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868:, became director in 1972. He led The Phillips Collection through a multi-year program to ensure the physical and financial security of the collection, renovate and enlarge the museum buildings, expand and professionalize the staff, conduct research on the collection, and make the Phillips more accessible to the public. In 1992, Charles S. Moffett, a noted author and curator, was named director. Moffett was directly involved with the presentation of several ambitious exhibitions during his six-year tenure, including the memorable "Impressionists on the Seine: A Celebration of Renoir’s
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606:. By purchasing works by such promising but unknown artists, Phillips provided them with the means to continue painting. He formed close bonds with and subsidized several artists who are prominently featured in the collection—Dove and Marin in particular—and consistently purchased works by artists and students for what he called his "encouragement collection." The museum also served as a visual haven for artists such as
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625:. Though Laib's work is often interpreted as evocative of nature, the piece, which is 6 feet by 7 feet and illuminated by one bare bulb, can also seem harsh and enigmatic. Laib became interested in the site-specific installation, which requires about 500 pounds of wax, after visiting the museum's Rothko Room.
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Since the museum's early years, when art classes were held on the third floor of the house, significant attention has been given to educational outreach. Today, the museum features an active schedule of lectures, gallery talks, classes, parent/child workshops, and teacher training programs. It also
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in 1921. With her assistance and advice, Phillips developed his collection "as a museum of modern art and its sources", believing strongly in the continuum of artists influencing their successors through the centuries. His focus on the continuous tradition of art was revolutionary when
America was
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Beginning with a small family collection of paintings, Phillips, a published art critic, expanded the collection dramatically. A specially built room over the north wing of the family home provided a public gallery space. With the collection exceeding 600 works and facing public demand, the
Phillips
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The 2006 addition also made possible The
Phillips Collection Center for the Study of Modern Art. This new museum-based educational model brought together scholars from across academic fields in an ongoing forum for discussion, research, and publishing on modern art. The two-story building, formerly
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neighborhood. From the beginning, Duncan
Phillips exhibited his collection in special galleries at his home. A Georgian Revival house dating to 1897, known as the Phillips house, it is the southern section now forms the southern section of the museum building, the north section of the collection is
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Over time, the building was adapted to include more galleries and offices, particularly after the
Phillips family moved out in 1930. In 1960, Phillips added a modernist wing. This addition was renovated and reconceived in 1989 with the aid of a $ 1.5 million gift from Japanese businessman Yasuhiro
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To accommodate its ever-growing collection of art, audiences, and activities, the
Phillips completed a major building project in April 2006. With 65 percent of the added 30,000 square feet (2,800 m) located below ground, the expansion preserves the intimate scale and residential quality that
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and their parents and caregivers with professional development for their teachers. These and other ventures are facilitated by new exhibition spaces for student art, an art activity room for hands-on education projects, and an art technology lab for developing interactive resources based on the
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The Rothko Room, the first public space dedicated solely to the artist's work, was designed by
Phillips in keeping with Rothko's expressed preference for exhibiting his large, luminous paintings in a small, intimate space, saturating the room with color and sensation. The Rothko Room is the only
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The
Phillips Collection is also known for its groups of works by artists whom Phillips particularly favored. For example, he was overwhelmed by Bonnard's expressive use of color, acquiring 17 paintings by the artist. Cubist pioneer Braque is represented by 13 paintings, including the monumental
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From the 1920s to the 1960s, Phillips re-arranged his galleries in installations that were non-chronological and non-traditional, reflecting the relationships he saw between various artistic expressions. He presented visual connections—between past and present, between classical form and
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with a shared vision to transform scholarship and innovation in the arts. the Center was renamed The "University of
Maryland Center for Art and Knowledge at The Phillips Collection", which is the expansion of the Center for the Study of Modern Art in the museum and the nexus for academic work,
321:—Phillips and his family moved to Washington, D.C., in 1895. He, along with his mother, established The Phillips Memorial Gallery after the sudden, untimely deaths of his brother, James Laughlin Phillips (May 30, 1884 – 1918), and of his father, Duncan Clinch Phillips (1838–1917), a
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are events hold in the museum the third
Thursday of every month between 5 P.M. and 8 P.M. A curator or an invited guest walk with visitors through the gallery while talk about the life and work of the author or authors and give insights of history behind the art works exposed.
