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1600:, which had been a prize-winning version of Le Corbusier's 'machine for modern living,' was deemed uninhabitable and was torn down. Since then, postmodernism has involved theories that embrace and aim to create diversity. It exalts uncertainty, flexibility and change and rejects utopianism while embracing a utopian way of thinking and acting. Postmodernity of 'resistance' seeks to deconstruct modernism and is a critique of the origins without necessarily returning to them. As a result of postmodernism, planners are much less inclined to lay a firm or steady claim to there being one single 'right way' of engaging in urban planning and are more open to different styles and ideas of 'how to plan'.
68:
1363:" ("there is no outside-text"). This statement is part of a critique of "inside" and "outside" metaphors when referring to the text, and is a corollary to the observation that there is no "inside" of a text as well. This attention to a text's unacknowledged reliance on metaphors and figures embedded within its discourse is characteristic of Derrida's approach. Derrida's method sometimes involves demonstrating that a given philosophical discourse depends on binary oppositions or excluding terms that the discourse itself has declared to be irrelevant or inapplicable. Derrida's philosophy inspired a postmodern movement called
57:
467:"Postmodernism" is "a highly contested term", referring to "a particularly unstable concept", that "names many different kinds of cultural objects and phenomena in many different ways". It is "diffuse, fragmentary, multi-dimensional". Critics have described it as "an exasperating term" and claim that its indefinability is "a truism". Put otherwise, postmodernism is "several things at once". It has no single definition, and the term does not name any single unified phenomenon, but rather many diverse phenomena: "postmodernisms rather than one postmodernism".
814:
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1333:, start from the assumption that people's identities, values, and economic conditions determine each other rather than having intrinsic properties that can be understood in isolation. While structuralism explores how meaning is produced by a set of essential relationships in an overarching quasi-linguistic system, poststructuralism accepts this premise, but rejects the assumption that such systems can ever be fixed or centered.
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633:, discussions of the 1970s were dominated by literary criticism, to be supplanted by architectural theory in the 1980s. Some of these conversations made use of French poststructuralist thought, but only after these innovations and critical discourse in the arts did postmodernism emerge as a philosophical term in its own right.
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In some sense, we may regard postmodernism, posthumanism, poststructuralism, etc., as being of the 'cyborg age' of mind over body. Deconference was an exploration in post-cyborgism (i.e. what comes after the postcorporeal era), and thus explored issues of postpostmodernism, postpoststructuralism, and
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as a productive mechanism, rather than as a merely negative phenomenon. He advocates for a critique of reason that emphasizes sensibility and feeling over rational judgment. Following
Nietzsche, Deleuze argues that philosophical critique is an encounter between thought and what forces it into action,
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criticized the vagueness of the term, enumerating a long list of otherwise unrelated concepts that people have designated as postmodernism, from "the décor of a room" or "a 'scratch' video", to fear of nuclear armageddon and the "implosion of meaning", and stated that anything that could signify all
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story about everything that is. Against totalizing metanarratives, Lyotard and other postmodern philosophers argue that truth is always dependent upon historical and social context rather than being absolute and universal—and that truth is always partial and "at issue" rather than being complete and
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Habermas's critique of postmodernism set the stage for much of the subsequent debate by clarifying some of its key underlying issues. Additionally, according to scholar Gary
Aylesworth, "that he is able to read postmodernist texts closely and discursively testifies to their intelligibility", against
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Both his political orientation and the consistency of his positions continue to be debated among critics and defenders alike. Nevertheless, Foucault's political works share two common elements: a historical perspective and a discursive methodology. He analyzed social phenomena in historical contexts
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approach to language and knowledge was untenable and misguided. He was also critical of what he claimed to expose as the artificial binary oppositions (e.g., subject/object, speech/writing) that he claims are at the heart of
Western culture and philosophy. It is during this period that postmodernism
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and focused on how they have evolved over time. Additionally, he employed the study of texts, usually academic texts, as the material for his inquiries. In this way, Foucault sought to understand how the historical formation of discourses has shaped contemporary political thinking and institutions.
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quoting D'Arcy
Westworth Thompson states: "To those who question the possibility of defining the interrelations between entities whose nature is not completely understood, I shall reply with the following comment by a great naturalist: In a very large part of morphology, our essential task lies in
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and that this requires training, discipline, inventiveness, and even a certain "cruelty". He believes that thought cannot activate itself, but needs external forces to awaken and move it. Art, science, and philosophy can provide such activation through their transformative and experimental nature.
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French philosopher and social theorist Michel
Foucault argued that power operates according to the logics of social institutions that have become unmoored from the intentions of any actual individuals. Individuals, according to Foucault, are both products and participants in these dynamics. In the
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If there is a common denominator to all these postmodernisms, it is that of a crisis in representation: a deeply felt loss of faith in our ability to represent the real, in the widest sense. No matter whether they are aesthestic , epistemological, moral, or political in nature, the representations
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Early mention of postmodernism as an element of graphic design appeared in the
British magazine, "Design". A characteristic of postmodern graphic design is that "retro, techno, punk, grunge, beach, parody, and pastiche were all conspicuous trends. Each had its own sites and venues, detractors and
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tradition, to expose modern social institutions and forms of knowledge as historically contingent forces of domination. He aims detotalize or decenter historical narratives to display modern consciousness as it is constituted by specific discourses and institutions that shape individuals into the
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Although these early uses anticipate some of the concerns of the debate in the second part of the 20th century, there is little direct continuity in the discussion. Just when the new discussion begins, however, is also a matter of dispute. Various authors place its beginnings in the 1950s, 1960s,
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titled "After
Postmodernism" that "declarations of postmodernism's demise have become a critical commonplace". A small group of critics has put forth a range of theories that aim to describe culture or society in the alleged aftermath of postmodernism, most notably Raoul Eshelman (performatism),
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Lyotard rejects. While he was particularly concerned with the way that this insight undermines claims of scientific objectivity, Lyotard's argument undermines the entire principle of transcendent legitimization. Instead, proponents of a language game must make the case for their legitimacy with
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Habermas criticizes these thinkers for their rejection of the subject and their embrace of experimental, avant-garde strategies. He asserts that their critiques of modernism ultimately lead to a longing for the very subject they seek to dismantle. Habermas also takes issue with postmodernists'
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In the 1990s, postmodernism became increasingly identified with critical and philosophical discourse directly about postmodernity or the postmodern idiom itself. No longer centered on any particular art or even the arts in general, it instead turns to address the more general problems posed to
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reference to such considerations as efficiency or practicality. Far from celebrating the apparently relativistic consequences of this argument, however, Lyotard focused much of his subsequent work on how links among games could be established, particularly with respect to ethics and politics.
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of the Los
Angeles School combined Marxist and postmodern perspectives and focused on the economic and social changes (globalization, specialization, industrialization/deindustrialization, neo-liberalism, mass migration) that lead to the creation of large city-regions with their patchwork of
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refers to a state where experiences are mediated by technology, resulting in a network of images and signs without a corresponding external reality. Baudrillard describes hyperreality as the terminal stage of simulation, where signs and images become entirely self-referential. Building on
1462:, contrasting two different language games, that of the expert, and that of the philosopher. He talks about the transformation of knowledge into information in the computer age and likens the transmission or reception of coded messages (information) to a position within a language game.
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details the shift from modernism to postmodernism, arguing that the former is characterized by an epistemological dominant and that postmodern works have developed out of modernism and are primarily concerned with questions of ontology. McHale's "What Was
Postmodernism?" (2007) follows
1554:, free from authoritarian assertions about truth and goodness, is the key to a better future. Rorty saw his neopragmatism as a continuation of the Enlightenment project, aiming to demystify human life and replace traditional power relations with those based on tolerance and freedom.
1503:, he argues that production has shifted from creating real objects to producing signs and symbols. This system of symbolic exchange, detached from the real, constitutes hyperreality. In the words of one commentartor, "the hyperreal is a system of simulation that simulates itself."
1315:, one of the best ways to describe a specifically philosophical conception of postmodernism is as an anti-foundational "scepticism about authority, received wisdom, cultural and political norms and so on", which he says places it within a tradition dating back to ancient Greece.
802:. In this influential work, Lyotard offers the following definition: "Simplifying to the extreme, I define postmodern as incredulity towards metanarratives ". In a society with no unifying narrative, he argues, we are left with heterogeneous, group-specific narratives (or "
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Although postmodernisms are generally united in their effort to transcend the perceived limits of modernism, "modernism" also means different things to different critics in various arts. Further, there are outliers on even this basic stance; for instance, literary critic
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among architects, characterized by a design that rejects structural "centers" and encourages decentralized play among its elements. Derrida discontinued his involvement with the movement after the publication of his collaborative project with architect Peter
Eisenman in
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Criticism of postmodernist movements in the arts include objections to departure from beauty, the reliance on language for the art to have meaning, a lack of coherence or comprehensibility, deviation from clear structure, and consistent use of dark and negative themes.
1695:), and Alan Kirby (digimodernism, formerly called pseudo-modernism). None of these new theories or labels have so far gained very widespread acceptance. Sociocultural anthropologist Nina MĂĽller-Schwarze offers neostructuralism as a possible direction. The exhibition
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and its rejection of what he upheld as traditional values. The ideals of modernity, per his diagnosis, were degraded to the level of consumer choice. This research project, however, was not taken up in a significant way by others until the mid-1980s when the work of
626:. Even here, however, there continued to be disagreement about such basic issues as whether postmodernism is a break with modernism, a renewal and intensification of modernism, or even, both at once, a rejection and a radicalization of its historical predecessor.
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has written that avant-garde musical compositions (which some would consider modernist rather than postmodernist) "defy more than seduce the listener, and they extend by potentially unsettling means the very idea of what music is." In the 1960s, composers such as
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Baudrillard himself broke with Marxism, but continued to theorize the postmodern as the condition in which the domain of reality has become so heavily mediated by signs as to become inaccessible in itself, leaving us entirely in the domain of the
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as the "personification of the postmodern" because "the postmodern condition is characterized by fragmentation, de-differentiation, pastiche, retrospection and anti-foundationalism", which they argued Madonna embodied. Christian writer
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The term began to acquire its current range of meanings in literary criticism and architectural theory during the 1950s–1960s. In opposition to modernism's alleged self-seriousness, postmodernism is characterized by its playful use of
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the comparison of related forms rather than in the precise definition of each; and the deformation of a complicated figure may be a phenomenon easy of comprehension, though the figure itself has to be left unanalyzed and undefined."
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Since the late 1990s, there has been a growing sentiment in popular culture and in academia that postmodernism "has gone out of fashion". Others argue that postmodernism is dead in the context of current cultural production.
732:, celebrates a plurality of forms and encourages participation and active engagement with the local context of the built environment. He presents this as in opposition to the "authoritarian style" of International Modernism.
412:. They have in common the conviction that it is no longer possible to rely upon previous ways of representing reality. Still, there is disagreement among experts about its more precise meaning even within narrow contexts.
717:'s critique of metaphysics posed deep theoretical problems not necessarily a cause for aesthetic celebration. Their further influence on the conversation about postmodernism, however, would be largely mediated by French
991:: "Double Coding: the combination of Modern techniques with something else (usually traditional building) in order for architecture to communicate with the public and a concerned minority, usually other architects."
695:, for instance, denounced postmodern literature for being content to merely reflect, rather than actively attempt to refashion, what he saw as the "increasingly shapeless" character of contemporary society.
1028:. In the 1980s and 1990s dance began to incorporate other typically postmodern features such as the mixing of genres, challenging high–low cultural distinctions, and incorporating a political dimension.
780:, in particular, not only made the connection to feminism explicit, but went so far as to claim feminism for postmodernism wholesale, a broad claim resisted by even many sympathetic feminists such as
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that postmodern thinkers are caught in a performative contradiction, more specifically, that their critiques of modernism rely on concepts and methods that are themselves products of modern reason.
