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encrusted dust and dirt. The documentary's main protagonists include museum executives and art conservation experts such as the San Marco Museum director Dr. Magnolia
Scudieri and Florentine restorer Rossella Lari. The restored painting was completed in October 2006, and unveiled at Florence's San Marco Museum where it is exhibited in the large refectory. In her closing comment, Scudieri states, "Not only can we more clearly see the painting's expressive intensity thanks to this restoration, we can also more fully understand the convent life of Plautilla Nelli and her time in Florence.
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146:. About half of all educated girls in that era were placed into convents to avoid the cost of raising a dowry. Savonarola's preachings promoted devotional painting and drawing by religious women to avoid sloth, thus the convent became a center for nun-artists. Her sister, also a nun, Costanza, (Suor Petronilla) wrote a life of Savonarola.
186:-style enforced by Savonarola's artistic theories. Fra Bartolomeo left his drawings to his pupil, Fra Paolino who, in turn left them in the possession of "a nun who paints" in the convent of Santa Caterina da Siena. Nelli signed her paintings as "Pray for the Paintress" after her name, confirming her role in spite of her gender.
342:
Nelli's work represents a daring creative endeavor for a nun-artist of her period, as most were relegated to producing miniatures, textiles, or small sculptures in painted terra cotta or wood. By creating and signing this enormous fresco-like work depicting one of
Florence's most beloved spiritual
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The documentary explores the preparatory drawings beneath the painting's pictorial surface using the process of reflectography. It shows various steps of the restoration project safeguarding the painting against woodworms, found in the painting's wood panel and exterminated, and centuries of
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225:. Her work is characterized by religious themes, with vivid portrayals of emotion on her characters' faces. Nelli lacked any formal training and her male figures are said to have “feminine characteristics”, as her religious vocation prohibited study of the nude male.
158:(disciple of Savonarola), named three nuns of Santa Caterina as disciples of Plautilla, Suor Prudenza Cambi, Suor Agata Trabalesi, Suor Maria Ruggieri, and three others as additional producers: Suor Veronica, Suor Dionisia Niccolini, and his sister Suor
141:
She became a nun at the age of fourteen, taking on the name Suor
Plautilla, at the convent of Santa Caterina di Cafaggio; she would later be prioress on three occasions. The facility was managed by the Dominican friars of San Marco, led by
370:
is a thirty-six-minute documentary on the life of Nelli and on the process of restoring of one of her most significant large-scale paintings. The documentary, produced in 2007 by Art Media Studio, Florence, was developed and funded by The
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wrote, "and in the houses of gentlemen throughout
Florence, there are so many pictures, that it would be tedious to attempt to speak of them all." Fra' Serafino Razzi, a sixteenth-century Dominican Friar, historian and
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Pulisena
Margherita Nelli was born into a wealthy family in the San Felice area of Florence. Her father, Piero di Luca Nelli, was a successful fabric merchant and her ancestors originated from the Tuscan valley area of
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408:. The television special, which spotlights the thousands of works by women in storage in Florence's museums, hails the little-known nun-painter as "the first woman artist of Florence."
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has the richest tradition of paintings of the Last Supper in the world. Her most significant work because of its size and subject, it is a seven meter–long oil painting on canvas.
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and the "raw emotional grief surrounding Christ's death as depicted through the red eyes and visible tears of its female figures" as a case in point. Nelli's
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776:. The Villa Rossa Series: Intercultural Perspectives on Italy and Europe 4. Syracuse: Syracuse University Press (online: Cambridge University Press 2018).
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134:. There is a modern-day street in Florence, Via del Canto de' Nelli, in the San Lorenzo district, named for her family, and the New Sacristy of the
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Her work is distinguished from that of her influencers by the heightened sentiment she added to each of her characters' expressions. Author
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Dabbs, Julia K. (Fall 2010). "Plautilla Nelli (1524—1588): The
Painter-Prioress of Renaissance Florence by Jonathan K. Nelson".
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Nelli had the favor of many patrons (including women), executing large pieces and miniatures. Sixteenth-century art historian
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401:, based on Dr. Jane Fortune's book by the same title, features a segment on Suor Plautilla Nelli and the restoration of the
271:'s Department of Prints and Drawings were restored in 2007 and include several representations of the human figure such as
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Hayum, Andrée (June 2006). "A Renaissance
Audience Considered: The Nuns at S. Apollonia and Castagno's "Last Supper"".
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926:"After 450 Years in Storage, a Female Renaissance Master's 'Last Supper' Is Finally Unveiled in Florence"
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Hayum, Andrée (Fall 2015). "Gendered
Perceptions of Florentine Last Supper Frescoes, c. 1350–1490".
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267:, in the refectory of Santa Maria Novella, is the only work Nelli signed. Her nine drawings in the
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Most of Nelli's works are large-scale, which was most uncommon for a woman to paint, in her era.
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subjects, Nelli successfully placed herself among the ranks of her male counterparts, such as
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was under restoration for four years. The work then went on exhibit in
October 2019 at the
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869:"The Restoration," in Cristina Acidini, etc., Orate Pro Pictora: Pray for the Paintress
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The
Restoration of the Lamentation with Saints: Plautilla Nelli (Florence 1523-1588)
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Restoration of the Last Supper supported by the Advancing Women Artists Foundation
846:(in English and Italian) (2. ed.). Florence, Italy: The Florentine Press.
