20:
330:
352:
339:
351:
86:
there from the age of seven. Although intending to enter the priesthood, he also took lessons in composition. He next became first tenor at the
Basilica of Saint-Seurin in
782:
777:
772:
721:
757:
704:
762:
190:), to words by Jean-Marie Souriguière de Saint-Marc, was first performed. Notwithstanding the banning of the song on 8 January 1796 by the
481:
57:
695:
647:
767:
752:
747:
95:
364:
672:
19:
175:
614:
Gaveaux continued to sing until 1812, although after the company of the Théâtre
Feydeau merged with that of the
256:
204:
511:
360:
156:
717:
742:
737:
615:
301:
264:
195:
123:
80:
622:
on the outskirts of Paris, where he died. His wife, Émilie
Gavaudan (also a singer), died in 1840.
619:
618:
in 1801, his voice was in decline and he only performed secondary roles. In 1819 he entered the
127:
700:
680:
643:
171:
310:
131:
91:
26:
278:
146:
690:
Letailleur, Paulette (1992). "Gaveaux , Pierre" in Sadie 1992, vol. 2, pp. 362–363.
115:
731:
30:
94:, and subsequently decided to follow a career in music, becoming a conductor at the
684:
179:
350:
151:
107:
145:(in 1789), and on 18 July 1791 he sang the role of Floresky in the première of
377:
191:
164:
76:
677:
Biographie universelle des musiciens et bibliographie générale de la musique
268:
229:
138:
260:
221:
87:
48:
367:, clarinet; Joseph Levine, fortepiano. Played on historical instruments.
305:
273:
255:, premièred in 1798, with Gaveaux himself in the role of Florestan and
245:
225:
63:
663:
241:
237:
220:(1792), was a success in Paris and was performed throughout Europe:
61:, the first operatic version of the story that later found fame as
111:
83:
44:
41:
18:
233:
284:
Other operas by
Gaveaux that were popular in their day include
137:
He subsequently performed with the company in operas such as
328:
114:
where, on 26 January 1789, he took part in a performance of
561:
Le diable en vacances ou La suite du diable couleur de rose
51:, notable for creating the role of Jason in Cherubini's
679:, 2nd edition, vol. 3, pp. 428–429. Paris: Didot.
194:, he continued his career in opera, appearing in
259:as LĂ©onore. It is best known today because the
202:, and creating the role of Jason in Cherubini's
40:(6 October 1760 – 5 February 1825) was a French
489:Le diable couleur de rose ou Le bonhomme misère
159:, he was involved in a "folly in verse" called
8:
603:Une nuit au bois ou Le muet de circonstance
642:. Cambridge University Press. p. 63.
475:Sophie et Moncars ou L'intrigue portugaise
722:International Music Score Library Project
662:A DVD was made of the performance :
445:Lise et Colin ou La surveillance inutile
439:Le petit matelot ou Le mariage impromptu
630:
300:to a translation of the libretto which
178:. On 19 January 1795, his famous anti-
122:, which marked the inauguration of the
783:19th-century French male opera singers
778:18th-century French male opera singers
463:Le mannequin vivant ou Le mari de bois
375:
7:
248:(in a German translation) in 1796.
664:https://operalafayette.org/gaveaux
640:Cambridge Opera Handbooks: Fidelio
174:, composing in 1792 a hymn to the
16:French operatic tenor and composer
14:
773:Burials at Père Lachaise Cemetery
696:The New Grove Dictionary of Opera
543:Avis aux femmes ou Le mari colère
397:Le paria ou La chaumière indienne
699:(4 volumes). London: Macmillan.
585:La rose blanche et la rose rouge
519:Ovinska ou Les exilés de Sibérie
376:Problems playing this file? See
348:
155:. When the company moved to the
693:Sadie, Stanley, editor (1992).
421:Sophronime ou La reconnaissance
363:. Montserrat Alvedra, soprano;
98:as well as continuing to sing.
