Post-hardcore - Knowledge (XXG)

867: 950: 1325: 725:

importantly", defying "musical and stylistic rule". Journalist Steve Huey writes that while the band "strayed from hardcore's typically external concerns of the time – namely, social and political dissent – their musical attack was no less blistering, and in fact a good deal more challenging and nuanced than the average three-chord speed-blur", a sound that, according to Huey, mapped out "a new direction for hardcore that built on the innovations" brought by

930:, with the former featuring "awkward time signatures and trademark aggression" that has come to characterize "a certain slant" on math rock, while the latter presented "instrumental music seeped in dramatic tension but set to rigid systems of solid-structured guitar patterns and percussive repetition". According to reviewer Jason Arkeny, Slint's "deft, extremist manipulations of volume, tempo, and structure cast them as clear progenitors of the 2168:. But you knew they were all of the same school. So we wanted to be influenced by those bands and sound unique but not emulate those bands, so no one could really say we were doing what those guys were doing. So we dicked around, and had rockabilly influences, and a lot of influences from English punk, and as a result, we searched for our sound for a number of years until we came up with a couple of styles that we kind of settled in on. 1317: 456: 846:, has also been "generally" regarded as a classic. The group also garnered recognition for their activism, cheaply priced shows and CDs, and their resistance to mainstream outlets. On the other hand, Jawbox had been influenced by "the tradition of Chicago's thriving early-'80s scene", while the Nation of Ulysses are "best remembered for lifting the motor-mouthed revolutionary rhetoric of the 1188:, was known, according to Steve Huey, for their lengthy and multisectioned compositions based on the innovations brought by the releases on Dischord, incorporating elements such as "odd time signatures played an important role on its development in spite of the band's music not resembling the sound such term would later signify. In a similar manner, 938: 430:. It has also been noted that since some post-hardcore bands included members that were rooted in the beginnings of hardcore punk, some of them were able to expand their sound as they became more skilled musicians. During the early 2000s it became common for mainstream "melodic" post-hardcore bands to crossover into other related genres like 1126: 398:

they were a maniacal yelp." AllMusic also claims that post-hardcore bands find creative ways to build and release tension rather than "airing their dirty laundry in short, sharp, frenetic bursts". Jeff Terich of Treblezine stated, "Instead of sticking to hardcore's rigid constraints, these artists expanded beyond power chords and

1157:"out of one minute blasts of noisy vitriol". These bands were influenced by acts like Fugazi and The Nation of Ulysses, while also helping propagate an offshoot of hardcore that "grafted spastic intensity to willfully experimental dissonance and dynamics". This movement has been associated to the development of the subgenre of 767: 566:, related to practices such as paying for their own recordings, booking their own shows, handling their own management and publicity, and remaining "stubbornly independent at a time when many independent bands were eagerly reaching out for the major-label brass ring". The band's music, punctuated by the use of a 686:. According to the Dischord website: "The violence and nihilism that had become identified with punk rock, largely by the media, had begun to take hold in DC and many of the older punks suddenly found themselves repelled and discouraged by their hometown scene", leading to "a time of redefinition". When 3059:

Well, first of all, I don't recognize that attribution. I've never recognized 'emo' as a genre of music. I always thought it was the most retarded term ever. I know there is this generic commonplace that every band that gets labeled with that term hates it. They feel scandalized by it. But honestly,

2202:

When our last album, Reside came out in 2007 we saw all of these hardcore blogs out there that hated it, and that's as it should be because we're not a hardcore band. I don't mind if people call us a punk band because that's what we've always been. I don't mean to be presumptuous, but the lineage of

2852:

Grubbs, p. 22. "After hearing the phrase 'revolution summer' at the Neighborhood Planning Council, Dischord employee Amy Pickering had an idea. With the idea of celebrating a new scene's birth, she sent out anonymous letters stating that Revolution Summer was coming and people should be ready. The

762:

and The Hated. The former's music contained, according to Steve Huey, "shifting dynamics, chiming guitar arpeggios, and screaming, crying vocal climaxes", which would prove to be influential to later musicians in spite of the band's unstable existence. This group has also been considered one of the

1156:

and Clikatat Ikatowi. The label's earlier releases are known for the definition of "a new sound in hardcore rooted in tradition but boasting a chaotic sound that showcased a new approach" to the genre. Heroin were known for being innovators of early 1990s hardcore and for making dynamic landscapes

3911:

The Trail of Dead has been known as something of a sprawling band ever since the band's first release in 1998. They've always been able to incorporate elements of noise rock and art rock into a post-hardcore foundation that allows for them to wander sonically not only from song to song but within

397:

stated "These newer bands, termed post-hardcore, often found complex and dynamic ways of blowing off steam that generally went outside the strict hardcore realm of 'loud fast rules'. Additionally, many of these bands' vocalists were just as likely to deliver their lyrics with a whispered croon as

724:

and former members of The Faith. This movement has been since widely known as the "Revolution Summer". Rites of Spring has been described as the band that "more than led the change", challenging the "macho posturing that had become so prevalent within the punk scene at that point", and "more

1088:. This last band was known for their energy in both performances and music, and for their "driving melodic punk riffs, meshed together with quieter interlocking note-picking". Kansas City, Missouri bands of the early 90s also contributed significantly to the genre including 750:, would come up in discussions around the D.C. area. While some of these bands have been considered contributors to the birth of emo, with Rites of Spring sometimes being named as the first or one of the earliest emo acts, musicians such as the band's former frontman 811:, a release that documented the new sound of the late 1980s D.C. punk scene. Fugazi gained "an extremely loyal and numerous global following", with reviewer Andy Kellman summarizing the band's influence with the statement: "To many, Fugazi meant as much to them as 815:

did to their parents." It has also been noted that the group's "ever-evolving" sound would signal a more experimental turn in hardcore that paved the way for later Dischord releases. The band, which included MacKaye, Picciotto, and former Rites of Spring drummer

1699:(2016)—by Sleeping with Sirens and Pierce the Veil respectively—incorporate more elements of pop rock and pop punk, entering territory that many find to be loosely defined as post-hardcore. Seen also is the emergence of independent post-hardcore bands like 513:

During the early- to mid-1980s, the desire to experiment with hardcore's basic template expanded to many musicians that had been associated with the genre or had strong roots in it. Many of these groups also took inspiration from the 1980s

1246:

attracted the attention of major labels towards the Dischord imprint and many of its bands. While the label rejected these offers, two Dischord acts, Jawbox and Shudder to Think, would sign deals with major labels. The former's signing to

1227:

citing elements such as "screaming vocals with over-the-top emotions, calculated, heavy riffs, offbeat rhythms" and an "incredible amount of energy, chaos and melody" put by these groups as crucial in the development of his band's sound.

1792:

Enter "blackgaze", the buzz term for a new school of bands taking black metal out of the shadows and melding its blast beats, dungeon wailing and razorwire guitars with the more reflective melodies of post-rock, shoegaze and

2240:

Too early to be post-hardcore but too uncommon for any simple classification, this Southern California quartet doesn't try to create a blizzard of noise — they go at it more artfully, but with equally ear-wrenching results.

3952: 984:

were added to the Dischord roster. Hoover has been cited by journalist Charles Spano as a band that had "a tremendous impact on post-hardcore music". In New York City, in addition to Quicksand, post-hardcore bands such as

3501:

Where most punks from the '80s hardcore scene made the transition into hard rock or post hardcore outfits like Rollins Band and Fugazi, it still seems natural that he would make the jump into the acoustic side of things.

2277:

The objective was to try to experiment with a different kind of rock music, influenced by the Minutemen but trying it our way. We were also into some of the same groups they were, British groups like the Fall and Gang of

409:

of the late 1970s and early 1980s has been seen as influential on the musical development of post-hardcore bands. As the genre progressed, some of these groups also experimented with a wide array of influences, including

1287:

sound" on the American East Coast and would be hailed as "the next big thing", these expectations would "never be fully realized" in spite of the record's later influence. In another notable case, Hum was signed to

1276:

would sign Helmet after a reportedly "ferocious" bidding war between several major record companies, and while MTV would air some videos by the group, which by the time of the release of their major-label debut

1612: 1663:

called Touché Amoré "the one band carrying the sound forward in the most interesting ways". By 2015, many of the original acts in the movement had either gone on hiatus or entered periods of inactivity.

1067:

area. The latter's music has been considered by critic John Bush to be a combination of "the noise of Sonic Youth's more raucous passages" with a "rare energetic flair which rivals even that of Fugazi".

479:

and Effigies frontman John Kezdy have disputed this classification, however, insisting that neither band was drawing from hardcore, and were instead influenced by British punk and post-punk acts like

2139: 2940:

The recordings, which revealed the influence of early-D.C. punk ('Gray Matter', 'Caffeine Blues'), also warned about the dangers of punk nostalgia ('Retrospect') and featured a surprising cover of

1711:, who are moved closer to the dynamics and aesthetics of earlier acts, whilst diverging deeper into external influences. Reviewers have also noted the incorporation of a diversity of elements like 1196:, Struggle and Spanakorzo, have been described by journalist Zach Baron as the moment in which the "hardcore" sound of bands like Unbroken effectively became "post-hardcore", known for "covering 1144:

The early-to-mid 1990s would see the birth of several bands in the San Diego, California music scene, some of which would lead a post-hardcore movement associated with the independent label

2264: 1619:. At the same time "the Wave", or "new wave of post-hardcore", was a movement of bands reviving 1990s emo, screamo and post-hardcore sounds. The name was originally coined to refer to only 874:

The late 1980s and early 1990s saw the formation and rise to prominence of several bands associated with earlier acts that not only included the examples of Fugazi and Shellac, but also

1161:, while it also should be noticed that this term has been, as with the case of emo, the subject of controversy. The label also featured releases by non-San Diego bands that included 1027:

helped spread the band's influence "far beyond their original audience", while also considering the group as influential for the development of emo in the independent music scene.

805:. MacKaye described this period as the busiest that the Dischord Records label had ever seen. Most of these acts, along with earlier ones, would contribute to the 1989 compilation 1412:

fame), Glassjaw has paired up with producer/entrepreneur Ross Robinson (a key catalyst in the reinvention of the aggro rock sound) to take you on a pummeling ride that would make

773:

during their last pre-hiatus tour, 2002. The band's influence was summarized by reviewer Andy Kellman with the following statement: "To many, Fugazi meant as much to them as

3615: 1302:", and while the band had established by this point a strong underground fanbase, this would prove to be "the pinnacle of Hum's media attention", as its follow-up, 1998's 6014: 5399: 1360:

suggested that Robinson's sudden focus on post-hardcore was his "pet project" designed to redeem himself of "the 'Nu-Metal' scourge of the late '90s". Robinson recorded

696:

in 1983, it marked a critical evolution in the sound of D.C. hardcore and punk music in general. During these years, a new wave of bands started to form, these included

2563: 590:

described as post-hardcore, that, according to Stephen Thomas Erlewine, "laid the groundwork for much of the distorted, grinding alternative punk rockers of the '90s".

6183: 1376: 1261:

rotation of some videos would introduce the band to a handful of new crowds, but ultimately the album would remain "unnoticed outside of the usual indie community".

3366: 1257:, considered by Andy Kellman to be "one of the best releases to come out of the fertile D.C. scene of the '80s and '90s". The subsequent tour for the album and the 574:, while Blush has also described the Albini-fronted project as "an angst-ridden response to the rigid English post-punk of Gang of Four". After the issuing of the " 1200:

songs" and for its sonic "jazz-quoting" and "guitar feedback" experimentation features. They were also one of the first bands released under the independent label

3833: 1988: 964:

AllMusic has noted that younger bands "flowered into post-hardcore after cutting their teeth in high school punk bands". In Washington D.C., new bands such as

2189: 1073: 3892: 2129: 5966: 3577: 1177:), groups that have also been associated with this sound. The VSS was known for their use of synthesizers "vying with post-hardcore's rabid atonality". 4781: 2763: 2728: 742:

According to Eric Grubbs, a nickname was developed for the new sound, with some considering it "post-harDCore". Another name used for the scene was "

4509: 866: 5045: 2254: 2067: 4996: 4259: 4197: 3094: 3010: 2502: 2011: 1915: 1694: 1396:(2003); four albums that are said to "stand as some of the best post-hardcore records produced" during the 2000s. In John Franck's review of 3482: 6176: 6055: 1688: 4447: 2458: 1148:. This movement would eventually become known as the "San Diego sound". Gravity was founded in 1991 by Matt Anderson, member of the band 4572: 2407: 1901: 1867: 1021:, which also released their work through Jade Tree). Steve Huey argues that the release of Cap'n Jazz's retrospective compilation album 158: 6632: 6627: 4768: 3779: 2821: 1677:(2013) debuted at No. 3 on the US Billboard 200 chart, making it one of the highest charting post-hardcore album by any band to date. 582:, which would later reissue not only their entire discography, but would also be responsible for the release of the complete works of 3966: 6602: 6597: 6070: 6009: 4971: 4957: 1673: 6027: 6022: 1603:

all gained significant success in the underground, a new takes on post-hardcore became prominent with the sonic experimentation of

1251:

would alienate some of the band's long-term fanbase, but it would also help with the development and recording of the 1994 release

1103:, Sweden music scene. The band, which made itself known earlier in their career for its "massive hardcore sound", released in 1998 1005:

has been important to the progression of math rock, also saw the birth of post-hardcore acts such as the examples of Shellac, Tar,

376:

experienced underground popularity playing music that bore a closer resemblance to the post-hardcore bands of the 1980s and 1990s.