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mentioning her from 1568 edition with illustration of Properzia de' Rossi by
685:"Restored to glory: How a 16th-century nun regained her place in art history"
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638:"Restored to glory: How a 16th-century nun regained her place in art history"
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Plautilla Nelli (1524-1588): The Painter-Prioress of Renaissance Florence
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Nelli produced mainly devotional pieces including large-scale paintings,
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Though she was self-taught, she copied works of the mannerist painter
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842:
Fortune, Jane; Linda Falcone (2010). "3: Pray for the Paintress ".
814:
The Lives of the Most Excellent Painters, Sculptors, and Architects
571:
339:'s painting of the subject, also painted in the sixteenth century.
301:
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is exhibited in the Certosa di Galluzzo Monastery, near Florence.
615:(in English and Italian) (2. ed.). : The Florentine Press.
359:, there has been more investigation into Nelli's life and art.
222:
Lives of the Most Excellent Painters, Sculptors, and Architects
178:. Her primary source of inspiration came from copying works of
315:, is the only signed work by Plautilla Nelli known to survive.
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799:
Art by Women in Florence: A Guide through Five Hundred Years
368:
The Restoration of Lamentation with Saints: Plautilla Nelli
241:(in the large refectory, San Marco Museum, restored 2006),
109:, Florence, and was heavily influenced by the teachings of
237:, book illustrations, and drawings. Her paintings include
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The Emmy-winning PBS television documentary (June, 2013)
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253:, also at San Salvi, is a copy of the same subject by
984:"Director of the San Marco Museum in Florence, Italy"
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is another of her most significant works, as are her
871:. Florence, Italy: The Florentine Press. p. 6.
801:. Florence, italy: The Florentine Press. p. 8.
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323:is the first depiction of the subject by a woman.
215:She is one of the few female artists mentioned in
673:(Vol. 1 ed.). New York: Everyman's Library.
844:Invisible Women. Forgotten Artists of Florence
613:Invisible Women: Forgotten Artists of Florence
398:Invisible Women, Forgotten Artists of Florence
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311:, a 7x2-meter oil painting on canvas in the
207:The Painter-Prioress of Renaissance Florence
953:"Orate pro pictoria - Pray for the painter"
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671:Lives of Painters, Sculptors and Architects
816:(Pbk ed.). New York: Modern Library.
138:is the original site of her family homes.
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229:Works created, rediscovered, and restored
89:-artist and the first ever known female
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373:Advancing Women Artists Foundation
247:Saint Dominic Receiving the Rosary
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951:Fortune, Jane (19 October 2006).
797:Falcone, L.; Fortune, J. (2012).
454:Saint Dominic Receives the Rosary
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636:Moorhead, Joanna (2019-10-19).
313:Basilica of Santa Maria Novella
896:10.1080/00043079.2006.10786289
319:Painted in the 1560s, Nelli's
85:(1524–1588) was a self-taught
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1086:16th-century Italian painters
174:and high Renaissance painter
1096:Italian Renaissance painters
1012:. 2013-06-07. Archived from
772:Nelson, Jonathan K. (2008).
66:1588 (aged 63–64)
611:Fortune, Jane (2010). "3".
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391:PBS television documentary
16:Italian artist (1524–1588)
209:, by Jonathan K. Nelson.
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812:Vasari, Giorgio (2006).
297:Saint Catherine of Siena
289:Basilica of San Domenico
1131:Female Catholic artists
426:Lamentation with Saints
239:Lamentation with Saints
195:Lamentation with Saints
97:. She was a nun of the
1101:Italian women painters
482:St. Catherine of Siena
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299:, both in the Uffizi.
201:, which is now in the
113:and by the artwork of
103:St. Catherine of Siena
83:Sister Plautilla Nelli
74:Grand Duchy of Tuscany
1091:Painters from Tuscany
560:Renaissance Quarterly
517:Bust of a Young Woman
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273:Bust of a Young Woman
182:, which mirrored the
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990:on 24 September 2013
982:Scudieri, Magnolia.
545:Kneeling Male Figure
353:Domenico Ghirlandaio
281:Kneeling Male Figure
160:Maria Angelica Razzi
56:Republic of Florence
333:Santa Maria Novella
203:Museum of San Marco
1106:Italian Dominicans
1059:2017-03-30 at the
963:on 2 February 2014
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1126:Catholic painters
932:. 17 October 2019
853:978-88-902434-5-5
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753:: 303–306.
406:with Saints
403:Lamentation
375:'s founder
363:Documentary
357:Lamentation
321:Last Supper
259:Crucifixion
199:Lamentation
105:located in
101:convent of
93:painter of
91:Renaissance
1070:Categories
1042:Wikisource
1020:2 February
936:18 October
695:2022-12-08
655:2019-10-20
552:References
184:classicism
144:Savonarola
111:Savonarola
912:191461137
867:Lari, R.
650:0029-7712
412:Paintings
285:Pentecost
99:Dominican
1057:Archived
904:25067244
759:23541533
503:Drawings
325:Florence
95:Florence
70:Florence
52:Florence
128:Mugello
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283:. The
269:Uffizi
257:. Her
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900:JSTOR
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576:JSTOR
1022:2014
996:2013
969:2013
938:2019
848:ISBN
818:ISBN
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617:ISBN
351:and
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