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Bhūmi was found to be a better place for intensive study of Gauḍīya Vaiṣṇavism and so the family shifted from Delhi to
Mathura in 1947. At Mathura, Premlata Sharma studied and became proficient in three important languages – Braj Bhāṣā, Avadhi and Maithili which were all assets for her later academic studies. She also continued her higher studies in Samskrta and Hindi Literature, while taking regular training in Music which had been a hobby with her since her childhood. This enabled her to pass the Inter Examination in Vocal Music of the Academy of Hindustani Music, Lucknow in 1949.
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Her study of
Bharata's Nāṭyaśāstra inspired her to initially reconstruct the Pūrvaraṅga, the preliminary part preceding the main drama. Later this was part of the three Samskrta dramas she directed, namely, Vikramōrvaśīyam and Mālavikāgnimitram of Kālidāsa and Uttararāmacaritam of Bhavabhūti. For her
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and they brought up their only child, Premlata, in a serene and pious atmosphere. She received her primary and secondary training at home in Delhi along with training in vocal music and sitar. She passed her High School
Examination from Panjab University in 1938 at the age of eleven. For the next two
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In her academic career she initiated serious studies in the textual tradition of Indian Music, especially of
Samskrta texts. She also emphasised the study of primary sources for research. The courses that were introduced by her since 1957 were PhD, M Phil. and Master of Musicology. A Diploma course
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Soon after coming to the university she got herself admitted as a casual student in the
Central Hindu College and started attending the M. A. classes in Hindi. She had already completed the course and was going to appear in the University Examinations as a private candidate in Arts subjects. So she
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After this, she spent seven years studying religious literature, especially that of the Gauḍīya Vaiṣṇavas in
Bengali and Samkrta, in which her father was also deeply interested. He resigned his job in the Railways and made himself free to look after the interest of his daughter in her studies. Vraj
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In July 1951, she got herself registered as a PhD student in
Samskrta under Dr. P.L. Vaidya who was then the Head of the Department of Samskrta in the Central Hindu College at the BHU. The subject of her research was: Special study of Rasashastra and Gaudeeya Vaishanava Darshana. For her thesis on
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Professor Alain
Danielou was head of the Research Section, the third wing of the college along with the Vocal and Instrumental section. And when he left, Dr Sharma was given charge of the section and she became its head as part of the Reader's post to which she was appointed in 1957. In 1966, a
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She supervised the research work of many a doctoral students. Many senior
International scholars sought her guidance for their research studies on Indian music. Apart from the various universities and institutions in the country, academic presentations took her to other countries like USA, The
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Considering the aptitude, qualities and potentialities of his daughter, Pandita
Lalchand Sharma decided that she should continue her higher studies at Banaras Hindu University (BHU), where a College of Music and Fine Arts had started functioning in 1949–50 with Pandita Omkar Nath Thakur as its
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She also learnt Marathi, Gujarati and some other languages during this period. She could read, write and speak fluently in Hindi, Samskrta, English, Bengali, Gujarati, Braja Bhāṣā and Avadhi. Panjabi was her mother tongue. She knew a little of Oriyā, Asāmi and Telugu too.
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Saṅgītaratnākara of Śārṅgadēva, Vol.II, Chapters II-IV - Sanskrit Text and English Translation with comments and Notes, English Translation by Dr. R.K.Shringy under the supervision of Dr. Prem Lata Sharma pub. by Munshiram Manoharlal Publishers Pvt. Ltd., Delhi, 1989.
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A Historical Note on Music Research in India, paper presented at a seminar on 'Curriculum Development and Design for Evalation of Post-Graduate Studies in Music" at the College of Indian Music, Dance & Dramatics, Vadodara, held from 31 October to 2 November 1977
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In 1985, she went on deputation from BHU to serve as the Vice-Chancellor of the Indira Kala Sangita Vishvavidyalaya, Khairagarh and served there until 1988. Meanwhile, at the age of 60 years, she retired from the services of the BHU on 31 May 1987.
