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98:. According to Duret she was not beautiful and – although Manet flattered her – she burst into tears when she first saw the painting. It originally depicted the sitter full-length, but by 1867 Manet had cut away the bottom section.
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The work was mocked by the popular press and refused by its subject, remaining in Manet's studio for a long time. It appears in the inventory of his works as number 14 with the title
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Timothy James Clark, The
Painting of Modern Life: Paris in the Art of Manet and His Followers, Princeton, Princeton University Press, 1999, 376 p. (
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Françoise Cachin, Charles S. Moffett et Juliet Wilson-Bareau, Manet 1832–1883, Paris, Réunion des musées nationaux, 1983, 544 p. (
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Adolphe
Tabarant, Les Manet de la collection Havemeyer : La Renaissance de l'art français, Paris, 1930, XIII éd.
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The tonality of the painting, with its emphasis on black, shows the influence of
Spanish art, and
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439:Étienne Moreau-Nélaton, Manet raconté par lui-même, vol. 2, t. I, Paris, Henri Laurens, 1926
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Henri
Loyrette and Gary Tinterow, Impressionnisme : Les origines, 1859–1869, 476 p. (
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163:). Tabarant stated its subject to be Madame Brunet, née Penne, and called the painting
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132.4 cm Ă— 100 cm (52.1 in Ă— 39 in)
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at the 1884 sale of his works. Just after the sale, Durand-Ruel sold it to
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in Paris. It was then acquired by Mrs
Charles S. Payson née Joan Witney.
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has been suggested as a likely inspiration for the landscape background.
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The painting was acquired from the private Payne-Whitney collection in
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Adolphe
Tabarant, Manet et ses Ĺ“uvres, Paris, Gallimard, 1947, 600 p.
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Collectif RMN, Manet inventeur du moderne, Paris, 2011, 297 p. (
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harvnb error: no target: CITEREFCachinMoffettWilson-Bareau1983 (
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harvnb error: no target: CITEREFCachinMoffettWilson-Bareau1983 (
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Manet, Édouard, Mary Anne
Stevens, and Lawrence W. Nichols.
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When first exhibiting the work in 1867, Manet entitled it
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harvnb error: no target: CITEREFMoreau-NĂ©laton1926 (
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245:. Toledo: Toledo Museum of Art. 2012. p. 191.
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706:The Battle of the Kearsarge and the Alabama
626:Mademoiselle V. in the Costume of an Espada
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282:"Portrait of Madame Brunet (Getty Museum)"
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1064:Portrait of Marguerite Gauthier-Lathuille
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363:Cachin, Moffett & Wilson-Bareau 1983
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262:Cachin, Moffett & Wilson-Bareau 1983
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1341:Paintings in the J. Paul Getty Museum
562:Portrait of Monsieur and Madame Manet
381:Rouart-Wildenstein 1975 tome I, p. 27
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7:
930:Claude Monet Painting in his Studio
834:Departure of the Folkestone Steamer
770:The Execution of Emperor Maximilian
188:Woman with a Glove, Fashion of 1850
1000:The Rue Mosnier Dressed with Flags
946:Portrait of Marguerite de Conflans
212:List of paintings by Édouard Manet
14:
866:Effect of Snow on Petit-Montrouge
826:The Port of Boulogne by Moonlight
1080:Madame Manet in the Conservatory
90:is an oil painting on canvas by
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1008:Blonde Woman with Bare Breasts
906:Masked Ball at the Opera House
722:Jesus Insulted by the Soldiers
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961:Portrait of Stéphane Mallarmé
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738:Bullfight – Death of the Bull
618:Portrait of Victorine Meurent
1216:White Lilacs in a Glass Vase
1136:Portrait of Countess Albazzi
1271:A Studio at Les Batignolles
1192:A Bar at the Folies-Bergère
690:The Dead Christ with Angels
666:Young Man Dressed as a Majo
118:Gertrude Vanderbilt Whitney
105:in particular. Velázquez's
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1331:Portraits by Édouard Manet
1112:Self-Portrait with Palette
161:The Parisian Woman of 1862
1208:Flowers in a Crystal Vase
922:Berthe Morisot with a Fan
794:Madame Manet at the Piano
698:The Kearsarge at Boulogne
642:The Luncheon on the Grass
554:Portrait of Madame Brunet
87:Portrait of Madame Brunet
26:
22:Portrait of Madame Brunet
16:Painting by Édouard Manet
1096:Corner of a Café-Concert
1305:Eugène Manet (brother)
1056:Chez le Père Lathuille
810:Luncheon in the Studio
778:Portrait of Emile Zola
714:The Races at Longchamp
602:Music in the Tuileries
243:Manet: Portraying Life
148:
1120:A Bundle of Asparagus
196:Jacques-Émile Blanche
157:La Parisienne de 1862
153:Portrait of Madame B.
142:Philip IV as a Hunter
139:
116:(largely built up by
107:Philip IV as a Hunter
96:Eugène Cyrille Brunet
1249:Suzanne Manet (wife)
1128:A Sprig of Asparagus
762:A Young Lady in 1866
746:The Matador Saluting
578:Boy Carrying a Sword
538:The Absinthe Drinker
122:J. Paul Getty Museum
74:J. Paul Getty Museum
1072:In the Conservatory
786:Boy Blowing Bubbles
530:Christ the Gardener
522:The Barque of Dante
306:Moreau-NĂ©laton 1926
192:Young Woman of 1860
181:Young Woman in 1860
1326:Portraits of women
1287:The Impressionists
1200:The House at Rueil
1168:Rochefort's Escape
1047:Georges Clemenceau
1038:Georges Clemenceau
586:La Nymphe surprise
570:The Spanish Singer
177:Jeune dame en 1860
175:retitled the work
169:Woman with a Glove
149:
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1239:Victorine Meurent
594:The Street Singer
546:Spanish Cavaliers
516:List of paintings
465:978-2-07-013323-9
190:, being retitled
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1279:Bazille's Studio
1104:The Café-Concert
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1031: 1878–1880
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57:Oil on canvas
56:
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40:Édouard Manet
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1234:MĂ©ry Laurent
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1088:The Waitress
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1040:(Fort Worth)
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1023:Chez Tortoni
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388:Bibliography
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1016: 1878
993: 1877
985:Plum Brandy
972:(1877–1881)
954: 1876
890:The Railway
858:The Funeral
842:The Brioche
818:The Reading
802:The Balcony
650:La NĂ©gresse
533:(1856–1859)
525:(1854–1858)
457:(in French)
443:(in French)
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425:(in French)
419:(in French)
405:(in French)
365:, p. 5
217:1860 in art
140:Velázquez,
128:, in 2011.
126:Los Angeles
78:Los Angeles
1320:Categories
1263:Portrayals
1160:The Rabbit
969:Le Suicidé
914:Argenteuil
344:Duret 1947
223:References
62:Dimensions
797:(1867–68)
754:The Fifer
733:(1865–66)
730:Bullfight
685:(1864–65)
509:Paintings
120:) by the
49:1861-1863
206:See also
114:New York
70:Location
1298:Related
1049:(Paris)
938:Boating
677:(1864))
658:Olympia
1227:Models
1219:(1882)
1211:(1882)
1203:(1882)
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1187:(1882)
1184:Autumn
1179:(1881)
1176:Spring
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869:(1870)
861:(1870)
853:(1870)
850:Repose
845:(1870)
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54:Medium
36:Artist
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132:Title
124:, in
977:Nana
461:ISBN
447:ISBN
409:ISBN
395:ISBN
369:help
350:help
331:help
312:help
268:help
247:ISBN
46:Year
183:).
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230:^
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Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.