4332: 3625: 6169: 5374: 4301: 3426: 3060:

I just thought that all the bands I played in were punk rock bands. The reason I think it's so stupid is that – what, like the

2518: 1253: 4098: 3564:

But, the second album by the post-hardcore Kentuckians sure didn't 'kick' anything; its influence rather devoid of immediacy.

6642: 6637: 5473: 3541: 2972: 858:" combined with "exciting, volatile live gigs", and being the inspiration for "a new crop of bands both locally and abroad". 269:. The genre expanded in the 1980s and 1990s with releases by bands from cities that had established hardcore scenes, such as 4133: 670:" scene, a new movement had "swept over". This movement was led by bands associated with the D.C. independent record label 6587: 4659: 1776: 1536: 4683: 4537: 1949: 6561: 4595: 3230: 2615: 1805: 1644: 1294: 475:, which were active around the early 1980s, are considered to be forerunners to the post-hardcore genre. Naked Raygun's 1180:

Outside the Gravity roster, another band that played an important role in the development of the "San Diego sound" was

1136:, the group has been associated with the post-hardcore sound developed in San Diego and led by independent labels like 6060: 5917: 5369: 5038: 3843: 3381: 1756: 1654: 1392: 225: 1980: 5983: 5618: 5349: 1048: 807: 253:", the term "post-hardcore" has been applied to a broad constellation of groups. Initially taking inspiration from 2181: 6592: 6533: 6455: 4867: 2153: 1432: 1387: 1205: 1105: 709: 687: 667: 194: 1109:, an album that saw the group take inspiration from the Nation of Ulysses while incorporating elements such as " 6445: 1010: 1002: 3585: 4480: 1419:

These bands allowed the genre to grow and become much more varied with At the Drive-In taking influence from

1236:

According to Ian MacKaye, the sudden interest in underground and independent music brought by the success of

624:

considered a key post-hardcore record. Upon its release, the album received positive critical reception from

6622: 6617: 6612: 6607: 6539: 6450: 6034: 5993: 5987: 5810: 5329: 5308: 3999: 2738: 1636: 1632: 1524: 1516: 1366: 826: 717: 4028: 2771: 578:" single and between the release of their only two full-length studio albums, Big Black left Homestead for 6582: 6512: 6505: 6424: 5897: 5751: 5288: 5031: 4623: 1304: 1223:

have acknowledged the influence of the post-hardcore sound coming from the San Diego scene, with vocalist

1023: 692: 309: 4063: 2522: 1152:, as a means to release the music of his band and of other related San Diego groups, which also included 6271: 6150: 6080: 5690: 5389: 5273: 5195: 3315: 3020: 2348: 1166: 879: 790: 645: 4756: 2343: 558:) are also associated with post-hardcore. Big Black, which also featured former Naked Raygun guitarist 300:

The genre also began to incorporate more dense, complex, and atmospheric instrumentals with bands like

2553: 6367: 5976: 5339: 4984: 4786: 3897: 3487: 2075: 1683: 1668: 1444: 1224: 1145: 923: 579: 361: 6500: 6352: 6288: 5278: 1700: 1639:, however by 2014 had expanded to also include groups Balance and Composure, Into It. Over It. and 1460: 1452: 1382: 1324: 1064: 1028: 998: 942: 503: 321: 189: 4269: 4230: 4207: 3111: 2869: 6144: 6039: 5944: 5907: 5866: 5562: 5466: 5083: 3971: 3784: 3458: 2527: 1548: 1496: 1492: 1472: 1273: 1018: 969: 875: 705: 626: 606: 341: 4622:

Considine, Clare; Gibsone, Harriet; Pattison, Louis; Richards, Sam; Rowe, Sian (June 29, 2012).

2911:

Drawing from funk as much as punk, Beefeater cooks up a groovy combination on their debut album.

2895: 1620: 840:

EPs, which is now considered a landmark album. Similarly, the band's debut studio album, 1990's

2468: 2317: 2291: 949: 636:. Outside the United States, post-hardcore would take shape in the works of the Canadian group 6545: 6517: 6382: 6325: 6234: 6217: 6075: 5685: 5628: 5394: 5344: 5303: 5153: 5073: 4992: 4967: 4953: 4838: 4633: 4264: 3360: 3090: 3064:

weren't emotional? What – they were robots or something? It just doesn't make any sense to me.

2924: 2586: 2498: 2429: 2007: 1911: 1825: 1653:

is "at the forefront of a traditional-screamo revival" for their critically acclaimed release

1650: 1624: 1572: 1568: 1544: 1528: 1508: 1504: 1428: 1189: 1174: 1133: 903: 598: 523: 373: 337: 325: 3808: 3142: 1875: 6527: 6494: 5846: 5826: 5648: 5638: 5633: 5334: 5298: 5148: 5118: 5088: 4978: 4709: 4551: 3620: 3207: 2826: 2701: 2670: 2378: 1476: 1405: 1356:

in the 1990s, helped post-hardcore achieve popularity during the 2000s. Mehan Jayasuriya of

1299: 1279: 1264:

Likewise, out of the Dischord label, Quicksand became the first post-hardcore act to sign a

1248: 1185: 981: 899: 891: 883: 855: 851: 842: 782: 683: 671: 559: 495: 464: 431: 294: 286: 274: 266: 184: 179: 3925: 2831: 2224: 2103: 758:, similar bands that are categorized now as post-hardcore would also emerge, these include 6417: 6335: 6120: 6115: 6110: 6100: 5783: 5429: 5419: 5324: 4164: 4103: 3976: 3866: 3702: 3015: 2945: 2733: 2591: 2259: 2204: 1810: 1678: 1628: 1592: 1564: 1500: 1436: 1361: 1345: 1269: 1220: 1193: 1181: 1162: 1137: 1081: 1044: 953: 802: 754:

and MacKaye himself have voiced their opposition against the term. In the nearby state of

697: 571: 499: 365: 317: 3449: 3289: 726: 614: 262: 4812: 4392: 3648: 3177: 1667:

Later forms of post-hardcore have garnered more mainstream attention with bands such as

1308:

would sell poorly, resulting in the decision of RCA to drop the band from their roster.

1072:

saw the formation of groups such as The Jesus Lizard (later to be based in Chicago) and

781:

The second half of the 1980s saw the formation of several bands in D.C., which included

6192: 6085: 5949: 5902: 5851: 5557: 5384: 5283: 5068: 4872: 4600: 4421: 1704: 1616: 1556: 1237: 1089: 1085: 895: 675: 575: 555: 488: 435: 290: 163: 4366: 4340: 3256: 387:

typically features very fast tempos, loud volume, and heavy bass levels, as well as a

6576: 6488: 6429: 6266: 6222: 6135: 5912: 5836: 5663: 5623: 5459: 5435: 5190: 5123: 5054: 4735: 4033: 2558: 2130:"Naked Raygun's Jeff Pezzati on Wax Trax, and why and how the band got back together" 1736: 1520: 1480: 1440: 1424: 1401: 1333: 1153: 1149: 1110: 1077: 1014: 994: 990: 986: 965: 911: 836: 817: 751: 700:(which featured The Faith former guitarist Eddie Janney), Lunchmeat (later to become 654: 632: 587: 527: 384: 246: 46: 1208:

and later known for releasing the works of several other post-hardcore, noise rock,

6402: 6392: 6362: 6320: 6278: 6130: 6105: 5876: 5673: 5528: 5245: 5225: 5168: 4895: 4628: 4108: 2549: 2402: 1897: 1720: 1596: 1560: 1468: 1197: 1040: 973: 957: 907: 887: 641: 583: 567: 543: 539: 531: 476: 472: 468: 353: 130: 4921: 3551: 3515: 2980: 739:(as in the case of Beefeater) and 1960s pop (such as the example of Gray Matter). 4964:

Our Band Could Be Your Life: Scenes from the American Indie Underground 1981–1991

4309: 3389: 658:

was "one of the most aggressive and powerful opuses in post-hardcore ever made".

368:

achieved mainstream success under the post-hardcore label. Meanwhile, bands like

6412: 6330: 6293: 6283: 5971: 5954: 5929: 5924: 5871: 5831: 5805: 5768: 5739: 5724: 5719: 5643: 5606: 5496: 5235: 5230: 5138: 5113: 5078: 4141: 2941: 2692: 2412: 1907: 1640: 1608: 1604: 1600: 1588: 1464: 1353: 1289: 1265: 1201: 1192:, composed of former members of hardcore bands from the San Diego scene such as 1114: 1052: 1006: 831: 721: 679: 610: 519: 492: 484: 399: 369: 357: 242: 3893:"Music Review: ...And You Shall Know Us by the Trail of Dead – Tao of the Dead" 3421: 2665: 1316: 6407: 6308: 6303: 6244: 6239: 6212: 5939: 5934: 5881: 5856: 5773: 5756: 5712: 5702: 5611: 5574: 5550: 5533: 5501: 5440: 5293: 5250: 5220: 5205: 5173: 5098: 4514: 4452: 3061: 1957: 1740: 1484: 1413: 1409: 1357: 1036: 918:(which raised from the ashes of a hardcore outfit named Blatant Dissent), and 915: 731: 619: 515: 507: 439: 427: 411: 329: 258: 215: 104: 61: 4637: 3043: 2623: 926:'s Slint have been considered influential to the development of the genre of 17: 6556: 6551: 6522: 6483: 6397: 6340: 6298: 6261: 6256: 6196: 6140: 6125: 6065: 5959: 5861: 5778: 5729: 5707: 5697: 5668: 5658: 5653: 5601: 5596: 5506: 5482: 5424: 5379: 5240: 5200: 5158: 5133: 5128: 5108: 5093: 4988: 4038: 3838: 3546: 2463: 2165: 2157: 1744: 1728: 1716: 1712: 1552: 1242: 1213: 931: 927: 821: 812: 798: 774: 759: 735:. Other bands have been perceived as taking inspiration from genres such as 713: 637: 594: 563: 547: 480: 415: 406: 388: 333: 278: 254: 250: 239: 220: 144: 99: 84: 56: 51: 5014:

The Blasting Concept: Progressive Punk from SST Records to Mission of Burma

455: 720:, the latter featuring former Minor Threat singer and Dischord co-founder 674:, home in the early 1980s to seminal hardcore bands such as Minor Threat, 6345: 6249: 6229: 6161: 5800: 5788: 5746: 5680: 5579: 5545: 5215: 5163: 5143: 4546: 4333:"Subject to Change: Interview with Walter Schreifels | Alternative Press" 4202: 3930: 3754: 3728: 3679: 3231:"State of the Union: D.C. Benefit Compilation – Various Artists – Review" 2799: 2208: 2134: 2032: 1724: 1540: 1488: 1420: 1371: 1337: 1209: 1032: 755: 701: 393: 345: 210: 94: 2152:

There was no hardcore . It was just that these bands sounded different.

1551:

being left under the wood works; as well as bands taking influence from

1035:, was known for an independent scene that would give way to groups like 6372: 6357: 6090: 5793: 5589: 5569: 5404: 5210: 4782:"Sleeping With Sirens Headed for Best Week Ever on Billboard 200 Chart" 3341: 2161: 2027: 1732: 1591:

came into full fruition in the early 2010s. Moment defining bands like

1532: 1512: 1448: 1400:

for Allmusic, he stated: "Featuring extraordinary ambidextrous drummer

1349: 1170: 1158: 1129: 1100: 1096: 1060: 977: 551: 305: 249:

but emphasizes a greater degree of creative expression. Like the term "

124: 89: 4448:"Producer Ross Robinson: I Want Bands to Be 'Fearless' With the Music" 3912:

each song itself and never losing the listener's interest in the song.

2255:"Talking About Minutemen and SST with Joe Baiza from Saccharine Trust" 937: 308:, and also experienced some crossover from indie rock with bands like 6095: 5841: 5538: 5414: 5103: 3202: 1576: 1284: 794: 786: 770: 535: 349: 282: 270: 4573:"Rising Above The Noise: The History And Evolution Of Post-Hardcore" 1125: 4260:"Nostalgia Whiplash: Swing Kids and Unbroken Reunite in California" 2696: 6313: 4684:"The Year In Post-Hardcore: Has the New Wave Crested? - Pitchfork" 4510:"Glassjaw's Triumphant Return and the Redemption of Ross Robinson" 2156:

didn't sound like the Sex Pistols, and they didn't sound like the

1323: 1315: 1124: 1069: 948: 936: 919: 865: 766: 765: 454: 442:, screamo, and emo, straddling experimentation and accessibility. 301: 1777:"Blackgaze: meet the bands taking black metal out of the shadows" 1613:

The World Is a Beautiful Place & I Am No Longer Afraid to Die

6478: 6387: 5023: 1826:"HORSE the Band – Biography, Albums, Streaming Links – AllMusic" 1708: 1455:. Post-hardcore achieved mainstream success with the success of 1341: 1056: 922:(containing members of Squirrel Bait). Acts such as Shellac and 736: 423: 419: 6165: 5455: 5027: 2554:"Hüsker Dü: Zen Arcade / Minutemen: Double Nickels on the Dime" 1095:

The genre also saw representation outside the United States in

609:

style the band started playing later on in the 1980s. In 1984,

6472: 5734: 5584: 5409: 5183: 4596:"25 Classic Emo & Post-Hardcore Albums Turning 10 in 2023" 4457: 1456: 1258: 847: 743: 316:

achieved mainstream success with the popularity of bands like

120: 1292:

in 1994, selling approximately 250,000 copies of their album

402:, incorporating more creative outlets for punk rock energy." 5451: 4660:"10 years ago, the new wave of post-hardcore made its mark" 4029:"Refused: The Shape of Punk to Come – Music – Music Review" 2004:

Waiting for the Sun: A Rock 'n' Roll History of Los Angeles

4950:

Dance of Days: Two Decades of Punk in the Nation's Capital

1283:, was considered then "the only band close to the Seattle 297:

became a major nexus of post-hardcore during this period.