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Principal. Premlata Sharma was admitted to this college in the first batch of students. She was also admitted to the Women's College Hostel. Pandita Omkarnatha Thakur who knew Pandita Lalchand Sharma very well, agreed to be her local guardian.
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For the Sangeet Natak Akademi she organised three seminars, Śārṅgadēva and his Saṅgītaratnākara', 'Matanga and his work Bṛhaddēśī' and 'Rasa in the Arts' and the papers presented for the first two have been published in book form.
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She was associated with the documentation and revival of many performing arts like the Kūṭiyāṭṭam, and Dhrupada. She was an editor of the 'Dhrupada Annual', brought out by the Vidya Mandir Trust of the Maharaja of Banaras.
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Her professional career commenced in August 1955 when she was appointed as a lecturer in the College of Music and Fine Arts in BHU and she taught the Theory of Music for the undergraduate and Post graduate students.
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Indian Aesthetics and Musicology (The Art and Science of Indian Music), Volume 1, Compiled articles of Prof. (Miss) Premlata Sharma, Edited by Dr. km. Urmila Sharma, Āmnāya-Prakāśana, Bharata-Nidhi, Varanasi,
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She also served as the vice-chairman of the Sangeet Natak Akademi, New Delhi and also an academic advisor to the Indira Gandhi National Centre for the Arts, New Delhi, and the Sangeet Research Academy, Kalkatta.
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Thirty Songs from The Panjab and Kāshmīr, of Ratan Devī and Ananda K Coomaraswamy edited by Prem Lata Sharma, Indira Gandhi National Centre For the Arts, Sterling Publishers Private Limited, New Delhi, 1994
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She had also attended classes in the Samskrta Mahavidyalaya of the BHU and in the traditional method studied 'Samskrta Poetics' from Pandita Mahadeva Sastri and Darśana from Pandita Ramachandra Dikshitar.
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appeared in the M.A. Hindi Examination in March 1950 and passed the same. In July 1950, she joined the M.A. Classes in Samskrta as a casual student and obtained the M.A. (Samskrta) degree in March 1951.
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separate department of musicology was created and she became its head and the Research Section became a part of it. In 1981, she was appointed as a professor of the department of Musicology.
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Bṛhaddēśī of Mataṅgamuni, edited by Prem Lata Sharma, assisted by Anil Behari Beohar, Kalamula Sastra Series, Indira Gandhi National Centre for the Arts and Motilal Banarsidass, New Delhi.
866:Ākāśa and Sound: With Special Reference to Music, published in the book "Concepts of Space: Ancient and Modern', Indira Gandhi National Centre For the Arts & Abhinav Publications,
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rāga-rāgiṇī citraṇa paramparā (Hindi)– article published in Nāda Rūpa Research Journal of the College of Music & Fine Arts, Banaras Hindu University, Varanasi. January 1963.
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Nāda Rūpa (Journal) vol. 2, Chief Editor: B R Deodhar, (Prem Lata Sharma, Member Editorial Board), College of Music and Fine Arts, Banaras Hindu University, Varanasi, 1963.
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Saṅgītarāja of Mahārāṇa Kumbha, vol.I, ed. by Dr. Premlata Sharma, pub. by Hindu Vishvavidyalaya Sanskrit Publication Board, Banaras Hindu University, Varanasi, 1963.
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Key Note Address (Hindi) delivered at the Ninth Akhila Bhāratīya Saṅgīta Śikṣaka Sammēlana conducted by the Akhila Bhāratīya Gāndharva Mahāvidyālaya Maṇḍala, 1976.
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History and Origin of Ṭhumarī with special reference to Gharānā and Styles – an article published Prajñā, Journal of the Banaras Hindu University, March 1963.
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Saṅgītaratnākara of Śārṅgadēva, Vol.I, Chapter I - translated in English by Dr. R.K.Shringy and Dr. Prem Lata Sharma pub. by Motilal Banarsidass, Delhi, 1978.
