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Pieter van Ruijven

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estate if her mother had died before her and Magdalena and Jacob did not have any children. This may have been because Jacob, of no means himself, married Magdalena, who was an heiress. Jacob may have been given the printing press his father Abraham owned to use as a dowry, and Abraham was compensated by receiving half of his son's inheritance. Besides the
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due to her long-standing and supportive relationship with the artist. Maria de Knuijt included Vermeer, the only non-family member to be addressed, in her will of 1665. The will stated that he should have received 500 guilders. Regardless of whether he or his wife was the main patron, van Ruijven was
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on 14 April 1680, and was generally known after that by her husband's surname. Baptism records at the Old Church identify two additional children of Van Ruijven and his wife, Maria baptized in 1657 and Simon in 1662. They are believed to have died young, since they were not identified as heirs to
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next to her husband at the Old Church. Their daughter Magdalena died on 16 June 1682 at the age of 27. She and her husband had no children. The van Ruijven estate was inherited by Jacob Dissius and his father Abraham Dissius. As stipulated in Magdalena's will, Abraham was to inherit half of the
123:. De Knuijt brought most of the wealth into the marriage. Van Ruijven became the Lord of Spalant when he purchased the land from Willem, Baron of Renesse on 11 April 1669. He used his new-found title when he witnessed the testament of Vermeer's sister. The van Ruijven family, who lived off the 51:
due to her long-standing and supportive relationship with the artist. He built a sizeable estate from inheritances he and his wife received and fruitful investments. In 1669, he became the Lord of Spalant when he purchased land owned by
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in Deflt (municipal charitable department) from 1623 to 1624 and the brewer at the Ox Brewery. The brewery failed in about 1650, after Niclaes Pietersz died. Pieter's brother was Johan (also Jan) van Ruijven, a notary.
1195: 84:. Van Ruiven was related to artists of the Delff family through the marriage of Christina Delff to his cousin Jan Hermansz. van Ruijven. The artists include Christina's brother 111:. Van Ruijven was not known to have a profession, but de Knuijt and van Ruijven were well-off and had two homes in Delft. From 1668 to 1674, Van Ruijven was master of the 827: 249: 77: 798: 898: 1283: 1106: 821: 767: 687: 641: 615: 492: 1186: 1074: 1203: 708: 219: 1219: 1211: 962: 224: 1151: 791: 163:, Magdalena's estate included her legacy of a house in Voorstraet, the domain of Spalant, and interest-bearing obligations. 1373: 906: 661: 1294: 914: 97: 93: 64:
Van Ruijven was born in December 1624, the son of Niclaes Pietersz and Maria Graswinckel. His father was master of the
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for Delft. His fortune was made through wise investments of the riches they inherited, including investment in the
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Pieter died and was buried on 7 August 1674. Maria died by 26 February 1681 when she was buried in
1302: 743: 425: 250:"Revealed: Vermeer's patron was, in fact, a woman—and she bought half the artist's entire oeuvre" 669:
National Gallery of Art, Washington, D.C. and Royal Cabinet of Paintings Mauritshuis, The Hague
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identified van Ruijven as Vermeer's main patron, beginning in 1657 when van Ruijven loaned 200
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Vergara, Lisa (2001). "Perspectives on Women in the Art of Vermeer". In Wayne Franits (ed.).
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a serious art collector who admired Vermeer. He owned paintings from other artists, like
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was identified by the curators of the 2023 exhibition of Vermeer's works at the
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was identified by the curators of the 2023 exhibition of Vermeer's works at the
39:'s main patron for the better part of the artist's career, but in 2023 his wife 28:(1660-61), oil on canvas, 96.5 × 117.5 cm; a painting once owned by Van Ruijven 739: 482: 682:. The Hague: Hague Historical Museum and Zwolle : Waanders Publishers. 178:
to the artist. There is no record of such a relationship. In 2023, his wife
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Broos, Ben; Wheelock, Arthur K. Jr. (1996). Wheelock, Arthur K. (ed.).
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Van Ruijven had a daughter, Magdalena van Ruijven, baptized at the
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Montias, John Michael (1987). "Vermeer's Clients and Patrons".