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is a free wellness activity led by local yoga teacher Aparna Sadananda. This weekly meditation is a 30-minute program presented initially as an in person activity, after COVID-19 pandemic is presented online, it is a free access activity that is held through
673:, incorporate expanded galleries, among them the first to accommodate larger-scale post-1950s work; a 180-seat auditorium for lectures, films, and events; an outdoor courtyard; and a new shop and café. The architect for the new building was
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is presented in the House, with local musician performances and sometimes visitor musicians from abroad. They are presented in many events, among them the yearly New Year Celebration, the Phillips Collection anniversary among other events.
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Jay Gates became director in 1998. Under his leadership, The Phillips Collection continued to grow and broaden its presence in Washington, D.C., across the country, and internationally. Dorothy M. Kosinski, previously a curator at the
419:. Featuring a permanent collection of nearly 3,000 works by American and European impressionist and modern artists, the Phillips is recognized for both its art and its intimate atmosphere. It is housed in founder Duncan Phillips’ 1897
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384:, helped the Phillips Collection evolve from a small family museum into a public art gallery and was one of the first trustees appointed from outside the family. Moreover, she helped launch its national fundraising campaign.
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Some of the key collaborations of the partnership include developing a new arts curriculum and extended studies courses, postdoctoral fellowships, a biennial book prize, and programming and events.
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existing installation for the artist's work in collaboration with the artist himself. Phillips was initially attracted to Rothko's work because he saw the use of color as similar to Bonard's.
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Bread Furst is the current Café at the Phillips Collection, it is artisanal bakery founded by Mark Furstenberg, it also serves wines, empanadas and other creations by Mark's team of chefs.
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are creative dialogues between music and visual art, where composers respond to works in the collection. These audiovisual artworks free to reproduce on the Phillips collection website.
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618:. In a 1982 tribute to the museum, Noland acknowledged, "I’ve spent many hours of many days in this home of art. You can be with art in the Phillips as in no other place I know."
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850:.. The activity itself promote wellness and help to cope with the stress promoted by the current culture values and with the challenges brought by COVID-19 itself.
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evening called "Art Is _____." Visitors were invited to remix the definition of art, using Duncan Phillips's writings as source material. Guests could send
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are virtual tours of the museum exhibitions and installations it includes full screen images, the describing text of the art work, and audio guides.
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romantic expression—as dialogues on the museum's walls. Giving equal focus to American and European artists, Phillips juxtaposed works by
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to some of the most talented young musicians performing today. Sunday Concerts are held from October through May. They begin promptly at 4 pm.
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536:(circa 1600–05). Phillips’ vision brought together "congenial spirits among the artists," and his ideas still guide the museum today.
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and other institutions in the area, it also present many live programs in the main building both in the house and in the galleries section.
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750:. The two institutions will work together to establish the University of Maryland Center for Art and Knowledge at the Phillips Collection.
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distinguishes The Phillips Collection, as well as respects the character of the Dupont Circle neighborhood. The new spaces, known as the
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as forcing "us to remember a time that left us 'confused, battered, and disoriented' through the eyes of 64 D.C.-area artists."
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reaches out to the community through initiatives such as Art Links to Literacy, combining programs for underserved students at
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Throughout his lifetime, Phillips acquired paintings by many artists who were not fully recognized at the time, among them
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combines live jazz, gallery talks, modern art, and a cash bar on the first Thursday of every month from 5 to 8:30 pm.
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Chronology: Exhibition Catalogue, Nicolas de Staël, paintings 1950–1955, Mitchell-Innes & Nash, NYC. 1997 p.98
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c. 1600-1605. A highlight of the collection. Duncan Phillips called El Greco "the first impassioned
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When Duncan Phillips died in 1966, his wife Marjorie succeeded him as museum director. Their son,
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family moved to a new home in 1930, turning the entire 21st Street residence into an art museum.
