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the council and its advisors: "These gentlemen must be very proud of the three tombs of dead art they have helped to preserve so well, and for so long in this city". The three tombs he referred to were the
Canterbury College of Art, the CSA and the Robert McDougall Art Gallery. The decision also created consternation throughout New Zealand with prominent arts people like
449:
was finally presented the council as a gift in
September the vote taken agreed to accept the painting into the Robert McDougall Art Gallery's collection. Before its actual exhibition in the gallery, however, there was some considerable delay while a new frame was made, but Baverstock, now acting as
444:
In the year following the controversy in
Christchurch, Auckland City Art Gallery offered to purchase the painting leaving the owners uncertain of how to proceed in July 1951 Brassington and Frankel made it clear they were prepared to accept for the work from the Auckland Art Gallery if the work was
377:
and Cecil Kelly, declined to accept the painting for the Robert McDougall Art
Gallery claiming it to be "unintelligible". It was also described as something "...a child could do...", The decision sparked numerous letters for and against in the local press. The letter of artist Colin McCahon berated
325:
After discussion, the CSA Council declined to purchase any of the
Hodgkins' works. The reason was that many of their members were unaware of how contemporary art had developed in Europe lately; the work was too modern for their taste. The following year Frankel initiated a fund raising campaign to
305:
exhibition. To the surprise of the press, however, the
Secretary of the CSA, William Baverstock (later to be the first professional director of the Robert McDougall Art Gallery) made it clear that the works were definitely "not part of the show" and were not to be "reviewed as part of the
146:, New Zealand. Hodgkins, born in New Zealand, had permanently relocated to the United Kingdom in 1927. After she died in 1947, with many prominent British galleries holding her work, there was a desire to have some of her works held by the Robert McDougall Art Gallery. The
369:
In July the painting was finally offered to the City
Council to become part of the Robert McDougall Art Gallery's collection. After Margaret Frankel made an hour-long case for the work the Christchurch City Council, on the recommendation of its artist advisors
182:, New Zealand, in 1869, and after studying there she travelled to Europe a number of times before eventually settling in the United Kingdom permanently around 1927. She exhibited extensively in Europe and in 1940 her work was selected for the
257:
the Summer
Pleasure Garden was painted. Eastmond also proposes that the statue, unattended table, ’curiously placed cloth and oddly distinct black vase’ gives the painting a surrealist look that could be linked to the painter
248:
noted that
Hodgkins could make watercolours "sing" and even make "browns look positively rapturous", concluding: "She can juggle with colour orchestrally". Art historian Elizabeth Eastmond describes
418:
exposed the difficulty of implementing any kind of progressive plan for the
Gallery if the advisory committee to purchase continued to represent 'only one school of painting'." In November
362:. A full list of donors including the amount of each individual's contribution has been preserved. In preparation for the presentation of the painting to the City Council,
285:(CSA), mindful that her work was not included in the collection of the Robert McDougall Art Gallery, undertook to purchase three paintings and donate them to the Gallery.
289:, a member of the CSA's Council, worked with the British Arts Council to select six works as possible purchases from the Lefevre Gallery in London. Among the six were
656:
1780:
187:
441:'s library committee, told reporters that "Paintings of this nature are of value in establishing interest in the gallery and making it alive".
334:. The 39 subscribers included five current or former members of the Council of the CSA and ten working artists. Notable contributors included
1701:
898:
816:
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director, noted that a key position in the gallery had been saved for the work. Almost three years after the original offer to gift the work
201:
Her work is held by a number of public art museums including Tate in London who have significant holdings of her works in their collections.
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1596:"Six New Zealand Expatriates: Grace Joel, Rhona Haszard, Frances Hodgkins, Francis McCracken, Raymond McIntyre, Owen Merton"
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resting on an easel. The painting has been lost but a photograph exists and studies for it are in the collection of the
139:
108:
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as the owner of the Robert McDougall Art Gallery. It took a year-long campaign before the painting was accepted, with
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519:(group) Auckland Art Gallery. The exhibition was curated by Colin McCahon who was at that time Keeper of Collections.
301:. The works arrived in New Zealand and were released from customs under bond in October to be displayed in the 1948
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282:
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all writing to the mayor of Christchurch in protest. Frankel herself made the case for Hodgkins' works, including
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representing Great Britain, although the event was cancelled because of the declaration of war. Hodgkins died in
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893:. Gerrard & Marti Friedlander creative lives series. Auckland: Auckland University Press. p. 259.
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Auckland Art Gallery. The exhibition was organised to coincide with the 1954 Auckland Festival of the Arts.
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230:
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30:
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1969 Frances Hodgkins 1869–1947 Queen Elizabeth II Arts Council of New Zealand and Auckland Art Gallery
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689:. Caxton Press in Association with the Queen Elizabeth II Arts Council of New Zealand. p. 8.
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1171:
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1093:
792:
Green, Anthony S. (1969). "Reflections on the Hodgkins Exhibition Frances Hodgkins: Biography".