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The Dutch Republic: its rise, greatness and fall, 1477-1806
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The Ghost of Vermeer of Delft Which Can Be Used as a Table
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Haks, Donald; Van der Sman, Marie Christine, eds. (1996).
378:"Meet Maria de Knuijt: Was Vermeer's Main Patron a Woman?" 464: 462: 514: 512: 510: 508: 506: 504: 449: 447: 347: 345: 343: 311: 309: 307: 35:(December 1624 – 7 August 1674) has been known as 282: 280: 278: 276: 274: 272: 227:
of the book, although there is no evidence of this.
115:, which provided relief to the poor and served as a 1230: 1185: 1144: 1125: 814: 697:Liedtke, Walter A. (2001). O'Neill, John P. (ed.). 213:Van Ruijven is depicted as a predatory lecher in 72:Van Ruijven and his paternal family members were 334: 161:Vermeer paintings passed down through the family 759:Vermeer and His Milieu: A Web of Social History 92:, an engraver. Jacob Delff's father-in-law was 610:. Oxford : Clarendon Press. p. 876. 792: 567: 401: 8: 703:. New York: The Metropolitan Museum of Art. 799: 785: 777: 243: 241: 239: 17: 899:Girl Reading a Letter at an Open Window 591: 579: 555: 518: 468: 453: 363: 351: 315: 298: 286: 235: 135:. The also lived off Voorstraet and in 828:Christ in the House of Martha and Mary 433: 423: 1284:Isabella Stewart Gardner Museum theft 1107:A Young Woman Seated at the Virginals 7: 76:, and some were considered loyal to 1075:Lady Writing a Letter with her Maid 679:Dutch society in the age of Vermeer 536:Humanities, University of Amsterdam 633:The Cambridge companion to Vermeer 417:The Cambridge Companion to Vermeer 248:Bailey, Martin (7 February 2023). 14: 204:Maria de Knuijt § Provenance 1340: 1339: 376:Ganbold, Nicole (3 April 2023). 146:on 12 October 1655. She married 107:in August 1653. De Knuijt was a 762:. Princeton University Press. 756:Montias, John Michael (2018). 127:in Delft, were members of the 1: 907:Girl Interrupted at Her Music 832: 1295:All the Vermeers in New York 915:The Girl with the Wine Glass 700:Vermeer and the Delft School 335:Haks & Van der Sman 1996 151:Maria and Pieter's fortune. 94:Michiel Jansz. van Mierevelt 33:Pieter Claeszoon van Ruijven 1099:Lady Standing at a Virginal 979:Woman with a Pearl Necklace 1400: 487:(in Italian). p. 23. 201: 1337: 1274:Dutch Golden Age painting 1220:Girl with a Pearl Earring 1212:Girl with a Pearl Earring 1204:Girl with a Pearl Earring 1091:Lady Seated at a Virginal 995:Girl with a Pearl Earring 875:Officer and Laughing Girl 604:Israel, Jonathan (1995). 568:Broos & Wheelock 1996 402:Broos & Wheelock 1996 220:Girl with a Pearl Earring 109:Dutch Reformed Protestant 54:Willem, Baron van Renesse 851:Diana and Her Companions 420:. Cambridge. p. 69. 