4980:

POST: A Look at the Influence of Post-Hardcore-1985-2007

3834:"Kat's Album Review — These Are Not Fall Colors by Lync" 746:-core". The latter, mentioned in skateboarding magazine 4678: 4676: 3542:"Review of the Definitive Alternative Album Spiderland" 2587:"Spins: Platter Du Jour – 7 – NOFX – Heavy Petting Zoo" 1447:

took significant influence from heavy metal bands like

293:

that stuck closer to post-hardcore's noise rock roots.

4861: 4859: 1862: 1860: 1858: 1856: 1854: 1852: 1850: 1848: 1846: 882:, which would later incorporate members of Soulside), 4806: 4804: 4769:

Queens of the Stone Age Heading for First No. 1 Album

4710:"La Dispute - Wildlife - Reviews - Alternative Press" 3616:"Math-Rock Family Tree: exploring the roots of Foals" 2948:' was the first hint of the band's strong pop streak. 2203:

the Effigies has always been more along the lines of

2062: 2060: 2058: 2056: 2054: 2052: 2050: 1981:"15 albums that defined the 2000s post-hardcore boom" 4057: 4055: 4000:"This Just Might Be... the Truth – Refused – Review" 1806:"Lil Peep: The YouTube rapper who's taking back emo" 1427:, and Glassjaw using elements of both pop music and 648:, and that had been active since 1979. The magazine 498:

mixed Minutemen's sound with that of post-punk acts

6464: 6438: 6203: 6048: 6002: 5890: 5819: 5519: 5489: 5362: 5317: 5266: 5259: 5061: 261:, post-hardcore began in the 1980s with bands like 202: 171: 150: 138: 112: 78: 70: 39: 34: 4503: 4501: 2452: 2450: 1298:fueled by the success of the album's lead single " 597:and author Doyle Greene, 1980s hardcore punk band 5400:List of musicians in the second wave of punk rock 4896:"METZ – Music Biography, Credits and Discography" 3755:"Contests: Win music and tickets from Cap'n Jazz" 3422:"Back to the '90s – Experiments in Post-Hardcore" 2722: 2720: 1169:), Angel Hair and its subsequent related project 4540:Everything You Ever Wanted to Know About Silence 4191: 4189: 4187: 4185: 4092: 4090: 4088: 4086: 4084: 3673: 3671: 3669: 2793: 2791: 2789: 1687:(2012), has also received much attention. While 1583:2010s–present (continued underground popularity) 1398:Everything You Ever Wanted to Know About Silence 1377:Everything You Ever Wanted to Know About Silence 878:(originally a side-project of Brendan Canty and 4128: 4126: 2495:The Rock Cover Song: Culture, History, Politics 1531:gaining significant success, and bands such as 245:that maintains the aggression and intensity of 4064:"The Shape of Punk to Come – Refused – Review" 3609: 3607: 3605: 3603: 3342:"Girls Against Boys – Venus Luxure No. 1 Baby" 2863: 2861: 2859: 2660: 2658: 2656: 2654: 2652: 2650: 2423: 2421: 2372: 2370: 2368: 2366: 6177: 5467: 5039: 3953:"#505: In a Perfect World by Season to 'Risk" 870:Post-hardcore band Girls Against Boys in 2006 522:. Some bands signed to the independent label 8: 5018:Rip It Up and Start Again: Post-punk 1978–84 4022: 4020: 3283: 3281: 3279: 3277: 3171: 3169: 3167: 3165: 3163: 2497:. MacFarland & Company. pp. 43–44. 1943: 1941: 1939: 1937: 1935: 1933: 1931: 1929: 1927: 1320:Post-hardcore band Hawthorne Heights in 2007 1074:...And You Will Know Us by the Trail of Dead 4360: 4358: 3578:"The Influence of Anxiety: The Time Before" 3415: 3413: 3411: 3409: 3407: 3365:: CS1 maint: numeric names: authors list ( 2958: 2956: 2097: 2095: 2093: 1184:. This group, founded by former members of 1017:(as well as the subsequent related project 510:, helping to further the burgeoning genre. 6184: 6170: 6162: 5474: 5460: 5452: 5263: 5046: 5032: 5024: 4253: 4251: 3926:"In/Casino/Out – At the Drive-In – Review" 2758: 2756: 31: 4302:"Interview with Sergio Vega | Metallurgy" 3382:"The Jesus Lizard @ The Phoenix, Nov. 12" 1587:Beginning to form in the late 2000s, the 850:" with the incorporation of "elements of 562:, made themselves known for their strict 4948:Andersen, Mark and Mark Jenkins (2003). 2822:"Faith Subject to Change and First Demo" 2616:"Nomeansno – All Roads Lead to Ausfahrt" 2006:. Hal Leonard Corporation. p. 326. 3481:Bradley, Stephen (September 22, 2010). 3004: 3002: 3000: 2998: 2896:"Plays for Lovers – Beefeater – Review" 2727:McElligatt, Colin (September 1, 2003). 2595:. Vol. 12, no. 1. p. 113 2342:Marticorena, Jorge (October 16, 2008). 2182:"Interview: John Kezdy of the Effigies" 1767: 1507:. Some bands also began to incorporate 666:During the years 1984 and 1985 in the " 570:, has also been seen as influential to 5020:. London: Faber and Faber, Ltd., 2005. 4508:Jayasuriya, Mehan (December 4, 2008). 4481:"Ask the: Producer with Ross Robinson" 4415: 4413: 3891:Bradley, Stephen (February 28, 2011). 3358: 3203:"Various Artists – State of the Union" 2142:from the original on February 19, 2023 2068:"Explore: Post-Hardcore (Top Artists)" 1991:from the original on November 9, 2023. 1001:emerged. Chicago, which alongside the 652:noted that the group's 1989's release 3136: 3134: 3132: 2488: 2486: 7: 4479:Teitelman, Bram (January 19, 2009). 2830:. September 26, 2011. Archived from 2566:from the original on October 1, 2007 2253:Ambler, Charlie (January 27, 2015). 2180:Radford, Chad (September 10, 2009). 1950:"The 90-Minute Guide: Post-Hardcore" 1336:, who was credited for popularizing 1132:performing in 1997. While formed in 617:released their second studio album, 3448:Bonazelli, Andrew (June 19, 2007). 3380:Bilton, Chris (November 13, 2009). 3112:"The Convocation Of... - Biography" 2408:American Hardcore: A Tribal History 2192:from the original on August 3, 2021 1903:American Hardcore: A Tribal History 1328:Post-hardcore band The Used in 2007 4868:"Cloud Nothings: Attack on Memory" 4866:Cole, Matthew (January 23, 2012). 4097:Smith, Chris (September 1, 2003). 3842:. February 5, 2011. Archived from 2729:"Dischord Records – Label Profile" 2267:from the original on March 9, 2024 2128:Murphy, Tom (September 18, 2013). 854:(as filtered through the MC5) and 25: 6071:Animal rights and punk subculture 4446:Sciarretto, Amy (June 28, 2010). 3729:"Interviews: Texas is the Reason" 2614:Mosurock, Doug (August 3, 2006). 1979:Sacher, Andrew (March 31, 2020). 1204:, founded by the band's vocalist 1051:saw the creation of acts such as 910:(led by former Black Flag singer 830:, a compilation of their earlier 550:(just as his subsequent projects 3975:. March 30, 2010. Archived from 3420:Farrar, Justin (April 3, 2009). 2493:Greene, Doyle (March 10, 2014). 1775:Howells, Tom (October 5, 2015). 862:Expansion (late 1980s and 1990s) 644:and his independently run label 506:on early releases like their EP 6056:List of punk compilation albums 5375:List of hardcore punk subgenres 4258:Baron Zach (December 9, 2008). 4196:Heller, Jason (June 20, 2002). 3967:"Refused reunion not happening" 3576:Parka, Dorothy (January 2011). 3483:"Concert review: Kevin Seconds" 2853:summer of '85 was indeed that." 2344:"Shellac: No Free Lunch, Still" 1948:Terich, Jeff (April 24, 2007). 1451:as well as hardcore bands like 1254:For Your Own Special Sweetheart 312:. In the early- and mid-2000s, 5432:(includes section on hardcore) 4027:Heller, Jason (June 8, 2010). 3614:Diver, Mike (April 24, 2008). 2459:"Post-Hardcore – A Definition" 2223:Robbins, Ira; Sprague, David. 1113:, jazz breakdowns", metal and 1: 4736:"10 Essential Screamo Albums" 4231:"Drive Like Jehu – Biography" 3340:ngs091 (September 12, 2008). 2870:"Rites of Spring – Biography" 1537:the Sound of Animals Fighting 1511:elements; with bands such as 1431:; furthermore, bands such as 459:The band Naked Raygun in 2012 4367:"Meantime – Helmet – Review" 3727:Aubin (September 22, 2006). 3257:"13 Songs – Fugazi – Review" 1459:post-hardcore bands such as 593:According to Ryan Cooper of 6061:List of punk rock festivals 5370:List of hardcore punk bands 4894:Monger, James Christopher. 2523:"New Rock From The Suburbs" 2292:"Squirrel Bait – Biography" 2154:Siouxsie & The Banshees 1757:List of post-hardcore bands 1567:, inspired by acts such as 1393:...Burn, Piano Island, Burn 360:. In the 2010s, bands like 6659: 6015:Second wave punk musicians 2764:"Subject to Change 12" EP" 2430:"Scratch Acid – Biography" 2428:Erlewine, Stephen Thomas. 2318:"Bitch Magnet – Biography" 1659:, while a 2014 article by 1312:2000s (mainstream success) 601:is one of the pioneers of 277:as well as groups such as 6633:21st-century music genres 6628:20th-century music genres 6534:Rip It Up and Start Again 6010:First wave punk musicians 4962:Azzerad, Michael (2002). 4331:Arenas, Norm (May 1998). 3044:"Guy Picciotto interview" 2925:"Gray Matter – Biography" 2211:and that kind of stuff... 1295:You'd Prefer an Astronaut 1117:to their hardcore sound. 1106:The Shape of Punk to Come 886:(formed by ex-members of 662:The Washington D.C. scene 207: 176: 155: 143: 117: 6603:Canadian styles of music 6598:American styles of music 4624:"The A-Z of pop in 2012" 4300:Stillie, Denise (1995). 3809:"Cap'n Jazz – Biography" 3089:. Sterling. p. 97. 3087:The Encyclopedia of Punk 2002:Hoskyns, Barney (2009). 1868:"Explore: Post-Hardcore" 1735:in addition to previous 1003:Midwestern United States 968:(as well as the related 6540:Second British Invasion 3316:"The Nation of Ulysses" 3143:"Moss Icon – Biography" 2585:Gold, Jonathan (1996). 2379:"Big Black – Biography" 1633:Pianos Become the Teeth 1517:Scary Kids Scaring Kids 1367:Relationship of Command 1063:, all hailing from the 4813:"Leave Home – The Men" 4140:. 2008. Archived from 3753:Aubin (July 1, 2010). 3042:Prindle, Mark (2003). 3011:"This is UKHC, Not LA" 2521:(September 23, 1984). 2104:"Effigies – Biography" 1416:and Quicksand proud." 1329: 1321: 1305:Downward Is Heavenward 1141: 1024:Analphabetapolothology 961: 946: 871: 778: 777:did to their parents." 460: 389:"do-it-yourself" ethic 310:The Dismemberment Plan 6643:2010s fads and trends 6638:2000s fads and trends 6151:Timeline of punk rock 6081:Death of Brian Deneke 5691:Progressive metalcore 5196:Progressive metalcore 4977:Grubbs, Eric (2008). 3867:"Unwound – Biography" 3554:on September 29, 2011 3085:Cogan, Brian (2008). 2552:(February 14, 1985). 1327: 1319: 1167:Cupertino, California 1128: 1099:who emerged from the 952: 941:Unwound emerged from 940: 869: 791:the Nation of Ulysses 769: 646:Alternative Tentacles 458: 6588:Hardcore punk genres 6562:Yugoslavian new wave 6368:New wave of new wave 5977:Scottish Gaelic punk 4920:Lymangrover, Jason. 4393:"Helmet – Biography" 4165:"Heroin – Biography" 4138:Radiosilencebook.com 3898:The Washington Times 3780:"Pop and Jazz Guide" 3703:"Hoover – Biography" 3488:The Washington Times 3290:"Jawbox – Biography" 3178:"Fugazi – Biography" 2834:on December 17, 2011 2774:on December 17, 2014 2626:on February 26, 2011 1900:(November 9, 2001). 1684:Collide with the Sky 1671:, whose third album 1669:Sleeping with Sirens 1445:Funeral for a Friend 1225:Cedric Bixler-Zavala 580:Touch and Go Records 362:Sleeping with Sirens 74:1980s, United States 6513:La Movida Madrileña 6506:Neue Deutsche Härte 6501:Neue Deutsche Welle 6353:Neue Deutsche Welle 6289:Garage rock revival 6019:List of punk bands 4738:. February 20, 2014 4716:. December 27, 2011 4690:. December 30, 2014 4272:on January 10, 2014 4111:on October 12, 2012 3900:Communities – Riffs 3649:"Slint – Biography" 3582:Hipsterbookclub.com 3490:Communities – Riffs 2983:on October 17, 2010 2768:Kill from the Heart 2186:creativeloafing.com 2078:on December 9, 2010 1461:My Chemical Romance 1453:the Hope Conspiracy 1383:Worship and Tribute 1232:Moderate popularity 1121:The San Diego scene 1065:Olympia, Washington 999:Texas Is the Reason 943:Olympia, Washington 894:(fronted by former 820:along with bassist 763:earliest emo acts. 518:scene pioneered by 322:My Chemical Romance 6145:List of punk films 6040:Women in punk rock 5563:Christian hardcore 5084:Christian hardcore 4966:. Back Bay Books. 