240:. But the commissioner was Fillide's client nobleman Giulio Strozzi to whom she bequeathed the painting in her will of October 8, 1614. In 2017, Tasmanian artist, Johannes Verhoeff, was given the task to create 2 versions of the ‘Portrait of a Courtesan’ at MONA (Museum of Old and New, Hobart Tasmania). This was part of an experiment to determine if a theory put forward by Caravaggio expert, Dr. Roberta Lupucci of Florence, Italy, could be true. Lapucci proposed that the original painting was made with the help of a number of optical devises which caused a facial distortion claimed to be quite noticeable in the portrait. Verhoeff was tasked to make one recreation with the original distortion, whereas the second painting was created to represent Fillide as she could have looked without the optical distortion. Both paintings now belong to MONA.
261:. She may have appeared even more frequently - a considerable number of Caravaggio's works are now lost - but she seems to vanish from his paintings after 1599. If sophisticated patrons such as Giustiniani represented one pole of Caravaggio's life, the world of Fillide was the other. She was one of Rome's most successful prostitutes, much sought after by the Roman elite; but she had her true existence in the streets. In February 1599 she was arrested together with a young man named Ranuccio Tomassoni, who seems to have been her pimp, (he came from a good family but was continually turning up in police records in the company of prostitutes, and not as a customer), and charged with creating a disturbance in connection with a noisy
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65:, is a useful starting point for translations, but translators must revise errors as necessary and confirm that the translation is accurate, rather than simply copy-pasting machine-translated text into the English Knowledge (XXG).
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66 cm × 53 cm (26 in × 21 in)
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49:Click for important translation instructions.
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293:List of paintings by Caravaggio
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958:David with the Head of Goliath
729:The Crucifixion of Saint Peter
713:The Martyrdom of Saint Matthew
93:You may also add the template
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841:Christ on the Mount of Olives
618:Saint Catherine of Alexandria
586:Rest on the Flight into Egypt
280:Rest on the Flight into Egypt
721:The Conversion of Saint Paul
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666:Judith Beheading Holofernes
258:Judith Beheading Holofernes
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38:the corresponding article
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974:The Crowning with Thorns
942:The Seven Works of Mercy
918:Mary Magdalen in Ecstasy
825:The Crowning with Thorns
793:The Entombment of Christ
501:Boy Bitten by a Crayfish
200:) was a painting by the
1207:Paintings by Caravaggio
873:Portrait of Pope Paul V
833:The Death of the Virgin
801:Saint Francis in Prayer
191:Portrait of a Courtesan
104:For more guidance, see
1075:The Raising of Lazarus
1001:(London; c. 1607)
626:The Sacrifice of Isaac
554:Boy Bitten by a Lizard
16:Painting by Caravaggio
1107:Denial of Saint Peter
966:Madonna of the Rosary
881:Still Life with Fruit
852:(Genoa; c. 1605)
342:by Catherine Milner,
77:copyright attribution
1006:Saint Jerome Writing
990:Christ at the Column
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865:Saint Jerome Writing
785:The Taking of Christ
504:(c. 1593; lost)
418:at Wikimedia Commons
234:Vincenzo Giustiniani
1180:Caravaggio's Shadow
1146:Utrecht Caravaggism
812:(c. 1603–1606)
530:Del Monte paintings
360:Gash, John (2004).
255:, and as Judith in
197:Portrait of Fillide
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1212:Portraits of women
578:Penitent Magdalene
509:The Fortune Teller
485:Young Sick Bacchus
270:Penitent Magdalene
238:Fillide Melandroni
129:Cortigiana Fillide
85:interlanguage link
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1174:(2007 film)
1166:(1986 film)
1017:(1607–1608)
716:(1599–1600)
708:(1599–1600)
695:Most famous
380:Robb, Peter
364:. Chaucer.
1196:Categories
1172:Caravaggio
1164:Caravaggio
453:Caravaggio
362:Caravaggio
354:References
313:Caravaggio
264:Mardi Gras
172:Dimensions
148:Caravaggio
40:in Italian
1049:1608–1610
910:Ecce Homo
900:1606–1608
849:Ecce Homo
693:1600–1606
682:Narcissus
528:1595–1599
469:1593–1594
299:Footnotes
183:Destroyed
127:Italian:
99:talk page
382:(1998).
287:See also
230:bergamot
180:Location
75:provide
1134:Related
570:Bacchus
315:, p.53.
204:master
202:Baroque
157:c. 1597
97:to the
79:in the
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594:Medusa
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324:Robb,
311:Gash,
210:Berlin
162:Medium
144:Artist
214:Flora
59:DeepL
390:ISBN
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154:Year
73:must
71:You
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61:or
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445:e
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431:v
398:.
385:M
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326:M
108:.
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