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221:. From 1620 to 1796 its ownership was unknown; the known provenance begins with its sale at an auction in 1796, when it was thought to be an image of Gaspar Gevartius. In 1798 the painting was sold to Julius Angerstein at auction, and at the same auction a copy was sold as well. When Angerstein put the painting on display in 1815 he credited it to Flemish artist
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subject's eyes which was achieved with the use of white paint. The portrait includes only van der Geest's head and shoulders, which allowed the artist to concentrate on the facial features and details of the white ruffled collar. The painting was executed with a single light source in front and above the subject.
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technology has shown that the original painting may have been only the head inside a simulated oval frame, without the dark background. It is also clear that parts of the white ruffled collar were executed by a later artist. More wood was added to the bottom of the original oak-wood oval, probably in
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the painting of its glazes. In 1950 it was cleaned again. The
National Gallery is certain that the head and collar are the work of van Dyck, but they are uncertain about who painted the rest of the image. The painting is considered a "problem painting", both because the "skinning" may have harmed the
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painting is 37.5 cm (14.8 in) × 32.5 cm (12.8 in). The
National Gallery's description of the painting is effusive; they referred to the brushwork as "virtuosic". The artist used long brushstrokes, and thick paint in some areas. There is the appearance of glistening water in the
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Around 1620, when the portrait was executed, van Dyck was 21 years old, and the subject of the painting, Cornelis van der Geest, was 65. It is one of van Dyck's earliest works but is considered a masterpiece. Van der Geest, a wealthy spice merchant from
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There are many known replicas and copies of this painting by other artists, including some from the 18th and 19th centuries. Two known engravings have also been created from the painting, one by
British
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Skinning refers to the process of cleaning an oil painting by removing a layer from its surface (in this case, the glazing); inevitably, this also removes some of the original paint.
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225:. In 1824 the painting was purchased by the National Gallery, and in 1864 they determined that the person in the image was Cornelis van der Geest and the artist was van Dyck.
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of the painting revealed the additions. Between 1620 and 1796, the provenance of the painting was not documented. The painting was also cleaned and
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the 1630s, to expand the original face-only image to a bust. The
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describes the painting as "elaborately and carefully constructed, built up and modelled to the extreme point of academic precision".
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Masterworks: Low and
Surrounding Countries : Sixteenth to Eighteenth Century Old Master Paintings
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Masterworks: Low and
Surrounding Countries: Sixteenth to Eighteenth Century Old Master Paintings
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494:"Portrait of Cornelis van der Geest | Works of Art | RA Collection | Royal Academy of Arts"
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1835 by John Rogers, who titled his engraving "Gevartius"; it is in the collection of the
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366:"Anthony van Dyck Portrait of Cornelis van der Geest NG52 National Gallery, London"
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from about 1620. The original panel and painting were expanded by other artists.
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original work and because of the large gap in its provenance. The use of
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In 1796 the painting was thought to be an image of
Flemish diplomat
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Crucifixion with the Virgin, Saint John and Saint Mary
Magdalene
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400:(33 ed.). New York, New Yok: Parkstone International.
585:. New York, New Yok: Parkstone International. p. 64.
439:. Santa Fe, New Mexico: Rio Grande Trust. pp. 70–73.
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37.5 cm (14.8 in) × 32.5 cm (12.8 in)
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Thetis
Receiving the Weapons of Achilles from Hephaestus
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Lord John Stuart and his
Brother, Lord Bernard Stuart
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Saint Ambrose barring Theodosius from Milan Cathedral
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619:. London, England: Hodder and Stoughton. p. 16
551:. Hoboken, New Jersey: John Wiley & Sons, Inc.
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1016:Venus Asks Vulcan to Forge Arms for her Son Aeneas
213:The painting is in the main collection of the
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165:. In 1864, the painting was purchased by the
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1099:Equestrian Portrait of Francisco de Moncada
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468:"Key Art Terms You Can't Afford to Ignore"
228:In 1948, the National Gallery cleaned and
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1377:Paintings in the National Gallery, London
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818:The Vision of the Blessed Hermann Joseph
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1225:Mary Villiers, Lady Herbert of Shurland
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173:as a work attributed to Flemish artist
1272:Self-portrait with Sir Endymion Porter
1148:The Three Eldest Children of Charles I
1139:The Three Eldest Children of Charles I
992:Diana and a Nymph Surprised by a Satyr
1189:Queen Henrietta Maria as St Catherine
526:. National Museum of American History
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317:List of paintings by Anthony van Dyck
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1305:Mucius Scaevola before Lars Porsenna
579:Gritsai, Natalia (6 December 2022).
548:Advanced Maya Texturing and Lighting
520:"Portrait of Cornelis van der Geest"
1115:Thomas Francis, Prince of Carignano
268:National Museum of American History
1165:Triple Portrait of Henrietta Maria
254:in 1830 that is now stored in the
139:Portrait of Cornelis van der Geest
38:Portrait of Cornelis van der Geest
26:Portrait of Cornelis van der Geest
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826:Madonna and Child with Two Donors
616:Anthony Van Dyck: A Further Study
394:Charles, Victoria (1 July 2011).