4839:"Attack on Memory" 3785:The New York Times 3680:"Dischord History" 3023:on January 5, 2013 2800:"Dischord History" 2741:on August 21, 2018 2697:"Dischord History" 2528:The New York Times 2225:"Saccharine Trust" 2207:, the Stranglers, 1589:fourth wave of emo 1497:From First To Last 1473:Taking Back Sunday 1433:Hell Is for Heroes 1388:the Blood Brothers 1330: 1322: 1274:Interscope Records 1268:record deal (with 1142: 1049:American Northwest 970:The Crownhate Ruin 962: 947: 876:Girls Against Boys 872: 808:State of the Union 779: 710:Mission Impossible 627:The New York Times 461: 6570: 6569: 6518:Little band scene 6456:Synth-pop artists 6383:Post-punk revival 6326:Minneapolis sound 6218:Alternative dance 6159: 6158: 6076:Conservative Punk 6003:People and groups 5686:Melodic metalcore 5629:Beatdown hardcore 5449: 5448: 5395:Hardcore skinhead 5358: 5357: 5154:Melodic metalcore 5074:Beatdown hardcore 5012:Reynolds, Simon. 4998:978-0-595-51835-7 4952:. Akashic Books. 4837:Phares, Heather. 4714:Alternative Press 4422:"Hum – Biography" 4343:on April 29, 2001 4265:The Village Voice 4198:"Feast of Reason" 4099:"Gravity Records" 3998:Anderson, Jason. 3628:on March 30, 2018 3516:"Tar – Biography" 3096:978-1-4027-5960-4 2923:Foster, Patrick. 2695:(November 1999). 2666:"Rites of Spring" 2504:978-0-7864-7809-5 2013:978-0-87930-943-5 1917:978-0-922915-71-2 1814:. April 21, 2017. 1646:Alternative Press 1573:Avenged Sevenfold 1569:Killswitch Engage 1529:Dance Gavin Dance 1505:Hawthorne Heights 1175:Boulder, Colorado 1134:Boulder, Colorado 904:Walter Schreifels 824:, issued in 1989 693:Subject to Change 524:Homestead Records 391:. Music database 338:Hawthorne Heights 326:Dance Gavin Dance 233: 232: 40:Stylistic origins 16:(Redirected from 6650: 6593:Punk rock genres 6495:New Wave Theatre 6446:New wave artists 6206:genres or scenes 6186: 6179: 6172: 6163: 6049:Related articles 5827:Alternative rock 5649:Melodic hardcore 5639:Digital hardcore 5634:Crossover thrash 5476: 5469: 5462: 5453: 5350:Washington, D.C. 5264: 5149:Melodic hardcore 5119:Digital hardcore 5089:Crossover thrash 5048: 5041: 5034: 5025: 5009: 5007: 5005: 4937: 4936: 4934: 4932: 4917: 4911: 4910: 4908: 4906: 4891: 4885: 4884: 4882: 4880: 4863: 4854: 4853: 4851: 4849: 4834: 4828: 4827: 4825: 4823: 4808: 4799: 4798: 4796: 4794: 4778: 4772: 4766: 4760: 4754: 4748: 4747: 4745: 4743: 4732: 4726: 4725: 4723: 4721: 4706: 4700: 4699: 4697: 4695: 4680: 4671: 4670: 4668: 4666: 4658:Sacher, Andrew. 4655: 4649: 4648: 4646: 4644: 4619: 4613: 4612: 4610: 4608: 4594:Sacher, Andrew. 4591: 4585: 4584: 4582: 4580: 4569: 4563: 4562: 4560: 4558: 4552:Rovi Corporation 4533: 4527: 4526: 4524: 4522: 4505: 4496: 4495: 4493: 4491: 4476: 4470: 4469: 4467: 4465: 4443: 4437: 4436: 4434: 4432: 4417: 4408: 4407: 4405: 4403: 4391:Meredith, Bill. 4388: 4382: 4381: 4379: 4377: 4362: 4353: 4352: 4350: 4348: 4339:. Archived from 4328: 4322: 4321: 4319: 4317: 4312:on March 8, 2001 4308:. Archived from 4297: 4291: 4288: 4282: 4281: 4279: 4277: 4268:. Archived from 4255: 4246: 4245: 4243: 4241: 4226: 4220: 4219: 4217: 4215: 4206:. Archived from 4193: 4180: 4179: 4177: 4175: 4160: 4154: 4153: 4151: 4149: 4130: 4121: 4120: 4118: 4116: 4107:. Archived from 4094: 4079: 4078: 4076: 4074: 4059: 4050: 4049: 4047: 4045: 4024: 4015: 4014: 4012: 4010: 3995: 3989: 3988: 3986: 3984: 3979:on April 4, 2010 3963: 3957: 3956: 3949: 3943: 3942: 3940: 3938: 3921: 3915: 3914: 3908: 3906: 3888: 3882: 3881: 3879: 3877: 3862: 3856: 3855: 3853: 3851: 3830: 3824: 3823: 3821: 3819: 3804: 3798: 3797: 3795: 3793: 3788:. August 8, 2003 3776: 3770: 3769: 3767: 3765: 3750: 3744: 3743: 3741: 3739: 3724: 3718: 3717: 3715: 3713: 3701:Spano, Charles. 3698: 3692: 3691: 3689: 3687: 3675: 3664: 3663: 3661: 3659: 3644: 3638: 3637: 3635: 3633: 3624:. Archived from 3621:Drowned in Sound 3611: 3598: 3597: 3595: 3593: 3588:on July 27, 2011 3584:. Archived from 3573: 3567: 3566: 3561: 3559: 3550:. Archived from 3540:Carew, Anthony. 3537: 3531: 3530: 3528: 3526: 3511: 3505: 3504: 3498: 3496: 3478: 3472: 3471: 3469: 3467: 3462:. Red Flag Media 3445: 3439: 3438: 3436: 3434: 3417: 3402: 3401: 3399: 3397: 3388:. Archived from 3377: 3371: 3370: 3364: 3356: 3354: 3352: 3337: 3331: 3330: 3328: 3326: 3311: 3305: 3304: 3302: 3300: 3285: 3272: 3271: 3269: 3267: 3252: 3246: 3245: 3243: 3241: 3226: 3220: 3219: 3217: 3215: 3208:Dischord Records 3199: 3193: 3192: 3190: 3188: 3173: 3158: 3157: 3155: 3153: 3138: 3127: 3126: 3124: 3122: 3107: 3101: 3100: 3082: 3076: 3075:Grubbs, p. 27–28 3073: 3067: 3066: 3056: 3054: 3039: 3033: 3032: 3030: 3028: 3019:. Archived from 3006: 2993: 2992: 2990: 2988: 2979:. Archived from 2969: 2963: 2960: 2951: 2950: 2937: 2935: 2920: 2914: 2913: 2908: 2906: 2891: 2885: 2884: 2882: 2880: 2865: 2854: 2850: 2844: 2843: 2841: 2839: 2827:Drowned in Sound 2818: 2812: 2811: 2809: 2807: 2795: 2784: 2783: 2781: 2779: 2770:. Archived from 2760: 2751: 2750: 2748: 2746: 2737:. Archived from 2724: 2715: 2714: 2712: 2710: 2702:Dischord Records 2689: 2683: 2682: 2680: 2678: 2671:Dischord Records 2662: 2645: 2642: 2636: 2635: 2633: 2631: 2622:. Archived from 2611: 2605: 2604: 2602: 2600: 2582: 2576: 2575: 2573: 2571: 2562:. No. 441. 2546: 2540: 2539: 2537: 2535: 2515: 2509: 2508: 2490: 2481: 2480: 2478: 2476: 2471:on March 4, 2016 2467:. Archived from 2454: 2445: 2444: 2442: 2440: 2425: 2416: 2400: 2394: 2393: 2391: 2389: 2374: 2361: 2360: 2358: 2356: 2339: 2333: 2332: 2330: 2328: 2313: 2307: 2306: 2304: 2302: 2287: 2281: 2280: 2274: 2272: 2250: 2244: 2243: 2237: 2235: 2220: 2214: 2213: 2199: 2197: 2177: 2171: 2170: 2149: 2147: 2125: 2119: 2118: 2116: 2114: 2099: 2088: 2087: 2085: 2083: 2074:. Archived from 2064: 2045: 2044: 2042: 2040: 2024: 2018: 2017: 1999: 1993: 1992: 1976: 1970: 1969: 1967: 1965: 1960:on July 17, 2011 1956:. Archived from 1945: 1922: 1921: 1894: 1888: 1887: 1885: 1883: 1874:. Archived from 1864: 1841: 1840: 1838: 1836: 1822: 1816: 1815: 1802: 1796: 1795: 1789: 1787: 1772: 1681:'s third album, 1637:Make Do and Mend 1525:the Fall of Troy 1406:Gorilla Biscuits 1340:with bands like 1332:Record producer 1249:Atlantic Records 1111:ambient textures 1013:-released group 982:Smart Went Crazy 900:Gorilla Biscuits 884:The Jesus Lizard 783:Shudder to Think 684:Government Issue 672:Dischord Records 604: 560:Santiago Durango 496:Saccharine Trust 432:Melodic hardcore 315: 295:Dischord Records 275:Washington, D.C. 79:Derivative forms 71:Cultural origins 32: 21: 6658: 6657: 6653: 6652: 6651: 6649: 6648: 6647: 6573: 6572: 6571: 6566: 6460: 6451:Post-punk bands 6434: 6336:Neo-psychedelia 6205: 6199: 6190: 6160: 6155: 6121:Punk literature 6116:Punk visual art 6111:Punk ideologies 6101:Punk subculture 6044: 6035:Punk filmmakers 5998: 5886: 5815: 5784:Punk pathetique 5521: 5515: 5485: 5480: 5450: 5445: 5430:Punk subculture 5420:Punk ideologies 5354: 5313: 5260:Regional scenes 5255: 5057: 5052: 5003: 5001: 4999: 4985:Bloomington, IN 4976: 4945: 4940: 4930: 4928: 4919: 4918: 4914: 4904: 4902: 4893: 4892: 4888: 4878: 4876: 4865: 4864: 4857: 4847: 4845: 4836: 4835: 4831: 4821: 4819: 4810: 4809: 4802: 4792: 4790: 4780: 4779: 4775: 4771:– Billboard.com 4767: 4763: 4759:– Billboard.com 4755: 4751: 4741: 4739: 4734: 4733: 4729: 4719: 4717: 4708: 4707: 4703: 4693: 4691: 4682: 4681: 4674: 4664: 4662: 4657: 4656: 4652: 4642: 4640: 4621: 4620: 4616: 4606: 4604: 4593: 4592: 4588: 4578: 4576: 4571: 4570: 4566: 4556: 4554: 4535: 4534: 4530: 4520: 4518: 4507: 4506: 4499: 4489: 4487: 4478: 4477: 4473: 4463: 4461: 4445: 4444: 4440: 4430: 4428: 4420:Butler, Blake. 4419: 4418: 4411: 4401: 4399: 4390: 4389: 4385: 4375: 4373: 4364: 4363: 4356: 4346: 4344: 4330: 4329: 4325: 4315: 4313: 4299: 4298: 4294: 4289: 4285: 4275: 4273: 4257: 4256: 4249: 4239: 4237: 4228: 4227: 4223: 4213: 4211: 4210:on June 8, 2011 4195: 4194: 4183: 4173: 4171: 4162: 4161: 4157: 4147: 4145: 4144:on July 1, 2011 4132: 4131: 4124: 4114: 4112: 4104:Stylus Magazine 4096: 4095: 4082: 4072: 4070: 4062:Butler, Blake. 4061: 4060: 4053: 4043: 4041: 4026: 4025: 4018: 4008: 4006: 3997: 3996: 3992: 3982: 3980: 3965: 3964: 3960: 3951: 3950: 3946: 3936: 3934: 3924:Butler, Blake. 3923: 3922: 3918: 3904: 3902: 3890: 3889: 3885: 3875: 3873: 3864: 3863: 3859: 3849: 3847: 3846:on May 12, 2014 3832: 3831: 3827: 3817: 3815: 3806: 3805: 3801: 3791: 3789: 3778: 3777: 3773: 3763: 3761: 3752: 3751: 3747: 3737: 3735: 3726: 3725: 3721: 3711: 3709: 3700: 3699: 3695: 3685: 3683: 3677: 3676: 3667: 3657: 3655: 3647:Arkeny, Jason. 3646: 3645: 3641: 3631: 3629: 3613: 3612: 3601: 3591: 3589: 3575: 3574: 3570: 3557: 3555: 3539: 3538: 3534: 3524: 3522: 3513: 3512: 3508: 3494: 3492: 3480: 3479: 3475: 3465: 3463: 3447: 3446: 3442: 3432: 3430: 3419: 3418: 3405: 3395: 3393: 3392:on May 25, 2011 3379: 3378: 3374: 3357: 3350: 3348: 3339: 3338: 3334: 3324: 3322: 3313: 3312: 3308: 3298: 3296: 3288:Kellman, Andy. 3287: 3286: 3275: 3265: 3263: 3255:Kellman, Andy. 3254: 3253: 3249: 3239: 3237: 3229:Bregman, Adam. 3228: 3227: 3223: 3213: 3211: 3201: 3200: 3196: 3186: 3184: 3176:Kellman, Andy. 3175: 3174: 3161: 3151: 3149: 3140: 3139: 3130: 3120: 3118: 3110:Butler, Blake. 3109: 3108: 3104: 3097: 3084: 3083: 3079: 3074: 3070: 3052: 3050: 3048:Markprindle.com 3041: 3040: 3036: 3026: 3024: 3008: 3007: 2996: 2986: 2984: 2971: 2970: 2966: 2961: 2954: 2946:I Am the Walrus 2933: 2931: 2922: 2921: 2917: 2904: 2902: 2893: 2892: 2888: 2878: 2876: 2867: 2866: 2857: 2851: 2847: 2837: 2835: 2820: 2819: 2815: 2805: 2803: 2797: 2796: 2787: 2777: 2775: 2762: 2761: 2754: 2744: 2742: 2734:Stylus Magazine 2726: 2725: 2718: 2708: 2706: 2691: 2690: 2686: 2676: 2674: 2664: 2663: 2648: 2643: 2639: 2629: 2627: 2613: 2612: 2608: 2598: 2596: 2584: 2583: 2579: 2569: 2567: 2548: 2547: 2543: 2533: 2531: 2517: 2516: 2512: 2505: 2492: 2491: 2484: 2474: 2472: 2456: 2455: 2448: 2438: 2436: 2427: 2426: 2419: 2415:: 2001. p. 222. 2401: 2397: 2387: 2385: 2376: 2375: 2364: 2354: 2352: 2341: 2340: 2336: 2326: 2324: 2315: 2314: 2310: 2300: 2298: 2289: 2288: 2284: 2270: 2268: 2252: 2251: 2247: 2233: 2231: 2222: 2221: 2217: 2205:the Sex Pistols 2195: 2193: 2179: 2178: 2174: 2145: 2143: 2127: 2126: 2122: 2112: 2110: 2101: 2100: 2091: 2081: 2079: 2066: 2065: 2048: 2038: 2036: 2026: 2025: 2021: 2014: 2001: 2000: 1996: 1978: 1977: 1973: 1963: 1961: 1947: 1946: 1925: 1918: 1896: 1895: 1891: 1881: 1879: 1866: 1865: 1844: 1834: 1832: 1824: 1823: 1819: 1811:TheGuardian.com 1804: 1803: 1799: 1785: 1783: 1774: 1773: 1769: 1765: 1753: 1747:sensibilities. 