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124:. His paintings show real as well as imaginary interiors of churches. The interior of Antwerp Cathedral was one of his preferred subjects and many of his imaginary church interiors are a pastiche of elements of Antwerp Cathedral. Like his father, he painted several nocturnal scenes of church interiors sometimes paired with daylight renderings of the same scenes. An example is the pair of
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such as baptism, communion, marriage, Mass, confession, the giving of alms, etc. All of these activities were often included in a single composition in a church swarming with priests and bristling with statues and paintings. This stands in sharp contrast with the purged interiors of the churches in
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Neefs the
Younger collaborated with a number of different artists, in the first place his own father. The closeness in style of father and son and the fact that the two artists used a similar signature have created considerable confusion in attributing works to either artist. Some attributions are
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Father and son van
Steenwijck and the two generations of the family Neefs painters are considered to be representatives of the Antwerp school of architectural painting. Typical for their style was the use of a rigid linear perspective which offers a view directly down the nave of the church. This
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also became a painter. The two brothers both trained with their father and as a result, their works were very close to their father's, and attributions of their individual hands can be difficult. After the death of their father sometime after 1656, the sons took over the family workshop.
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146:) which was attributed to Pieter the Younger as the dress of the characters in the composition were identified as being fashionable during the 1660s, a time by which is father is deemed to have been deceased.
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Pieter Neefs the
Younger continued the tradition of the church interior in Antwerp in the manner created by his father and other artists of the previous generation like
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Pieter the
Younger specialised in architectural subjects, particularly Gothic church interiors and some dungeon interiors. His earliest extant work is dated 1646.
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Pieter Neefs the
Younger was baptized in Antwerp on 23 May 1620. His father was the painter Pieter Neefs the Elder and his mother Maria Louterbeens.
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The last date on which he is known to have been active is 1675, a date found on a picture formerly in Vienna (Vaduz,
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who mainly specialized in architectural interiors of churches. Son of the prominent architectural painter
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based on the dress of the figures depicted in the compositions. This is for example the case with the
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showing a diurnal and nocturnal view of two gothic churches with slightly different interiors.
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The works of Pieter Neefs the Elder and
Younger have been called propaganda for the Catholic
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who provided the staffage to his interiors. His output was as large as that of his father.
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Tilman
Seebass. 'Imago Musicae 1986, Volume 3', Duke University Press, 1987, p. 52
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Pieter Neefs the
Younger appears never to have become a member of the Antwerp
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Andrew
Pettegree, 'The Reformation World', Psychology Press, 2000, p. 507
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The other artists with whom Neefs the
Younger collaborated included
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394:, in: Artibus et Historiae, Vol. 23, No. 46 (2002), pp. 183-193
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Rembrandt and the Church Interiors of the Delft School
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Prison interior with St Peter fleeing with the angel
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Flemish paintings in the Metropolitan Museum of Art
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332:in Rafael Vaels Recent Acquisitions 2014, p 22
219:painted by Dutch painters of the time such as
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293:. New York: The Metropolitan Museum of Art.
362:The Interior of a Gothic Church by Night
174:Interior of a Gothic Church in Day Light
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46:(bapt. 23 May 1620 – after 1675) was a
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252:Netherlands Institute for Art History
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379:Interior of a Cathedral, Night Scene
188:Interior of a Gothic Church at Night
139:Interior of a Cathedral, Night Scene
317:. FOMP, retrieved on 22 March 2013
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381:at the Victoria and Albert Museum
116:Interior of a church lit at night
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305:(see index, v.1; plate 57, v.2)
130:Museum of Fine Arts in Budapest
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347:Interior of Antwerp Cathedral
159:Bonaventura Peeters the Elder
77:The nave of Antwerp Cathedral
315:Peeter Neefs II, the Younger
283:Liedtke , Walter A. (1984).
126:Interiors of a Gothic Church
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377:Pieter Neefs the Younger,
345:Pieter Neefs the Younger,
265:Frans Baudouin, "Neeffs,"
144:Victoria and Albert Museum
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155:David Teniers the Younger
44:Pieter Neeffs the Younger
458:Flemish Baroque painters
432:Pieter Neefs the Younger
360:Pieter Neefs the Elder,
40:Pieter Neefs the Younger
271:Oxford University Press
201:Bartholomeus van Bassen
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463:Painters from Antwerp
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434:at Wikimedia Commons
390:Sergiusz Michalski,
99:Liechtenstein Museum
208:Counter Reformation
92:Guild of Saint Luke
367:Johnny van Haeften
151:Frans Francken III
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468:Catholic painters
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248:Pieter Neefs (II)
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212:sacraments
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59:Antwerp
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