301:Anthony van Dyck: A Further Study
1157:Equestrian Portrait of Charles I
869:Lamentation over the Dead Christ
1091:Charles I with M. de St Antoine
810:The Coronation of Saint Rosalia
706:Saint Martin Dividing his Cloak
1264:Self-Portrait with a Sunflower
690:Entry of Christ into Jerusalem
433:Holmes, Steve (1 March 2008).
372:. The National Gallery, London
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1372:Portraits by Anthony van Dyck
834:Rest on the Flight into Egypt
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1323:Hendrick van Balen the Elder
1131:Charles I in Three Positions
959:Munich (autograph or studio)
545:Lanier, Lee (8 March 2011).
18:Painting by Anthony van Dyck
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1067:Cardinal Guido Bentivoglio
370:www.nationalgallery.org.uk
1173:Mary Hill, Lady Killigrew
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206:"Gevartius" – a print by
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730:The Crowning with Thorns
295:In Steve Holmes's book,
1205:Magistrates of Brussels
1197:Luigia Cattaneo-Gentile
1083:Gaston, Duke of Orléans
858:Madonna with Partridges
500:. Royal Academy of Arts
498:www.royalacademy.org.uk
1297:A Soldier on Horseback
1043:Cornelis van der Geest
786:Susanna and the Elders
737:The Betrayal of Christ
524:americanhistory.si.edu
303:British art historian
210:
208:Francis William Wilkin
179:Cornelis van der Geest
1123:Charles I at the Hunt
968:Mythological subjects
954:Palermo (studio work)
920:Saint Rosalia series
802:The Mocking of Christ
613:Cust, Lionel (1911).
582:Van Dyck and artworks
256:Royal Academy of Arts
205:
1107:Francisco de Moncada
1075:The Lomellini Family
1078:(c. 1625–1627)
984:Jupiter and Antiope
764:(c. 1619–1620)
725:(c. 1618–1620)
722:The Apostle Matthew
1210:Preparatory sketch
1150:(Royal Collection)
1000:The Shepherd Paris
768:Samson and Delilah
714:The Brazen Serpent
682:Religious subjects
472:Gray's Auctioneers
211:
1349:
1348:
1329:Peter Paul Rubens
1181:William Killigrew
794:Madonna and Child
675:List of paintings
592:978-1-78310-167-2
558:978-1-118-05967-8
446:978-0-9718676-2-8
407:978-1-78042-302-9
252:George Thomas Doo
223:Peter Paul Rubens
175:Peter Paul Rubens
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1362:Portraits of men
1024:Cupid and Psyche
850:The Resurrection
666:Anthony van Dyck
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272:Washington, D.C.
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215:National Gallery
167:National Gallery
163:Gaspar Gevartius
148:Anthony van Dyck
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1335:Paul de Vos
1267:(1632–1633)
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1253:(1613–1614)
1160:(1637–1638)
1027:(1638–1640)
1019:(1630–1632)
1011:(1630–1632)
995:(1622–1627)
922:(1624–1625)
853:(1631–1632)
842:Crucifixion
821:(1629–1630)
805:(1628–1630)
797:(1621–1627)
753:Minneapolis
733:(1618–1620)
701:(1617–1619)
305:Lionel Cust
284:oil on wood
278:Description
77:Oil on wood
1356:Categories
865:Deposition
343:References
185:Background
93:Dimensions
1300:(c. 1616)
1236:(c. 1638)
1228:(c. 1636)
1200:(c. 1622)
1126:(c. 1635)
1070:(c. 1623)
1035:Portraits
894:1629–1630
291:Reception
101:Condition
1331:(master)
1325:(master)
1257:New York
944:New York
311:See also
249:engraver
109:Location
104:Restored
87:Portrait
1316:Related
1220:(1630s)
1141:(Turin)
929:Houston
743:Bristol
478:24 June
230:skinned
198:History
192:Antwerp
156:skinned
123:Website
83:Subject
63: (
1281:(1640)
1279:London
1275:(1635)
1251:Vienna
1192:(1639)
1184:(1638)
1176:(1638)
1168:(1638)
1152:(1636)
1143:(1635)
1118:(1634)
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1094:(1633)
1062:(1622)
1054:(1622)
1046:(1620)
1003:(1628)
987:(1620)
979:(1620)
939:Madrid
934:London
861:(1632)
845:(1630)
837:(1630)
829:(1630)
813:(1629)
748:Madrid
709:(1618)
693:(1617)
623:26 May
598:26 May
589:
564:26 May
555:
530:26 May
504:26 May
452:26 May
443:
413:26 May
404:
376:26 May
260:London
219:London
171:London
152:X-rays
117:London
73:Medium
45:Artist
949:Ponce
323:Notes
235:X-ray
142:is a
909:1640
904:1635
899:1634
889:1629
884:1619
879:1618
874:1615
778:1630
773:1620
625:2024
600:2024
587:ISBN
566:2024
553:ISBN
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