1679:Pierce the Veil 1593:Modern Baseball 1585: 1565:Pierce the Veil 1437:Hundred Reasons 1362:At the Drive-In 1314: 1270:Polydor Records 1234: 1221:At the Drive-In 1182:Drive Like Jehu 1146:Gravity Records 1123: 1082:At the Drive-In 1045:Poster Children 954:At the Drive-In 864: 698:Rites of Spring 690:put out the EP 664: 640:, related with 602: 572:industrial rock 534:-related bands 463:Groups such as 453: 451:Origins (1980s) 448: 382: 380:Characteristics 366:Pierce the Veil 318:At the Drive-In 313: 195:Washington D.C. 151:Regional scenes 66: 28: 23: 22: 15: 12: 11: 5: 6656: 6654: 6646: 6645: 6640: 6635: 6630: 6625: 6623:2010s in music 6620: 6618:2000s in music 6615: 6613:1990s in music 6610: 6608:1980s in music 6605: 6600: 6595: 6590: 6585: 6575: 6574: 6568: 6567: 6565: 6564: 6559: 6554: 6549: 6542: 6537: 6530: 6525: 6520: 6515: 6510: 6509: 6508: 6498: 6491: 6486: 6481: 6476: 6468: 6466: 6462: 6461: 6459: 6458: 6453: 6448: 6442: 6440: 6436: 6435: 6433: 6432: 6427: 6422: 6421: 6420: 6415: 6410: 6405: 6395: 6390: 6385: 6380: 6375: 6370: 6365: 6360: 6355: 6350: 6349: 6348: 6343: 6333: 6328: 6323: 6318: 6317: 6316: 6306: 6301: 6296: 6291: 6286: 6281: 6276: 6275: 6274: 6269: 6259: 6254: 6253: 6252: 6242: 6237: 6232: 6227: 6226: 6225: 6215: 6209: 6207: 6201: 6200: 6191: 6189: 6188: 6181: 6174: 6166: 6157: 6156: 6154: 6153: 6148: 6138: 6133: 6128: 6123: 6118: 6113: 6108: 6103: 6098: 6093: 6088: 6083: 6078: 6073: 6068: 6063: 6058: 6052: 6050: 6046: 6045: 6043: 6042: 6037: 6032: 6031: 6030: 6025: 6017: 6012: 6006: 6004: 6000: 5999: 5997: 5996: 5991: 5981: 5980: 5979: 5974: 5967:United Kingdom 5964: 5963: 5962: 5957: 5947: 5942: 5937: 5932: 5927: 5922: 5921: 5920: 5910: 5905: 5900: 5894: 5892: 5888: 5887: 5885: 5884: 5879: 5874: 5869: 5864: 5859: 5854: 5849: 5844: 5839: 5834: 5829: 5823: 5821: 5820:Related genres 5817: 5816: 5814: 5813: 5808: 5803: 5798: 5797: 5796: 5786: 5781: 5776: 5771: 5766: 5761: 5760: 5759: 5754: 5744: 5743: 5742: 5732: 5727: 5722: 5717: 5716: 5715: 5710: 5705: 5700: 5695: 5694: 5693: 5688: 5683: 5678: 5677: 5676: 5671: 5661: 5651: 5646: 5641: 5636: 5631: 5621: 5616: 5615: 5614: 5609: 5604: 5594: 5593: 5592: 5582: 5577: 5572: 5567: 5566: 5565: 5558:Christian punk 5555: 5554: 5553: 5543: 5542: 5541: 5536: 5525: 5523: 5520:Subgenres and 5517: 5516: 5514: 5513: 5512: 5511: 5510: 5509: 5493: 5491: 5487: 5486: 5481: 5479: 5478: 5471: 5464: 5456: 5447: 5446: 5444: 5443: 5438: 5433: 5427: 5422: 5417: 5412: 5407: 5402: 5397: 5392: 5387: 5382: 5377: 5372: 5366: 5364: 5360: 5359: 5356: 5355: 5353: 5352: 5347: 5342: 5337: 5332: 5327: 5321: 5319: 5315: 5314: 5312: 5311: 5306: 5301: 5296: 5291: 5286: 5281: 5276: 5270: 5268: 5261: 5257: 5256: 5254: 5253: 5248: 5243: 5238: 5233: 5228: 5223: 5218: 5213: 5208: 5203: 5198: 5193: 5188: 5187: 5186: 5176: 5171: 5166: 5161: 5156: 5151: 5146: 5141: 5136: 5131: 5126: 5121: 5116: 5111: 5106: 5101: 5096: 5091: 5086: 5081: 5076: 5071: 5069:Bandana thrash 5065: 5063: 5059: 5058: 5053: 5051: 5050: 5043: 5036: 5028: 5022: 5021: 5010: 4997: 4974: 4960: 4944: 4941: 4939: 4938: 4912: 4886: 4873:Slant Magazine 4855: 4829: 4800: 4773: 4761: 4749: 4727: 4701: 4672: 4650: 4614: 4601:Brooklyn Vegan 4586: 4575:. May 12, 2014 4564: 4536:Franck, John. 4528: 4497: 4471: 4438: 4409: 4383: 4365:Franck, John. 4354: 4323: 4292: 4290:Grubbs, p. 269 4283: 4247: 4221: 4181: 4155: 4134:"Contributors" 4122: 4080: 4051: 4016: 3990: 3958: 3944: 3916: 3883: 3857: 3825: 3799: 3771: 3745: 3719: 3693: 3665: 3639: 3599: 3568: 3532: 3506: 3473: 3440: 3427:Rhapsody Music 3403: 3372: 3332: 3306: 3273: 3247: 3221: 3194: 3159: 3128: 3102: 3095: 3077: 3068: 3034: 3009:Capper, Andy. 2994: 2973:"Explore: Emo" 2964: 2952: 2915: 2894:Raggett, Ned. 2886: 2855: 2845: 2813: 2785: 2752: 2716: 2684: 2646: 2637: 2606: 2577: 2541: 2519:Palmer, Robert 2510: 2503: 2482: 2457:Cooper, Ryan. 2446: 2417: 2395: 2377:Deming, Mark. 2362: 2334: 2308: 2282: 2245: 2229:Trousser Press 2215: 2172: 2120: 2089: 2046: 2028:"Naked Raygun" 2019: 2012: 1994: 1971: 1923: 1916: 1898:Blush, Stephen 1889: 1878:on May 5, 2011 1842: 1817: 1797: 1793:post-hardcore. 1766: 1764: 1761: 1760: 1759: 1752: 1749: 1705:Cloud Nothings 1584: 1581: 1557:Ice Nine Kills 1313: 1310: 1233: 1230: 1206:Justin Pearson 1122: 1119: 1090:Season to Risk 956:performing at 896:Youth of Today 863: 860: 676:State of Alert 663: 660: 586:, an act from 489:the Stranglers 452: 449: 447: 444: 436:Heavy hardcore 381: 378: 231: 230: 229: 228: 223: 218: 213: 205: 204: 200: 199: 198: 197: 192: 187: 182: 174: 173: 169: 168: 167: 166: 161: 153: 152: 148: 147: 141: 140: 136: 135: 134: 133: 128: 115: 114: 110: 109: 108: 107: 102: 97: 92: 87: 80: 76: 75: 72: 68: 67: 65: 64: 59: 54: 49: 43: 41: 37: 36: 26: 24: 14: 13: 10: 9: 6: 4: 3: 2: 6655: 6644: 6641: 6639: 6636: 6634: 6631: 6629: 6626: 6624: 6621: 6619: 6616: 6614: 6611: 6609: 6606: 6604: 6601: 6599: 6596: 6594: 6591: 6589: 6586: 6584: 6583:Post-hardcore 6581: 6580: 6578: 6563: 6560: 6558: 6555: 6553: 6550: 6548: 6547: 6543: 6541: 6538: 6536: 6535: 6531: 6529: 6526: 6524: 6521: 6519: 6516: 6514: 6511: 6507: 6504: 6503: 6502: 6499: 6497: 6496: 6492: 6490: 6487: 6485: 6482: 6480: 6477: 6475: 6474: 6470: 6469: 6467: 6463: 6457: 6454: 6452: 6449: 6447: 6444: 6443: 6441: 6437: 6431: 6428: 6426: 6423: 6419: 6416: 6414: 6411: 6409: 6406: 6404: 6401: 6400: 6399: 6396: 6394: 6391: 6389: 6386: 6384: 6381: 6379: 6378:Post-hardcore 6376: 6374: 6371: 6369: 6366: 6364: 6361: 6359: 6356: 6354: 6351: 6347: 6344: 6342: 6339: 6338: 6337: 6334: 6332: 6329: 6327: 6324: 6322: 6319: 6315: 6312: 6311: 6310: 6307: 6305: 6302: 6300: 6297: 6295: 6292: 6290: 6287: 6285: 6282: 6280: 6277: 6273: 6270: 6268: 6267:Ethereal Wave 6265: 6264: 6263: 6260: 6258: 6255: 6251: 6248: 6247: 6246: 6243: 6241: 6238: 6236: 6233: 6231: 6228: 6224: 6221: 6220: 6219: 6216: 6214: 6211: 6210: 6208: 6202: 6198: 6194: 6187: 6182: 6180: 6175: 6173: 6168: 6167: 6164: 6152: 6149: 6146: 6142: 6139: 6137: 6136:Straight edge 6134: 6132: 6129: 6127: 6124: 6122: 6119: 6117: 6114: 6112: 6109: 6107: 6104: 6102: 6099: 6097: 6094: 6092: 6089: 6087: 6084: 6082: 6079: 6077: 6074: 6072: 6069: 6067: 6064: 6062: 6059: 6057: 6054: 6053: 6051: 6047: 6041: 6038: 6036: 6033: 6029: 6026: 6024: 6021: 6020: 6018: 6016: 6013: 6011: 6008: 6007: 6005: 6001: 5995: 5992: 5989: 5985: 5984:United States 5982: 5978: 5975: 5973: 5970: 5969: 5968: 5965: 5961: 5958: 5956: 5953: 5952: 5951: 5948: 5946: 5943: 5941: 5938: 5936: 5933: 5931: 5928: 5926: 5923: 5919: 5918:List of bands 5916: 5915: 5914: 5911: 5909: 5906: 5904: 5901: 5899: 5896: 5895: 5893: 5889: 5883: 5880: 5878: 5875: 5873: 5870: 5868: 5865: 5863: 5860: 5858: 5855: 5853: 5850: 5848: 5845: 5843: 5840: 5838: 5835: 5833: 5830: 5828: 5825: 5824: 5822: 5818: 5812: 5809: 5807: 5804: 5802: 5799: 5795: 5792: 5791: 5790: 5787: 5785: 5782: 5780: 5777: 5775: 5772: 5770: 5767: 5765: 5764:Post-hardcore 5762: 5758: 5755: 5753: 5750: 5749: 5748: 5745: 5741: 5738: 5737: 5736: 5733: 5731: 5728: 5726: 5723: 5721: 5718: 5714: 5711: 5709: 5706: 5704: 5701: 5699: 5696: 5692: 5689: 5687: 5684: 5682: 5679: 5675: 5672: 5670: 5667: 5666: 5665: 5664:Electronicore 5662: 5660: 5657: 5656: 5655: 5652: 5650: 5647: 5645: 5642: 5640: 5637: 5635: 5632: 5630: 5627: 5626: 5625: 5624:Hardcore punk 5622: 5620: 5617: 5613: 5610: 5608: 5605: 5603: 5600: 5599: 5598: 5595: 5591: 5588: 5587: 5586: 5583: 5581: 5578: 5576: 5573: 5571: 5568: 5564: 5561: 5560: 5559: 5556: 5552: 5549: 5548: 5547: 5544: 5540: 5537: 5535: 5532: 5531: 5530: 5527: 5526: 5524: 5522:fusion genres 5518: 5508: 5505: 5504: 5503: 5500: 5499: 5498: 5495: 5494: 5492: 5488: 5484: 5477: 5472: 5470: 5465: 5463: 5458: 5457: 5454: 5442: 5439: 5437: 5436:Straight edge 5434: 5431: 5428: 5426: 5423: 5421: 5418: 5416: 5413: 5411: 5408: 5406: 5403: 5401: 5398: 5396: 5393: 5391: 5388: 5386: 5383: 5381: 5378: 5376: 5373: 5371: 5368: 5367: 5365: 5361: 5351: 5348: 5346: 5343: 5341: 5338: 5336: 5333: 5331: 5328: 5326: 5323: 5322: 5320: 5318:United States 5316: 5310: 5307: 5305: 5302: 5300: 5297: 5295: 5292: 5290: 5287: 5285: 5282: 5280: 5277: 5275: 5272: 5271: 5269: 5267:International 5265: 5262: 5258: 5252: 5249: 5247: 5244: 5242: 5239: 5237: 5234: 5232: 5229: 5227: 5224: 5222: 5219: 5217: 5214: 5212: 5209: 5207: 5204: 5202: 5199: 5197: 5194: 5192: 5191:Powerviolence 5189: 5185: 5182: 5181: 5180: 5179:Post-hardcore 5177: 5175: 5172: 5170: 5167: 5165: 5162: 5160: 5157: 5155: 5152: 5150: 5147: 5145: 5142: 5140: 5137: 5135: 5132: 5130: 5127: 5125: 5124:Electronicore 5122: 5120: 5117: 5115: 5112: 5110: 5107: 5105: 5102: 5100: 5097: 5095: 5092: 5090: 5087: 5085: 5082: 5080: 5077: 5075: 5072: 5070: 5067: 5066: 5064: 5060: 5056: 5055:Hardcore punk 5049: 5044: 5042: 5037: 5035: 5030: 5029: 5026: 5019: 5015: 5011: 5000: 4994: 4990: 4986: 4982: 4981: 4975: 4973: 4972:0-316-78753-1 4969: 4965: 4961: 4959: 4958:1-888451-44-0 4955: 4951: 4947: 4946: 4942: 4927: 4923: 4922:"METZ – METZ" 4916: 4913: 4901: 4897: 4890: 4887: 4875: 4874: 4869: 4862: 4860: 4856: 4844: 4840: 4833: 4830: 4818: 4814: 4811:Sendra, Tim. 4807: 4805: 4801: 4789: 4788: 4783: 4777: 4774: 4770: 4765: 4762: 4758: 4757:Chart History 4753: 4750: 4737: 4731: 4728: 4715: 4711: 4705: 4702: 4689: 4688:pitchfork.com 4685: 4679: 4677: 4673: 4661: 4654: 4651: 4639: 4635: 4631: 4630: 4625: 4618: 4615: 4603: 4602: 4597: 4590: 4587: 4574: 4568: 4565: 4553: 4549: 4548: 4543: 4541: 4532: 4529: 4517: 4516: 4511: 4504: 4502: 4498: 4486: 4485:Metal Insider 4482: 4475: 4472: 4459: 4455: 4454: 4449: 4442: 4439: 4427: 4423: 4416: 4414: 4410: 4398: 4394: 4387: 4384: 4372: 4368: 4361: 4359: 4355: 4342: 4338: 4337:quicksand.net 4334: 4327: 4324: 4311: 4307: 4306:quicksand.net 4303: 4296: 4293: 4287: 4284: 4271: 4267: 4266: 4261: 4254: 4252: 4248: 4236: 4232: 4229:Huey, Steve. 4225: 4222: 4209: 4205: 4204: 4199: 4192: 4190: 4188: 4186: 4182: 4170: 4166: 4159: 4156: 4143: 4139: 4135: 4129: 4127: 4123: 4110: 4106: 4105: 4100: 4093: 4091: 4089: 4087: 4085: 4081: 4069: 4065: 4058: 4056: 4052: 4040: 4036: 4035: 4034:The A.V. Club 4030: 4023: 4021: 4017: 4005: 4001: 3994: 3991: 3978: 3974: 3973: 3968: 3962: 3959: 3954: 3948: 3945: 3933: 3932: 3927: 3920: 3917: 3913: 3901: 3899: 3894: 3887: 3884: 3872: 3868: 3861: 3858: 3845: 3841: 3840: 3835: 3829: 3826: 3814: 3810: 3807:Huey, Steve. 3803: 3800: 3787: 3786: 3781: 3775: 3772: 3760: 3756: 3749: 3746: 3734: 3730: 3723: 3720: 3708: 3704: 3697: 3694: 3681: 3674: 3672: 3670: 3666: 3654: 3650: 3643: 3640: 3627: 3623: 3622: 3617: 3610: 3608: 3606: 3604: 3600: 3587: 3583: 3579: 3572: 3569: 3565: 3553: 3549: 3548: 3543: 3536: 3533: 3521: 3517: 3514:Huey, Steve. 3510: 3507: 3503: 3491: 3489: 3484: 3477: 3474: 3461: 3460: 3455: 3453: 3444: 3441: 3429: 3428: 3423: 3416: 3414: 3412: 3410: 3408: 3404: 3391: 3387: 3386:EyeWeekly.com 3383: 3376: 3373: 3368: 3362: 3347: 3343: 3336: 3333: 3321: 3317: 3314:Huey, Steve. 