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comfortable around Indian characters, though they are not thoroughly developed in the novel, and he is regularly discomfited by representatives of
European culture and Christianity in particular. He develops a sense of superiority over several Indian characters, typically echoing other European characters, but these feelings are regularly thwarted, often in tandem with challenges to traditional European notions of masculinity. This is compounded by Walsh's increasing awareness of his mortality, symbolized by the human ankle bone he sees in a pyre and his grandmother's morbid fixation on death.
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Walsh
Clifton is an Anglo-Indian born of an interracial couple. His mother dies during childbirth in the opening scenes of the novel. He is raised in India by his father, John Clifton, and his Aunt Brenda. Walsh is torn between his strong ties to India and his position as a colonial. He appears most
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The final portion of the novel consists of a bohemian stage in Walsh's life, set in Soho and outside London. He earns his living on his inheritance and by composing jazz music. Walsh ultimately rejects this lifestyle and concludes the novel with his first love, Ruth, who is terminally ill. She is
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Walsh is sent "home" to
England for his education by his father, where he is again caught in a conflict between being English or Indian. The former is often associated with paternal and masculine identity, while the latter is frequently tied to maternal and feminine identity. This portion of the
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novel is largely concerned with his schoolboy experiences, his developing sexuality, and the eventual death of his father, who has remained in India. The protagonist has homosexual experiences, significant dream sequences, and comments on his wide readings.
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Forgetting A Homeless
Colonial: Gender, Religion and Transnational Childhood in Lawrence Durrell's Pied Piper Of Lovers
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diagnosed by the same doctor who delivered him and witnessed his mother's death.
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A Smile in His Mind's Eye: A Study of the Early Works of
Lawrence Durrell
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135:, published in 1935, is
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293:The Alexandria Quartet
22:Pied Piper of Lovers
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519:British LGBTQ novels
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