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In 2013, the museum opened its second permanent installation, a room covered in wax by artist
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1254:"Phillips Collection is turning 100 and showing what future of classic museums can be"
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because he was "the stepping stone between the Old Masters and the Great Moderns like
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1678:"Phillips Collection and University of Maryland Join Forces to Create New Art Center"
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to a computer engineer who projected them onto a wall, creating a group art project.
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The University of Maryland Center for Art and Knowledge at The Phillips Collection
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Longtime Phillips Collection director Dorothy Kosinski to leave at end of 2022
1553:"Wolfgang Laib's 'Wax Room': Enigmatic permanent installation at the Phillips"
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A closer look at El Greco's 'Repentant Saint Peter' at the Phillips Collection
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Duncan Phillips (1886–1966) played a seminal role in introducing America to
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1785:"City Lights: Inside Outside, Upside Down: 64 Artists Opine on 2020 - WCP"
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The Phillips Collection is housed in a distinctive space in Washington's
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1724:"The Phillips Collection Announces a Captivating 2022/23 Concert Season"
544:(1929). The collection has an equal number of works by Klee, such as
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Revival home and two similarly scaled additions in Washington, D.C.’s
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The Phillips Collection, opened in 1921, is America's first museum of
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Phillips collections offers education services in collaboration with
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scholarly exchange, and innovative interdisciplinary collaborations.
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In 2021, the museum hosted a juried invitational exhibition titled
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552:(1937), as well as seven pieces by abstract expressionist artist
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Goh and his wife Mes. Hiroko Goh, the addition is known as the
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The Washington Post September 9, 1988. (subscription required)
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and modern paintings, with works by European masters such as
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Phillips Collection Taps Dallas Curator To Succeed Director
1226:"At 100, the Phillips Collection doesn't seem to have aged"
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called the Goh Annex. The Phillips house is listed on the
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The museum is noted for its broad representation of both
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In December 2009, The Pink Line Project put together a
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Phillips Collection hires art historian as new director
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Members of the Cultural Alliance of Greater Washington
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Among the artists represented in the collection are
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701:In 2015, the Phillips launched a partnership with
329:, owners of the dam whose failure resulted in the
1974:Georgian Revival architecture in Washington, D.C.
1579:"The Phillips Commissions Wolfgang Laib Wax Room"
1439:Duncan Phillips on Luncheon of the Boating Party.
915:(1972–1992), son of Duncan and Marjorie Phillips
1954:Former private collections in the United States
1770:"After Hours: Freedomworks to Screen Tea Party"
921:(1966–1972), artist and wife of Duncan Phillips
1640:"About the University of Maryland Partnership"
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568:Time and Timelessness (The Spirit of Creation)
380:Polly Fritchey, hostess and wife of columnist
1964:Art museums and galleries established in 1921
1929:Art museums and galleries in Washington, D.C.
842:tool that can be installed in mobile phones,
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746:In 2015, the museum joined forces with the
357:because he was "the first modern painter";
325:window glass millionaire and member of the
1836:Jacqueline Trescott, The Washington Post,
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1494:"MARK ROTHKO (1903–1970) The Rothko Unit"
1492:Phillipscollection.org (April 16, 2016).
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488:(1880–81), the museum’s best-known work.
55:1600 21st Street NW
1934:Biographical museums in Washington, D.C.
528:with paintings by CĂ©zanne, and works by
16:Art museum in Street NW Washington, D.C.
1969:1921 establishments in Washington, D.C.
1866:Philip Kennicott, The Washington Post,
1551:Kennicott, Philip (February 28, 2013).
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1224:Smee, Sebastian (November 24, 2020).
664:2006 renovation and expansion project
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1893:Washington Post.com: "The Goh Annex"
1851:Peggy McGlone, The Washington Post,
1336:Blake Gopnick, The Washington Post,
1048:Entrance to the Public Park in Arles
1010:Mont Sainte-Victoire with Large Pine
650:National Register of Historic Places
31:America's first museum of modern art
1620:Forgey, Benjamin (April 16, 2006).
1252:Kennicott, Philip (March 9, 2021).
1199:List of museums in Washington, D.C.