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560:'Śārṅgadēva and His Saṅgītaratnākara: Proceedings of the Seminar Varanasi, 1994' edited by, Prem Lata Sharma, Sangeet Nataka Akademi, Delhi, 1998.
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prabandha kā śāstrīya adhyayana: ēka saṅkṣipta digdarśana, published in the book 'Bhāvaraṅga Lahari' Pt. 1 of Balwantarai Bhatta, Varanasi, 1964.
256:, District Jalandhar, East Panjab. She was the only child of her parents, Pandita Lalchand sharma, Srimati, Mayadevi,. Both of them were devoted
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Prēma-Rasāyana ēveṃ Saṅgīta-Mīmāmsā - The Alchemy of Love & Wisdom' Expressed through the Holistic Life and Works of Prof. Prem Lata Sharma
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Mataṅga and his work Bṛhaddēśī, Proceedings of the Seminar at Hampi, 1995, edited by, Prem Lata Sharma, Sangeet Natak Akademi, Delhi, 2001.
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creations in this area, she founded an institution named 'Abhinaya Bhāratī' and a trust 'Bharata Nidhi' for promoting the performing arts.
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Sahasarasa, Nāyaka Bakṣū kē Dhrupadōn kā Saṅgraha, Transliterated and Edited by Premlata Sharma, Sangeet Natak Akademi, New Delhi, 1972
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Nāda Rūpa (Journal) vol. 1, edited by Prem Lata Sharma, College of Music and Fine Arts, Banaras Hindu University, Varanasi, 1961.
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Vividha Viṣaya Viduṣī Dr. Prem Lata Sharma: Vyaktitva ēvaṃ kṛtitva (Hindi), by Archana Dixit. Author publisher, Varanasi, 2002.
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harmonium aur light classical music (Hindi) – a paper presented at a Seminar on Harmonium held at the All India Radio, Delhi.
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Paramparā in Indian Music with Special Reference to Pt. Omkarnath Thakur in Hindustani Music – paper presented at a seminar.
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She acquainted herself with various other aspects of Darsana from Pandita Gopinatha Kaviraj and Pandita Brahmadatta Jijñāsu.
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She passed the Shastracarya degree examinations in Sahitya in 1955; the Saṅgītalaṅkāra examination in Vocal Music in 1955.
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Bhāratīya Saṅgīta kā Itihāsa, of Ṭhakur Jaideva Singh edited by Premlata Sharma, Sangeet Research Academy, Kalkatta, 1994
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Review of Available Music Literature of University Level and Future Requirements, Paper presented at a Seminar on 'Music
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Education in India at the University Level' held at the Faculty or Performing Arts, Banaras Hindu University, Varanasi.
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730:Śāstra and Prayoga: Contemporary Tāla practice vis-à-vis Śāstic Tradition; with special reference to Hindustani Music
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in 1940. Then she joined the Indraprastha Girls' college for two years and graduated from Delhi University in 1942.
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Indian Music, of Ṭhakur Jaideva Singh and edited by. Premlata Sharma, Sangeet Research Academy, Kalkatta, 1995
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svatantra bhārata mēṃ sāṃskrtika punarjāgaraṇa - saṅgīta kē kṣētra mēṃ (Hindi) - paper presented at seminar.
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Saṅgītarāja- Rasaratnakōśa‚ of Rāṇā Kumbha edited. by Dr. Premlata Sharma, printed and unpublished.
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Gamaka: A study (on the textual and performance traditions in Vocal Music – Hindustani and Karnatak)
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Saṅgītarāja- Vādyaratnakōśa‚ of Rāṇā Kumbha edited by Dr. Premlata Sharma, printed and unpublished.
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1054:. Vol. 1, Compiled articles of Prof. (Miss) Premlata Sharma. Varanasi: Āmnāya-Prakāśana.
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Parallel Concepts in Sanskrit Poetics and Saṅgītaśāstra – a paper presented at as seminar.
