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381:(homesickness), composed at the same time. The development section features a grandiose chordal fanfare theme based on the first subject, also used in the coda closing the movement. Some of the most challenging writing in Schubert's solo piano oeuvre is found here, with the relentless triplets providing opportunity for virtuosic display.
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D major. ABACA form. The playful and innocent march-like rondo theme, repeated twice with increasing rhythmic subdivision and decoration, is punctuated by two contrasting episodes, each with their own stormy central sections. The B episode features quick scales passed between the hands as a simple
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A major, ABABA form. Like the first movement, the second movement is unusual in its quickness, signified by the unique tempo marking. A driving pulse written into the phrasing augments an otherwise wistful melody in the A section. The bold, expansive B section features a novel syncopated dotted
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The first movement is unrelentingly energetic, ranging from ebullient to stormy to triumphant. A fanfare-like introduction introduces the primary thematic material featured in this movement and ultimately throughout the sonata. In a characteristic
Schubertian gesture, this theme is immediately
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Several recitatives and meditative digressions punctuate the piece, which has a sophisticated texture and inventive writing in general. The syncopated rhythm of theme B is merged with theme A for its final appearance, and the movement dies off with a brief and shadowy outro.
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staccato phrase is developed. The C episode features a lyrical repeated chord theme that digresses into a dramatic minor section. After the last highly ornamented statement of the rondo theme, a valedictory coda brings the work to a quiet and understated close.
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is used extensively - a strong 3/2 pulse pervades the 3/4 Scherzo. The stately trio, with its even, lyrical repeated chords and distant modulations, contrasts considerably with the kinetic music surrounding it.
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D major, Trio in G major. In the athletic
Scherzo, Schubert expands a jaunty dotted-note idea to its limits, with thick chordal writing and frequent abrupt changes of register, texture, and key.
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The work takes approximately 40 minutes to perform, one of the longest and most ambitious of
Schubert’s solo works, especially up to this point.
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is spun out. The cheerful second subject, with its vacillating high-low pattern, is reminiscent of
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rhythm that produces stops and starts of momentum and is used to dramatic effect
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All Music Guide to
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Performance of Piano Sonata D. 850 by
Benjamin Hochman
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374:. This theme is also similar to the opening of the
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353:this is uncharacteristically quick for a Schubert
107:"Piano Sonata in D major, D 850" Schubert
1303:Sonatas, duos and fantasies by Franz Schubert
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362:repeated in the minor - also typical is the
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1052:Variation No. 38 on a waltz by Diabelli,
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220:Learn how and when to remove this message
158:Learn how and when to remove this message
18:Piano Sonata in D major D. 850 (Schubert)
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1308:List of compositions by Franz Schubert
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96:adding citations to reliable sources
568:Opening bars of the fourth movement
467:III. Scherzo: Allegro vivace - Trio
449:III. Scherzo: Allegro vivace - Trio
435:Opening bars of the second movement
499:Opening bars of the third movement
357:a marking he often qualified with
338:Opening bars of the first movement
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1238:Sonata in A major "(Grand) Duo",
42:This article has multiple issues.
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1261:Sonata in A minor "Arpeggione",
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1357:Piano sonatas by Franz Schubert
1179:Sonata in C major "Grand Duo",
599:Isabella Stewart Gardner Museum
83:needs additional citations for
50:or discuss these issues on the
1124:3 Impromptus "KlavierstĂĽcke",
1:
271:, was written during August
676:23 Sonatas numbering system
665:21 Sonatas numbering system
530:IV. Rondo: Allegro moderato
512:IV. Rondo: Allegro moderato
366:through remote keys as the
342:D major. The autograph has
200:the claims made and adding
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658:Sonata in A minor (D. 845)
648:Sonata in G major (D. 894)
630:Sonata in A major (D. 664)
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1080:12 Valses Nobles,
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1221:Sonat(in)as
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403:II. Con moto
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90:Please help
85:verification
82:
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51:
45:
44:Please help
41:
1151:Sonata in B
959:D 769A
379:Das Heimweh
277:Bad Gastein
1351:Categories
1273:piano trio
1263:D 821
1252:arpeggione
1240:D 574
1223:D 384
1190:D 940
1181:D 812
1172:D 733
1159:D 617
1143:four hands
1126:D 946
1117:D 935
1108:D 899
1100:D 915
1091:D 780
1082:D 969
1073:D 779
1065:D 760
1054:D 718
1033:D 960
1019:D 959
1011:D 958
1002:D 894
993:D 850
984:D 845
976:D 840
967:D 784
950:D 664
942:D 655
927:D 625
912:D 613
903:D 575
894:D 571
879:D 568
864:D 567
849:D 566
835:D 557
814:D 537
805:D 459
792:D 279
783:D 157
687:References
557:media help
488:media help
424:media help
368:exposition
364:modulation
344:alla breve
327:media help
194:improve it
118:newspapers
47:improve it
1286:D 28
1254:and piano
1017:A major,
1009:C minor,
982:A minor,
965:A minor,
957:E minor,
948:A major,
919:F minor/D
910:C major,
901:B major,
841:E minor/A
812:A minor,
799:E major "
764:two hands
597:from the
359:moderato.
283:Movements
268:Gasteiner
198:verifying
53:talk page
1312:by genre
1281:♭
1242:, Op.162
1233:, Op.137
1192:, Op.103
1183:, Op.140
1154:♭
1119:, Op.142
1028:♭
969:, Op.143
952:, Op.120
937:♯
922:♭
905:, Op.147
896:/570/604
889:♯
881:, Op.122
874:♭
859:♭
844:♭
830:♭
824:♭
816:, Op.164
372:yodeling
355:allegro,
1284:major,
1204:sonatas
1174:, Op.51
1161:, Op.30
1157:major,
1110:, Op.90
1093:, Op.94
1084:, Op.77
1075:, Op.50
1031:major,
1004:, Op.78
995:, Op.53
986:, Op.42
940:minor,
925:major,
892:minor,
877:major,
862:major,
833:major,
827:major/E
773:Sonatas
746:sonatas
680:No. 19
669:No. 17
642:No. 11
505:Hemiola
347:Allegro
192:Please
132:scholar
1327:Portal
605:format
134:
127:
120:
113:
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1202:Other
1141:Piano
1044:Other
807:/459A
762:Piano
139:JSTOR
125:books
1229:and
929:/505
866:/568
851:/506
785:/154
744:and
376:Lied
273:1825
111:news
1231:408
1227:385
803:",
748:by
637:AGA
617:by
603:MP3
601:in
263:Op.
259:850
253:'s
196:by
94:by
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1166:3
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261:,
257:D.
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856:D
821:A
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136:·
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