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for them. According to the taste of the time, the polyptych was to be painted with precious colours and have a gilded background. Piero did not respect the three-year time limit set in the contract—he was busy working on many other projects. The polyptych was only finished seventeen years later, in
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Piero resolves the difficulty of dealing with a flat solid gilded background, requested by the patrons, by placing the kneeling members of the confraternity (who commissioned the
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Do not translate text that appears unreliable or low-quality. If possible, verify the text with references provided in the foreign-language article.
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Content in this edit is translated from the existing French
Knowledge (XXG) article at ]; see its history for attribution.
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The last part of the polyptych to be painted was the main central panel showing the
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later; including the
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to the source of your translation. A model attribution edit summary is
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Montenegro, Riccardo (May 2007). "Un'arte per tutte le stagioni".
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The oldest two panels, to the left of the main panel, depict
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Diptych of
Federico da Montefeltro and Battista Sforza
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a machine-translated version of the French article.
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244:In 1445, the Compagnia della Misericordia, a
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312:Consecration and entrustment to Mary
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278:Madonna of the Annunciation
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494:Saint Augustine Altarpiece
289:Madonna della Misericordia
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137:Madonna della Misericordia
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387:History of the True Cross
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49:the corresponding article
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172:Tempera and oil on panel
598:(treatise on polyhedra)
581:De Prospectiva pingendi
463:Saint Louis of Toulouse
119:For more guidance, see
617:(1955 orchestral work)
379:Flagellation of Christ
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672:Gold ground paintings
540:Madonna di Senigallia
364:Piero della Francesca
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221:Piero della Francesca
188:Pinacoteca Comunale,
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209:Sansepolcro
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657:Polyptychs
631:Categories
318:References
296:altarpiece
177:Dimensions
371:Paintings
282:predellas
250:polyptych
164:1460–1462
114:talk page
51:in French
573:Writings
479:Hercules
326:Medioevo
306:See also
274:tympanum
270:Florence
266:Masaccio
219:painter
185:Location
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