223:(1999), and in the 2003 121:Dutch East India Company 105:Maria Simonsdr de Knuijt 1330:(2013 documentary film) 1264:Delft School (painting) 1259:Antonie van Leeuwenhoek 1003:A Lady Writing a Letter 947:Woman Holding a Balance 82:Pieter Jansz van Ruyven 1177:Arthur K. Wheelock Jr. 1152:Théophile Thoré-Bürger 1019:Study of a Young Woman 963:Woman Reading a Letter 939:Woman with a Water Jug 186:, in Amsterdam as the 47:, in Amsterdam as the 29: 1083:The Allegory of Faith 202:Further information: 133:Dutch Reformed Church 21: 1374:Dutch art collectors 1279:Hockney–Falco thesis 1167:John Michael Montias 752:Including footnotes. 217:'s historical novel 172:John Michael Montias 103:Van Ruijven married 98:Dutch noble families 90:Willem Jacobsz Delff 86:Jacob Willemsz Delff 1322:(2008 history book) 1126:Formerly attributed 1035:The Art of Painting 1011:Girl with a Red Hat 481:Nash, John (1991). 144:Old Church of Delft 113:Camer van Charitate 66:Camer van Charitate 1303:Writing to Vermeer 1248:Pieter van Ruijven 662:"Johannes Vermeer" 570:, pp. 22, 81. 382:Daily Art Magazine 30: 22:Johannes Vermeer, 1369:People from Delft 1351: 1350: 1134:Girl with a Flute 1115:The Guitar Player 1027:Mistress and Maid 955:Woman with a Lute 883:The Little Street 769:978-0-691-18859-1 689:978-90-400-9823-9 643:978-0-521-65330-5 617:978-0-19-873072-9 558:, pp. 71–72. 532:"Maria de Knuijt" 494:978-1-870248-71-6 255:The Art Newspaper 1391: 1364:Johannes Vermeer 1343: 1342: 1254:Han van Meegeren 987:The Music Lesson 837: 834: 808:Johannes Vermeer 801: 794: 787: 778: 773: 751: 720:The Art Bulletin 714: 693: 672: 666: 648: 647: 628: 622: 621: 601: 595: 589: 583: 577: 571: 565: 559: 553: 547: 546: 544: 542: 528: 522: 516: 499: 498: 478: 472: 466: 457: 451: 442: 441: 435: 431: 429: 421: 411: 405: 399: 393: 392: 390: 388: 373: 367: 361: 355: 349: 338: 332: 319: 313: 302: 296: 290: 284: 267: 266: 264: 262: 245: 197:Simon de Vlieger 193:Emanuel de Witte 37:Johannes Vermeer 1399: 1398: 1394: 1393: 1392: 1390: 1389: 1388: 1354: 1353: 1352: 1347: 1333: 1311:Chasing Vermeer 1244:Maria de Knuijt 1240:(mother-in-law) 1226: 1199:(1934 painting) 1181: 1172:Laura J. Snyder 1157:Jonathan Janson 1140: 1121: 1067:The Love Letter 835: 810: 805: 770: 755: 732:10.2307/3051083 717: 711: 696: 690: 675: 664: 659: 656: 651: 644: 630: 629: 625: 618: 603: 602: 598: 590: 586: 578: 574: 566: 562: 554: 550: 540: 538: 530: 529: 525: 517: 502: 495: 480: 479: 475: 467: 460: 452: 445: 432: 422: 413: 412: 408: 400: 396: 386: 384: 375: 374: 370: 362: 358: 350: 341: 333: 322: 314: 305: 297: 293: 285: 270: 260: 258: 247: 246: 237: 233: 215:Tracy Chevalier 211: 209:Popular culture 206: 180:Maria de Knuijt 169: 88:and her nephew 62: 41:Maria de Knuijt 12: 11: 5: 1397: 1395: 1387: 1386: 1381: 1376: 1371: 1366: 1356: 1355: 1349: 1348: 1338: 1335: 1334: 1332: 1331: 1323: 1315: 1307: 1299: 1291: 1289:Vermeer Centre 1286: 1281: 1276: 1271: 1266: 1261: 1256: 1251: 1241: 1234: 1232: 1228: 1227: 1225: 1224: 1216: 1208: 1200: 1191: 1189: 1183: 1182: 1180: 1179: 1174: 1169: 1164: 1162:Walter Liedtke 1159: 1154: 1148: 1146: 1142: 1141: 1139: 1138: 1137:(c. 1665–1670) 1129: 1127: 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339: 320: 318:, p. 247. 