29:
238:
716:
399:
343:
391:
721:
116:
summer exhibition of 1810 along with three other
Lawrence works. Despite receiving praise from many quarters, Castlereagh's painting received a damning critique by
503:
170:
102:
303:
567:
711:
415:
447:
423:
665:
479:
276:
Anecdote
Biography. William Hogarth, Sir Joshua Reynolds, Thomas Gainsborough, Henry Fuseli, Sir Thomas Lawrence, and J. M. W. Turner
527:
431:
157:
76:
599:
535:
359:
471:
575:
487:
559:
495:
383:
296:
631:
623:
519:
511:
455:
583:
375:
351:
335:
615:
543:
463:
407:
327:
181:
726:
647:
289:
28:
706:
591:
551:
639:
130:
175:
367:
142:
122:
685:
98:
312:
150:
134:
94:
39:
138:
117:
700:
680:
113:
106:
57:
153:. Another painting of him by Lawrence was exhibited at the Royal Academy in 1814.
675:
670:
607:
137:. In the wake of this, he resigned and fought a duel with his cabinet colleague
68:
74.3 cm × 61.6 cm (29.3 in × 24.3 in)
146:
129:
The same year that the work was painted, Castlereagh oversaw the failed
80:
185:, 1826 portrait of George Canning with whom he fought the 1809 duel
281:
145:
in 1812 and served for a decade, participating in the defeat of
285:
160:
in London, having been purchased for the collection in 1892.
105:. Lawrence had developed a reputation as a leading artist of
109:
portraits, and was on friendly terms with the politician.
262:
The Duel: Castlereagh, Canning and Deadly
Cabinet Rivalry
141:. After three years out of government, he returned as
658:
319:
72:
64:
53:
45:
35:
21:
717:Paintings in the National Portrait Gallery, London
392:Caroline, Princess of Wales and Princess Charlotte
255:In Nelson's Wake: The Navy and the Napoleonic Wars
297:
8:
400:Princess Caroline of Brunswick-Wolfenbüttel
174:, 1815 portrait of his ally and friend the
304:
290:
282:
93:is an 1809 portrait by the English artist
18:
156:Today the painting is on display in the
722:Cultural depictions of Lord Castlereagh
195:
120:, an opponent of the Irishman, in the
7:
171:Portrait of the Duke of Wellington
112:The portrait was displayed at the
14:
149:and the creation of the post-war
27:
271:. Yale University Press, 2005.
257:. Yale University Press, 2016.
101:, then serving as the British
1:
712:Paintings by Thomas Lawrence
264:. Bloomsbury Academic, 2008.
90:Portrait of Lord Castlereagh
22:Portrait of Lord Castlereagh
666:Congress of Aix-la-Chapelle
16:Painting by Thomas Lawrence
743:
464:John Philip Kemble as Cato
182:Portrait of George Canning
239:National Portrait Gallery
158:National Portrait Gallery
77:National Portrait Gallery
26:
278:. Richard Bentley, 1860.
97:of the Irish politician
568:Countess of Blessington
536:Francis I of Austria
131:Walcheren Expedition
592:Charles X of France
472:Sir Charles Stewart
269:Sir Thomas Lawrence
576:Frederick Robinson
504:Duke of Wellington
480:Marquess Wellesley
176:Duke of Wellington
694:
693:
560:Mikhail Vorontsov
528:Duke of Richelieu
496:Prince Metternich
384:Sir Edward Pellew
143:Foreign Secretary
123:Morning Chronicle
86:
85:
734:
727:Portraits of men
686:Waterloo Chamber
632:Julia, Lady Peel
624:Sir Walter Scott
600:Duchess of Berry
520:Count Nesselrode
456:Mirza Abul Hasan
440:Lord Castlereagh
360:Duke of Portland
344:Elizabeth Farren
306:
299:
292:
283:
267:Levey, Michael.
241:
236:
230:
227:
221:
218:
212:
209:
203:
200:
103:Secretary of War
99:Lord Castlereagh
31:
19:
742:
741:
737:
736:
735:
733:
732:
731:
697:
696:
695:
690:
654:
584:Princess Sophia
488:Marshal Blücher
376:Lord Hawkesbury
352:Arthur Atherley
336:Queen Charlotte
315:
313:Thomas Lawrence
310:
250:
245:
244:
237:
233:
228:
224:
219:
215:
210:
206:
201:
197:
192:
166:
151:Congress System
135:Napoleonic Wars
95:Thomas Lawrence
40:Thomas Lawrence
17:
12:
11:
5:
740:
738:
730:
729:
724:
719:
714:
709:
707:1809 paintings
699:
698:
692:
691:
689:
688:
683:
678:
673:
668:
662:
660:
656:
655:
653:
652:
644:
636:
628:
620:
616:George Canning
612:
604:
596:
588:
580:
572:
564:
556:
548:
544:Lord Liverpool
540:
532:
524:
516:
508:
507:(c. 1815)
500:
492:
484:
476:
468:
460:
452:
444:
436:
428:
420:
416:Lord Melbourne
412:
411:(c. 1804)
408:Sir John Moore
404:
396:
388:
380:
372:
364:
356:
348:
347:(c. 1790)
340:
332:
328:William Linley
323:
321:
317:
316:
311:
309:
308:
301:
294:
286:
280:
279:
272:
265:
258:
253:Davey, James.