281:"Studies in Bhakti Rasa based on śrī Rūpa Gōsvāmi' she was awarded the PhD degree in 1954.
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http://journals.cambridge.org/production/action/cjoGetFulltext?fulltextid=3963852
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Unique and unrivalled characteristics of the Art and Science of Indian Music
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She also studied the Samskṛta texts on Music with Pandita Omkarnatha Thakur.
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History and origin of Ṭhumarī with special reference to Gharānās and styles
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saṅgīta mēṃ nibaddha aur anibaddha (Hindi) – article published in ?
419:Ēkalinġamāhātmya – (a pauraṇika genealogy of the Mevara dynasty), 1976
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Indian Aesthetics and Musicology: The Art and Science of Indian Music
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Musical Crativity: Its affinity with other Arts and its uniqueness.
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European Aesthetics of Music and traditional Indian Saṅgīta Śāstra
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Publications: (Links provided wherever free download is available.)
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Edited works (Links provided wherever free download is available.)
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Scholar, Teacher, Colleague, Friend, May 1999 by Harold S Powers
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The Ancient Grṃa system and its distortion in the medieval times
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Japasūtram, from Bengali to Hindi, vol. 1 (1966) & 2 (1992).
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in Music Appreciation attracted students from other disciplines.
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Prem Lata Sharma: A Great Scholar and Activist, by N Ramanathan
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List of articles by Prof. Prem Lata Sharma in the publication -
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Rasa Siddhānta, National Publishing House, New Delhi, 110002
244:(10 May 1927 – 5 December 1998) was an Indian musicologist.
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Vol.I Kalamulasastra Series no.8 1992
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Prabandhas or Compositional Patterns of Hindustani Music
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The Concept of Sthāya in Indian Saṅgīta Śāstra (Part 1)
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http://musicresearchlibrary.net/omeka/items/show/2357
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http://musicresearchlibrary.net/omeka/items/show/2220
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http://musicresearchlibrary.net/omeka/items/show/2148
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http://musicresearchlibrary.net/omeka/items/show/2150
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http://musicresearchlibrary.net/omeka/items/show/2147
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http://musicresearchlibrary.net/omeka/items/show/2146
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http://musicresearchlibrary.net/omeka/items/show/2125
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http://musicresearchlibrary.net/omeka/items/show/2128
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http://musicresearchlibrary.net/omeka/items/show/2126
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http://musicresearchlibrary.net/omeka/items/show/2533
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http://musicresearchlibrary.net/omeka/items/show/2162
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http://musicresearchlibrary.net/omeka/items/show/2085
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http://musicresearchlibrary.net/omeka/items/show/2127
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http://musicresearchlibrary.net/omeka/items/show/3305
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http://musicresearchlibrary.net/omeka/items/show/2105
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http://musicresearchlibrary.net/omeka/items/show/2106
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http://musicresearchlibrary.net/omeka/items/show/1652
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http://musicresearchlibrary.net/omeka/items/show/1652
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http://musicresearchlibrary.net/omeka/items/show/3298
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http://musicresearchlibrary.net/omeka/items/show/3301
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http://musicresearchlibrary.net/omeka/items/show/2048
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http://musicresearchlibrary.net/omeka/items/show/2047
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http://musicresearchlibrary.net/omeka/items/show/2046
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http://musicresearchlibrary.net/omeka/items/show/824
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http://musicresearchlibrary.net/omeka/items/show/825
856:(Links provided wherever free download is available)
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356:Rasavilāsa (a late work on Samskṛta Poetics), 1952
151:. Unsourced material may be challenged and removed.
2272:Recipients of the Sangeet Natak Akademi Fellowship
1048:Prem Lata Sharma (2000). Km. Urmila Sharma (ed.).
1541:Shivaputra Siddaramayya Komkali ‘Kumar Gandharva’
852:Research Papers and Articles of Prem Lata Sharma
433:Vol.II Kalamulasastra Series no.10, 1994
1059:Prem Lata Sharma (2002). Urmila Sharma (ed.).