884:. In this sense, the term also starts to appear as a "casual term of abuse" in non-academic contexts. Others identify it as an aesthetic "lifestyle" of eclecticism and playful self-irony.
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In 1942, the literary critic and author H. R. Hays describes postmodernism as a new literary form. Also in the arts, the term was first used in 1949 to describe a dissatisfaction with the
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reacted to the perceived elitism and dissonant sound of atonal academic modernism by producing music with simple textures and relatively consonant harmonies, whilst others, most notably
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those who would dismiss them as simple nonsense. His engagement with their ideas has lead some postmodern philosophers, such as Lyotard, to similarly engage with Habermas's criticisms.
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and Adam Furman argue that postmodernism brought a more joyous and sensual experience to the culture, particularly in architecture. For instance, in response to the modernist slogan of
1607:'s Urban Planning Department in the 1980s, where contemporary Los Angeles was taken to be the postmodern city par excellence, contra posed to what had been the dominant ideas of the
702:'s large-scale survey of works that he said could no longer be called modern. Taking the Black Mountain poets an exemplary instance of the new postmodern type, Hassan celebrates its
1543:, Rorty challenged the notion of a mind-independent, language-independent reality. He argued that language is a tool used to adapt to the environment and achieve desired ends. This
564:, which marks the first use of the term to describe an historical period following modernity. The essay criticizes lingering socio-cultural norms, attitudes, and practices of the
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1615:, with its framework of urban ecology and emphasis on functional areas of use within a city, and the concentric circles to understand the sorting of different population groups.
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728:, in particular, connects the artistic avant-garde to social change in a way that captures attention outside of academia. Jenckes, much influenced by the American architect
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Jencks makes the point that postmodernism (like modernism) varies for each field of art, and that for architecture it is not just a reaction to modernism but what he terms
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was a sustained critique of urban planning as it had developed within modernism and marked a transition from modernity to postmodernity in thinking about urban planning.
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priest and cultural commentator J. M. Thompson, in a 1914 article, uses the term to describe changes in attitudes and beliefs in the critique of religion, writing, "the
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1674:, post-postmodernism and the "death of postmodernism" have been widely debated: in 2007 Andrew Hoberek noted in his introduction to a special issue of the journal
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Although postmodern criticism and thought drew on philosophical ideas from early on, "postmodernism" was only introduced to the expressly philosophical lexicon by
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Instead, Rorty advocated for a focus on imaginative alternatives to present beliefs rather than the pursuit of well-grounded truths. He believed that creative,
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described her as "perhaps the most postmodern personage on the planet". She was also suggested by literary critic Olivier SĂ©cardin to epitomise postmodernism.
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theory, postmodern thought defined itself by the rejection of any single, foundational historical narrative. This called into question the legitimacy of the
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The postmodern approach to understanding the city were pioneered in the 1980s by what could be called the "Los Angeles School of Urbanism" centered on the
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The term "postmodern" was first used in 1870 by the artist John Watkins Chapman, who described "a Postmodern style of painting" as a departure from French
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Around this time, postmodernism also begins to be conceived in popular culture as a general "philosophical disposition" associated with a loose sort of
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Discussion about the postmodern in the second part of the 20th century was most articulate in areas with a large body of critical discourse around the
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made the term popular in literary studies as a description of the new art emerging in the 1960s. According to scholar David Herwitz, writers such as
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design solutions. Modernism eroded urban living by its failure to recognise differences and aim towards homogeneous landscapes (Simonsen 1990, 57).
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760:. This introduces a political concern about social power-relations into discussions about postmodernism. Much of Foucault's project is, against the
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leveling of the distinction between philosophy and literature. He argues that such rhetorical strategies undermine the importance of argument and
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102:, 1984, showing an eclectic, postmodern mix of classical architecture (like the division of the facade in many horizontal strips that reference
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Vanhoozer, Kevin J. (2003). "Theology and the Condition of Postmodernity: A Report on Knowledge (of God)". In Vanhoozer, Kevin J. (ed.).
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the like. To understand this transition from 'pomo' (cyborgism) to 'popo' (postcyborgism) we must first understand the cyborg era itself.
1024:'s efforts to break down the distinction between art and life. This was developed in particular by the American dancer and choreographer
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If literature was at the center of the discussion in the 1970s, architecture is at the center in the 1980s. The architectural theorist
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The term first appeared in print in 1870, but it only began to enter circulation with its current range of meanings in the 1950s—60s.
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conceives postmodernism, not in period terms, but in terms of a certain kind of literary imagination so that pre-modern texts such as
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approach led him to abandon the traditional quest for a privileged mental power that allows direct access to things-in-themselves.
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society in general by a new proliferation of cultures and forms. It is during this period that it also comes to be associated with
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first introduced the term "postmodern" in its current sense during the 1950s. Their stance against modernist poetry – and Olson's
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Jean-François Lyotard is credited with being the first to use the term "postmodern" in a philosophical context, in his 1979 work
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1703:(London, 24 September 2011 – 15 January 2012) was billed as the first show to document postmodernism as a historical movement.
1077:. Postmodern literature often calls attention to issues regarding its own complicated connection to reality. The French critic
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853:" in the form of an enormous cultural expansion into an economy of spectacle and style, rather than the production of goods.
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1288:. Although few themselves relied upon the term, they became known to many as postmodern theorists. Notable figures include
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declared the novel to be an exhaustive form and explored what it means to continue to write novels under such a condition.
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1765:'conversations' in which nobody is wrong and nothing can be confirmed, only asserted with whatever style you can muster."
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424:, among other features. Critics claim it supplants moral, political, and aesthetic ideals with mere style and spectacle.
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is a term used to refer to a variety of artistic, cultural, and philosophical movements that claim to mark a break from
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Author on postmodernism, Dominic Strinati, has noted, it is also important "to include in this category the so-called '
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located in New York City during the 1960s and 1970s. Arguably its most important principle is taken from the composer
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Scholarship regarding postmodernism and architecture is closely linked with the writings of critic-turned-architect
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in a 1939 essay, which states that "Our own Post-Modern Age has been inaugurated by the general war of 1914–1918".
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The transition from modernism to postmodernism is often said to have happened at 3:32 pm on 15 July in 1972, when
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The term "postmodernity" was first used in an academic historical context as a general concept for a movement by
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This article is about the artistic, cultural, and theoretical movement. For the condition or state of being, see
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3145:"The passing of the postmodern in pop? Epochal consumption and marketing from Madonna, through Gaga, to Taylor"
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In the 1970s, postmodern criticism increasingly came to incorporate poststructuralist theory, particularly the
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According to Lyotard, this introduces a general crisis of legitimacy, a theme he adopts from the philosopher
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orientation – were influential in the identification of postmodernism as a polemical position opposed to the
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Nevertheless, the appearance of linguistic relativism inspired an extensive rebuttal by the Marxist critic
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playfulness and cheerfully anarchic spirit, which he sets off against the high seriousness of modernism.
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Carlton Bookcase, with a complex structure in many colours and a stylized human figure at the top, by
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In the 1990s, "postmodernism" came to denote a general – and, in general, celebratory – response to
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also said that "Madonna is perhaps the most visible example of what is called post-modernism", and
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Modernism sought to design and plan cities that followed the logic of the new model of industrial
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Deconstruction is a practice of philosophy, literary criticism, and textual analysis developed by
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Criticisms of postmodernism are intellectually diverse. Since postmodernism criticizes both
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4044:. sep-postmodernism (Spring 2015 ed.). Metaphysics Research Lab, Stanford University
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Connor, Steven (2013). "postmodernism". In Michael Payne and Jessica Rae Barbera (ed.).
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The Blood of Victoriano Lorenzo: An Ethnography of the Cholos of Northern Coclé Province
3353:. Translated by Spivak, Gayatri Chakravorty (Corrected ed.). Baltimore and London:
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comes to be particularly equated with a kind of anti-representational self-reflexivity.
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Discourses of Postmodernism. Multilingual bibliography by Janusz Przychodzen (PDF file)
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by being thorough in its criticism by extending it to religion as well as theology, to
472:
444:
264:
254:
199:
153:
148:
4618:. Comparative History of Literatures in European Languages. Vol. XI. p. 76.
4244:
1806: – Artistic technique of presenting common things in an unfamiliar or strange way
1223:
1002:
that "less is more", the postmodernist Robert Venturi rejoined that "less is a bore".
897:
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In the 1970s, this changed again, largely under the influence of the literary critic
657:
630:
521:
311:
139:
83:
20:
4666:
3848:
3195:"The Postmodern Turn in Philosophy: Theoretical Provocations and Normative Deficits"
1171:
challenged the prevailing narratives of beauty and objectivity common to Modernism.
5800:
5252:
5117:
4997:
4977:
4829:
4700:
4637:
4593:
4507:
4319:"After Postmodernism: Readdressing the Role of Utopia in Urban Design and Planning"
4147:
3945:
Hebdige, Dick (2006). "Postmodernism and "the other side"". In Storey, John (ed.).
3731:"Toward a Concept of Post-Postmodernism or Lady Gaga's Reconfigurations of Madonna"
3674:
3383:
2991:
2963:
2758:
1753:
1726:
1718:
1495:
1164:
1156:
1089:
842:
781:
665:
557:
259:
163:
158:
3225:
The New Constellation: The Ethical-Political Horizons of Modernity / Postmodernity
3163:
3144:
947:
849:, Jameson develops his own conception of the postmodern as "the cultural logic of
683:, who used it to describe a waning commitment among youth to the political ideals
5479:
A Philosophical Enquiry into the Origin of Our Ideas of the Sublime and Beautiful
4583:
3654:
2967:
2301:
5421:
5374:
5230:
5182:
5142:
5092:
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4301:
3268:
1853:
1844:
1692:
1616:
1576:
1207:
1203:
1152:
1136:
1052:
1016:
The term "postmodern dance" is most strongly associated with the dancers of the
703:
699:
692:
669:
619:, building upon art and literary criticism, reintroduced the term to sociology.
599:
491:
451:
account of progress and rationality. Critics allege that its premises lead to a
321:
4539:
3832:
5391:
5369:
5262:
5047:
5007:
4967:
4834:
4749:
4687:
Modernity, postmodernism and the tradition of dissent, by Lloyd Spencer (1998)
1312:
1276:
in France developed a critique of modern philosophy with roots discernible in
1056:
881:
858:
841:. Building upon the theoretical foundations laid out by the Marxist economist
603:
456:
452:
3494:
3172:
1522:, Rorty later rejected its representationalism. His major influences include
1414:, a prominent critic of philosophical postmodernism, argues in his 1985 work
909: with: film-based arts, theater, other performance arts. You can help by
5912:
5902:
5302:
5272:
5067:
5012:
4932:
4864:
4705:
4318:
3313:
3062:
2977:
1722:
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1168:
1021:
688:
684:
623:
531:
486:
476:
409:
132:
95:
4623:
3114:
1749:, critics of postmodernism often defend such concepts from various angles.
679:
During the 1960s, this affirmative use gave way to a pejorative use by the
4515:
Sim, Stuart (2011). "Postmodernism and Philosophy". In Sim, Stuart (ed.).
3911:
3894:
3879:
1920:"Philippe Starck, a pair of 'Louis Ghost' armchairs, Kartell. - Bukowskis"
1847: – term for art that reacts against standardisation and commercialism
5603:
5337:
5287:
5267:
5132:
4381:
4366:
Irving, Allan (1993). "The Modern/Postmodern Divide and Urban Planning".
4012:"Camille Paglia: "Postmodernism is a plague upon the mind and the heart""
3985:. Ipod.org.uk. 5 May 1990. Archived from the original on 31 January 2015.
