (1906–10)
897: (1892–94)
865: (1870–78)
849:
846: (1887–90)
830: (1864–65)
814:
806: (1895–97)
790:
787: (1923–24)
728: (1885–86)
706: (1876–79)
686:
672:Violin Concerto
660:
617:
590:
581:
576:
521:
511:
486:
480:
460:
451:
449:
440:
418:
403:
383:
377:
361:
358:
353:
345:
341:
333:
329:
321:
317:
309:
305:
297:
293:
285:
281:
273:
269:
261:
257:
251:Dahlhaus (1989)
249:
245:
237:
233:
225:
221:
213:
209:
201:
197:
193:
183:
182:
179:
168:
167:
163:
153:
152:
147:
146:
138:
128:
127:
108:
96:
88:Pauline Viardot
84:
64:
63:
17:
12:
11:
5:
1042:
1040:
1032:
1031:
1026:
1021:
1016:
1006:
1005:
1001:
1000:
977:
976:
974:
973:
962:
959:
958:
956:
955:
948:
946:
942:
941:
939:
938:
930:
922:
914:
910:Le jardin clos
906:
898:
890:
882:
874:
866:
857:
855:
851:
850:
848:
847:
839:
831:
822:
820:
816:
815:
813:
812:
807:
798:
796:
792:
791:
789:
788:
785:String Quartet
782:
776:
770:
764:
758:
752:
746:
737:
729:
723:
715:
707:
701:
694:
692:
688:
687:
685:
684:
675:
668:
666:
662:
661:
659:
658:
650:
642:
634:
625:
623:
619:
618:
616:
615:
607:
598:
596:
592:
591:
586:
583:
582:
577:
575:
574:
567:
560:
552:
546:
545:
531:
520:
519:External links
517:
516:
515:
509:
484:
478:
458:
438:
416:
401:
381:
375:
363:Dahlhaus, Carl
357:
354:
352:
351:
339:
327:
323:Johnson (1986)
315:
303:
291:
287:Nectoux (1991)
279:
267:
255:
253:, p. 291.
243:
231:
219:
215:Nectoux (1991)
207:
203:Nectoux (2001)
194:
192:
189:
178:
175:
162:
159:
137:
134:
107:
104:
95:
92:
83:
80:
15:
13:
10:
9:
6:
4:
3:
2:
1041:
1030:
1027:
1025:
1022:
1020:
1017:
1015:
1012:
1011:
1009:
999:
989:
985:
972:
964:
963:
960:
953:
950:
949:
947:
943:
936:
935:
931:
928:
927:
923:
920:
919:
915:
912:
911:
907:
904:
903:
899:
896:
895:
891:
888:
887:
883:
880:
879:
878:Clair de lune
875:
872:
871:
867:
864:
863:
859:
858:
856:
852:
845:
844:
840:
837:
836:
832:
829:
828:
824:
823:
821:
817:
811:
808:
805:
804:
800:
799:
797:
793:
786:
783:
780:
777:
774:
771:
768:
765:
762:
759:
756:
753:
750:
747:
744:
742:
738:
735:
734:
730:
727:
724:
721:
720:
716:
713:
712:
708:
705:
702:
699:
696:
695:
693:
689:
682:
680:
676:
673:
670:
669:
667:
663:
656:
655:
651:
648:
647:
643:
640:
639:
635:
632:
631:
627:
626:
624:
620:
613:
612:
608:
605:
604:
600:
599:
597:
593:
589:
584:
580:
579:Gabriel Fauré
573:
568:
566:
561:
559:
554:
553:
550:
543:
539:
535:
532:
530:
526:
523:
522:
518:
512:
506:
502:
498:
497:
491:
485:
481:
479:0-521-23524-3
475:
471:
470:Roger Nichols
467:
463:
459:
447:
443:
439:
435:
431:
427:
423:
419:
413:
409:
408:
402:
398:
394:
390:
386:
382:
378:
376:0-520-05291-9
372:
368:
364:
360:
359:
355:
348:
347:Koscho (2008)
343:
340:
337:, p. 90.
336:
335:Koscho (2008)
331:
328:
324:
319:
316:
313:, p. 83.
312:
311:Koscho (2008)
307:
304:
301:, p. 74.
300:
299:Koscho (2008)
295:
292:
289:, p. 89.
288:
283:
280:
277:, p. 61.
276:
275:Koscho (2008)
271:
268:
264:
263:LAPhil (2024)
259:
256:
252:
247:
244:
241:, p. 57.
240:
239:Koscho (2008)
235:
232:
229:, p. 56.
228:
227:Koscho (2008)
223:
220:
217:, p. 84.
216:
211:
208:
204:
199:
196:
190:
188:
176:
174:
160:
158:
143:
135:
133:
125:
121:
117:
116:Carl Dahlhaus
113:
105:
103:
101:
93:
91:
89:
81:
79:
77:
73:
69:
59:
55:
51:
47:
46:piano quartet
43:
39:
35:
31:
30:Gabriel Fauré
25:Fauré in 1875
23:
19:
937: (1921)
932:
929: (1919)
924:
916:
913: (1914)
908:
905: (1904)
900:
892:
889: (1891)
884:
881: (1887)
876:
873: (1883)
868:
860:
841:
838: (1881)
833:
825:
801:
781: (1923)
775: (1921)
769: (1921)
763: (1917)
757: (1916)
751: (1906)
745: (1898)
740:
736: (1898)
731:
722: (1883)
717:
714: (1879)
709:
703:
700: (1875)
683: (1918)
678:
652:
649: (1898)
644:
641: (1890)
636:
633: (1887)
628:
614: (1913)
609:
606: (1900)
601:
494:
465:
450:. Retrieved
448:. March 2024
406:
388:
385:
366:
342:
330:
325:, p. 2.
318:
306:
294:
282:
270:
258:
246:
234:
222:
210:
198:
180:
164:
139:
109:
97:
85:
62:Ballade in F
33:
28:
18:
954: (son)
810:Piano music
665:Concertante
161:III. Adagio
112:sonata form
1008:Categories
779:Piano Trio
733:Sicilienne
622:Orchestral
356:References
82:Background
741:Fantaisie
681:, Op. 111
679:Fantaisie
603:Prométhée
536:from the
452:24 August
434:304500687
426:612042748
120:cantabile
94:Structure
50:minor key
971:Category
870:Madrigal
743:, Op. 79
711:Berceuse
611:Pénélope
464:(1991).
430:ProQuest
397:85916721
387:Notes to
365:(1989).
184:♭
169:♭
154:♭
148:♭
129:♭
65:♯
60:and the
54:movement
926:Mirages
843:Requiem
691:Chamber
638:Shylock
100:scherzo
38:C minor
984:Portal
819:Choral
719:Élégie
657:(1919)
630:Pavane
544:format
507:
476:
432:
424:
414:
395:
373:
124:Brahms
76:second
854:Songs
803:Dolly
595:Opera
191:Notes
68:major
36:, in
505:ISBN
474:ISBN
454:2024
422:OCLC
412:ISBN
393:OCLC
371:ISBN
542:MP3
540:in
42:Op.
32:'s
1010::
503:.
493:.
428:.
420:.
40:,
986::
571:e
564:t
557:v
513:.
482:.
456:.
436:.
399:.
379:.
265:.
205:.
145:E
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