718:(Music and dance as an integral part thereof)
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252:Prem Lata Sharma was born on 10 May 1927, in
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2287:People from Punjab Province (British India)
2202:Heads of universities and colleges in India
52:Learn how and when to remove these messages
2197:Academic staff of Banaras Hindu University
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2247:20th-century Indian educational theorists
1519:V. V. Swarna Venkatesa Deekshithar (1986)
229:Learn how and when to remove this message
211:Learn how and when to remove this message
109:Learn how and when to remove this message
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768:Mānasōllāsa or Abhilaṣitārtha Cintāmaṇi
641:Levels of Aesthetic Experience in Music
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72:This article includes a list of general
667:(Part 2) - A Glossary of Sthāyas
1001:Books and Articles on Prem Lata Sharma
832:Musical Instruments (Indian approach)
1229:Birendra Kishore Roy Choudhury (1964)
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1448:Tinuvengadu Subramania Pillai (1978)
1430:Embar S. Vijayaraghavachariar (1975)
149:adding citations to reliable sources
2282:20th-century Indian women educators
2237:Women educators from Punjab, India
2232:Women musicians from Punjab, India
800:North-South distinction: A Survey
78:it lacks sufficient corresponding
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2257:20th-century Indian women singers
33:This article has multiple issues.
1445:Hirjibhai Rustomji Doctor (1977)
1377:Rallapalli Ananta Krishna Sharma
1118:Sangeet Natak Akademi Fellowship
1065:. New Delhi: Radha Publications.
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2267:20th-century Indian translators
2192:Banaras Hindu University alumni
1203:Shrikrishna Narayan Ratanjankar
1184:D. Annaswami Bhagavathar (1962)
136:needs additional citations for
41:or discuss these issues on the
2227:Indian women classical singers
2212:People from Jalandhar district
792:Sahasarasa of Nayaka Bakhshoo
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2277:20th-century Indian educators
816:Indian Teachers in Rochester
649:Rasa Theory and Indian Music
2177:Educators from Punjab, India
2120:Vinayak Khedekar (2022–2023)
2046:T. K. Kalyanasundaram (2018)
1780:Ningthoukhongjam Khelchandra
1458:Purushottam Laxman Deshpande
2252:20th-century Indian singers
2182:Scholars from Punjab, India
1472:T. P. Kuppiah Pillai (1979)
776:Nānyadēva's Bharata Bhāṣya
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2262:20th-century musicologists
2222:Indian women musicologists
2172:Singers from Punjab, India
1576:T. S. Parthasarathy (1991)
1352:K. C. D. Brahaspati (1970)
1199:Swami Prajnanananda (1963)
1144:Ariyakudi Ramanuja Iyengar
716:Traditional view of Drama
1989:Vijay Kumar Kichlu (2014)
1717:Kavalam Narayana Panicker
1504:M. Kirupanandawari (1984)
1440:Semmangudi Srinivasa Iyer
1361:Dilip Chandra Vedi (1970)
1293:Jayachamarajendra Wadiyar
1256:Ganesh Hari Ranade (1965)
1082:Legendary savant in music
760:Rasakaumudī of Śrīkaṇṭha
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590:Dhrupad Annual (Journal)
261:years she studied at the
2242:Indian women translators
2187:Indian Sanskrit scholars
1924:Umayalpuram K. Sivaraman
1918:Rajkumar Singhajit Singh
1634:Ammannur Madhava Chakyar
1389:Kamaladevi Chattopadhyay
1226:C. Saraswathi Bai (1964)
1150:Karaikudi Sambasiva Iyer
752:Śrīkaṇṭha's Rasakaumudī
318:Netherlands and Russia.
1894:Chandrashekhara Kambara
1371:Krishnarao Phulambrikar
1221:T. L. Venkatarama Aiyar
551:Nāṭya Kalpadruma, 1998
93:more precise citations.