469:, R. S. Lonsdale, A. C. Brassington, Olivia Spencer-Bower, John Oakley and Sutton grouped round
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as being ‘suggestive of Chinese painting’ a subject that had been featured in the art journal
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217:. The result of this visit was a number of paintings, watercolours and drawings, including
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154:. The CSA sent Hodgkins' works back, having decided against purchasing any. The artist
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687:
Frances Hodgkins: Biography Ascent: A Pictorial A Journal of the Arts in New Zealand
1696:. Museum of New Zealand. Wellington, N.Z: Museum of New Zealand Te Papa Tongarewa.
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was finally exhibited to the general public in the Robert McDougall Art Gallery.
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In the summer of 1932, Hodgkins holidayed with fellow artist Hannah Ritchie at
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was displayed in the window of Beaths department store to a mixed reception.
150:(CSA) organised for some paintings to come to New Zealand on loan, including
138:
that sparked considerable controversy when it was rejected as a gift to the
70:
88:
87.5 cm × 75 cm (34.4 in × 30 in)
548:
2019 Frances Hodgkins: European Journeys Auckland Art Gallery Toi o Tāmaki
321:
was displayed in the window of Beaths department store in Cashel Street
179:
422:
was reproduced as a full colour page in the Arts Year Book No 5.
532:
1980 Canterbury Society of Arts (group) Robert McDougall Art Gallery
233:, described Hodgkins' work at this time as showing "suggestions of
313:
272:
545:
2015 Treasury: A Generous Legacy (group) Christchurch Art Gallery
461:. Sutton's painting showing key supporters of the painting
198:
477:
along with a number of drawings of the individuals portrayed.
240:
of the late twenties". In his forward to the catalogue of the
425:
A month after the City Council's rejection of the work the
832:
Buchanan, Ian; Dunn, Michael; Eastmond, Elizabeth (1994).
281:
Frances Hodgkins died in 1947 and the following year the
794:
Ascent: A Pictorial A Journal of the Arts in New Zealand
330:
and gift it to the Robert McDougall Art Gallery via the
539:
Museum of New Zealand Te Papa Tongarewa and curated by
1317:"Auckland Gallery to Hang Hodgkin's "Pleasure Garden""
612:
and Frances Hodgkins by Juliet Reynolds-Midgley.
465:, Colin McCahon, Heathcote Helmore, Margaret Frankel,
225:, now in the collection of the Sheffield Art Gallery.
445:
refused again by the Christchurch City Council. When
891:
Bloomsbury South: the arts in Christchurch 1933–1953
553:
Pleasure Garden: Unheard Stories from the Collection
170:meanwhile having offered to purchase the painting.
103:
92:
84:
76:
63:
55:
47:
37:
23:
1760:"Perilous: Unheard of Stories from the Collection"
596:in Christchurch. William Baverstock was played by
526:(group) Robert McDougall Art Gallery, Christchurch
485:A selected list of exhibitions that have included
1781:"Old guard vs Avant-Garde in The Pleasure Garden"
1275:Frankel, Margaret (1949). "The Pleasure Garden".
769:A commemoration: Frances Hodgkins Works 1929–1946
992:"Painting By Famous N.Z. Woman Artist Rejected"
1369:"Auckland Offer To Buy Controversial Painting"
433:on loan and immediately put it on exhibition.
807:Hodgkins, Frances (1994). Gill, Linda (ed.).
158:organised a fundraising campaign to purchase
8:
1250:"Regret Expressed at Rejection of Painting"
555:Christchurch Art Gallery Te Puna o Waiwhetū
97:Christchurch Art Gallery Te Puna o Waiwhetū
1525:"The Pleasure Garden Controversy Recalled"
414:. "The dispute over the acceptance of the
29:
20:
657:"Frances Hodgkins Paintings and Drawings"
836:. Auckland University Press. p. 58.
636:Te Ara – the Encyclopedia of New Zealand
277:The Robert McDougall Art Gallery in 2018
16:Watercolour painting by Frances Hodgkins
1018:"Frances Hodgkins Pleasure Garden 1932"
834:Frances Hodgkins Paintings And Drawings
622:
510:, Frances Hodgkins, Francis McCracken,
573:gift was written by Philip Norman and
193:Five years after Hodgkins' death, the
1739:"Frances Hodgkins: European Journeys"
7:
134:(1932) is a watercolour painting by
1277:Yearbook of the Arts in New Zealand
457:In March 1951, Bill Sutton painted
229:, Professor of Art History at the
14:
1572:"Frances Hodgkins and Her Circle"
1120:"Picture, Committee, And Council"
197:mounted a Memorial Exhibition at
771:. Robert McDougall Art Gallery.
