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van Siena isser te Siena, die seer aerdighe dingen ghehetst laet van zijn handt en vindinghen uytgaen, van datum 1590. en 94. Een ander
Sienees noch te Siena, laet van hem uytgaen een historie van S. Catherina van Siena, seer versierlijck geinventeert, en gesneden door Pieter de Iode van
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He travelled to Paris with his father in 1631–1632 to work on some print projects mainly of portraits. On his return in 1635 de Jode married
Elizabeth Loemans, the daughter of the Antwerp engraver Aernout Loemans. Their son
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printmaker, draughtsman, painter and art dealer. A scion of an important dynasty of printmakers active in
Antwerp, he created many prints after the works of leading painters and was a close collaborator of
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When his first wife died in 1642, the inventory made showed they were relatively prosperous. De Jode remarried in 1648 to Clara van den Enden, the sister or daughter of the publisher
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before his father's death in 1634. His earliest prints reflect the dry style and technique of his father but he later developed a looser, more painterly style.
116:(1570–1634), a leading printmaker in Antwerp who had travelled to Italy and whose engravings were a source for the Flemish painter and artist biographer
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It has been difficult to distinguish the works of Pieter de Jode the elder and Pieter the younger, since the latter likely only signed his prints with
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Pieter de Jode II was born in
Antwerp in 1606, where he was baptized on 24 November of that year. He learned drawing and engraving from his father,
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After the death of van Dyck, he continued to work on the
Iconographie series, in collaboration with other engravers employed by the publisher
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in
Antwerp. He would also work on portrait series for other publishers as well as have an extensive practice as a reproductive artist.
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It is not clear when and where he died. Possibly he died in
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Christine van
Mulders. "Jode, de." Grove Art Online. Oxford Art Online. Oxford University Press. Web. 24 October 2016
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He and his father were among the engravers selected by
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who had studied with him was working as a printmaker.
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149:Martinus van den Enden the Elder
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128:in the Guild year 1628–1629.
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