1870:Rahim Fahimuddin Dagar
1776:Gursharan Singh (2006)
1335:V. Satyanarayana Sarma
1311:Musiri Subramania Iyer
2141:Dulal Roy (2022–2023)
2056:Sadanam Krishnankutty
1846:Kamlesh Dutt Tripathi
1705:Vempati Chinna Satyam
1670:K. P. Kittappa Pillai
1305:Rukmini Devi Arundale
1275:Ashutosh Bhattacharya
1251:Vinayakrao Patwardhan
744:Bṛhaddēśī of Mataṅga
578:Indian Music Journal
2167:Indian musicologists
2136:Raja and Radha Reddy
2092:T. V. Gopalakrishnan
1882:Hariprasad Chaurasia
1864:Nataraja Ramakrishna
1834:Yamini Krishnamurthy
1693:M. Balamuralikrishna
1571:Kelucharan Mohapatra
1493:Mani Madhava Chakyar
1476:V. K. Narayana Menon
1365:Tarapada Chakraborty
1317:Bade Ghulam Ali Khan
145:improve this article
2050:Saroja Vaidyanathan
1999:C. V. Chandrasekhar
1786:Sushil Kumar Saxena
1347:Kali Charan Patnaik
514:Citrakāvyakautukam
263:University of Delhi
2145:Daya Prakash Sinha
2130:Sunayana Hazarilal
2074:A. K. C. Natarajan
1930:Padma Subrahmanyam
1735:Bindhyabasini Devi
1604:Mrinalini Sarabhai
1508:Chandravadan Mehta
1499:Mallikarjun Mansur
1463:D. T. Joshi (1979)
1401:M. S. Subbulakshmi
1395:Jnan Prakash Ghosh
1209:Pichu Sambamoorthi
1179:Gopeshwar Banerjee
1162:Anjanibai Malpekar
824:The Music Teacher
808:Bridging the Gulf
160:"Prem Lata Sharma"
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2068:Chhannulal Mishra
1984:S. R. Janakiraman
1972:R. Sathyanarayana
1960:Mahesh Elkunchwar
1900:Heisnam Kanhailal
1888:Kalamandalam Gopi
1876:M. Chandrasekaran
1828:Lalgudi Jayaraman
1323:P. K. Kunju Kurup
1271:D. G. Vyas (1965)
1156:Prithviraj Kapoor
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1954:T. H. Vinayakram
1912:Shivkumar Sharma
1792:Khaled Choudhury
1592:Prem Lata Sharma
1452:B. Puttaswamayya
1407:T. Balasaraswati
1383:Shivaram Karanth
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35:Please help
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1367:(1972)
1358:(1970)
1349:(1968)
1343:(1967)
1337:(1967)
1331:(1967)
1325:(1967)
1319:(1967)
1313:(1967)
1307:(1967)
1301:(1967)
1295:(1966)
1289:(1966)
1283:(1966)
1277:(1966)
1268:(1965)
1262:(1965)
1253:(1965)
1247:(1964)
1241:(1964)
1235:(1964)
1223:(1964)
1217:(1963)
1211:(1963)
1205:(1963)
1196:(1962)
1190:(1962)
1181:(1962)
1164:(1958)
1158:(1954)
1152:(1954)
1146:(1954)
1140:(1954)
1134:(1954)
187:
180:
173:
166:
158:
76:, but
192:JSTOR
178:books
724:13-
608:2000
248:Life
164:news
988:12
977:11
966:10
955:09
944:08
933:07
922:06
911:05
900:04
888:03
874:02
863:01
837:27
829:26
821:25
813:24
805:23
797:22
789:21
781:20
773:19
765:18
757:17
749:16
741:15
726:14
713:12
705:11
697:10
689:09
681:08
673:07
662:06
654:05
646:04
638:03
630:02
622:01
147:by
2163::
47:.
1110:e
1103:t
1096:v
232:)
226:(
214:)
208:(
203:)
199:(
189:·
182:·
175:·
168:·
141:.
112:)
106:(
101:)
97:(
83:.
54:)
50:(
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