1814:Court Theatre Trust 2013 Report
966:"Frances Hodgkins Picture Fund"
588:and Philip Norman based on the
495:Frances Hodgkins and Her Circle
869:"Still Life with Fruit Dishes"
244:Retrospective in 1946, critic
1:
1831:The Complete Frances Hodgkins
1718:"Treasury: A Generous Legacy"
1479:. 29 February 1952. p. 6
1453:. 11 December 1951. p. 6
1427:. 4 September 1951. p. 6
1349:. 22 December 1949. p. 8
1297:. 30 November 1949. p. 2
502:Six New Zealand Expatriates:
178:Frances Hodgkins was born in
1672:"Canterbury Society of Arts"
1620:"Paper treasures on display"
1375:. 14 October 1950. p. 6
921:. 29 October 1948. p. 8
592:controversy premiers at the
295:Still life with Fruit Dishes
140:Robert McDougall Art Gallery
1323:. 16 August 1949. p. 6
809:Letters of Frances Hodgkins
1867:
1807:"Court Theatre Trust 2013"
1692:Hodgkins, Frances (1993).
1626:. 13 July 1988. p. 21
1224:"Frances Hodgkins Picture"
1094:"Work By Frances Hodgkins"
1048:. Christchurch Art Gallery
972:. 19 March 1949. p. 8
915:"Work Of Frances Hodgkins"
459:Homage to Frances Hodgkins
283:Canterbury Society of Arts
190:, England on 13 May 1947.
148:Canterbury Society of Arts
1652:. 6 June 1969. p. 10
1531:. 6 March 1951. p. 8
1505:. 4 April 1951. p. 8
1401:. 24 July 1951. p. 6
1230:. 20 June 1949. p. 5
1204:. 22 June 1949. p. 4
1172:"'Pleasure Garden' Again"
1152:. 19 July 1949. p. 4
1126:. 22 July 1949. p. 6
1100:. 19 July 1949. p. 4
1074:. 27 June 1949. p. 8
998:. 22 June 1949. p. 2
569:An operetta based on the
427:Auckland City Art Gallery
332:Christchurch City Council
168:Auckland City Art Gallery
164:Christchurch City Council
28:
1851:Paintings in New Zealand
1650:The Press (Christchurch)
1624:The Press (Christchurch)
1529:The Press (Christchurch)
1503:The Press (Christchurch)
1477:The Press (Christchurch)
1451:The Press (Christchurch)
1425:The Press (Christchurch)
1399:The Press (Christchurch)
1347:The Press (Christchurch)
1256:. 2 July 1949. p. 6
1228:The Press (Christchurch)
1202:The Press (Christchurch)
1178:. 27 May 1969. p. 8
1176:The Press (Christchurch)
1124:The Press (Christchurch)
1098:The Press (Christchurch)
1072:The Press (Christchurch)
1022:Christchurch Art Gallery
970:The Press (Christchurch)
945:Christchurch Art Gallery
919:The Press (Christchurch)
685:McCormick, Eric (1969).
632:"Hodgkins, Frances Mary"
475:Christchurch Art Gallery
80:Bridgnorth in Shropshire
1447:""The Pleasure Garden""
1421:""The Pleasure Garden""
1198:"Rejection of Painting"
1068:"Rejection of Painting"
889:Simpson, Peter (2016).
600:, Margaret Frankel and
848:"Ruined Mine in Wales"
767:Roberts, Neil (1998).
608:, Alan Brassington by
322:
278:
231:University of Auckland
109:christchurchartgallery
1646:"Hodgkins Exhibition"
1343:"The Pleasure Garden"
439:Auckland City Council
317:
276:
213:, Shropshire, on the
664:Auckland Art Gallery
630:Gill, Linda (1993).
412:Yearbook of the Arts
356:Olivia Spencer Bower
291:Ruined Mine in Wales
195:British Arts Council
184:22nd Venice Biennale
1846:Landscape paintings
567:The Pleasure Garden
398:, Douglas Lilburn,
1787:. 1 September 2020
1551:"Ftances Hodgkins"
1321:Wanganui Chronicle
1291:"An Annual Survey"
1254:Wanganui Chronicle
747:"Sabrina's Garden"
722:"Frances Hodgkins"
701:"Frances Hodgkins"
584:a musical by
437:, chairman of the
372:Archibald Nicholl,
323:
279:
162:and to gift it to
1785:Radio New Zealand
1703:978-0-908843-05-3
1499:"New Zealand Art"
1295:Otago Daily Times
1150:Otago Daily Times
1146:"Art Controversy"
996:Northern Advocate
941:"Pleasure Garden"
900:978-1-86940-848-0
818:978-1-86940-081-1
582:The Great Art War
382:, James Bertram,
340:Heathcote Helmore
127:
126:
119:/frances-hodgkins
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242:Lefevre Gallery
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48:Completion date
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586:Stuart Hoar
516:Owen Merton
481:Exhibitions
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348:Ngaio Marsh
310:Controversy
246:Eric Newton
238:still lifes
115:/collection
59:watercolour
1840:Categories
1043:"Untitled"
617:References
575:A.K. Grant
504:Grace Joel
463:Doris Lusk
336:Rita Angus
260:de Chirico
227:Tony Green
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188:Dorchester
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429:accepted
326:purchase
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