2846:"Remembering Robert Venturi, the US architect who said: 'Less is a bore'"
1197:
In the late-20th century, avant-garde academics labelled American singer
1175:
769:
680:
549:
432:
421:
4252:
1761:
criticized its impact on the humanities, characterizing it as producing
5416:
5364:
5322:
5307:
5277:
4839:
4547:
3840:
1198:
1178:' musical innovations and mixing of styles associated with groups like
1125:
1110:
481:
103:
4231:
Goodchild, Barry (1990). "Planning and the Modern/Postmodern Debate".
3893:
Mann, Steve; Fung, James; Federman, Mark; Baccanico, Gianluca (2002).
810:) with no universal perspective from which to adjudicate among them.
534:
as "one of the few 'post' modern painters whose style is convincing".
5349:
5327:
5257:
5235:
1742:
1571:; reverting to large-scale solutions, aesthetic standardisation, and
498:
All this notwithstanding, scholar Hans Bertens offers the following:
106:) and colorful ironic detailing; Louis Ghost, based on chairs in the
768:
This is also the beginning of the affiliation of postmodernism with
756:
In the 1980s, some critics begin to take an interest in the work of
1385:" to analyze power-relations across their historical permutations.
1097:'s lead in now using the past tense when discussing postmodernism.
641:
459:. In this sense, it has become a term of abuse in popular culture.
5122:
4334:
Herwitz, Daniel (2008). "Postmodernism". In Kelly, Michael (ed.).
1738:
1304:, and others. By the 1980s, this spread to America in the work of
1187:
1104:
946:
812:
640:
417:
4524:
Simonsen, Kirsten (1990). "Planning on 'Postmodern' Conditions".
3656:
My Los Angeles: From Urban Restructuring to Regional Urbanization
1351:. Derrida's work has been seen as rooted in a statement found in
984:, first published in 1977, and since running to seven editions.
5343:
5317:
4419:
3202:
2124:
2122:
5698:
4722:
4709:
4066:
Banes, Sally (2008). "Postmodernism". In Kelly, Michael (ed.).
602:
provided a general account of the postmodern as an effectively
5312:
1217:
891:
4718:
4403:
The Stanford Encyclopedia of Philosophy (Winter 2020 Edition)
4282:
4266:
The Stanford Encyclopedia of Philosophy (Winter 2018 Edition)
3520:
3518:
3516:
1651:
has led to a challenge to postmodernism, for which the terms
1514:
was an American philosopher known for his linguistic form of
845:
and observations in the early work of the French sociologist
544:
of Post-Modernism is to escape from the double-mindedness of
4701:
Stanford Encyclopedia of Philosophy's entry on postmodernism
4306:
The Postmodern Turn, Essays in Postmodern Theory and Culture
3405:
3403:
2485:
2483:
1067:) responded in various ways to the aesthetic innovations of
503:
that we used to rely on can no longer be taken for granted.
3434:
3432:
3430:
3310:
On deconstruction: theory and criticism after structuralism
1757:
of those things was "a buzzword". The analytic philosopher
3199:
UCLA Graduate School of Education and Information Studies
2340:
2338:
2085:
2083:
3716:
After Postmodernism: An Introduction to Critical Realism
2325:
2323:
1647:
The connection between postmodernism, posthumanism, and
1481:) is something like a unified, complete, universal, and
3814:"Decon (Decon Squared): Deconstructing Decontamination"
3080:. Association For Consumer Research. pp. 119–201.
2398:
2396:
2394:
1995:
1993:
1991:
1989:
1964:
1962:
1960:
1240:
910:
4020:
Postmodernism is a plague upon the mind and the heart.
3078:"On Madonna'S Brand Ambition: Presentation Transcript"
2369:
2367:
2365:
2022:
2020:
1958:
1956:
1954:
1952:
1950:
1948:
1946:
1944:
1942:
1940:
5529:
The Work of Art in the Age of Mechanical Reproduction
3965:"DENNETT ON WIESELTIER V. PINKER IN THE NEW REPUBLIC"
3864:"Postcyborg Ethics: A New Way to Speak of Technology"
3184:
3182:
1856: – Present-day modernist philosophical movement
1849:
Pages displaying wikidata descriptions as a fallback
552:
feeling as well as to Catholic tradition". In 1926,
5875:
5733:
5581:
5430:
5203:
4910:
4822:
4756:
1186:, together with the self-conscious 'reinvention of
3629:
3601:
3550:
3143:River, Canavan; McCamley, Claire (February 2020).
748:. Derrida attempted to demonstrate that the whole
4337:Postmodernism: Historical and Conceptual Overview
4016:FAUSTO - Filosofia, Cultura e Literatura Clássica
1592:, a housing development for low-income people in
1397:The work of Gilles Deleuze develops a concept of
1370:Chora L Works: Jacques Derrida and Peter Eisenman
744:approach to texts most strongly associated with
4440:The Postmodern Condition: A Report on Knowledge
4405:. Metaphysics Research Lab, Stanford University
4268:. Metaphysics Research Lab, Stanford University
3735:Reconstruction: Studies in Contemporary Culture
3472:The Postmodern Condition: A Report on Knowledge
3461:
3459:
2890:No more rules: graphic design and postmodernism
2128:
1697:Postmodernism – Style and Subversion 1970 –1990
1663:
1465:Lyotard defined philosophical postmodernism in
1451:The Postmodern Condition: A Report on Knowledge
1381:1970s, Foucault employed a Nietzsche-inspired "
799:The Postmodern Condition: A Report on Knowledge
606:response to modernism's alleged assault on the
4603:The Cambridge Companion to Postmodern Theology
3059:An Introduction to Theories of Popular Culture
5710:
4734:
4605:. Cambridge University Press. pp. 22–25.
3947:Cultural Theory and Popular Culture: A reader
3648:
3646:
524:. Similarly, the first citation given by the
386:
8:
5459:The Literary Mind and the Carving of Dragons
4214:A Dictionary of Cultural and Critical Theory
1821: – Religion influenced by postmodernism
1358:
817:Philosopher Jean-Francois Lyotard, photo by
32:
16:Artistic, cultural, and theoretical movement
3729:Fjellestad, Danuta; Engberg, Maria (2013).
3553:The death and life of great American cities
3101:
3099:
2525:
2489:
2438:
1793: – Philosophical and cultural movement
1582:The Death and Life of Great American Cities
994:In their book, "Revisiting Postmodernism",
598:In the mid-1970s, the American sociologist
5717:
5703:
5695:
4741:
4727:
4719:
4706:
4612:"Postmodernity as a Philosophical Concept"
4610:Welsch, Wolfgang; Sandbothe, Mike (1997).
4489:The Postmodern Imagination of Russell Kirk
4317:Hatuka, Tali; d'Hooghe, Alexander (2007).
4100:Postmodern Theory: Critical Interrogations
4061:. Milwaukie: Morehouse Publishing Company.
3507:
3450:
3438:
3421:
2597:
2573:
2038:
1787: – Epistemology without sure premises
393:
379:
120:
110:but reinterpreted for the present day, by
31:
3910:
3788:"Postmodernism is dead. What comes next?"
3714:Potter, Garry; Lopez, Jose, eds. (2001).
3625:
3536:
3162:
2062:
959:, PA by alumnus of the Academy architect
4517:The Routledge Companion to Postmodernism
4195:The Cambridge Companion to Postmodernism
3637:
2802:The Language of Post-Modern Architecture
2774:The language of post-modern architecture
2276:
2214:
1968:
1417:The Philosophical Discourse of Modernity
1245:Relevant discussion may be found on the
982:The Language of Post-Modern Architecture
915:Relevant discussion may be found on the
560:and also an Episcopal priest, published
4174:Buchanan, Ian (2018). "postmodernism".
4098:Best, Steven; Kellner, Douglas (1991).
4042:The Stanford Encyclopedia of Philosophy
3763:"The Death of Postmodernism and Beyond"
3718:. London: The Athlone Press. p. 4.
3295:
2950:
2717:
2669:
2657:
2645:
2633:
2621:
2609:
2585:
2561:
2549:
2537:
2513:
2501:
2474:
2462:
2450:
2426:
2414:
2385:
2356:
2344:
2329:
2288:
2228:Merriam Webster's Collegiate Dictionary
2164:
2152:
2113:
2101:
2089:
2050:
2026:
2011:
1980:
1886:
1867:
1393:Gilles Deleuze on productive difference
329:
298:
176:
138:
123:
4461:. Amsterdam; Atlanta, Georgia: Rodopi.
4126:Birzer, Bradley J. (9 November 2015).
4010:de Castro, Eliana (12 December 2015).
3988:
3633:
3613:
3589:
3577:
3030:Postmodern music, postmodern listening
2747:"The Rise of Post Modern Architecture"
2729:
2705:
2693:
2681:
2402:
2373:
2264:
2240:
2176:
2140:
2074:
1999:
4109:The Idea of the Postmodern: A History
4036:Aylesworth, Gary (5 February 2015) .
2874:
2014:, Historical and Conceptual Overview.
1620:population groups and economic uses.
7:
6053:Philosophical schools and traditions
5989:
4420:"Michel Foucault: Political Thought"
2856:from the original on 16 October 2022
2252:
713:'s attack on Western philosophy and
637:In literary and architectural theory
4467:"postmodern (adjective & noun)"
4424:Internet Encyclopedia of Philosophy
4287:Internet Encyclopedia of Philosophy
4129:Russell Kirk: American Conservative
3342:"The Exorbitant Question of Method"
3247:
2844:Schudel, Matt (28 September 2018).
2751:Architectural Association Quarterly
2190:"postmodern (adjective & noun)"
1540:Philosophy and the Mirror of Nature
1454:. In it, he follows Wittgenstein's
1272:In the 1970s, a disparate group of
1235: with: individual treatment of
765:docile subjects of social systems.
431:. Proponents align themselves with
3524:
3084:from the original on 19 April 2017
3005:McHale, Brian (20 December 2007).
1376:Michel Foucault on power relations
736:The influence of poststructuralism
14:
4245:10.3828/tpr.61.2.q5863289k1353533
4107:Bertens, Johannes Willem (1995).
3653:Soja, Edward W. (14 March 2014).
3409:
1406:The criticisms of JĂĽrgen Habermas
865:or truthful theoretical claims.
360:Social construction of technology
5988:
5976:
5965:
5964:
5866:
5725:Sub-fields of and approaches to
5677:
3108:"Madonna: Icon of Postmodernity"
1490:Jean Baudrillard on hyperreality
1222:
896:
709:(Yet, from another perspective,
580:modernist architectural movement
66:
55:
44:
4438:Lyotard, Jean-François (1984).
4369:University of Toronto Quarterly
4176:A Dictionary of Critical Theory
3688:Shiel, Mark (30 October 2017).
3382:. Translated by Brown, Andrew.
645:The poet Robert Creeley in 1972
4197:. Cambridge University Press.
4059:Postmodernism and Other Essays
4057:Bell, Bernard Iddings (1926).
3926:MĂĽller Schwarze, Nina (2015).
3661:University of California Press
3355:Johns Hopkins University Press
3223:Bernstein, Richard J. (1992).
3117:. pp. 1–8. Archived from
2600:, §2 The Postmodern Condition.
1051:In 1971, the American scholar
951:Interior of the Chapel at the
562:Postmodernism and Other Essays
25:Postmodernism (disambiguation)
1:
4459:Postmodernism: A Bibliography
4401:. In Zalta, Edward N. (ed.).
4264:. In Zalta, Edward N. (ed.).
4157:A Glossary of Cultural Theory
4040:. In Zalta, Edward N. (ed.).
3930:. Jefferson, North Carolina:
3868:Explorations in Media Ecology
3477:University of Minnesota Press
3164:10.1016/j.jbusres.2018.12.005
2930:. Pearson. pp. 305–306.
1507:Richard Rorty's neopragmatism
1506:
530:is dated to 1916, describing
355:Social construction of gender
349:Social construction of nature
5589:Aestheticization of politics
4672:Resources in other libraries
4582:Toynbee, Arnold J. (1961) .
