139:
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By insisting that real
Indians were disappearing or had already vanished, the Improved Order was able to narrate and perform a fraternal Indian history without having to account for the actions of real Indian people. This history was possible only when Indian removal policy was widespread and
244:" and the idea that the white man can then be the true inheritor and preserver of authentic "Indianness", with the only "authentic" Indians being dead and in the past. A recurring trope in this pattern is "the Indian 'Death Speech'", an example he cites is from
218:, Deloria argues that white Americans have used an idealized image of the anachronistic Indian of historical times, and the practice of "playing Indian" to create their own national identity; both identifying with Indians as liberated, patriotic
163:
ideas and imagery of "Indians" and "Indianness" (the "Playing Indian" of the title), in a quest for
National identity in particular, while also denigrating, dismissing, and making invisible real, contemporary Indian people.
298:
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In their dying moments, these Indian figures offered up their lands, their blessings, their traditions, and their republican history to those who were, in real life, violent conquering interlopers.
638:
623:
229:"Disguise readily calls the notion of fixed identity into question," writes Deloria. "At the same time, however, wearing a mask also makes one self-conscious of a
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281:, a similar book about the construction of the white race in opposition to black slaves; his book has itself been compared to scholarly work on
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inhabitants in touch with nature, while simultaneously denigrating real, contemporary Native
American people as ignorant, savage
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were named after these literary figures, created by colonists to verbalize the wishes of the colonists,
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ideas of Indian traditions, images, spiritual ceremonies, and clothing, citing examples such as the
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Deloria writes that, "not coincidentally" the first "lodges" of groups like
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532:. New Haven: Yale University Press. pp. 64–5, 91, 101, et al.
370:. New Haven: Yale University Press. pp. 64–8, 91, 101, et al.
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Stereotypes of
Indigenous peoples of Canada and the United States
233:'me' underneath." The book is a reworking of Deloria's 1994
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He explores the white
American dual fascination with "the
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172:The focus is on how and why white Americans mimic
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16:1998 nonfiction book by Philip J. Deloria
639:Non-fiction books about Native Americans
563:A companion to American cultural history
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142:Two little boys "playing Indian" (1914)
624:Native American cultural appropriation
215:Studies in Classic American Literature
7:
566:. John Wiley and Sons. p. 365.
634:Native Americans in popular culture
477:(December 1999). "Playing Indian".
62:Yale Historical Publications Series
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446:. Yale University Press. p.
71:Stereotypes of Native Americans
480:The American Historical Review
401:(May 2000). "Playing Indian".
314:Legend of the Rainbow Warriors
200:, and in more recent decades,
1:
151:is a 1998 nonfiction book by
644:Yale University Press books
438:Deloria, Philip J. (1998).
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560:Halttunen, Karen (2008).
404:Pacific Historical Review
329:Improved Order of Red Men
186:Improved Order of Red Men
31:
19:Not to be confused with
237:doctoral dissertation.
157:Native American peoples
629:English-language books
619:1998 non-fiction books
309:Cultural appropriation
279:The Wages of Whiteness
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75:Cultural appropriation
246:James Fenimore Cooper
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85:Yale University Press
262:Order of the Red Men
285:and to the work of
196:societies like the
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524:Deloria, Philip J.
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487:(5): 1658.
613:Categories
457:0300080670
345:References
339:Pretendian
283:blackface
269:advanced.
220:New World
206:New Agers
81:Publisher
599:20710052
526:(1999).
364:(1999).
293:See also
194:Scouting
168:Overview
51:Language
501:2649387
425:3641443
202:hippies
67:Subject
54:English
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184:, the
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112:Print
568:ISBN
547:2019
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372:ISBN
235:Yale
231:real
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