249:
246:
243:
242:
231:
222:
213:
204:
194:
193:
191:
188:
187:
186:
178:
165:
162:
139:George Canning
118:Peter Finnerty
84:
83:
74:
70:
69:
66:
62:
61:
55:
51:
50:
47:
43:
42:
37:
33:
32:
24:
23:
15:
13:
10:
9:
6:
4:
3:
2:
739:
728:
725:
723:
720:
718:
715:
713:
710:
708:
705:
704:
702:
687:
684:
682:
681:Royal Academy
679:
677:
674:
672:
669:
667:
664:
663:
661:
657:
650:
649:
648:Lord Aberdeen
645:
642:
641:
637:
634:
633:
629:
626:
625:
621:
618:
617:
613:
610:
609:
605:
602:
601:
597:
594:
593:
589:
586:
585:
581:
578:
577:
573:
570:
569:
565:
562:
561:
557:
554:
553:
549:
546:
545:
541:
538:
537:
533:
530:
529:
525:
522:
521:
517:
514:
513:
509:
506:
505:
501:
498:
497:
493:
490:
489:
485:
482:
481:
477:
474:
473:
469:
466:
465:
461:
458:
457:
453:
450:
449:
448:Benjamin West
445:
442:
441:
437:
434:
433:
429:
426:
425:
421:
418:
417:
413:
410:
409:
405:
402:
401:
397:
394:
393:
389:
386:
385:
381:
378:
377:
373:
370:
369:
365:
362:
361:
357:
354:
353:
349:
346:
345:
341:
338:
337:
333:
330:
329:
325:
324:
322:
318:
314:
307:
302:
300:
295:
293:
288:
287:
284:
277:
274:Timbs, John.
273:
270:
266:
263:
260:Hunt, Giles.
259:
256:
252:
251:
247:
240:
235:
232:
226:
223:
217:
214:
208:
205:
199:
196:
189:
184:
183:
179:
177:
173:
172:
168:
167:
163:
161:
159:
154:
152:
148:
144:
140:
136:
132:
127:
125:
124:
119:
115:
114:Royal Academy
110:
108:
104:
100:
96:
92:
91:
82:
78:
75:
71:
67:
63:
59:
58:Oil on canvas
56:
52:
48:
44:
41:
38:
34:
30:
25:
20:
646:
638:
630:
622:
614:
606:
598:
590:
582:
574:
566:
558:
550:
542:
534:
526:
518:
512:Duke of York
510:
502:
494:
486:
478:
470:
462:
454:
446:
439:
438:
430:
424:William Pitt
422:
414:
406:
398:
390:
382:
374:
366:
358:
350:
342:
334:
326:
275:
268:
261:
254:
248:Bibliography
234:
225:
216:
207:
202:Hunt p. viii
198:
180:
169:
155:
128:
121:
111:
89:
88:
87:
676:Romanticism
671:Regency era
608:The Red Boy
229:Timbs p.298
220:Davey p.203
211:Timbs p.298
133:during the
701:Categories
432:George III
190:References
65:Dimensions
60:, portrait
552:George IV
320:Portraits
640:Maria II
164:See also
147:Napoleon
73:Location
659:Related
107:society
651:(1830)
643:(1829)
635:(1827)
627:(1826)
619:(1826)
611:(1825)
603:(1825)
595:(1825)
587:(1824)
579:(1824)
571:(1822)
563:(1821)
555:(1821)
547:(1820)
539:(1819)
531:(1818)
523:(1818)
515:(1816)
499:(1815)
491:(1814)
483:(1813)
475:(1812)
467:(1812)
459:(1810)
451:(1810)
443:(1809)
435:(1809)
427:(1807)
419:(1805)
403:(1804)
395:(1801)
387:(1797)
379:(1796)
371:(1794)
368:Pinkie
363:(1792)
355:(1792)
339:(1789)
331:(1788)
81:London
36:Artist
54:Type
49:1809
46:Year
126:.
703::
79:,
305:e
298:t
291:v
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
