Knowledge (XXG)

Pierre Gaveaux

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there from the age of seven. Although intending to enter the priesthood, he also took lessons in composition. He next became first tenor at the Basilica of Saint-Seurin in
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Gaveaux continued to sing until 1812, although after the company of the Théâtre Feydeau merged with that of the
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on the outskirts of Paris, where he died. His wife, Émilie Gavaudan (also a singer), died in 1840.
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in 1801, his voice was in decline and he only performed secondary roles. In 1819 he entered the
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Letailleur, Paulette (1992). "Gaveaux , Pierre" in Sadie 1992, vol. 2, pp. 362–363.
115: 731: 30: 94:, and subsequently decided to follow a career in music, becoming a conductor at the 684: 179: 350: 151: 107: 145:(in 1789), and on 18 July 1791 he sang the role of Floresky in the première of 377: 191: 164: 76: 677:
Biographie universelle des musiciens et bibliographie générale de la musique
268: 229: 138: 260: 221: 87: 48: 367:, clarinet; Joseph Levine, fortepiano. Played on historical instruments. 305: 273: 255:, premièred in 1798, with Gaveaux himself in the role of Florestan and 245: 225: 63: 663: 241: 237: 220:(1792), was a success in Paris and was performed throughout Europe: 61:, the first operatic version of the story that later found fame as 111: 83: 44: 41: 18: 233: 284:
Other operas by Gaveaux that were popular in their day include
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He subsequently performed with the company in operas such as
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where, on 26 January 1789, he took part in a performance of
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Le diable en vacances ou La suite du diable couleur de rose
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On 19 January 1795, his famous anti- 122:, which marked the inauguration of the 783:19th-century French male opera singers 778:18th-century French male opera singers 463:Le mannequin vivant ou Le mari de bois 375: 7: 248:(in a German translation) in 1796. 664:https://operalafayette.org/gaveaux 640:Cambridge Opera Handbooks: Fidelio 174:, composing in 1792 a hymn to the 16:French operatic tenor and composer 14: 773:Burials at Père Lachaise Cemetery 696:The New Grove Dictionary of Opera 543:Avis aux femmes ou Le mari colère 397:Le paria ou La chaumière indienne 699:(4 volumes). London: Macmillan. 585:La rose blanche et la rose rouge 519:Ovinska ou Les exilĂ©s de SibĂ©rie 376:Problems playing this file? See 348: 155:. When the company moved to the 693:Sadie, Stanley, editor (1992). 421:Sophronime ou La reconnaissance 363:. Montserrat Alvedra, soprano; 98:as well as continuing to sing. 321: 1: 758:18th-century French composers 718:Free scores by Pierre Gaveaux 549:Trop tĂ´t ou Le projet manquĂ© 482:LĂ©onore, ou L'amour conjugal 318:Chronological list of operas 253:LĂ©onore, ou L’amour conjugal 58:LĂ©onore, ou L'amour conjugal 763:French male opera composers 531:Un quart d'heure de silence 188:The Awakening of the People 799: 296:, and in 1808 he composed 267:) served as the basis for 170:He was active during the 96:Grand Théâtre de Bordeaux 537:Le bouffe et le tailleur 290:Le bouffe et le tailleur 163:which was banned by the 638:Robinson, Paul (1996). 573:Monsieur Des Chalumeaux 294:Monsieur Des Chalumeaux 251:His most famous opera, 216:Gaveaux's first opera, 167:for being unpatriotic. 161:Le club des bonnes gens 768:French operatic tenors 753:French opera composers 673:FĂ©tis, François-Joseph 333: 34: 332: 281:(Season 2016-2017). 22: 555:Le mariage inattendu 415:La famille indigente 302:Giuseppe Maria Foppa 277:. It was revived by 265:Jean-Nicolas Bouilly 257:Julie-AngĂ©lique Scio 172:revolutionary period 120:Le Avventure Amorose 75:Gaveaux was born in 748:People from BĂ©ziers 620:asylum at Charenton 525:Le retour inattendu 184:Le RĂ©veil du peuple 143:L’Infante de Zamora 124:Théâtre de Monsieur 512:Le trompeur trompĂ© 361:Le Trompeur TrompĂ© 342:Le Trompeur TrompĂ© 334: 208:on 13 March 1797. 