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suspense or drama than would be experienced in reality. The same is also true for many military-oriented adventure stories which often show high-ranking characters being allowed to continuously enter dangerous situations when in reality, they would usually be restricted to command-oriented and administrative duties.
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Certain stylizations have become fixed conventions in art; an agreement between artist and viewer that is understood and undebatable. A striking example is how in simple cartoon drawings' monochromatic white parts on a dark colored surface are immediately recognized by most viewers to represent the
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Writers adapting a work for another medium (e.g., a film screenplay from a book) often make significant changes, additions to, or omissions from the original plot in the book, on the grounds that these changes were necessary to make a good film. These changes are sometimes to the dismay of fans of
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Critical voices are sometimes raised when artistic license is applied to cinematic and other depictions of real historical events. While slight manipulation for dramatic effect of chronology and character traits are generally accepted, some critics feel that depictions that present a significantly
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programs typically omit completely the more mundane aspects of the occupation such as paperwork, reports, administrative duties and other daily "business-oriented" aspects which in reality often constitute the majority of police work. They will also present other duties with much more action,
99:). Conversely, on the next line, the end of "I come to bury Caesar, not to praise him" has an extra syllable because omitting the word "him" would make the sentence unclear, but adding a syllable at the end would not disrupt the meter. Both of these are examples of artistic license.
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altered reality are irresponsible, particularly because many viewers and readers do not know the actual events and may thus take the dramatized depiction to be true to reality. Examples of films and television series criticized for excessive use of dramatic license include Disney's
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Artistic license is often referred to as dramatic license when it involves the glamorization of real-world occupations for the sake of exciting television or cinematic experience. For example,
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The artistic license may also refer to the ability of an artist to apply smaller distortions, such as a poet ignoring some of the minor requirements of grammar for poetic effect. For example,
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by offending those who resent the reinterpretation of cherished beliefs or previous works. Artists often respond to these criticisms by pointing out that their work was not intended to be a
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190:'s historical plays, for example, are gross distortions of historical fact but are nevertheless lauded as outstanding literary works.
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would technically require the word "and" before "countrymen", but the conjunction "and" is omitted to preserve the rhythm of
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Goodsell, David S.; Johnson, Graham T. (2007). "Filling in the Gaps: Artistic
License in Education and Outreach".
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Another example of artistic license is the way in which stylized images of an object (for instance in a
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Useful for filling in gaps, whether they be factual, compositional, historical or other gaps
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D'sa, Benicia (2005). "Social
Studies in the Dark: Using Docudramas to Teach History".
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Davis, Tracy C. (2005). "Do you believe in fairies? The hiss of dramatic license".
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This article is about the concept. For the free software license, see
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Deliberate distortion of rules or convention for aesthetic reasons
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portrayal of something previous and should be judged only on
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Intended to be tolerated by the viewer (cf. "willing
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or language, or the rewording of pre-existing text.
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261:A Practical Grammar of the English Language
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34:. For the album by Santi Debriano, see
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278:Off to Arcady: adventures in poetry
133:Entirely at the artist's discretion
454:(1999). Issues 14–16. Orpheus Pub.
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263:. BiblioBazaar, LLC. p. 263.
129:In summary, artistic license is:
259:Harvey, Thomas Wadleigh (2008).
174:Artistic license often provokes
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158:CSI: Crime Scene Investigation
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422:Toplin, Robert Brent (2002).
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358:"What is artistic license?"
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170:Controversy and criticism
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138:suspension of disbelief
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229:The Greatest Showman
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188:William Shakespeare
389:The Social Studies
368:on August 12, 2009
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116:fantasy art
80:Shakespeare
76:Mark Antony
465:Categories
372:August 26,
246:References
235:The Tudors
207:Braveheart
202:Mel Gibson
197:Pocahontas
161:and other
120:caricature
409:144165650
362:About.com
333:PLoS Biol
319:191351351
217:Alexander
112:pictogram
94:asyndetic
471:The arts
180:verbatim
104:painting
97:tricolon
70:History
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