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The theme of the first movement is not especially melodic. Rather, it sets out to explore the key of E major using two types of contrast: chords vs. arpeggios and scales, and legato vs. staccato. After the opening E major chord, there is an ascending, legato arpeggio, which is met by a fast, downward
53:
had imposed for vocal music, and as one of his happiest inspirations, prefiguring his later trade marks, while the remaining two movements are described as somewhat run of the mill. Others see in the first movement rather unconvincing unorthodoxies lacking invention, while the other two movements are
175:
D 154, an unfinished
Allegro in E major, composed 11 February 1815, and like D 157 titled "Sonate" in the autograph, is usually seen as an early version of the first movement of D 157. D 154 breaks off at the end of the development. Its second theme, several figures and the start
166:
Others point to the finale-like character of the third movement, so that it can be seen as an effective conclusion of the sonata despite a failure to return to the tonic. It is not known whether
Schubert never got around to composing a fourth movement or deliberately abandoned any attempt to write
145:
Although all three movements of sonata D 157 are complete in
Schubert's autograph, the sonata as a whole is believed to be incomplete due to a missing final fourth movement. There is no indication Schubert ever attempted to start composing a fourth movement. There are however indications that
157:
A more compelling indication of the sonata's incomplete status is the fact that this Minuet and Trio is in the key of B major, not the sonata's tonic key of E major. It would have been extremely unusual at the time to end a sonata in a key other than its tonic, and it is much more likely that
74:
The movement includes the conventional repeat of its exposition section, comprising three out of the total of 8 pages in the movement. There are also a few very long rests in the movement, a couple of which last up to two full measures. Such rests would reappear in his later work, like his
179:
Others see D 154 and the first movement of D 157 as individual drafts of separate compositions merely sharing some of the material. D 154 is more demanding from a performer than the first movement of D 157, and is also written more orchestrally and adventurously.
158:
Schubert intended to add a fourth movement in the key of E major. However, there are other early instrumental compositions by
Schubert that are certainly finished, and do not return to the tonic, for example the string quartet
94:, with two episodes. The theme is essentially harmonic. The second occurrence of the theme is, somewhat unusually, simplified instead of embellished, and in this form is quite similar to the opening of Schubert's unfinished
154:'s C-sharp minor sonata, Hob:XVI/36). This is the last of three movements, and it would have been a little more usual at the time to write a sonata in four movements, although three-movement sonatas were not too uncommon.
48:
157 has three known movements. Some commentators describe the first movement of the sonata as by far the most interesting, as it shows
Schubert breaking away from the restrictions on harmonic progressions his teacher
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The secondary themes all have basically the same elements: the left hand playing legato arpeggiations of chords, while the right hand plays staccato chordal melodies, interspersed with multiple grace notes.
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The first movement serves as a bright, apt opener to the sonata, introducing both the nature and key of the piece in an imaginative and exciting way. It was composed from 18–21 February 1815.
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A relatively weak indication is that the last movement is a Minuet and Trio, which was at the time an unusual type of movement to end a sonata with, although not unheard of (one example is
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it. It is nevertheless unlikely that
Schubert wrote a fourth movement that has since been lost, because several blank pages follow the third movement in the autograph.
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scale, marked staccato. This pattern is repeated in the dominant, submediant, and finally the subdominant chords. All this together makes up the main tune.
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258:(Wiener Urtext) published the D 154 Allegro in an Appendix of the volume that contained the three extant movements of Schuberts Sonata D 157.
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The autograph of D 157 has the dates 18 and 21 February 1815 respectively at the beginning and the end of the first movement.
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published by
Breitkopf & Härtel. The second volume of the Supplement (Series XXI) contained the D 154 fragment.
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VII/2/1 D 154 is given in an
Appendix to the volume that contains Schubert's first sonata D 157.
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621:— Volume 4: Franz Schubert, thematisches Verzeichnis seiner Werke in chronologischer Folge — pp. 112-114
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more musically satisfying, with reminiscences of
Beethoven and some of Schubert's later compositions.
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D 154: Sonata (Allegro) in E major (fragment, early version of the first movement of D 157)
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Both manuscripts are in the city library of Vienna, and can be consulted online via the
Schubert-
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D 157 was first published in 1888 as No. 1 of the Piano Sonatas volume (Series X) of the
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in B major, with trio in G major. The trio has some similarities to that of Schubert's later
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of the development section are nearly identical to D 157's first movement.
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162:(two more early string quartets in mixed keys, D 19 and 19A, have been lost).
682:. Helsinki, Sibelius Academy, DocMus Doctoral School. Lucena, Ochando Press
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the work is to be regarded as incomplete without such additional movement:
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and has 11 February 1815 as date at the end of the single and incomplete
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complete edition of the end of the 19th century, known as the
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Franz Schubert's Werke: Kritisch durchgesehene Gesammtausgabe
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David Doughty in sleeve notes of Brilliant Classics 99678/9
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Series VII: Piano Music, Part 2: Works for Piano Two Hands
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662:. University of California Press. pp. 95–6.