3310: 3307: 3295: 3291: 3284: 3282: 3280: 3278: 3274: 3262: 3258: 3251: 3248: 3236: 3232: 3225: 3222: 3210: 3209: 3204: 3198: 3195: 3183: 3179: 3172: 3170: 3168: 3166: 3164: 3160: 3148: 3144: 3141:Huey, Steve. 3137: 3135: 3133: 3129: 3117: 3113: 3106: 3103: 3098: 3092: 3088: 3081: 3078: 3072: 3069: 3065: 3063: 3049: 3045: 3038: 3035: 3022: 3018: 3017: 3012: 3005: 3003: 3001: 2999: 2995: 2982: 2978: 2974: 2968: 2965: 2962:Grubbs, p. 27 2959: 2957: 2953: 2949: 2947: 2943: 2930: 2926: 2919: 2916: 2912: 2901: 2897: 2890: 2887: 2875: 2871: 2868:Huey, Steve. 2864: 2862: 2860: 2856: 2849: 2846: 2833: 2829: 2828: 2823: 2817: 2814: 2801: 2794: 2792: 2790: 2786: 2773: 2769: 2765: 2759: 2757: 2753: 2740: 2736: 2735: 2730: 2723: 2721: 2717: 2704: 2703: 2698: 2694: 2688: 2685: 2673: 2672: 2667: 2661: 2659: 2657: 2655: 2653: 2651: 2647: 2644:Grubbs, p. 14 2641: 2638: 2625: 2621: 2617: 2610: 2607: 2594: 2593: 2588: 2581: 2578: 2565: 2561: 2560: 2559:Rolling Stone 2555: 2551: 2550:Fricke, David 2545: 2542: 2530: 2529: 2524: 2520: 2514: 2511: 2506: 2500: 2496: 2489: 2487: 2483: 2470: 2466: 2465: 2460: 2453: 2451: 2447: 2435: 2431: 2424: 2422: 2418: 2414: 2410: 2409: 2404: 2403:Blush, Steven 2399: 2396: 2384: 2380: 2373: 2371: 2369: 2367: 2363: 2351: 2350: 2345: 2338: 2335: 2323: 2319: 2316:Huey, Steve. 2312: 2309: 2297: 2293: 2290:Huey, Steve. 2286: 2283: 2279: 2266: 2262: 2261: 2256: 2249: 2246: 2242: 2230: 2226: 2219: 2216: 2212: 2210: 2206: 2191: 2187: 2183: 2176: 2173: 2169: 2167: 2163: 2159: 2155: 2141: 2137: 2136: 2131: 2124: 2121: 2109: 2105: 2102:Huey, Steve. 2098: 2096: 2094: 2090: 2077: 2073: 2069: 2063: 2061: 2059: 2057: 2055: 2053: 2051: 2047: 2035: 2034: 2029: 2023: 2020: 2015: 2009: 2005: 1998: 1995: 1990: 1986: 1985:BrooklynVegan 1982: 1975: 1972: 1959: 1955: 1951: 1944: 1942: 1940: 1938: 1936: 1934: 1932: 1930: 1928: 1924: 1919: 1913: 1909: 1905: 1904: 1899: 1893: 1890: 1877: 1873: 1869: 1863: 1861: 1859: 1857: 1855: 1853: 1851: 1849: 1847: 1843: 1831: 1827: 1821: 1818: 1813: 1812: 1807: 1801: 1798: 1794: 1782: 1778: 1771: 1768: 1762: 1758: 1755: 1754: 1750: 1748: 1746: 1742: 1738: 1734: 1730: 1726: 1722: 1718: 1714: 1710: 1706: 1702: 1698: 1697: 1696:Misadventures 1692: 1691: 1686: 1685: 1680: 1676: 1675: 1670: 1665: 1662: 1658: 1657: 1652: 1648: 1647: 1642: 1638: 1634: 1630: 1626: 1622: 1618: 1614: 1610: 1606: 1602: 1598: 1594: 1590: 1582: 1580: 1578: 1574: 1570: 1566: 1562: 1558: 1554: 1550: 1546: 1542: 1538: 1534: 1530: 1526: 1522: 1521:Circa Survive 1518: 1514: 1510: 1506: 1502: 1498: 1494: 1490: 1486: 1482: 1478: 1474: 1470: 1466: 1462: 1458: 1454: 1450: 1446: 1442: 1441:Hondo Maclean 1438: 1434: 1430: 1426: 1425:rock and roll 1422: 1417: 1415: 1411: 1407: 1403: 1402:Sammy Siegler 1399: 1395: 1394: 1389: 1385: 1384: 1379: 1378: 1373: 1369: 1368: 1363: 1359: 1355: 1351: 1347: 1343: 1339: 1335: 1334:Ross Robinson 1326: 1318: 1311: 1309: 1307: 1306: 1301: 1297: 1296: 1291: 1286: 1282: 1281: 1275: 1271: 1267: 1262: 1260: 1256: 1255: 1250: 1245: 1244: 1239: 1231: 1229: 1226: 1222: 1217: 1215: 1211: 1207: 1203: 1199: 1195: 1191: 1187: 1183: 1178: 1176: 1172: 1168: 1164: 1160: 1155: 1154:Antioch Arrow 1151: 1147: 1139: 1135: 1131: 1127: 1120: 1118: 1116: 1112: 1108: 1107: 1102: 1098: 1093: 1091: 1087: 1083: 1079: 1075: 1071: 1066: 1062: 1058: 1054: 1050: 1046: 1042: 1038: 1034: 1030: 1026: 1025: 1020: 1016: 1012: 1008: 1004: 1000: 996: 992: 988: 983: 979: 975: 971: 967: 959: 955: 951: 944: 939: 935: 933: 929: 925: 921: 917: 913: 912:Henry Rollins 909: 905: 901: 897: 893: 889: 885: 881: 877: 868: 861: 859: 857: 853: 849: 845: 844: 839: 838: 837:Margin Walker 833: 829: 828: 823: 819: 818:Brendan Canty 814: 810: 809: 804: 800: 797:, as well as 796: 792: 788: 784: 776: 772: 768: 764: 761: 757: 753: 752:Guy Picciotto 749: 745: 740: 738: 734: 733: 728: 723: 719: 715: 711: 707: 703: 699: 695: 694: 689: 685: 681: 677: 673: 669: 661: 659: 657: 656: 651: 647: 643: 639: 635: 634: 633:Rolling Stone 629: 628: 623: 621: 616: 612: 608: 603:post-hardcore 600: 596: 591: 589: 588:Austin, Texas 585: 581: 577: 573: 569: 565: 561: 557: 553: 549: 545: 541: 537: 533: 529: 528:Squirrel Bait 525: 521: 517: 511: 509: 505: 501: 497: 494: 490: 486: 482: 478: 474: 470: 466: 457: 450: 445: 443: 441: 437: 433: 429: 425: 421: 417: 413: 408: 403: 401: 396: 395: 390: 386: 385:Hardcore punk 379: 377: 375: 371: 367: 363: 359: 355: 351: 347: 343: 339: 335: 331: 327: 323: 319: 314:post-hardcore 311: 307: 303: 298: 296: 292: 288: 284: 280: 276: 272: 268: 264: 260: 256: 252: 248: 247:hardcore punk 244: 241: 237: 236:Post-hardcore 227: 226:list of bands 224: 222: 219: 217: 214: 212: 209: 208: 206: 201: 196: 193: 191: 188: 186: 183: 181: 178: 177: 175: 170: 165: 162: 160: 157: 156: 154: 149: 146: 142: 139:Fusion genres 137: 132: 129: 126: 122: 119: 118: 116: 111: 106: 103: 101: 98: 96: 93: 91: 88: 86: 83: 82: 81: 77: 73: 69: 63: 60: 58: 55: 53: 50: 48: 47:Hardcore punk 45: 44: 42: 38: 35:Post-hardcore 33: 30: 19: 18:Post hardcore 6544: 6532: 6493: 6471: 6465:Other topics 6403:Electroclash 6393:Sophisti-pop 6377: 6363:New Romantic 6321:Minimal wave 6279:Electroclash 6272:Neoclassical 6131:Puntala-rock 6106:Punk fashion 5877:Thrash metal 5763: 5674:Nintendocore 5529:Anarcho-punk 5363:Other topics 5246:Thrash metal 5226:Sludge metal 5178: 5169:Nintendocore 5017: 5013: 5002:. Retrieved 4979: 4963: 4949: 4943:Bibliography 4929:. Retrieved 4925: 4915: 4903:. Retrieved 4899: 4889: 4877:. Retrieved 4871: 4846:. Retrieved 4842: 4832: 4820:. Retrieved 4816: 4791:. Retrieved 4785: 4776: 4764: 4752: 4740:. Retrieved 4730: 4718:. Retrieved 4713: 4704: 4692:. Retrieved 4687: 4663:. Retrieved 4653: 4641:. Retrieved 4629:The Guardian 4627: 4617: 4605:. Retrieved 4599: 4589: 4577:. Retrieved 4567: 4555:. Retrieved 4545: 4539: 4531: 4521:September 8, 4519:. Retrieved 4513: 4488:. Retrieved 4484: 4474: 4462:. Retrieved 4451: 4441: 4429:. Retrieved 4425: 4400:. Retrieved 4396: 4386: 4374:. Retrieved 4370: 4345:. Retrieved 4341:the original 4336: 4326: 4314:. Retrieved 4310:the original 4305: 4295: 4286: 4276:November 17, 4274:. Retrieved 4270:the original 4263: 4238:. Retrieved 4234: 4224: 4212:. Retrieved 4208:the original 4201: 4172:. Retrieved 4168: 4163:Kott, Paul. 4158: 4146:. Retrieved 4142:the original 4137: 4113:. Retrieved 4109:the original 4102: 4071:. Retrieved 4067: 4032: 4007:. Retrieved 4003: 3993: 3981:. Retrieved 3977:the original 3970: 3961: 3947: 3935:. Retrieved 3929: 3919: 3910: 3903:. Retrieved 3896: 3886: 3874:. Retrieved 3870: 3865:Bush, John. 3860: 3848:. Retrieved 3844:the original 3837: 3828: 3816:. Retrieved 3812: 3802: 3790:. Retrieved 3783: 3774: 3762:. Retrieved 3759:Punknews.org 3758: 3748: 3736:. Retrieved 3733:Punknews.org 3732: 3722: 3710:. Retrieved 3706: 3696: 3684:. Retrieved 3656:. Retrieved 3652: 3642: 3630:. Retrieved 3626:the original 3619: 3590:. Retrieved 3586:the original 3581: 3571: 3563: 3556:. Retrieved 3552:the original 3545: 3535: 3523:. Retrieved 3519: 3509: 3500: 3493:. Retrieved 3486: 3476: 3464:. Retrieved 3457: 3451: 3443: 3431:. Retrieved 3425: 3394:. Retrieved 3390:the original 3385: 3375: 3349:. Retrieved 3346:Punknews.org 3345: 3335: 3323:. Retrieved 3319: 3309: 3297:. Retrieved 3293: 3264:. Retrieved 3260: 3250: 3238:. Retrieved 3234: 3224: 3212:. Retrieved 3206: 3197: 3185:. Retrieved 3181: 3150:. Retrieved 3146: 3119:. Retrieved 3115: 3105: 3086: 3080: 3071: 3058: 3051:. Retrieved 3047: 3037: 3025:. Retrieved 3021:the original 3014: 2985:. Retrieved 2981:the original 2976: 2967: 2939: 2932:. Retrieved 2928: 2918: 2910: 2903:. Retrieved 2899: 2889: 2877:. Retrieved 2873: 2848: 2836:. Retrieved 2832:the original 2825: 2816: 2804:. Retrieved 2776:. Retrieved 2772:the original 2767: 2743:. Retrieved 2739:the original 2732: 2707:. Retrieved 2700: 2693:MacKaye, Ian 2687: 2675:. Retrieved 2669: 2640: 2628:. Retrieved 2624:the original 2619: 2609: 2597:. Retrieved 2590: 2580: 2568:. Retrieved 2557: 2544: 2532:. Retrieved 2526: 2513: 2494: 2473:. Retrieved 2469:the original 2462: 2437:. Retrieved 2433: 2406: 2398: 2386:. Retrieved 2382: 2353:. Retrieved 2347: 2337: 2325:. Retrieved 2321: 2311: 2299:. Retrieved 2295: 2285: 2276: 2269:. Retrieved 2258: 2248: 2239: 2232:. Retrieved 2228: 2218: 2201: 2194:. Retrieved 2185: 2175: 2151: 2144:. Retrieved 2133: 2123: 2111:. Retrieved 2107: 2080:. Retrieved 2076:the original 2071: 2037:. Retrieved 2031: 2022: 2003: 1997: 1984: 1974: 1962:. Retrieved 1958:the original 1953: 1902: 1892: 1880:. Retrieved 1876:the original 1871: 1833:. Retrieved 1829: 1820: 1809: 1800: 1791: 1784:. Retrieved 1781:the Guardian 1780: 1770: 1721:sludge metal 1695: 1689: 1682: 1672: 1666: 1660: 1655: 1645: 1621:Touché Amoré 1597:the Hotelier 1586: 1561:Blessthefall 1469:Alexisonfire 1418: 1397: 1391: 1386:(2002), and 1381: 1375: 1365: 1331: 1303: 1293: 1278: 1263: 1252: 1241: 1235: 1218: 1198:Joy Division 1179: 1143: 1104: 1094: 1022: 974:Circus Lupus 963: 958:Lollapalooza 908:Rollins Band 888:Scratch Acid 873: 841: 835: 825: 806: 780: 747: 741: 730: 691: 665: 653: 649: 642:Jello Biafra 631: 625: 618: 607:experimental 592: 584:Scratch Acid 568:drum machine 544:Steve Albini 540:Bitch Magnet 532:David Grubbs 530:(as well as 526:, including 512: 504:Gang of Four 493:Los Angeles' 477:Jeff Pezzati 473:The Effigies 469:Naked Raygun 462: 404: 392: 383: 354:Alexisonfire 299: 235: 234: 203:Other topics 172:Local scenes 131:Nintendocore 29: 6413:Electropunk 6331:Mod revival 6294:Gothic rock 6284:Electropunk 6204:Associated 5972:Celtic punk 5940:Netherlands 5872:Speed metal 5832:Gothic rock 5806:Street punk 5769:Psychobilly 5740:Street punk 5725:Latino punk 5720:Horror punk 5644:Krishnacore 5619:Garage punk 5607:Celtic punk 5497:Garage rock 5340:Minneapolis 5236:Street punk 5231:Speed metal 5139:Krishnacore 5114:Death metal 5079:Black metal 4793:January 17, 4742:October 24, 4694:January 17, 4665:October 26, 4607:October 29, 4579:January 17, 4542:– Overview" 4347:February 4, 4316:February 4, 4039:Onion, Inc. 3850:October 31, 3682:. p. 3 3450:"Quicksand 2942:the Beatles 2802:. p. 2 2705:. p. 1 2413:Feral House 1908:Feral House 1835:January 17, 1693:(2015) and 1649:noted that 1641:Title Fight 1609:Title Fight 1605:Drug Church 1601:Joyce Manor 1549:the Chariot 1509:progressive 1493:Silverstein 1465:Senses Fail 1429:heavy metal 1380:(2000) and 1354:Limp Bizkit 1272:) in 1992. 1266:major label 1219:Bands like 1202:Three One G 1115:electronica 1019:Joan of Arc 1007:Trenchmouth 934:movement". 