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The use of graphics assures viewers that they are watching the HD version of a channel, instead of their thinking they are watching the SD version, along with filling the entire screen with a video image rather than the regular black bars. This also tells widescreen
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is called "tilt and scan" or "reverse pan and scan". This moves the cropped "window" up and down, but it is rarely done. A third option is to stretch the video to fill the screen, but this is often considered ugly, as it severely distorts everything on the screen.
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programs. Until equipment replacement withdrew the majority of SD cameras from news organizations, portable ENG cameras were often not able to shoot in HD (due to their number and expense), though the studio cameras were in high definition.
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or masking) are placed on the sides of the image. It becomes necessary when film or video that was not originally designed for widescreen is shown on a widescreen display, or a narrower widescreen image is displayed within a wider
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A limited number of local stations also apply custom pillarboxes, but most have removed them with both the advent of all-HD schedules and customer complaints about erroneous technical information in
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Some channels have a similar format called "enhanced HD", in which extra informative graphics and text is shown on the side, such as expanded stock quotes, charts, and graphs on
278:) must be used to tell the display device which to use, or the viewer must set it manually, in order to prevent unnecessary pillarboxing or stretching on widescreen displays.
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In order to use the entire screen area of a widescreen display (which is already significantly less than a fullscreen of equal diagonal measurement), and to prevent a reverse
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171:, such as a 16:9 image in a 2.39:1 frame (common in cinemas). The original material is shrunk and placed in the middle of the widescreen frame.
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switched from SD to HD during their run. Sometimes a flashback to a scene produced in SD had to be shown. For instance, in
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not to stretch the video, and instead to present it in the proper aspect ratio (although conversely, this may cause
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use "stylized pillarboxing", meaning they fill-in the blank areas on the sides with their HD
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present an "echo" of the edges of the program video in the sidebars, usually blurred. Local
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the top and bottom. However, this results in the loss of some of the image within what the
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track on then-standard film stock. These will appear pillarboxed even on 4:3 screens.
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may or may not bother the viewer, but it often cuts off the channel banner or other
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Pillarboxed image, picture taken at 4:3 aspect ratio and displayed on a 16:9 monitor
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that had a tall vertical and short horizontal are displayed in pillarbox even on
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televisions. Some early sound films made between 1928 and 1931, such as
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in the U.S. typically use graphics or a simple color
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71:. Unsourced material may be challenged and removed.
207:. Pillarboxing is derived from its resemblance to
234:, the simplest alternative to pillarboxing is to
266:can be used for both fullscreen and widescreen (
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34:. For screen rotation and portrait mode, see
8:
427:Index of articles related to motion pictures
195:Pillarboxing is the vertical equivalent of
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514:
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492:
487:The Widescreen and Letterbox Advocacy Page
219:. The four-direction equivalent is called
131:Learn how and when to remove this message
471:Sunrise (1927) Technical Specifications
463:
254:. Likewise, the vertical equivalent of
199:and goes by several names, including
7:
201:reverse letterboxing, curtain boxing
69:adding citations to reliable sources
282:Stylized pillarboxing on television
27:Black bars on the sides of an image
25:
45:
339:to horizontally compress or to
56:needs additional citations for
30:For a style of mailboxes, see
1:
211:–style mailboxes used in the
185:Sunrise: A Song of Two Humans
882:
29:
866:Film and video technology
375:electronic news-gathering
276:Active Format Description
377:packages shown on their
353:with 'echo' pillarboxing
217:Commonwealth of Nations
452:Windowbox (filmmaking)
432:Letterboxing (filming)
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148:
793:Anamorphic widescreen
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242:assumed would be the
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422:Aspect ratio (image)
272:widescreen signaling
65:improve this article
685:Super Panavision 70
677:Ultra Panavision 70
367:television stations
311:standard definition
291:television networks
355:
301:or other still or
264:screen resolutions
252:on-screen displays
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853:
852:
844:Shoot and protect
768:Anamorphic format
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634:Modern anamorphic
417:16:9 aspect ratio
412:14:9 aspect ratio
162:when black bars (
155:effect occurs in
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16:(Redirected from
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262:Because certain
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392:Some Japanese
351:Vertical video
329:SDTV sets and
309:aspect ratio (
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54:This article
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821:Pan and scan
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744:Aspect ratio
730: (1958)
722: (1958)
720:Kinopanorama
714: (1952)
695: (1970)
671: (1955)
652: (1982)
644: (1960)
636: (1957)
620: (1954)
612: (1953)
594:Film formats
562:17.5 mm
524:film formats
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343:the video).
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256:pan and scan
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221:windowboxing
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197:letterboxing
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176:arcade games
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169:aspect ratio
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63:Please help
58:verification
55:
18:Pillarboxing
728:Cinemiracle
642:Techniscope
618:VistaVision
610:CinemaScope
548:9.5 mm
532:Film gauges
361:data. Some
295:TV stations
205:postcarding
174:Some older
80:"Pillarbox"
837:Open matte
828:Fullscreen
786:Widescreen
626:Technirama
583:70 mm
576:35 mm
569:28 mm
555:16 mm
458:References
447:Widescreen
379:local news
327:fullscreen
268:anamorphic
209:pillar box
157:widescreen
91:newspapers
32:pillar box
814:Windowbox
807:Pillarbox
800:Letterbox
746:standards
704:35 mm × 3
541:8 mm
341:windowbox
244:safe area
153:pillarbox
860:Category
712:Cinerama
650:Super 35
406:See also
387:CNBC HD+
371:gradient
363:TV shows
337:headends
334:cable TV
323:resizing
248:overscan
240:producer
215:and the
121:May 2010
669:Todd-AO
246:. This
105:scholar
687:(1959)
679:(1957)
628:(1956)
473:, IMDb
399:Naruto
331:analog
164:mattes
107:
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93:
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661:70 mm
602:35 mm
394:anime
286:Some
203:, or
112:JSTOR
98:books
761:14:9
693:IMAX
373:for
359:PSIP
299:logo
293:and
236:crop
151:The
84:news
313:).
307:4:3
270:),
230:on
180:4:3
67:by
862::
213:UK
515:e
508:t
501:v
134:)
128:(
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119:(
109:·
102:·
95:·
88:·
61:.
38:.
20:)
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