303: 291: 268: 234: 232: 229: 210: 207: 168: 165: 78:Oldenbarnevelt 61: 58: 13: 10: 9: 6: 4: 3: 2: 1396: 1385: 1382: 1380: 1377: 1375: 1372: 1370: 1367: 1365: 1362: 1361: 1359: 1346: 1336: 1329: 1328: 1327:Tim's Vermeer 1324: 1321: 1320: 1319:Vermeer's Hat 1316: 1313: 1312: 1308: 1305: 1304: 1300: 1297: 1296: 1292: 1290: 1287: 1285: 1282: 1280: 1277: 1275: 1272: 1270: 1267: 1265: 1262: 1260: 1257: 1255: 1252: 1249: 1245: 1242: 1239: 1236: 1235: 1233: 1229: 1222: 1221: 1217: 1214: 1213: 1209: 1206: 1205: 1201: 1198: 1197: 1193: 1192: 1190: 1188: 1184: 1178: 1175: 1173: 1170: 1168: 1165: 1163: 1160: 1158: 1155: 1153: 1150: 1149: 1147: 1143: 1136: 1135: 1131: 1130: 1128: 1124: 1117: 1116: 1112: 1109: 1108: 1104: 1101: 1100: 1096: 1093: 1092: 1088: 1085: 1084: 1080: 1077: 1076: 1072: 1069: 1068: 1064: 1061: 1060: 1059:The Lacemaker 1056: 1053: 1052: 1048: 1045: 1044: 1040: 1037: 1036: 1032: 1029: 1028: 1024: 1021: 1020: 1016: 1013: 1012: 1008: 1005: 1004: 1000: 997: 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Retrieved 535: 526: 519:Montias 1987 483: 476: 469:Montias 2018 454:Liedtke 2001 416: 409: 397: 385:. Retrieved 381: 371: 364:Liedtke 2001 359: 352:Montias 2018 316:Montias 2018 299:Montias 1987 294: 287:Montias 1987 259:. Retrieved 253: 218: 212: 170: 153: 141: 112: 102: 74:Remonstrants 71: 65: 63: 32: 31: 23: 15: 1384:1624 births 1379:1674 deaths 1298:(1990 film) 1238:Maria Thins 1223:(2008 play) 1215:(2003 film) 1145:Scholarship 971:The Concert 836: 1655 434:|work= 188:main patron 184:Rijksmuseum 49:main patron 45:Rijksmuseum 1358:Categories 1187:Portrayals 231:References 125:Oude Canal 1250:(patrons) 1118:(c. 1672) 1046:(c. 1668) 1030:(c. 1667) 1006:(c. 1665) 998:(c. 1665) 982:(c. 1664) 974:(c. 1664) 966:(c. 1663) 926:(c. 1660) 878:(c. 1657) 870:(c. 1657) 846:(c. 1655) 815:Paintings 740:0004-3079 436:ignored ( 426:cite book 137:The Hague 117:diaconate 1345:Category 541:28 April 387:26 April 261:26 April 176:guilders 129:Arminian 1231:Related 748:3051083 484:Vermeer 1269:Tronie 862:(1656) 766:  746:  738:  707:  686:  640:  614:  491:  744:JSTOR 665:(PDF) 156:Delft 1246:and 764:ISBN 736:ISSN 705:ISBN 684:ISBN 638:ISBN 612:ISBN 543:2023 489:ISBN 438:help 389:2023 263:2023 225:film 195:and 728:doi 1360:: 833:c. 742:. 734:. 724:69 722:. 667:. 534:. 503:^ 461:^ 446:^ 430:: 428:}} 424:{{ 380:. 342:^ 323:^ 306:^ 271:^ 252:. 238:^ 139:. 100:. 56:. 838:) 831:( 800:e 793:t 786:v 772:. 750:. 730:: 713:. 692:. 646:. 620:. 545:. 497:. 440:) 391:. 265:.

Index


View of Delft
Johannes Vermeer
Maria de Knuijt
Rijksmuseum
main patron
Willem, Baron van Renesse
Remonstrants
Oldenbarnevelt
Pieter Jansz van Ruyven
Jacob Willemsz Delff
Willem Jacobsz Delff
Michiel Jansz. van Mierevelt
Dutch noble families
Maria Simonsdr de Knuijt
Dutch Reformed Protestant
diaconate
Dutch East India Company
Oude Canal
Arminian
Dutch Reformed Church
The Hague
Old Church of Delft
Jacob Dissius
Delft
Vermeer paintings passed down through the family
John Michael Montias
guilders
Maria de Knuijt
Rijksmuseum

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