128:Salle des Machines 106:After a period in 102:Career as a singer 55:and for composing 35: 705:978-1-56159-228-9 591:L'enfant prodigue 579:L'Ă©chelle de soie 567:L'amour Ă  Cythère 495:Les noms supposĂ©s 387: 386: 353: 298:L'Ă©chelle de soie 286:Sophie et Moncars 196:François Devienne 790: 666: 660: 654: 653: 635: 499:Les deux jockeys 427:Delmon et Nadine 409:La partie carrĂ©e 403:Les deux ermites 355: 354: 331: 322: 311:La scala di seta 304:had written for 200:Les visitandines 132:Tuileries Palace 92:Franz Ignaz Beck 90:, studying with 79:and sang in the 798: 797: 793: 792: 791: 789: 788: 787: 728: 727: 714: 669: 661: 657: 650: 637: 636: 632: 628: 612: 451:Tout par hasard 383: 382: 374: 372: 371: 370: 369: 356: 349: 346: 335: 329: 320: 279:Opera Lafayette 271:'s only opera, 214: 157:Théâtre Feydeau 126:company in the 104: 73: 24: 17: 12: 11: 5: 796: 794: 786: 785: 780: 775: 770: 765: 760: 755: 750: 745: 740: 730: 729: 726: 725: 713: 712:External links 710: 709: 708: 691: 688: 668: 667: 655: 648: 629: 627: 624: 616:Théâtre Favart 611: 608: 607: 606: 600: 594: 588: 582: 576: 570: 564: 558: 552: 546: 540: 534: 528: 522: 516: 508: 502: 492: 486: 478: 472: 466: 460: 454: 448: 442: 436: 430: 424: 418: 412: 406: 400: 394: 391:L'amour filial 385: 384: 373: 365:William McColl 357: 347: 338: 337: 336: 327: 326: 325: 319: 316: 218:L'amour filial 213: 210: 116:Giacomo Tritto 110:, he moved to 103: 100: 72: 69: 38:Pierre Gaveaux 23:Pierre Gaveaux 15: 13: 10: 9: 6: 4: 3: 2: 795: 784: 781: 779: 776: 774: 771: 769: 766: 764: 761: 759: 756: 754: 751: 749: 746: 744: 741: 739: 736: 735: 733: 723: 719: 716: 715: 711: 706: 702: 698: 697: 692: 689: 686: 682: 678: 674: 671: 670: 665: 659: 656: 651: 649:0-521-45221-X 645: 641: 634: 631: 625: 623: 621: 617: 609: 604: 601: 598: 595: 592: 589: 586: 583: 580: 577: 574: 571: 568: 565: 562: 559: 556: 553: 550: 547: 544: 541: 538: 535: 532: 529: 526: 523: 520: 517: 514: 513: 509: 506: 503: 500: 496: 493: 490: 487: 484: 483: 479: 476: 473: 470: 469:Le traitĂ© nul 467: 464: 461: 458: 455: 452: 449: 446: 443: 440: 437: 434: 433:La gasconnade 431: 428: 425: 422: 419: 416: 413: 410: 407: 404: 401: 398: 395: 392: 389: 388: 381: 379: 368: 366: 362: 345: 343: 340:Polacca from 324: 323: 317: 315: 313: 312: 307: 303: 299: 295: 291: 287: 282: 280: 276: 275: 270: 266: 262: 258: 254: 249: 247: 243: 239: 235: 231: 227: 223: 219: 211: 209: 207: 206: 201: 197: 193: 189: 185: 181: 177: 176:Supreme Being 173: 168: 166: 162: 158: 154: 153: 148: 144: 140: 135: 133: 129: 125: 121: 117: 113: 109: 101: 99: 97: 93: 89: 85: 82: 78: 70: 68: 66: 65: 60: 59: 54: 50: 46: 43: 39: 32: 31:physionotrace 28: 27:EdmĂ© Quenedey 21: 694: 685:Google Books 676: 658: 639: 633: 613: 602: 596: 590: 584: 578: 572: 566: 560: 554: 548: 542: 536: 530: 524: 518: 510: 505:Le locataire 504: 498: 494: 488: 480: 474: 468: 462: 456: 450: 444: 438: 432: 426: 420: 414: 408: 402: 396: 390: 359: 341: 309: 297: 293: 289: 285: 283: 272: 252: 250: 217: 215: 203: 199: 187: 183: 169: 160: 150: 142: 136: 119: 105: 74: 62: 56: 52: 37: 36: 25:Portrait by 743:1825 deaths 738:1760 births 108:Montpellier 732:Categories 626:References 610:Later life 378:media help 192:Directoire 71:Early life 597:Pygmalion 269:Beethoven 240:in 1809, 232:in 1795, 230:Rotterdam 147:Cherubini 139:Paisiello 81:cathedral 675:(1862). 261:libretto 222:Brussels 152:LodoĂŻska 88:Bordeaux 49:composer 42:operatic 29:after a 724:(IMSLP) 720:at the 457:CĂ©liane 306:Rossini 274:Fidelio 246:Hamburg 226:Cologne 180:Jacobin 130:at the 77:BĂ©ziers 64:Fidelio 33:(1821). 703:  646:  605:, 1818 599:, 1816 593:, 1811 587:, 1809 581:, 1808 575:, 1806 569:, 1805 563:, 1805 557:, 1804 551:, 1804 545:, 1804 539:, 1804 533:, 1804 527:, 1802 521:, 1801 515:, 1800 507:, 1800 501:, 1798 491:, 1798 485:, 1798 477:, 1797 471:, 1797 465:, 1796 459:, 1796 453:, 1796 447:, 1796 441:, 1796 435:, 1795 429:, 1795 423:, 1795 417:, 1794 411:, 1793 405:, 1793 399:, 1792 393:, 1792 344:(1800) 242:Berlin 238:Moscow 212:Operas 165:censor 358:From 205:MĂ©dĂ©e 182:song 112:Paris 84:choir 53:MĂ©dĂ©e 45:tenor 701:ISBN 681:View 644:ISBN 292:and 263:(by 244:and 236:and 234:Bern 228:and 47:and 683:at 497:ou 308:'s 198:'s 149:'s 141:'s 118:'s 734:: 314:. 288:, 224:, 134:. 67:. 707:. 687:. 652:. 380:. 186:(

Index


Edmé Quenedey
physionotrace
operatic
tenor
composer
LĂ©onore, ou L'amour conjugal
Fidelio
BĂ©ziers
cathedral
choir
Bordeaux
Franz Ignaz Beck
Grand Théâtre de Bordeaux
Montpellier
Paris
Giacomo Tritto
Théâtre de Monsieur
Salle des Machines
Tuileries Palace
Paisiello
Cherubini
LodoĂŻska
Théâtre Feydeau
censor
revolutionary period
Supreme Being
Jacobin
Directoire
François Devienne

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