4519:(3 ed.). pp. 3–14.
4494:University of Missouri Press
4486:Russello, Gerald J. (2007).
4193:Connor, Steven, ed. (2004).
4134:University Press of Kentucky
3557:. New York: Modern Library.
3424:, §4. Productive Difference.
3150:Journal of Business Research
2720:, §6. Concluding Assessment.
1676:Twentieth-Century Literature
5920:Non-representational theory
4616:International Postmodernism
4344:. Oxford University Press.
4283:"Richard Rorty (1931—2007)"
4178:. Oxford University Press.
4076:. Oxford University Press.
3862:Campbell, Heidi A. (2006).
2953:, History of Postmodernism.
2804:. London: Academy Editions.
2129:Welsch & Sandbothe 1997
1661:were first coined in 2003:
1611:formed in the 1920s at the
1109:American singer-songwriter
6084:
4540:10.1177/000169939003300104
4342:Encyclopedia of Aesthetics
4074:Encyclopedia of Aesthetics
3899:Surveillance & Society
3833:10.1162/002409403322258691
3630:Hatuka & d'Hooghe 2007
3602:Hatuka & d'Hooghe 2007
3057:Strinati, Dominic (1995).
1874:English translation, 1984.
1713:Criticism of postmodernism
1710:
1701:Victoria and Albert Museum
1636:
1441:
1360:Il n'y a pas de hors-texte
1340:
1322:
1265:
1122:Postmodern classical music
1115:
1044:
1009:
965:
935:
18:
5960:
5864:
5657:
4716:
4711:Links to related articles
4667:Resources in your library
4592:. p. 43 – via
4471:Oxford English Dictionary
4397:Kellner, Douglas (2020).
4216:. John Wiley & Sons.
3995:: CS1 maint: unfit URL (
3308:Culler, Jonathan (2008).
3028:Kramer, Jonathan (2016).
3007:"What Was Postmodernism?"
2194:Oxford English Dictionary
1518:. Initially attracted to
1329:Poststructuralists, like
831:communicative rationality
672:values championed by the
527:Oxford English Dictionary
114:, 2009, various locations
88:Museum of Decorative Arts
37:
6033:Criticism of rationalism
4563:Thompson, J. M. (1914).
4457:Madsen, Deborah (1995).
4442:. U of Minnesota Press.
4233:The Town Planning Review
4159:(2nd ed.). Arnold.
3786:Gibbons, Alison (2017).
3378:Peeters, Benoît (2013).
3357:. pp. 158–59, 163.
3267:(I ed.). New York:
3009:. Electronic Book Review
2817:Revisiting Postmodernism
2772:Jencks, Charles (1977).
2576:, Introduction & §2.
1534:, and Martin Heidegger.
1467:The Postmodern Condition
1437:The Postmodern Condition
1000:Ludwig Mies van der Rohe
5609:Evolutionary aesthetics
5559:The Aesthetic Dimension
4692:Postmodernism and truth
4590:Oxford University Press
4262:"Jean François Lyotard"
4260:Gratton, Peter (2018).
4155:Brooker, Peter (2003).
3265:Structural Anthropology
3106:McGregor, Jock (2008).
3076:Brown, Stephen (2003).
2819:. Newcastle upon Tyne:
2815:Farrell, Terry (2017).
2526:Best & Kellner 1991
2490:Best & Kellner 1991
2439:Best & Kellner 1991
1898:. Phaidon. p. 79.
1473:where what he means by
980:, however, is the book
968:Postmodern architecture
594:Theoretical development
245:International relations
6058:Theories of aesthetics
6048:Science fiction themes
5539:Avant-Garde and Kitsch
5489:Lectures on Aesthetics
4624:10.1075/chlel.xi.07wel
3227:. Polity. p. 11.
2928:Graphic Design History
2757:(4): 3–14 – via
1894:Hall, William (2019).
1668:
1596:designed by architect
1359:
1182:, and performers like
1113:
963:
822:
691:. The literary critic
646:
505:
339:Social constructionism
23:. For other uses, see
5684:Philosophy portal
4310:Ohio University Press
3912:10.24908/ss.v1i3.3346
3880:10.1386/eme.5.4.279_1
3549:Jacobs, Jane (1993).
2969:Postmodernist Fiction
2895:Yale University Press
2887:Poynor, Rick (2003).
2776:. New York: Rizzoli.
2648:, pp. xxiii–xxv.
1659:postpoststructuralism
1613:University of Chicago
1483:epistemically certain
1444:Jean-François Lyotard
1311:According to scholar
1298:Jean-François Lyotard
1268:Postmodern philosophy
1108:
1086:Postmodernist Fiction
1073:and the late work of
1047:Postmodern literature
950:
816:
794:Jean-François Lyotard
784:and Linda Nicholson.
649:According to scholar
644:
629:According to scholar
608:Protestant work ethic
558:St. Stephen's College
500:
495:count as postmodern.
343:social constructivism
5629:Philosophy of design
5509:In Praise of Shadows
5499:The Critic as Artist
4382:10.3138/utq.62.4.474
4111:. Psychology Press.
3812:Mann, Steve (2003).
3761:Kirby, Alan (2006).
3745:on 23 February 2013.
3636:, pp. 474–487;
3628:, pp. 119–137;
3380:Derrida: A Biography
3261:LĂ©vi-Strauss, Claude
2302:"postmodernism (n.)"
1798:Culture and politics
1785:Anti-foundationalism
1426:communicative reason
1018:Judson Dance Theater
655:Black Mountain poets
554:Bernard Iddings Bell
5947:Sexuality and space
5639:Philosophy of music
5614:Mathematical beauty
4570:The Hibbert Journal
3741:(4). Archived from
3539:, pp. 119–137.
3510:, §6. Hyperreality.
3386:. pp. 377–78.
3193:(2 November 2001).
3034:Bloomsbury Academic
2636:, pp. 119–121.
1819:Postmodern religion
1520:analytic philosophy
1383:genealogical method
1278:Friedrich Nietzsche
808:Ludwig Wittgenstein
806:", as adopted from
711:Friedrich Nietzsche
584:International Style
508:Historical overview
34:
5930:Post-structuralism
5634:Philosophy of film
5624:Patterns in nature
5594:Applied aesthetics
5569:Why Beauty Matters
5355:Life imitating art
5216:Art for art's sake
4585:A study of History
4399:"Jean Baudrillard"
3632:, pp. 20–27;
3340:(8 January 1998).
3124:on 7 December 2010
2974:Abingdon-on-Thames
2922:Drucker, Johanna;
2708:, pp. 568–69.
2564:, pp. 190–96.
2528:, pp. 39, 47.
1725:values as well as
1654:Post-postmodernism
1633:Post-postmodernism
1528:Hans Georg Gadamer
1494:In postmodernism,
1274:poststructuralists
1239:. You can help by
1114:
964:
829:, whose theory of
823:
819:Bracha L. Ettinger
647:
624:modernist movement
590:1970s, and 1980s.
429:cultural pluralism
317:Post-postmodernism
169:Post-structuralism
92:Neue Staatsgalerie
6010:
6009:
6004:
6003:
5942:Scientific method
5692:
5691:
5644:Psychology of art
5519:Art as Experience
4653:Library resources
4633:978-90-272-3443-8
4351:978-0-19-511307-5
4083:978-0-19-511307-5
3971:on 5 August 2018.
3951:Pearson Education
3670:978-0-520-95763-3
3604:, pp. 20–27.
3486:978-0-944624-06-7
3393:978-0-7456-5615-1
3323:978-0-415-46151-1
3043:978-1-5013-0602-0
2937:978-0-13-241075-5
2893:. New Haven, CT:
2830:978-1-85946-632-2
2624:, pp. 65–66.
2540:, pp. 8, 70.
2516:, pp. 7, 79.
2465:, pp. 59–60.
2441:, pp. 22–23.
2179:, pp. 12ff..
1905:978-0-7148-7925-3
1804:Defamiliarization
1731:objective reality
1729:concepts such as
1689:Nicolas Bourriaud
1681:Gilles Lipovetsky
1460:speech act theory
1325:Poststructuralism
1319:Poststructuralism
1282:Søren Kierkegaard
1264:
1263:
953:Episcopal Academy
934:
933:
875:identity politics
776:. The art critic
719:poststructuralism
573:Arnold J. Toynbee
516:Early appearances
403:
402:
277:Political science
119:
118:
6075:
6028:1880s neologisms
5992:
5991:
5980:
5968:
5967:
5870:
5719:
5712:
5705:
5696:
5682:
5681:
5680:
5574:
5564:
5554:
5544:
5534:
5524:
5514:
5504:
5494:
5484:
5474:
5464:
5454:
5444:
4743:
4736:
4729:
4720:
4707:
4641:
4606:
4597:
4578:
4565:"Post-Modernism"
4559:
4527:Acta Sociologica
4520:
4511:
4482:
4480:
4478:
4462:
4453:
4434:
4432:
4430:
4414:
4412:
4410:
4393:
4362:
4360:
4358:
4330:
4313:
4297:
4295:
4293:
4281:Grippe, Edward.
4277:
4275:
4273:
4256:
4227:
4208:
4189:
4170:
4151:
4122:
4103:
4094:
4092:
4090:
4069:Postmodern Dance
4062:
4053:
4051:
4049:
4023:
4022:
4007:
4001:
4000:
3994:
3986:
3979:
3973:
3972:
3967:. Archived from
3961:
3955:
3954:
3942:
3936:
3935:
3923:
3917:
3916:
3914:
3890:
3884:
3883:
3859:
3853:
3852:
3818:
3809:
3803:
3802:
3800:
3798:
3783:
3777:
3776:
3758:
3752:
3746:
3726:
3720:
3719:
3711:
3705:
3704:
3702:
3700:
3685:
3679:
3678:
3650:
3641:
3640:, pp. 51–62
3623:
3617:
3611:
3605:
3599:
3593:
3587:
3581:
3575:
3569:
3568:
3556:
3546:
3540:
3534:
3528:
3522:
3511:
3505:
3499:
3498:
3463:
3454:
3448:
3442:
3436:
3425:
3419:
3413:
3407:
3398:
3397:
3375:
3369:
3368:
3346:
3338:Derrida, Jacques
3334:
3328:
3327:
3305:
3299:
3293:
3287:
3286:
3257:
3251:
3245:
3239:
3238:
3220:
3214:
3213:
3211:
3209:
3191:Kellner, Douglas
3186:
3177:
3176:
3166:
3140:
3134:
3133:
3131:
3129:
3123:
3112:
3103:
3094:
3093:
3091:
3089:
3073:
3067:
3066:
3054:
3048:
3047:
3025:
3019:
3018:
3016:
3014:
3002:
2996:
2995:
2960:
2954:
2948:
2942:
2941:
2919:
2913:
2912:
2884:
2878:
2872:
2866:
2865:
2863:
2861:
2841:
2835:
2834:
2812:
2806:
2805:
2794:
2788:
2787:
2769:
2763:
2762:
2739:
2733:
2727:
2721:
2715:
2709:
2703:
2697:
2691:
2685:
2679:
2673:
2667:
2661:
2655:
2649:
2643:
2637:
2631:
2625:
2619:
2613:
2607:
2601:
2595:
2589:
2583:
2577:
2571:
2565:
2559:
2553:
2547:
2541:
2535:
2529:
2523:
2517:
2511:
2505:
2499:
2493:
2487:
2478:
2472:
2466:
2460:
2454:
2448:
2442:
2436:
2430:
2424:
2418:
2412:
2406:
2400:
2389:
2383:
2377:
2371:
2360:
2354:
2348:
2342:
2333:
2327:
2318:
2317:
2315:
2313:
2298:
2292:
2286:
2280:
2274:
2268:
2262:
2256:
2250:
2244:
2238:
2232:
2231:
2224:
2218:
2212:
2206:
2205:
2203:
2201:
2186:
2180:
2174:
2168:
2162:
2156:
2150:
2144:
2143:, pp. 12ff.