321:
1:
758:18th-century French composers
718:Free scores by Pierre Gaveaux
549:Trop tôt ou Le projet manqué
482:LĂ©onore, ou L'amour conjugal
318:Chronological list of operas
253:Léonore, ou L’amour conjugal
58:LĂ©onore, ou L'amour conjugal
763:French male opera composers
531:Un quart d'heure de silence
188:The Awakening of the People
799:
296:, and in 1808 he composed
267:) served as the basis for
170:He was active during the
96:Grand Théâtre de Bordeaux
537:Le bouffe et le tailleur
290:Le bouffe et le tailleur
163:which was banned by the
638:Robinson, Paul (1996).
573:Monsieur Des Chalumeaux
294:Monsieur Des Chalumeaux
251:His most famous opera,
216:Gaveaux's first opera,
167:for being unpatriotic.
161:Le club des bonnes gens
768:French operatic tenors
753:French opera composers
673:Fétis, François-Joseph
333:
34:
332:
281:(Season 2016-2017).
22:
555:Le mariage inattendu
415:La famille indigente
302:Giuseppe Maria Foppa
277:. It was revived by
265:Jean-Nicolas Bouilly
257:Julie-Angélique Scio
172:revolutionary period
120:Le Avventure Amorose
75:Gaveaux was born in
748:People from BĂ©ziers
620:asylum at Charenton
525:Le retour inattendu
184:Le RĂ©veil du peuple
143:L’Infante de Zamora
124:Théâtre de Monsieur
512:Le trompeur trompé
361:Le Trompeur Trompé
342:Le Trompeur Trompé
334:
208:on 13 March 1797.
128:Salle des Machines
106:After a period in
102:Career as a singer
55:and for composing
35:
705:978-1-56159-228-9
591:L'enfant prodigue
579:L'Ă©chelle de soie
567:L'amour à Cythère
495:Les noms supposés
387:
386:
353:
298:L'Ă©chelle de soie
286:Sophie et Moncars
196:François Devienne
790:
666:
660:
654:
653:
635:
499:Les deux jockeys
427:Delmon et Nadine
409:La partie carrée
403:Les deux ermites
355:
354:
331:
322:
311:La scala di seta
304:had written for
200:Les visitandines
132:Tuileries Palace
92:Franz Ignaz Beck
90:, studying with
79:and sang in the
798:
797:
793:
792:
791:
789:
788:
787:
728:
727:
714:
669:
661:
657:
650:
637:
636:
632:
628:
612:
451:Tout par hasard
383:
382:
374:
372:
371:
370:
369:
356:
349:
346:
335:
329:
320:
279:Opera Lafayette
271:'s only opera,
214:
157:Théâtre Feydeau
126:company in the
104:
73:
24:
17:
12:
11:
5:
796:
794:
786:
785:
780:
775:
770:
765:
760:
755:
750:
745:
740:
730:
729:
726:
725:
713:
712:External links
710:
709:
708:
691:
688:
668:
667:
655:
648:
629:
627:
624:
616:Théâtre Favart
611:
608:
607:
606:
600:
594:
588:
582:
576:
570:
564:
558:
552:
546:
540:
534:
528:
522:
516:
508:
502:
492:
486:
478:
472:
466:
460:
454:
448:
442:
436:
430:
424:
418:
412:
406:
400:
394:
391:L'amour filial
385:
384:
373:
365:William McColl
357:
347:
338:
337:
336:
327:
326:
325:
319:
316:
218:L'amour filial
213:
210:
116:Giacomo Tritto
110:, he moved to
103:
100:
72:
69:
38:Pierre Gaveaux
23:Pierre Gaveaux
15:
13:
10:
9:
6:
4:
3:
2:
795:
784:
781:
779:
776:
774:
771:
769:
766:
764:
761:
759:
756:
754:
751:
749:
746:
744:
741:
739:
736:
735:
733:
723:
719:
716:
715:
711:
706:
702:
698:
697:
692:
689:
686:
682:
678:
674:
671:
670:
665:
659:
656:
651:
649:0-521-45221-X
645:
641:
634:
631:
625:
623:
621:
617:
609:
604:
601:
598:
595:
592:
589:
586:
583:
580:
577:
574:
571:
568:
565:
562:
559:
556:
553:
550:
547:
544:
541:
538:
535:
532:
529:
526:
523:
520:
517:
514:
513:
509:
506:
503:
500:
496:
493:
490:
487:
484:
483:
479:
476:
473:
470:
469:Le traité nul
467:
464:
461:
458:
455:
452:
449:
446:
443:
440:
437:
434:
433:La gasconnade
431:
428:
425:
422:
419:
416:
413:
410:
407:
404:
401:
398:
395:
392:
389:
388:
381:
379:
368:
366:
362:
345:
343:
340:Polacca from
324:
323:
317:
315:
313:
312:
307:
303:
299:
295:
291:
287:
282:
280:
276:
275:
270:
266:
262:
258:
254:
249:
247:
243:
239:
235:
231:
227:
223:
219:
211:
209:
207:
206:
201:
197:
193:
189:
185:
181:
177:
176:Supreme Being
173:
168:
166:
162:
158:
154:
153:
148:
144:
140:
135:
133:
129:
125:
121:
117:
113:
109:
101:
99:
97:
93:
89:
85:
82:
78:
70:
68:
66:
65:
60:
59:
54:
50:
46:
43:
39:
32:
31:physionotrace
28:
27:Edmé Quenedey
21:
694:
685:Google Books
676:
658:
639:
633:
613:
602:
596:
590:
584:
578:
572:
566:
560:
554:
548:
542:
536:
530:
524:
518:
510:
505:Le locataire
504:
498:
494:
488:
480:
474:
468:
462:
456:
450:
444:
438:
432:
426:
420:
414:
408:
402:
396:
390:
359:
341:
309:
297:
293:
289:
285:
283:
272:
252:
250:
217:
215:
203:
199:
187:
183:
169:
160:
150:
142:
136:
119:
105:
74:
62:
56:
52:
37:
36:
25:Portrait by
743:1825 deaths
738:1760 births
108:Montpellier
732:Categories
626:References
610:Later life
378:media help
192:Directoire
71:Early life
597:Pygmalion
269:Beethoven
240:in 1809,
232:in 1795,
230:Rotterdam
147:Cherubini
139:Paisiello
81:cathedral
675:(1862).
261:libretto
222:Brussels
152:LodoĂŻska
88:Bordeaux
49:composer
42:operatic
29:after a
724:(IMSLP)
720:at the
457:CĂ©liane
306:Rossini
274:Fidelio
246:Hamburg
226:Cologne
180:Jacobin
130:at the
77:BĂ©ziers
64:Fidelio
33:(1821).
703:
646:
605:, 1818
599:, 1816
593:, 1811
587:, 1809
581:, 1808
575:, 1806
569:, 1805
563:, 1805
557:, 1804
551:, 1804
545:, 1804
539:, 1804
533:, 1804
527:, 1802
521:, 1801
515:, 1800
507:, 1800
501:, 1798
491:, 1798
485:, 1798
477:, 1797
471:, 1797
465:, 1796
459:, 1796
453:, 1796
447:, 1796
441:, 1796
435:, 1795
429:, 1795
423:, 1795
417:, 1794
411:, 1793
405:, 1793
399:, 1792
393:, 1792
344:(1800)
242:Berlin
238:Moscow
212:Operas
165:censor
358:From
205:Médée
182:song
112:Paris
84:choir
53:Médée
45:tenor
701:ISBN
681:View
644:ISBN
292:and
263:(by
244:and
236:and
234:Bern
228:and
47:and
683:at
497:ou
308:'s
198:'s
149:'s
141:'s
118:'s
734::
314:.
288:,
224:,
134:.
67:.
707:.
687:.
652:.
380:.
186:(
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.