832:self-titled 722:Ian MacKaye 706:Gray Matter 611:Minneapolis 520:Sonic Youth 485:Sex Pistols 400:gang vocals 370:Title Fight 358:Senses Fail 342:Silverstein 243:music genre 159:South Wales 27:Music genre 6577:Categories 6528:Industrial 6408:Electropop 6309:Madchester 6304:Jangle pop 6245:Dance-punk 6240:Dance-rock 6213:Avant-funk 6141:Punk films 5994:Yugoslavia 5988:California 5891:By country 5882:Visual kei 5857:Noise rock 5847:Industrial 5774:Punk blues 5757:Skate punk 5713:Thrashcore 5703:Riot grrrl 5612:Gypsy punk 5575:Dance-punk 5551:Avant-punk 5534:Crust punk 5502:Proto-punk 5490:Precursors 5441:Youth crew 5330:California 5309:Yugoslavia 5251:Thrashcore 5221:Skate punk 5206:Riot grrrl 5174:Pornogrind 5099:Crust punk 4515:PopMatters 4453:Noisecreep 4042:Retrieved 3972:I Heart AU 3062:Bad Brains 2838:August 11, 2778:August 11, 2570:August 17, 2534:August 17, 2349:The Skinny 1954:Treblezine 1763:References 1741:noise rock 1651:La Dispute 1643:. In 2011 1625:La Dispute 1545:Norma Jean 1414:Bad Brains 1358:PopMatters 1190:Swing Kids 1031:, also in 1015:Cap'n Jazz 1009:, and the 924:Louisville 880:Eli Janney 856:avant jazz 732:Zen Arcade 620:Zen Arcade 613:punk band 599:Black Flag 516:noise rock 508:Paganicons 440:indie rock 428:dance-punk 374:La Dispute 259:noise rock 216:avant-punk 105:post-metal 62:noise rock 6557:Vaporwave 6552:Synthwave 6523:Punk rock 6484:Chillwave 6418:Freestyle 6398:Synth-pop 6341:Dream pop 6299:Indie pop 6262:Dark wave 6257:Deathrock 6197:post-punk 6126:Punk zine 6086:DIY ethic 6066:Afro-punk 5960:Trallpunk 5898:Australia 5862:Post-punk 5811:Surf punk 5779:Punk jazz 5730:Nazi punk 5708:Taqwacore 5698:Queercore 5669:Crunkcore 5659:Deathcore 5654:Metalcore 5602:Anti-folk 5597:Folk punk 5507:Glam punk 5483:Punk rock 5425:Punk rock 5385:DIY ethic 5380:Deathcore 5279:Australia 5274:Argentina 5241:Taqwacore 5201:Queercore 5159:Metalcore 5134:Grindcore 5129:Goregrind 5109:Deathcore 5094:Crunkcore 5004:March 25, 4989:iUniverse 4787:Billboard 4638:0261-3077 4557:March 22, 4490:March 22, 4464:March 22, 4073:March 27, 4044:March 27, 4009:March 27, 3983:March 27, 3876:March 27, 3818:March 26, 3792:March 26, 3764:March 26, 3738:March 26, 3712:March 26, 3686:March 26, 3678:MacKaye. 3658:March 25, 3632:March 25, 3592:March 25, 3558:March 21, 3547:About.com 3525:March 25, 3495:March 21, 3466:March 21, 3396:March 21, 3351:March 27, 3325:March 20, 3299:March 20, 3266:March 20, 3240:March 20, 3214:March 20, 3187:March 20, 3152:March 20, 3121:March 20, 3053:March 19, 3027:March 20, 2987:March 19, 2934:March 19, 2905:March 19, 2879:March 19, 2806:March 19, 2798:MacKaye. 2709:March 19, 2677:March 19, 2630:March 27, 2599:March 27, 2464:About.com 2439:March 19, 2388:March 19, 2355:March 21, 2327:March 19, 2301:March 19, 2234:March 18, 2166:the Clash 2158:Buzzcocks 2082:March 18, 2039:March 18, 1964:March 20, 1882:March 18, 1786:April 15, 1745:post-punk 1729:power pop 1717:post-rock 1713:krautrock 1553:metalcore 1477:Brand New 1243:Nevermind 1214:grindcore 1186:Pitchfork 1029:Champaign 1011:Jade Tree 932:post-rock 928:math rock 892:Quicksand 822:Joe Lally 813:Bob Dylan 799:Baltimore 775:Bob Dylan 760:Moss Icon 727:Hüsker Dü 714:Dag Nasty 688:The Faith 638:Nomeansno 615:Hüsker Dü 595:About.com 564:DIY ethic 548:Big Black 481:Buzzcocks 465:Minutemen 407:post-punk 334:Underoath 287:Quicksand 279:Big Black 267:Minutemen 263:Hüsker Dü 255:post-punk 251:post-punk 240:punk rock 221:metalcore 190:San Diego 145:Crunkcore 113:Subgenres 100:math rock 85:Blackgaze 57:post-punk 52:punk rock 6346:Shoegaze 6250:New rave 6235:Coldwave 6230:Art punk 6193:New wave 5955:Könsrock 5852:New wave 5801:Ska punk 5789:Punk rap 5747:Pop-punk 5681:Mathcore 5580:Egg punk 5546:Art punk 5390:Hardline 5345:New York 5164:Nardcore 5144:Mathcore 4931:March 9, 4926:AllMusic 4905:March 9, 4900:AllMusic 4879:March 9, 4848:March 9, 4843:AllMusic 4822:March 9, 4817:AllMusic 4720:June 19, 4643:June 19, 4547:Allmusic 4431:April 9, 4426:AllMusic 4402:April 8, 4397:AllMusic 4376:April 8, 4371:AllMusic 4240:April 6, 4235:AllMusic 4214:April 3, 4203:Westword 4174:April 3, 4169:AllMusic 4148:April 2, 4115:April 6, 4068:AllMusic 4004:AllMusic 3937:April 1, 3931:Allmusic 3905:April 1, 3871:AllMusic 3813:AllMusic 3707:AllMusic 3653:AllMusic 3520:AllMusic 3433:April 3, 3361:cite web 3320:AllMusic 3294:AllMusic 3261:AllMusic 3235:AllMusic 3182:AllMusic 3147:AllMusic 3116:AllMusic 2977:AllMusic 2929:AllMusic 2900:AllMusic 2874:AllMusic 2745:April 6, 2564:Archived 2475:April 5, 2434:AllMusic 2383:AllMusic 2322:AllMusic 2296:AllMusic 2271:April 7, 2265:Archived 2209:the Ruts 2196:April 7, 2190:Archived 2146:April 7, 2140:Archived 2135:Westword 2108:AllMusic 2072:AllMusic 2033:AllMusic 1989:Archived 1872:AllMusic 1830:AllMusic 1751:See also 1737:hardcore 1725:shoegaze 1656:Wildlife 1629:Defeater 1541:The Bled 1501:Thursday 1489:the Used 1421:art rock 1372:Glassjaw 1370:(2000), 1346:Slipknot 1338:nu metal 1280:Meantime 1216:groups. 1210:mathcore 1194:Unbroken 1163:Mohinder 1033:Illinois 843:Repeater 827:13 Songs 803:Lungfish 756:Maryland 748:Thrasher 702:Soulside 668:harDCore 605:for the 500:the Fall 405:British 394:AllMusic 346:the Used 211:Art punk 95:mathcore 6489:Electro 6373:No wave 6358:New pop 6091:Moshing 5930:Germany 5913:Estonia 5794:Emo rap 5590:Emo rap 5570:Cowpunk 5405:Moshing 5335:Chicago 5216:Skacore 5211:Screamo 4991:, Inc. 3459:Decibel 2162:the Jam 2113:May 12, 1733:no wave 1701:the Men 1690:Madness 1617:Citizen 1533:Damiera 1513:Chiodos 1449:Pantera 1350:Soulfly 1238:Nirvana 1171:The VSS 1159:screamo 1138:Gravity 1130:The VSS 1097:Refused 1086:El Paso 1061:Unwound 978:Bluetip 902:member 852:R&B 718:Embrace 576:Il Duce 556:Shellac 552:Rapeman 446:History 306:Unwound 291:Shellac 185:Olympia 180:Chicago 125:screamo 90:emo rap 6546:Sounds 6425:2 Tone 6096:Poseur 5950:Sweden 5935:Greece 5925:France 5908:Canada 5903:Brazil 5842:Grunge 5752:2 Tone 5539:D-beat 5415:Poseur 5325:Boston 5294:Greece 5289:Canada 5284:Brazil 5104:D-beat 5062:Styles 4995: 4970: 4956: 4636: 3093: 2620:Dusted 2501: 2010: 1914: 1661:Treble 1577:Atreyu 1481:Thrice 1285:grunge 1173:(from 1165:(from 1150:Heroin 1080:, and 1078:Austin 1047:. The 995:Chavez 991:Unsane 987:Helmet 980:, and 966:Hoover 795:Fugazi 793:, and 787:Jawbox 771:Fugazi 682:, and 650:Dusted 542:) and 536:Bastro 487:, and 471:, and 426:, and 356:, and 350:Saosin 289:, and 283:Jawbox 271:Fugazi 6439:Lists 6430:Ultra 6314:Baggy 6223:Grebo 5945:Spain 5867:Scene 5837:Grebo 5304:Japan 5299:Italy 4460:Music 2278:Four. 1555:like 1300:Stars 1084:from 1070:Texas 1041:Braid 920:Slint 655:Wrong 302:Slint 273:from 238:is a 164:Texas 6479:CBGB 6388:Romo 6195:and 5006:2011 4993:ISBN 4968:ISBN 4954:ISBN 4933:2013 4907:2013 4881:2013 4850:2013 4824:2013 4795:2018 4744:2023 4722:2017 4696:2018 4667:2023 4645:2017 4634:ISSN 4609:2023 4581:2018 4559:2011 4523:2022 4492:2011 4466:2011 4433:2011 4404:2011 4378:2011 4349:2023 4318:2023 4278:2012 4242:2011 4216:2011 4176:2011 4150:2011 4117:2011 4075:2011 4046:2011 4011:2011 3985:2011 3939:2011 3907:2011 3878:2011 3852:2012 3820:2011 3794:2011 3766:2011 3740:2011 3714:2011 3688:2011 3660:2011 3634:2011 3594:2011 3560:2011 3527:2011 3497:2011 3468:2011 3452:Slip 3435:2011 3398:2011 3367:link 3353:2011 3327:2011 3301:2011 3268:2011 3242:2011 3216:2011 3189:2011 3154:2011 3123:2011 3091:ISBN 3055:2011 3029:2011 3016:Vice 2989:2011 2936:2011 2907:2011 2881:2011 2840:2012 2808:2011 2780:2012 2747:2011 2711:2011 2679:2011 2632:2011 2601:2011 2592:Spin 2572:2018 2536:2018 2499:ISBN 2477:2011 2441:2011 2390:2011 2357:2011 2329:2011 2303:2011 2273:2024 2260:Vice 2236:2011 2198:2024 2148:2024 2115:2011 2084:2011 2041:2011 2008:ISBN 1966:2011 1912:ISBN 1884:2011 1837:2018 1788:2016 1743:and 1731:and 1709:METZ 1707:and 1674:Feel 1635:and 1615:and 1599:and 1575:and 1563:and 1547:and 1527:and 1503:and 1443:and 1423:and 1404:(of 1352:and 1342:Korn 1212:and 1101:Umeå 1059:and 1057:Lync 1053:Karp 1043:and 997:and 960:2012 898:and 834:and 737:funk 716:and 680:Void 630:and 554:and 538:and 502:and 424:jazz 420:funk 412:soul 372:and 364:and 304:and 265:and 257:and 6473:C86 6028:L–Z 6023:#–K 5735:Oi! 5585:Emo 5410:Oi! 5184:Emo 4458:AOL 2944:' ' 2164:or 1485:AFI 1457:emo 1410:CIV 1374:'s 1364:'s 1290:RCA 1259:MTV 1240:'s 1076:in 1037:Hum 972:), 916:Tar 914:), 906:), 890:), 848:MC5 801:'s 744:emo 729:'s 704:), 546:'s 416:dub 330:AFI 121:Emo 6579:: 5016:. 4987:: 4983:. 4924:. 4898:. 4870:. 4858:^ 4841:. 4815:. 4803:^ 4784:. 4712:. 4686:. 4675:^ 4632:. 4626:. 4598:. 4550:. 4544:. 4512:. 4500:^ 4483:. 4456:. 4450:. 4424:. 4412:^ 4395:. 4369:. 4357:^ 4335:. 4304:. 4262:. 4250:^ 4233:. 4200:. 4184:^ 4167:. 4136:. 4125:^ 4101:. 4083:^ 4066:. 4054:^ 4037:. 4031:. 4019:^ 4002:. 3969:. 3928:. 3909:. 3895:. 3869:. 3836:. 3811:. 3782:. 3757:. 3731:. 3705:. 3668:^ 3651:. 3618:. 3602:^ 3580:. 3562:. 3544:. 3518:. 3499:. 3485:. 3456:. 3424:. 3406:^ 3384:. 3363:}} 3359:{{ 3344:. 3318:. 3292:. 3276:^ 3259:. 3233:. 3205:. 3180:. 3162:^ 3145:. 3131:^ 3114:. 3057:. 3046:. 3013:. 2997:^ 2975:. 2955:^ 2938:. 2927:. 2909:. 2898:. 2872:. 2858:^ 2824:. 2788:^ 2766:. 2755:^ 2731:. 2719:^ 2699:. 2668:. 2649:^ 2618:. 2589:. 2556:. 2525:. 2485:^ 2461:. 2449:^ 2432:. 2420:^ 2411:. 2405:. 2381:. 2365:^ 2346:. 2320:. 2294:. 2275:. 2263:. 2257:. 2238:. 2227:. 2200:. 2188:. 2184:. 2160:, 2150:. 2138:. 2132:. 2106:. 2092:^ 2070:. 2049:^ 2030:. 1987:. 1983:. 1952:. 1926:^ 1910:. 1906:. 1870:. 1845:^ 1828:. 1808:. 1790:. 1779:. 1739:, 1727:, 1723:, 1719:, 1715:, 1703:, 1631:, 1627:, 1623:, 1611:, 1607:, 1595:, 1579:. 1571:, 1559:, 1543:, 1539:, 1535:, 1523:, 1519:, 1515:, 1499:, 1495:, 1491:, 1487:, 1483:, 1479:, 1475:, 1471:, 1467:, 1463:, 1439:, 1435:, 1390:' 1348:, 1344:, 1092:. 1055:, 1039:, 993:, 989:, 976:, 789:, 785:, 712:, 708:, 678:, 491:. 483:, 467:, 438:, 434:, 422:, 418:, 414:, 352:, 348:, 344:, 340:, 336:, 332:, 328:, 324:, 320:, 285:, 281:, 6185:e 6178:t 6171:v 6147:) 6143:( 5990:) 5986:( 5475:e 5468:t 5461:v 5047:e 5040:t 5033:v 5008:. 4935:. 4909:. 4883:. 4852:. 4826:. 4797:. 4746:. 4724:. 4698:. 4669:. 4647:. 4611:. 4583:. 4561:. 4538:" 4525:. 4494:. 4468:. 4435:. 4406:. 4380:. 4351:. 4320:. 4280:. 4244:. 4218:. 4178:. 4152:. 4119:. 4077:. 4048:. 4013:. 3987:. 3955:. 3941:. 3880:. 3854:. 3839:K 3822:. 3796:. 3768:. 3742:. 3716:. 3690:. 3662:. 3636:. 3596:. 3529:. 3470:. 3454:" 3437:. 3400:. 3369:) 3355:. 3329:. 3303:. 3270:. 3244:. 3218:. 3191:. 3156:. 3125:. 3099:. 3031:. 2991:. 2883:. 2842:. 2810:. 2782:. 2749:. 2713:. 2681:. 2634:. 2603:. 2574:. 2538:. 2507:. 2479:. 2443:. 2392:. 2359:. 2331:. 2305:. 2117:. 2086:. 2043:. 2016:. 1968:. 1920:. 1886:. 1839:. 1408:/ 1140:. 945:. 622:, 127:) 123:( 20:)

Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.

Index