2138:
2132:
2126:
2117:
2111:
2105:
2099:
2093:
2087:
2078:
2072:
2066:
2060:
2054:
2048:
2042:
2036:
2030:
2024:
2015:
2009:
2003:
1997:
1984:
1978:
1972:
1966:
1935:
1934:
1932:
1930:
1916:
1910:
1909:
1891:
1875:
1872:
1850:
1832:Second modernity
1764:
1552:secular humanism
1472:
1410:The philosopher
1365:deconstructivism
1362:
1302:Jean Baudrillard
1286:Martin Heidegger
1259:
1256:
1250:
1226:
1218:
1118:Postmodern music
1095:Raymond Federman
1061:Donald Barthelme
1026:Merce Cunningham
1012:Postmodern dance
929:
926:
920:
900:
892:
847:Jean Baudrillard
788:In social theory
774:multiculturalism
715:Martin Heidegger
613:Jean Baudrillard
443:. Building upon
437:multiculturalism
395:
388:
381:
350:
121:
70:
59:
48:
35:
6083:
6082:
6078:
6077:
6076:
6074:
6073:
6072:
6068:Cultural trends
6013:
6012:
6011:
6006:
6005:
6000:
5956:
5871:
5862:
5729:
5727:human geography
5723:
5693:
5688:
5678:
5676:
5653:
5577:
5572:
5562:
5552:
5549:Critical Essays
5542:
5532:
5522:
5512:
5502:
5492:
5482:
5472:
5462:
5452:
5442:
5426:
5199:
5113:Ortega y Gasset
4906:
4818:
4752:
4747:
4712:
4694:by philosopher
4678:
4677:
4676:
4661:
4660:
4656:
4649:
4644:
4634:
4609:
4600:
4588:. Vol. 5.
4581:
4562:
4523:
4514:
4504:
4485:
4476:
4474:
4465:
4456:
4450:
4437:
4428:
4426:
4417:
4408:
4406:
4396:
4365:
4356:
4354:
4352:
4333:
4316:
4312:. p. 12ff.
4300:
4291:
4289:
4280:
4271:
4269:
4259:
4230:
4224:
4211:
4205:
4192:
4186:
4173:
4167:
4154:
4144:
4125:
4119:
4106:
4097:
4088:
4086:
4084:
4065:
4056:
4047:
4045:
4038:"Postmodernism"
4035:
4031:
4026:
4009:
4008:
4004:
3987:
3981:
3980:
3976:
3963:
3962:
3958:
3944:
3943:
3939:
3932:McFarland Press
3925:
3924:
3920:
3892:
3891:
3887:
3861:
3860:
3856:
3816:
3811:
3810:
3806:
3796:
3794:
3785:
3784:
3780:
3760:
3759:
3755:
3728:
3727:
3723:
3713:
3712:
3708:
3698:
3696:
3687:
3686:
3682:
3671:
3652:
3651:
3644:
3624:
3620:
3612:
3608:
3600:
3596:
3588:
3584:
3576:
3572:
3565:
3548:
3547:
3543:
3535:
3531:
3527:, lead section.
3523:
3514:
3508:Aylesworth 2015
3506:
3502:
3487:
3475:. Minneapolis:
3465:
3464:
3457:
3451:Aylesworth 2015
3449:
3445:
3439:Aylesworth 2015
3437:
3428:
3422:Aylesworth 2015
3420:
3416:
3412:, lead section.
3408:
3401:
3394:
3377:
3376:
3372:
3365:
3350:Of Grammatology
3344:
3336:
3335:
3331:
3324:
3307:
3306:
3302:
3294:
3290:
3279:
3271:. p. 324.
3259:
3258:
3254:
3246:
3242:
3235:
3222:
3221:
3217:
3207:
3205:
3188:
3187:
3180:
3142:
3141:
3137:
3127:
3125:
3121:
3110:
3105:
3104:
3097:
3087:
3085:
3075:
3074:
3070:
3056:
3055:
3051:
3044:
3027:
3026:
3022:
3012:
3010:
3004:
3003:
2999:
2988:
2962:
2961:
2957:
2949:
2945:
2938:
2924:McVarish, Emily
2921:
2920:
2916:
2909:
2886:
2885:
2881:
2873:
2869:
2859:
2857:
2843:
2842:
2838:
2831:
2821:RIBA Publishing
2814:
2813:
2809:
2798:Jencks, Charles
2796:
2795:
2791:
2784:
2771:
2770:
2766:
2743:Jencks, Charles
2741:
2740:
2736:
2728:
2724:
2716:
2712:
2704:
2700:
2696:, pp. 3–4.
2692:
2688:
2680:
2676:
2668:
2664:
2656:
2652:
2644:
2640:
2632:
2628:
2620:
2616:
2608:
2604:
2598:Aylesworth 2015
2596:
2592:
2588:, p. xxiv.
2584:
2580:
2574:Aylesworth 2015
2572:
2568:
2560:
2556:
2548:
2544:
2536:
2532:
2524:
2520:
2512:
2508:
2500:
2496:
2488:
2481:
2473:
2469:
2461:
2457:
2449:
2445:
2437:
2433:
2425:
2421:
2413:
2409:
2401:
2392:
2384:
2380:
2372:
2363:
2355:
2351:
2343:
2336:
2328:
2321:
2311:
2309:
2300:
2299:
2295:
2287:
2283:
2275:
2271:
2263:
2259:
2251:
2247:
2239:
2235:
2226:
2225:
2221:
2213:
2209:
2199:
2197:
2188:
2187:
2183:
2175:
2171:
2163:
2159:
2151:
2147:
2139:
2135:
2127:
2120:
2112:
2108:
2100:
2096:
2092:, pp. 4–5.
2088:
2081:
2073:
2069:
2061:
2057:
2049:
2045:
2041:, Introduction.
2039:Aylesworth 2015
2037:
2033:
2025:
2018:
2010:
2006:
1998:
1987:
1979:
1975:
1967:
1938:
1928:
1926:
1918:
1917:
1913:
1906:
1893:
1892:
1888:
1884:
1879:
1878:
1873:
1869:
1864:
1859:
1848:
1809:
1775:
1762:
1752:Media theorist
1747:social progress
1715:
1709:
1645:
1637:Main articles:
1635:
1626:
1598:Minoru Yamasaki
1569:mass production
1565:
1560:
1509:
1492:
1470:
1446:
1440:
1412:JĂĽrgen Habermas
1408:
1395:
1378:
1354:Of Grammatology
1349:Jacques Derrida
1345:
1339:
1327:
1321:
1294:Michel Foucault
1290:Jacques Derrida
1270:
1260:
1254:
1251:
1244:
1237:Fredric Jameson
1233:needs expansion
1227:
1216:
1184:Laurie Anderson
1132:Jonathan Kramer
1128:
1116:Main articles:
1103:
1049:
1043:
1034:
1014:
1008:
970:
945:
940:
930:
924:
921:
914:
907:needs expansion
901:
890:
888:In various arts
871:postcolonialism
863:science fiction
851:late capitalism
839:Fredric Jameson
827:JĂĽrgen Habermas
790:
758:Michel Foucault
750:foundationalist
746:Jacques Derrida
738:
639:
617:Fredric Jameson
596:
556:, president of
518:
510:
465:
441:postcolonialism
399:
367:Linguistic turn
348:
115:
112:Philippe Starck
108:Louis XVI style
80:Ettore Sottsass
76:
75:
74:
73:
72:
71:
62:
61:
60:
51:
50:
49:
28:
17:
12:
11:
5:
6081:
6079:
6071:
6070:
6065:
6060:
6055:
6050:
6045:
6040:
6038:Metanarratives
6035:
6030:
6025:
6015:
6014:
6008:
6007:
6002:
6001:
5999:
5998:
5986:
5974:
5961:
5958:
5957:
5955:
5954:
5949:
5944:
5939:
5938:
5937:
5935:Deconstruction
5932:
5922:
5917:
5916:
5915:
5910:
5900:
5895:
5890:
5888:Culture theory
5885:
5879:
5877:
5873:
5872:
5865:
5863:
5861:
5860:
5855:
5850:
5845:
5844:
5843:
5838:
5833:
5823:
5818:
5813:
5808:
5803:
5798:
5793:
5788:
5783:
5778:
5773:
5768:
5763:
5758:
5753:
5748:
5743:
5737:
5735:
5731:
5730:
5724:
5722:
5721:
5714:
5707:
5699:
5690:
5689:
5687:
5686:
5674:
5669:
5664:
5658:
5655:
5654:
5652:
5651:
5646:
5641:
5636:
5631:
5626:
5621:
5619:Neuroesthetics
5616:
5611:
5606:
5601:
5599:Arts criticism
5596:
5591:
5585:
5583:
5579:
5578:
5576:
5575:
5565:
5555:
5545:
5535:
5525:
5515:
5505:
5495:
5485:
5475:
5469:On the Sublime
5465:
5455:
5445:
5434:
5432:
5428:
5427:
5425:
5424:
5419:
5414:
5409:
5404:
5399:
5394:
5389:
5382:
5377:
5372:
5367:
5362:
5357:
5352:
5347:
5340:
5335:
5333:Interpretation
5330:
5325:
5320:
5315:
5310:
5305:
5300:
5295:
5290:
5285:
5280:
5275:
5270:
5265:
5260:
5255:
5250:
5249:
5248:
5243:
5233:
5228:
5226:Artistic merit
5223:
5218:
5213:
5207:
5205:
5201:
5200:
5198:
5197:
5190:
5185:
5180:
5175:
5170:
5165:
5160:
5155:
5150:
5145:
5140:
5135:
5130:
5125:
5120:
5115:
5110:
5105:
5100:
5095:
5090:
5085:
5080:
5075:
5070:
5065:
5060:
5055:
5050:
5045:
5040:
5035:
5030:
5025:
5020:
5015:
5010:
5005:
5000:
4995:
4990:
4985:
4980:
4975:
4970:
4965:
4960:
4955:
4950:
4945:
4940:
4935:
4930:
4925:
4920:
4914:
4912:
4908:
4907:
4905:
4904:
4897:
4892:
4887:
4882:
4877:
4875:Psychoanalysis
4872:
4867:
4862:
4857:
4852:
4847:
4842:
4837:
4832:
4826:
4824:
4820:
4819:
4817:
4816:
4811:
4806:
4801:
4796:
4791:
4786:
4781:
4776:
4771:
4766:
4760:
4758:
4754:
4753:
4748:
4746:
4745:
4738:
4731:
4723:
4717:
4714:
4713:
4710:
4704:
4703:
4698:
4696:Daniel Dennett
4689:
4684:
4675:
4674:
4669:
4663:
4662:
4651:
4650:
4648:
4647:External links
4645:
4643:
4642:
4632:
4607:
4598:
4579:
4560:
4521:
4512:
4502:
4483:
4463:
4454:
4449:978-0816611737
4448:
4435:
4415:
4394:
4376:(4): 474–487.
4363:
4350:
4331:
4314:
4298:
4278:
4257:
4239:(2): 119–137.
4228:
4223:978-1118438817
4222:
4209:
4204:978-0521648400
4203:
4190:
4185:978-0198794790
4184:
4171:
4166:978-0340807002
4165:
4152:
4142:
4123:
4118:978-0415060110
4117:
4104:
4095:
4082:
4063:
4054:
4032:
4030:
4027:
4025:
4024:
4002:
3983:"Art Bollocks"
3974:
3956:
3937:
3918:
3905:(3): 375–398.
3885:
3874:(4): 279–296.
3854:
3827:(4): 285–290.
3804:
3778:
3768:Philosophy Now
3753:
3721:
3706:
3680:
3669:
3642:
3626:Goodchild 1990
3618:
3616:, p. 460.
3606:
3594:
3592:, p. 480.
3582:
3580:, p. 479.