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679:The Unfinished Piano Sonatas of Franz Schubert
1652:Sonatas, duos and fantasies by Franz Schubert
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604:Franz Schubert: Neue Ausgabe sämtlicher Werke
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568:— Volume III (Early and Unfinished Sonatas)
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36:is an early version of its first movement.
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1657:List of compositions by Franz Schubert
226:First publication: Alte Gesammtausgabe
204:The autograph of D 154 is titled
232:Kritisch durchgesehene Gesammtausgabe
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583:Schubert: The Complete Piano Sonatas
171:D 154, an unfinished sonata movement
125:III. Menuetto, Allegro vivace - Trio
40:Extant movements of the sonata D 157
941:D 157: Piano sonata in E major
547:— Instrumentalmusik, Band 2 — No. 8
954:id=272 at schubert-online.at (OAW)
832:id=271 at schubert-online.at (OAW)
14:
1587:Sonata in A major "(Grand) Duo",
24:with three movements composed by
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1610:Sonata in A minor "Arpeggione",
1044:VII/2/1, Klaviersonaten I: No. 1
531:Serie 10: Sonaten fĂĽr Pianoforte
398:The Schubert Thematic Catalogue.
1706:Piano sonatas by Franz Schubert
1528:Sonata in C major "Grand Duo",
871:Series XXI, No. 8 (in Volume 2)
659:Schubert: The Music and the Man
591:(1997). ISMN 979-0-50057-223-7
1473:3 Impromptus "KlavierstĂĽcke",
18:Piano Sonata in E major, D 157
1:
623:(1978). ISMN 9790006305148 —
566:Franz Schubert: Piano Sonatas
246:were published in 1997: both
641:— Volume 1: Klaviersonaten I
497:Austrian Academy of Sciences
768:23 Sonatas numbering system
757:21 Sonatas numbering system
262:Neue Schubert-Ausgabe (NSA)
134:D major piano sonata, D 850
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1023:The Complete Piano Sonatas
901:The Complete Piano Sonatas
748:Sonata in C major (D. 279)
646:(2000). ISMN 9790006497119
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1420:34 Valses Sentimentales,
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739:, Series 10 (15 sonatas)
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707:VII,2/1: Klaviersonaten I
437:Deutsch 1978, pp 112-113
372:Badura-Skoda 1997, p 242
295:Badura-Skoda 1997, p 243
141:Missing fourth movement?
58:I. Allegro ma non troppo
1716:Compositions in E major
1447:Allegretto in C minor,
723:Piano sonatas (2 hands)
619:Series VIII: Supplement
519:Breitkopf & Härtel
190:Breitkopf & Härtel
1537:Fantasia in F minor,
1340:D major "Gasteiner",
922:VII/2/1, Anhang No. 1
711:Neue Schubert-Ausgabe
589:Wiener Urtext Edition
540:Eusebius Mandyczewski
102:. The movement is in
1438:6 Moments musicaux,
1323:C major "Reliquie",
545:Serie 21: Supplement
508:D 157 Sonate (E-Dur)
503:D 154 Sonate (E-Dur)
395:Otto Erich Deutsch,
286:Epstein 1888, p 2-15
268:New Schubert Edition
1349:G major "Fantasy",
634:Walburga Litschauer
449:Arrebola 2012, p. 4
386:Deutsch 1978, p 114
194:Alte Gesammtausgabe
90:The movement is in
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1429:12 Valses Nobles,
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614:Otto Erich Deutsch
403:Dover Publications
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561:Paul Badura-Skoda
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248:Paul Badura-Skoda
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337:Newbould 1999
334:
332:
330:
326:
320:
318:
314:
308:
306:
304:
302:
298:
292:
289:
283:
280:
273:
271:
269:
261:
259:
257:
253:
249:
245:
237:
235:
233:
225:
223:
221:
216:
213:
211:
207:
199:
197:
195:
191:
183:
181:
177:
170:
168:
161:
156:
153:
149:
148:
147:
140:
135:
131:
127:
124:
123:
114:
105:
101:
97:
93:
89:
86:
83:
82:
78:
73:
70:
66:
63:
60:
57:
56:
55:
52:
47:
39:
37:
35:
31:
27:
23:
19:
1634:
1611:
1588:
1579:
1575:
1571:
1570:Sonat(in)as
1538:
1529:
1520:
1516:
1507:
1474:
1465:
1456:
1448:
1439:
1430:
1421:
1413:
1409:
1402:
1381:
1367:
1359:
1350:
1341:
1332:
1324:
1315:
1307:
1298:
1290:
1275:
1263:/600/610/612
1260:
1251:
1242:
1227:
1212:
1197:
1183:
1162:
1153:
1149:
1140:
1131:
1129:
1022:
1015:— Volume III
1012:
900:
893:— Volume III
890:
766:
755:
735:
729:
720:
678:
658:
645:
642:
638:
618:
582:
565:
544:
538:D 154:
530:
524:D 157:
491:
472:
463:
454:
397:
391:
368:
291:
282:
266:Also in the
265:
241:
231:
229:
219:
217:
214:
209:
205:
203:
187:
178:
174:
165:
152:Joseph Haydn
144:
112:
77:last sonatas
43:
33:
28:in February
22:piano sonata
17:
15:
1500:Sonata in B
1308:D 769A
608:Bärenreiter
495:website of
476:Tirimo 1997
200:Manuscripts
84:II. Andante
1700:Categories
1622:piano trio
1612:D 821
1601:arpeggione
1589:D 574
1572:D 384
1539:D 940
1530:D 812
1521:D 733
1508:D 617
1492:four hands
1475:D 946
1466:D 935
1457:D 899
1449:D 915
1440:D 780
1431:D 969
1422:D 779
1414:D 760
1403:D 718
1382:D 960
1368:D 959
1360:D 958
1351:D 894
1342:D 850
1333:D 845
1325:D 840
1316:D 784
1299:D 664
1291:D 655
1276:D 625
1261:D 613
1252:D 575
1243:D 571
1228:D 568
1213:D 567
1198:D 566
1184:D 557
1163:D 537
1154:D 459
1141:D 279
1132:D 157
1025:— Volume 1
947:Manuscript
903:— Volume 1
825:Manuscript
585:— Volume 1
492:Autographs
411:0486286851
401:New York:
274:References
220:Autographs
212:movement.
92:rondo form
1635:D 28
1603:and piano
1366:A major,
1358:C minor,
1331:A minor,
1314:A minor,
1306:E minor,
1297:A major,
1268:F minor/D
1259:C major,
1250:B major,
1190:E minor/A
1161:A minor,
1148:E major "
1113:two hands
490:Schubert-
222:website.
160:D 18
104:siciliana
1661:by genre
1630:♭
1591:, Op.162
1582:, Op.137
1541:, Op.103
1532:, Op.140
1503:♭
1468:, Op.142
1377:♭
1318:, Op.143
1301:, Op.120
1286:♯
1271:♭
1254:, Op.147
1245:/570/604
1238:♯
1230:, Op.122
1223:♭
1208:♭
1193:♭
1179:♭
1173:♭
1165:, Op.164
656:(1999).
587:Vienna:
405:, 1995.
87:E minor.
61:E major.
1633:major,
1553:sonatas
1523:, Op.51
1510:, Op.30
1506:major,
1459:, Op.90
1442:, Op.94
1433:, Op.77
1424:, Op.50
1380:major,
1353:, Op.78
1344:, Op.53
1335:, Op.42
1289:minor,
1274:major,
1241:minor,
1226:major,
1211:major,
1182:major,
1176:major/E
1122:Sonatas
1095:sonatas
1010:Henle:
888:Henle:
713:website
709:at the
574:(1997).
549:(1897).
535:(1888).
533:— No. 1
499:(OAW):
484:Sources
210:Allegro
196:(AGA).
130:scherzo
120:rhythm.
100:E major
1676:Portal
1046:(2000)
1027:(1997)
1017:(1997)
924:(2000)
905:(1997)
895:(1997)
808:Scores
772:No. 1
761:No. 1
742:No. 1
693:
686:
666:
636:(ed.)
627:
595:
580:(ed.)
563:(ed.)
542:(ed.)
528:(ed.)
421:, p. 9
417:
409:
254:) and
206:Sonate
1551:Other
1490:Piano
1393:Other
1156:/459A
1111:Piano
985:IMSLP
863:IMSLP
252:Henle
184:Score
34:D 154
20:is a
16:The
1578:and
1278:/505
1215:/568
1200:/506
1134:/154
1093:and
972:1888
850:1897
691:ISBN
684:ISBN
664:ISBN
625:ISBN
593:ISBN
415:ISBN
407:ISBN
242:Two
30:1815
1580:408
1576:385
1152:",
1097:by
1036:NSA
983:at
981:AGA
970:AGA
914:NSA
861:at
859:AGA
848:AGA
737:AGA
725:by
616:.
458:OAW
98:in
1702::
1574:,
1519:,
1515:3
1412:,
610::
570:.
557::
521::
442:^
426:^
413:–
377:^
342:^
328:^
316:^
300:^
128:A
1678::
1663:)
1659:(
1374:B
1283:C
1235:F
1220:E
1205:D
1170:A
1083:e
1076:t
1069:v
801:e
794:t
787:v
672:.
250:(
113:8
79:.
46:D
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