3570:
3563:
3541:
3537:Goodchild 1990
3529:
3512:
3500:
3485:
3467:Lyotard, J.-F.
3455:
3443:
3426:
3414:
3399:
3392:
3370:
3363:
3329:
3322:
3300:
3298:, p. 205.
3288:
3277:
3252:
3240:
3234:978-0745609201
3233:
3215:
3189:Best, Steven;
3178:
3135:
3095:
3068:
3065:. p. 234.
3049:
3042:
3020:
2997:
2986:
2955:
2943:
2936:
2914:
2907:
2879:
2867:
2836:
2829:
2807:
2789:
2782:
2764:
2734:
2722:
2710:
2698:
2686:
2674:
2672:, p. 108.
2662:
2650:
2638:
2626:
2614:
2612:, p. 111.
2602:
2590:
2578:
2566:
2554:
2542:
2530:
2518:
2506:
2494:
2479:
2467:
2455:
2443:
2431:
2419:
2407:
2390:
2388:, p. 201.
2378:
2361:
2349:
2347:, p. 203.
2334:
2319:
2293:
2281:
2269:
2257:
2245:
2233:
2219:
2217:, p. 733.
2207:
2181:
2169:
2157:
2155:, p. 202.
2145:
2133:
2118:
2106:
2094:
2079:
2067:
2063:Vanhoozer 2003
2055:
2053:, p. 204.
2043:
2031:
2016:
2004:
2002:, p. 567.
1985:
1973:
1936:
1911:
1904:
1885:
1883:
1880:
1877:
1876:
1866:
1865:
1863:
1860:
1858:
1857:
1851:
1841:
1840:
1836:
1835:
1828:
1827:
1823:
1822:
1815:
1814:
1810:
1808:
1807:
1800:
1799:
1795:
1794:
1791:Transmodernism
1788:
1781:
1780:
1776:
1774:
1771:
1759:Daniel Dennett
1711:Main article:
1708:
1705:
1685:hypermodernity
1670:More recently
1634:
1631:
1625:
1622:
1609:Chicago School
1564:
1563:Urban planning
1561:
1559:
1556:
1532:G. W. F. Hegel
1524:Charles Darwin
1508:
1505:
1491:
1488:
1456:language games
1442:Main article:
1439:
1434:
1407:
1404:
1400:
1394:
1391:
1377:
1374:
1343:Deconstruction
1341:Main article:
1338:
1337:Deconstruction
1335:
1331:structuralists
1323:Main article:
1320:
1317:
1266:Main article:
1262:
1261:
1255:September 2024
1230:
1228:
1221:
1215:
1212:
1145:Bradley Joseph
1141:Henryk GĂłrecki
1102:
1099:
1079:Roland Barthes
1075:Samuel Beckett
1070:Finnegans Wake
1065:Thomas Pynchon
1045:Main article:
1042:
1039:
1033:
1032:Graphic design
1030:
1010:Main article:
1007:
1004:
974:Charles Jencks
966:Main article:
961:Robert Venturi
957:Newtown Square
944:
941:
938:Postmodern art
932:
931:
925:September 2024
904:
902:
895:
889:
886:
804:language games
789:
786:
742:deconstructive
737:
734:
730:Robert Venturi
726:Charles Jencks
662:Robert Creeley
638:
635:
595:
592:
517:
514:
509:
506:
473:William Spanos
464:
461:
445:poststructural
401:
400:
398:
397:
390:
383:
375:
372:
371:
370:
369:
364:
363:
362:
357:
352:
332:
331:
327:
326:
325:
324:
319:
314:
309:
301:
300:
296:
295:
294:
293:
284:
279:
274:
269:
268:
267:
265:Postpositivism
262:
257:
247:
242:
237:
227:
222:
217:
212:
207:
202:
197:
192:
187:
179:
178:
174:
173:
172:
171:
166:
161:
156:
154:Hypermodernity
151:
149:Deconstruction
143:
142:
136:
135:
128:
127:
117:
116:
100:James Stirling
98:, Germany, by
77:
65:
64:
63:
54:
53:
52:
43:
42:
41:
40:
39:
38:
15:
13:
10:
9:
6:
4:
3:
2:
6080:
6069:
6066:
6064:
6063:Art movements
6061:
6059:
6056:
6054:
6051:
6049:
6046:
6044:
6041:
6039:
6036:
6034:
6031:
6029:
6026:
6024:
6023:Postmodernism
6021:
6020:
6018:
5997:
5996:
5987:
5985:
5984:
5979:
5975:
5973:
5972:
5963:
5962:
5959:
5953:
5950:
5948:
5945:
5943:
5940:
5936:
5933:
5931:
5928:
5927:
5926:
5925:Postmodernism
5923:
5921:
5918:
5914:
5911:
5909:
5908:Structuralism
5906:
5905:
5904:
5901:
5899:
5896:
5894:
5891:
5889:
5886:
5884:
5881:
5880:
5878:
5874:
5869:
5859:
5856:
5854:
5851:
5849:
5846:
5842:
5839:
5837:
5834:
5832:
5829:
5828:
5827:
5824:
5822:
5819:
5817:
5814:
5812:
5809:
5807:
5804:
5802:
5799:
5797:
5794:
5792:
5789:
5787:
5784:
5782:
5779:
5777:
5774:
5772:
5769:
5767:
5764:
5762:
5759:
5757:
5754:
5752:
5749:
5747:
5744:
5742:
5739:
5738:
5736:
5732:
5728:
5720:
5715:
5713:
5708:
5706:
5701:
5700:
5697:
5685:
5675:
5673:
5670:
5668:
5665:
5663:
5660:
5659:
5656:
5650:
5649:Theory of art
5647:
5645:
5642:
5640:
5637:
5635:
5632:
5630:
5627:
5625:
5622:
5620:
5617:
5615:
5612:
5610:
5607:
5605:
5602:
5600:
5597:
5595:
5592:
5590:
5587:
5586:
5584:
5580:
5571:
5570:
5566:
5561:
5560:
5556:
5551:
5550:
5546:
5540:
5536:
5530:
5526:
5521:
5520:
5516:
5511:
5510:
5506:
5500:
5496:
5491:
5490:
5486:
5481:
5480:
5476:
5471:
5470:
5466:
5461:
5460:
5456:
5451:
5450:
5446:
5441:
5440:
5439:Hippias Major
5436:
5435:
5433:
5429:
5423:
5420:
5418:
5415:
5413:
5410:
5408:
5405:
5403:
5400:
5398:
5395:
5393:
5390:
5388:
5387:
5383:
5381:
5378:
5376:
5373:
5371:
5368:
5366:
5363:
5361:
5358:
5356:
5353:
5351:
5348:
5346:
5345:
5341:
5339:
5336:
5334:
5331:
5329:
5326:
5324:
5321:
5319:
5316:
5314:
5311:
5309:
5306:
5304:
5301:
5299:
5298:Entertainment
5296:
5294:
5291:
5289:
5286:
5284:
5281:
5279:
5276:
5274:
5271:
5269:
5266:
5264:
5261:
5259:
5256:
5254:
5251:
5247:
5244:
5242:
5239:
5238:
5237:
5234:
5232:
5229:
5227:
5224:
5222:
5221:Art manifesto
5219:
5217:
5214:
5212:
5211:Appropriation
5209:
5208:
5206:
5202:
5196:
5195:
5191:
5189:
5186:
5184:
5181:
5179:
5176:
5174:
5171:
5169:
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5161:
5159:
5156:
5154:
5151:
5149:
5146:
5144:
5141:
5139:
5136:
5134:
5131:
5129:
5126:
5124:
5121:
5119:
5116:
5114:
5111:
5109:
5106:
5104:
5103:Merleau-Ponty
5101:
5099:
5096:
5094:
5091:
5089:
5086:
5084:
5081:
5079:
5076:
5074:
5071:
5069:
5066:
5064:
5061:
5059:
5056:
5054:
5051:
5049:
5046:
5044:
5041:
5039:
5036:
5034:
5031:
5029:
5026:
5024:
5021:
5019:
5016:
5014:
5011:
5009:
5006:
5004:
5001:
4999:
4996:
4994:
4991:
4989:
4986:
4984:
4981:
4979:
4976:
4974:
4971:
4969:
4966:
4964:
4961:
4959:
4956:
4954:
4951:
4949:
4946:
4944:
4941:
4939:
4936:
4934:
4931:
4929:
4926:
4924:
4921:
4919:
4918:Abhinavagupta
4916:
4915:
4913:
4909:
4903:
4902:
4898:
4896:
4893:
4891:
4888:
4886:
4883:
4881:
4878:
4876:
4873:
4871:
4870:Postmodernism
4868:
4866:
4863:
4861:
4858:
4856:
4853:
4851:
4848:
4846:
4843:
4841:
4838:
4836:
4833:
4831:
4828:
4827:
4825:
4821:
4815:
4812:
4810:
4807:
4805:
4802:
4800:
4797:
4795:
4792:
4790:
4787:
4785:
4782:
4780:
4777:
4775:
4772:
4770:
4767:
4765:
4762:
4761:
4759:
4755:
4751:
4744:
4739:
4737:
4732:
4730:
4725:
4724:
4721:
4715:
4708:
4702:
4699:
4697:
4693:
4690:
4688:
4685:
4683:
4680:
4679:
4673:
4670:
4668:
4665:
4664:
4659:
4658:Postmodernism
4654:
4646:
4639:
4635:
4629:
4625:
4621:
4617:
4613:
4608:
4604:
4599:
4595:
4591:
4587:
4586:
4580:
4576:
4572:
4571:
4566:
4561:
4557:
4553:
4549:
4545:
4541:
4537:
4533:
4529:
4528:
4522:
4518:
4513:
4509:
4505:
4503:9780826265944
4499:
4495:
4491:
4490:
4484:
4472:
4468:
4464:
4460:
4455:
4451:
4445:
4441:
4436:
4425:
4421:
4418:Kelly, Mark.
4416:
4404:
4400:
4395:
4391:
4387:
4383:
4379:
4375:
4371:
4370:
4364:
4353:
4347:
4343:
4339:
4338:
4332:
4328:
4324:
4320:
4315:
4311:
4307:
4303:
4299:
4288:
4284:
4279:
4267:
4263:
4258:
4254:
4250:
4246:
4242:
4238:
4234:
4229:
4225:
4219:
4215:
4210:
4206:
4200:
4196:
4191:
4187:
4181:
4177:
4172:
4168:
4162:
4158:
4153:
4149:
4145:
4143:9780813166209
4139:
4135:
4131:
4130:
4124:
4120:
4114:
4110:
4105:
4101:
4096:
4085:
4079:
4075:
4071:
4070:
4064:
4060:
4055:
4043:
4039:
4034:
4033:
4028:
4021:
4017:
4013:
4006:
4003:
3998:
3992:
3984:
3978:
3975:
3970:
3966:
3960:
3957:
3952:
3948:
3941:
3938:
3933:
3929:
3922:
3919:
3913:
3908:
3904:
3900:
3896:
3889:
3886:
3881:
3877:
3873:
3869:
3865:
3858:
3855:
3850:
3846:
3842:
3838:
3834:
3830:
3826:
3822:
3815:
3808:
3805:
3793:
3789:
3782:
3779:
3774:
3770:
3769:
3764:
3757:
3754:
3750:
3744:
3740:
3736:
3732:
3725:
3722:
3717:
3710:
3707:
3695:
3691:
3690:"Edward Soja"
3684:
3681:
3676:
3672:
3666:
3662:
3658:
3657:
3649:
3647:
3643:
3639:
3638:Simonsen 1990
3635:
3631:
3627:
3622:
3619:
3615:
3610:
3607:
3603:
3598:
3595:
3591:
3586:
3583:
3579:
3574:
3571:
3566:
3564:0-679-64433-4
3560:
3555:
3554:
3545:
3542:
3538:
3533:
3530:
3526:
3521:
3519:
3517:
3513:
3509:
3504:
3501:
3496:
3492:
3488:
3482:
3478:
3474:
3473:
3468:
3462:
3460:
3456:
3452:
3447:
3444:
3440:
3435:
3433:
3431:
3427:
3423:
3418:
3415:
3411:
3406:
3404:
3400:
3395:
3389:
3385:
3381:
3374:
3371:
3366:
3364:0-8018-5830-5
3360:
3356:
3352:
3351:
3343:
3339:
3333:
3330:
3325:
3319:
3315:
3311:
3304:
3301:
3297:
3292:
3289:
3285:
3280:
3278:0-465-09516-X
3274:
3270:
3266:
3262:
3256:
3253:
3249:
3244:
3241:
3236:
3230:
3226:
3219:
3216:
3204:
3200:
3196:
3192:
3185:
3183:
3179:
3174:
3170:
3165:
3160:
3156:
3152:
3151:
3146:
3139:
3136:
3120:
3116:
3109:
3102:
3100:
3096:
3083:
3079:
3072:
3069:
3064:
3060:
3053:
3050:
3045:
3039:
3035:
3031:
3024:
3021:
3008:
3001:
2998:
2993:
2989:
2983:
2979:
2975:
2971:
2970:
2965:
2959:
2956:
2952:
2947:
2944:
2939:
2933:
2929:
2925:
2918:
2915:
2910:
2908:0-300-10034-5
2904:
2900:
2896:
2892:
2891:
2883:
2880:
2876:
2871:
2868:
2855:
2851:
2847:
2840:
2837:
2832:
2826:
2822:
2818:
2811:
2808:
2803:
2799:
2793:
2790:
2785:
2783:0-8478-0167-5
2779:
2775:
2768:
2765:
2760:
2756:
2752:
2748:
2744:
2738:
2735:
2731:
2726:
2723:
2719:
2714:
2711:
2707:
2702:
2699:
2695:
2690:
2687:
2683:
2678:
2675:
2671:
2666:
2663:
2659:
2654:
2651:
2647:
2642:
2639:
2635:
2630:
2627:
2623:
2618:
2615:
2611:
2606:
2603:
2599:
2594:
2591:
2587:
2582:
2579:
2575:
2570:
2567:
2563:
2558:
2555:
2552:, p. 92.
2551:
2546:
2543:
2539:
2534:
2531:
2527:
2522:
2519:
2515:
2510:
2507:
2504:, p. 70.
2503:
2498:
2495:
2492:, p. 21.
2491:
2486:
2484:
2480:
2476:
2471:
2468:
2464:
2459:
2456:
2453:, p. 55.
2452:
2447:
2444:
2440:
2435:
2432:
2429:, p. 24.
2428:
2423:
2420:
2417:, p. 21.
2416:
2411:
2408:
2405:, p. 12.
2404:
2399:
2397:
2395:
2391:
2387:
2382:
2379:
2375:
2370:
2368:
2366:
2362:
2359:, p. 30.
2358:
2353:
2350:
2346:
2341:
2339:
2335:
2332:, p. 19.
2331:
2326:
2324:
2320:
2307:
2303:
2297:
2294:
2291:, p. 43.
2290:
2285:
2282:
2278:
2277:Russello 2007
2273:
2270:
2266:
2261:
2258:
2254:
2249:
2246:
2242:
2237:
2234:
2229:
2223:
2220:
2216:
2215:Thompson 1914
2211:
2208:
2195:
2191:
2185:
2182:
2178:
2173:
2170:
2166:
2161:
2158:
2154:
2149:
2146:
2142:
2137:
2134:
2131:, p. 76.
2130:
2125:
2123:
2119:
2116:, p. 10.
2115:
2110:
2107:
2104:, p. 46.
2103:
2098:
2095:
2091:
2086:
2084:
2080:
2077:, p. 17.
2076:
2071:
2068:
2064:
2059:
2056:
2052:
2047:
2044:
2040:
2035:
2032:
2028:
2023:
2021:
2017:
2013:
2008:
2005:
2001:
1996:
1994:
1992:
1990:
1986:
1983:, p. 11.
1982:
1977:
1974:
1970:
1969:Buchanan 2018
1965:
1963:
1961:
1959:
1957:
1955:
1953:
1951:
1949:
1947:
1945:
1943:
1941:
1937:
1925:
1921:
1915:
1912:
1907:
1901:
1897:
1890:
1887:
1881:
1871:
1868:
1861:
1855:
1852:
1846:
1843:
1842:
1838:
1837:
1833:
1830:
1829:
1825:
1824:
1820:
1817:
1816:
1812:
1811:
1805:
1802:
1801:
1797:
1796:
1792:
1789:
1786:
1783:
1782:
1778:
1777:
1772:
1770:
1766:
1760:
1755:
1750:
1748:
1744:
1740:
1736:
1732:
1728:
1724:
1720:
1714:
1706:
1704:
1702:
1698:
1694:
1690:
1686:
1682:
1677:
1673:
1672:metamodernism
1667:
1662:
1660:
1656:
1655:
1650:
1644:
1643:Metamodernism
1640:
1632:
1630:
1623:
1621:
1618:
1614:
1610:
1606:
1601:
1599:
1595:
1591:
1586:
1584:
1583:
1578:
1574:
1573:prefabricated
1570:
1562:
1557:
1555:
1553:
1548:
1546:
1542:
1541:
1535:
1533:
1529:
1525:
1521:
1517:
1516:neopragmatism
1513:
1512:Richard Rorty
1504:
1502:
1501:Jacques Lacan
1497:
1489:
1487:
1484:
1480:
1479:grands récits
1476:
1475:metanarrative
1468:
1463:
1461:
1457:
1453:
1452:
1445:
1438:
1435:
1433:
1429:
1427:
1421:
1419:
1418:
1413:
1405:
1403:
1398:
1392:
1390:
1386:
1384:
1375:
1373:
1371:
1366:
1361:
1356:
1355:
1350:
1344:
1336:
1334:
1332:
1326:
1318:
1316:
1314:
1309:
1307:
1306:Richard Rorty
1303:
1299:
1295:
1291:
1287:
1283:
1279:
1275:
1269:
1258:
1248:
1242:
1238:
1234:
1231:This section
1229:
1225:
1220:
1219:
1214:In philosophy
1213:
1211:
1209:
1205:
1200:
1195:
1193:
1192:Pet Shop Boys
1189:
1185:
1181:
1180:Talking Heads
1177:
1172:
1170:
1166:
1162:
1161:Michael Nyman
1158:
1154:
1150:
1146:
1142:
1138:
1133:
1130:The composer
1127:
1123:
1119:
1112:
1107:
1100:
1098:
1096:
1091:
1087:
1082:
1080:
1076:
1072:
1071:
1066:
1063:(and, later,
1062:
1058:
1054:
1048:
1040:
1038:
1031:
1029:
1027:
1023:
1019:
1013:
1005:
1003:
1001:
997:
996:Terry Farrell
992:
990:
989:double coding
985:
983:
979:
975:
969:
962:
958:
954:
949:
942:
939:
928:
918:
912:
908:
905:This section
903:
899:
894:
893:
887:
885:
883:
878:
876:
872:
866:
864:
860:
854:
852:
848:
844:
840:
835:
832:
828:
820:
815:
811:
809:
805:
801:
800:
795:
787:
785:
783:
779:
775:
771:
766:
763:
762:Enlightenment
759:
754:
751:
747:
743:
735:
733:
731:
727:
722:
720:
716:
712:
707:
705:
701:
696:
694:
690:
686:
682:
677:
675:
674:Enlightenment
671:
667:
663:
659:
658:Charles Olson
656:
652:
643:
636:
634:
632:
631:Steven Connor
627:
625:
620:
618:
614:
609:
605:
601:
593:
591:
587:
585:
582:known as the
581:
576:
574:
569:
567:
566:Enlightenment
563:
559:
555:
551:
547:
543:
542:raison d'ĂŞtre
539:
535:
533:
529:
528:
523:
522:Impressionism
515:
513:
507:
504:
499:
496:
494:
493:
488:
484:
483:
478:
474:
468:
462:
460:
458:
454:
450:
449:Enlightenment
446:
442:
438:
434:
430:
425:
423:
419:
413:
411:
407:
406:Postmodernism
396:
391:
389:
384:
382:
377:
376:
374:
373:
368:
365:
361:
358:
356:
353:
351:
346:
345:
344:
340:
336:
335:
334:
333:
328:
323:
320:
318:
315:
313:
312:Metamodernism
310:
308:
305:
304:
303:
302:
297:
292:
288:
285:
283:
280:
278:
275:
273:
270:
266:
263:
261:
258:
256:
253:
252:
251:
248:
246:
243:
241:
238:
235:
234:Picture books
231:
228:
226:
223:
221:
218:
216:
213:
211:
208:
206:
203:
201:
198:
196:
193:
191:
188:
186:
183:
182:
181:
180:
175:
170:
167:
165:
162:
160:
157:
155:
152:
150:
147:
146:
145:
144:
141:
140:Postmodernity
137:
134:
130:
129:
126:
125:Postmodernism
122:
113:
109:
105:
101:
97:
93:
89:
85:
84:Memphis Group
81:
69:
58:
47:
36:
33:Postmodernism
30:
26:
22:
21:Postmodernity
5993:
5981:
5969:
5924:
5741:Agricultural
5567:
5557:
5547:
5517:
5507:
5487:
5477:
5467:
5457:
5447:
5437:
5384:
5360:Magnificence
5342:
5192:
5158:Schopenhauer
4993:Coomaraswamy
4911:Philosophers
4899:
4869:
4830:Aestheticism
4657:
4638:Google Books
4636:– via
4615:
4602:
4594:Google Books
4584:
4574:
4568:
4534:(1): 51–62.
4531:
4525:
4516:
4508:Google Books
4506:– via
4488:
4475:. Retrieved
4470:
4458:
4439:
4429:14 September
4427:. Retrieved
4423:
4407:. Retrieved
4402:
4373:
4367:
4355:. Retrieved
4341:
4336:
4326:
4322:
4305:
4302:Hassan, Ihab
4292:14 September
4290:. Retrieved
4286:
4270:. Retrieved
4265:
4236:
4232:
4213:
4194:
4175:
4156:
4148:Google Books
4146:– via
4128:
4108:
4102:. Macmillan.
4099:
4087:. Retrieved
4073:
4068:
4058:
4046:. Retrieved
4041:
4029:Bibliography
4019:
4015:
4005:
3977:
3969:the original
3959:
3946:
3940:
3927:
3921:
3902:
3898:
3888:
3871:
3867:
3857:
3824:
3820:
3807:
3795:. Retrieved
3791:
3781:
3772:
3766:
3756:
3743:the original
3738:
3734:
3724:
3715:
3709:
3697:. Retrieved
3693:
3683:
3675:Google Books
3673:– via
3655:
3621:
3609:
3597:
3585:
3573:
3552:
3544:
3532:
3503:
3471:
3446:
3417:
3384:Polity Press
3379:
3373:
3348:
3332:
3309:
3303:
3296:Brooker 2003
3291:
3282:
3264:
3255:
3250:, p. 3.
3243:
3224:
3218:
3206:. Retrieved
3198:
3154:
3148:
3138:
3126:. Retrieved
3119:the original
3086:. Retrieved
3071:
3058:
3052:
3032:. New York:
3029:
3023:
3011:. Retrieved
3000:
2992:Google Books
2990:– via
2968:
2958:
2951:Herwitz 2008
2946:
2927:
2917:
2889:
2882:
2870:
2858:. Retrieved
2849:
2839:
2816:
2810:
2801:
2792:
2773:
2767:
2759:Google Books
2754:
2750:
2737:
2732:, p. 4.
2725:
2718:Kellner 2020
2713:
2701:
2689:
2684:, p. 3.
2677:
2670:Bertens 1995
2665:
2660:, §§3.2–3.4.
2658:Gratton 2018
2653:
2646:Lyotard 1984
2641:
2634:Bertens 1995
2629:
2622:Lyotard 1984
2617:
2610:Bertens 1995
2605:
2593:
2586:Lyotard 1984
2581:
2569:
2562:Bertens 1995
2557:
2550:Bertens 1995
2545:
2538:Bertens 1995
2533:
2521:
2514:Bertens 1995
2509:
2502:Bertens 1995
2497:
2477:, p. 5.
2475:Bertens 1995
2470:
2463:Bertens 1995
2458:
2451:Bertens 1995
2446:
2434:
2427:Bertens 1995
2422:
2415:Bertens 1995
2410:
2386:Bertens 1995
2381:
2376:, p. 5.
2357:Bertens 1995
2352:
2345:Brooker 2003
2330:Bertens 1995
2310:. Retrieved
2305:
2296:
2289:Toynbee 1961
2284:
2272:
2260:
2248:
2236:
2227:
2222:
2210:
2198:. Retrieved
2193:
2184:
2172:
2167:, p. 4.
2165:Bertens 1995
2160:
2153:Brooker 2003
2148:
2136:
2114:Bertens 1995
2109:
2102:Bertens 1995
2097:
2090:Bertens 1995
2070:
2065:, p. 3.
2058:
2051:Brooker 2003
2046:
2034:
2029:, p. 3.
2027:Bertens 1995
2012:Herwitz 2008
2007:
1981:Bertens 1995
1976:
1927:. Retrieved
1923:
1914:
1895:
1889:
1870:
1767:
1754:Dick Hebdige
1751:
1727:universalist
1719:conservative
1716:
1696:
1675:
1669:
1664:
1658:
1652:
1646:
1627:
1602:
1587:
1580:
1579:' 1961 book
1566:
1549:
1545:naturalistic
1538:
1536:
1510:
1496:hyperreality
1493:
1478:
1477:(in French,
1466:
1464:
1449:
1447:
1436:
1430:
1422:
1415:
1409:
1396:
1387:
1379:
1369:
1352:
1346:
1328:
1310:
1308:and others.
1271:
1252:
1241:adding to it
1232:
1196:
1173:
1165:Lou Harrison
1157:Philip Glass
1129:
1090:Brian McHale
1085:
1083:
1068:
1050:
1037:advocates."
1035:
1015:
993:
988:
986:
981:
977:
971:
943:Architecture
922:
911:adding to it
906:
879:
867:
855:
843:Ernst Mandel
836:
824:
797:
796:in his 1979
791:
782:Nancy Fraser
767:
755:
739:
723:
708:
697:
678:
666:Heideggerian
651:Ian Buchanan
648:
628:
621:
597:
588:
577:
570:
561:
541:
536:
525:
519:
511:
501:
497:
490:
480:
469:
466:
426:
414:
405:
404:
195:Architecture
185:Anthropology
164:Posthumanism
159:Hyperreality
131:Preceded by
124:
29:
5761:Development
5453:(c. 335 BC)
5443:(c. 390 BC)
5422:Work of art
5375:Picturesque
5231:Avant-garde
5188:Winckelmann
5063:Kierkegaard
4988:Collingwood
4958:Baudrillard
4885:Romanticism
4855:Historicism
4789:Mathematics
4329:(2): 20–27.
3797:17 February
3634:Irving 1993
3614:Irving 1993
3590:Irving 1993
3578:Irving 1993
3269:Basic Books
3157:: 222–230.
2860:24 December
2850:Independent
2730:Connor 2004
2706:Connor 2004
2694:Connor 2004
2682:Connor 2004
2403:Connor 2004
2374:Connor 2004
2265:Birzer 2015
2241:Madsen 1995
2177:Hassan 1987
2141:Hassan 1987
2075:Connor 2004
2000:Connor 2013
1854:Remodernism
1845:Altermodern
1693:altermodern
1617:Edward Soja
1590:Pruitt–Igoe
1577:Jane Jacobs
1208:Martin Amis
1204:Graham Cray
1153:Steve Reich
1137:Terry Riley
1053:Ihab Hassan
978:magnum opus
778:Craig Owens
704:Nietzschean
700:Ihab Hassan
693:Irving Howe
670:rationalist
600:Daniel Bell
492:Don Quixote
463:Definitions
322:Remodernism
205:Criminology
190:Archaeology
6017:Categories
5876:Approaches
5826:Settlement
5816:Population
5786:Historical
5746:Behavioral
5734:Sub-fields
5392:Recreation
5370:Perception
5263:Creativity
4963:Baumgarten
4953:Baudelaire
4835:Classicism
4750:Aesthetics
4477:9 February
3949:. London:
3699:1 February
3694:Mediapolis
3312:. London:
3061:. London:
2987:1134949162
2964:McHale, B.
2897:. p.
2875:Banes 2008
2312:8 February
2200:9 February
1839:Opposed by
1707:Criticisms
1558:In society
1458:model and
1399:difference
1313:Stuart Sim
1149:John Adams
1057:John Barth
1041:Literature
936:See also:
882:relativism
859:simulacrum
604:nihilistic
457:relativism
453:nihilistic
272:Psychology
250:Philosophy
230:Literature
225:Television
6043:Modernism
5913:Semiotics
5903:Modernism
5853:Strategic
5836:Transport
5811:Political
5801:Marketing
5771:Emotional
5751:Cognitive
5397:Reverence
5303:Eroticism
5273:Depiction
5246:Masculine
5148:Santayana
5108:Nietzsche
5053:Hutcheson
5043:Heidegger
5028:Greenberg
4983:Coleridge
4948:Balthasar
4933:Aristotle
4895:Theosophy
4890:Symbolism
4865:Modernism
4850:Formalism
4577:(4): 733.
4556:144268594
4390:144261041
3495:232943026
3314:Routledge
3173:0148-2963
3063:Routledge
2978:Routledge
2253:Bell 1926
1882:Citations
1723:modernist
1649:cyborgism
1639:Modernism
1594:St. Louis
1486:certain.
1247:talk page
1190:' by the
1169:John Cage
1022:John Cage
917:talk page
689:communism
685:socialism
676:project.
546:modernism
538:Episcopal
532:Gus Mager
487:Cervantes
477:Euripides
410:modernism
307:Criticism
299:Reactions
255:Anarchism
133:Modernism
96:Stuttgart
90:, Paris;
5971:Category
5893:Feminist
5883:Critical
5831:Regional
5821:Religion
5806:Military
5796:Language
5791:Internet
5766:Economic
5756:Cultural
5672:Category
5604:Axiology
5473:(c. 500)
5463:(c. 100)
5338:Judgment
5293:Emotions
5288:Elegance
5268:Cuteness
5241:Feminine
5204:Concepts
5173:Tanizaki
5153:Schiller
5138:Richards
5128:Rancière
5098:Maritain
5033:Hanslick
4973:Benjamin
4845:Feminism
4814:Theology
4794:Medieval
4784:Japanese
4779:Internet
4304:(1987).
4253:40112887
3991:cite web
3849:57559253
3821:Leonardo
3775:: 34–37.
3469:(1979).
3263:(1963).
3248:Sim 2011
3128:29 March
3082:Archived
2966:(2003).
2926:(2008).
2854:Archived
2800:(1974).
2745:(1975).
1924:smow.com
1813:Religion
1773:See also
1735:morality
1176:art rock
1088:(1987),
770:feminism
681:New Left
550:Catholic
455:form of
433:feminism
422:pastiche
291:Religion
287:Theology
215:Feminism
104:bossages
86:, 1981,
82:for the
5995:Commons
5898:Marxist
5858:Tourism
5667:Outline
5582:Related
5449:Poetics
5417:Tragedy
5407:Sublime
5380:Quality
5365:Mimesis
5323:Harmony
5308:Fashion
5283:Ecstasy
5278:Disgust
5194:more...
5163:Scruton
5088:Lyotard
5023:Goodman
5003:Deleuze
4938:Aquinas
4928:Alberti
4901:more...
4880:Realism
4860:Marxism
4840:Fascism
4823:Schools
4809:Science
4764:Ancient
4548:4200779
4409:14 June
3841:1577323
3088:1 April
3013:4 April
2230:. 2004.
1929:19 June
1826:History
1699:at the
1537:In his
1471:
1199:Madonna
1126:Art pop
1111:Madonna
482:Orestes
330:Related
282:Theatre
260:Marxism
232: (
5983:Portal
5848:Social
5781:Health
5573:(2009)
5563:(1977)
5553:(1946)
5543:(1939)
5533:(1935)
5523:(1934)
5513:(1933)
5503:(1891)
5493:(1835)
5483:(1757)
5350:Kitsch
5328:Humour
5258:Comedy
5236:Beauty
5178:Vasari
5168:Tagore
5143:Ruskin
5083:Lukács
5073:Langer
5018:Goethe
4943:Balázs
4923:Adorno
4804:Nature
4769:Africa
4655:about
4630:
4554:
4546:
4500:
4473:. 2006
4446:
4388:
4357:7 June
4348:
4323:Places
4272:7 June
4251:
4220:
4201:
4182:
4163:
4140:
4115:
4089:7 June
4080:
4048:12 May
3847:
3839:
3749:833886
3667:
3561:
3525:Grippe
3493:
3483:
3390:
3361:
3320:
3275:
3231:
3208:12 May
3171:
3115:L'Abri
3040:
2984:
2934:
2905:
2827:
2780:
2308:. 2006
2196:. 2006
1902:
1779:Theory
1745:, and
1743:reason
1624:Legacy
1284:, and
1163:, and
1124:, and
821:, 1995
653:, the
439:, and
341:" and
177:Fields
5841:Urban
5662:Index
5431:Works
5412:Taste
5402:Style
5183:Wilde
5123:Plato
5118:Pater
5078:Lipps
5038:Hegel
5008:Dewey
4998:Danto
4978:Burke
4799:Music
4774:India
4757:Areas
4552:S2CID
4544:JSTOR
4386:S2CID
4249:JSTOR
3845:S2CID
3837:JSTOR
3817:(PDF)
3747:DiVA
3441:, §9.
3410:Kelly
3345:(PDF)
3122:(PDF)
3111:(PDF)
1896:Stone
1862:Notes
1739:truth
1188:disco
1101:Music
1006:Dance
955:near
418:irony
240:Music
210:Dance
5952:Time
5776:Food
5386:Rasa
5344:Kama
5318:Gaze
5253:Camp
5133:Rand
5068:Klee
5058:Kant
5048:Hume
4968:Bell
4628:ISBN
4498:ISBN
4479:2024
4444:ISBN
4431:2024
4411:2024
4359:2024
4346:ISBN
4294:2024
4274:2024
4218:ISBN
4199:ISBN
4180:ISBN
4161:ISBN
4138:ISBN
4113:ISBN
4091:2024
4078:ISBN
4050:2019
3997:link
3799:2020
3701:2020
3665:ISBN
3559:ISBN
3491:OCLC
3481:ISBN
3388:ISBN
3359:ISBN
3318:ISBN
3273:ISBN
3229:ISBN
3210:2019
3203:UCLA
3169:ISSN
3130:2021
3090:2021
3038:ISBN
3015:2013
2982:ISBN
2932:ISBN
2903:ISBN
2862:2023
2825:ISBN
2778:ISBN
2314:2024
2202:2024
1931:2023
1900:ISBN
1721:and
1657:and
1641:and
1605:UCLA
1059:and
873:and
772:and
687:and
660:and
615:and
420:and
289:and
220:Film
5313:Fun
5093:Man
5013:Fry
4620:doi
4575:XII
4536:doi
4378:doi
4241:doi
3907:doi
3876:doi
3829:doi
3792:TLS
3159:doi
3155:107
2306:OED
1687:),
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1194:".
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485:or
200:Art
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