740:District of Columbia Public Schools
727:District of Columbia Public Schools
327:South Fork Fishing and Hunting Club
297:is part of the museum's permanent
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317:, a banker and co-founder of the
189:, a banker and co-founder of the
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888:(NY), assumed the directorship.
340:Duncan Phillips married painter
319:Jones and Laughlin Steel Company
191:Jones and Laughlin Steel Company
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1534:from the Phillips Collection.
1522:from the Phillips collection.
1376:"Luncheon on the Boating Party"
903:Dorothy M. Kosinski (2008–2023)
743:museum's educational programs.
524:. He exhibited watercolors by
478:. In 1923, Phillips purchased
1783:Jacobson, Louis (2021-08-09).
1738:"Centennial Music Commissions"
1290:Levy, Claudia (11 July 2002).
685:from the museum's collection.
660:, it is named in their honor.
652:as the Duncan Phillips House.
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1622:"Dwelling on a Mediocre Past"
1412:Luncheon of the Boating Party
870:Luncheon of the Boating Party
506:James Abbott McNeill Whistler
485:Luncheon of the Boating Party
290:Luncheon of the Boating Party
185:Phillips was the grandson of
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355:Jean-Baptiste-Siméon Chardin
1577:Vogel, Carol (2012-07-19).
1185:Portrait of Elena Pavlowski
909:Charles Moffett (1992–1998)
812:Inside Outside, Upside Down
794:Centennial music commission
482:'s impressionist painting,
1992:
1644:www.phillipscollection.org
1538:February 28, 2009, at the
1472:Retrieved January 4, 2011
1380:www.phillipscollection.org
703:The University of Maryland
38:Interactive fullscreen map
1902:Google Arts & Culture
1871:Retrieved January 1, 2023
1856:Retrieved January 1, 2023
1841:Retrieved January 4, 2011
1664:"Lost Sock Roasters Café"
1460:Retrieved January 4, 2011
1365:retrieved August 14, 2009
1353:Retrieved January 4, 2011
1341:Retrieved January 4, 2011
1326:Retrieved January 4, 2011
1280:Retrieved January 4, 2011
817:The Washington City Paper
814:, which was described by
175:Phillips Memorial Gallery
36:
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1596:Board of Trustee Records
1476:January 5, 2011, at the
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1939:Museums of American art
1898:The Phillips Collection
1752:"The Pink Line Project"
1598:The Phillips Collection
886:University of Rochester
534:The Repentant St. Peter
313:—the grandson of
171:Marjorie Acker Phillips
159:The Phillips Collection
86:38.911389°N 77.046806°W
20:The Phillips Collection
1608:Friend of The Phillips
1086:Seacoast in Moonlight,
748:University of Maryland
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246:James McNeill Whistler
1789:Washington City Paper
1532:Extensive description
1363:About this collection
1292:"Polly Fritchey Dies"
1160:Pierre-Auguste Renoir
906:Jay Gates (1998–2008)
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604:Augustus Vincent Tack
564:Augustus Vincent Tack
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480:Pierre-Auguste Renoir
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295:Pierre-Auguste Renoir
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254:Augustus Vincent Tack
198:Pierre-Auguste Renoir
123:Public transit access
91:38.911389; -77.046806
1915:at Wikimedia Commons
1451:individuals not isms
1082:Albert Pinkham Ryder
950:St. Peter Repentant,
927:(1921–1966), founder
898:Jonathan P. Binstock
882:Memorial Art Gallery
878:Dallas Museum of Art
510:Albert Pinkham Ryder
345:largely critical of
116:Jonathan P. Binstock
1913:Phillips Collection
1756:pinklineproject.com
1626:The Washington Post
1557:The Washington Post
1498:The Washington Post
1416:. Penguin. p.
1258:The Washington Post
1231:The Washington Post
932:Selected highlights
777:Jean-Yves Thibaudet
675:Arthur Cotton Moore
502:Maurice Prendergast
148:.phillipscollection
82: /
21:
1823:"360-Degree Tours"
1712:. 15 October 2023.
1692:"Phillips After 5"
1583:The New York Times
1456:2011-01-05 at the
1386:on January 5, 2011
1322:2011-01-05 at the
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608:Richard Diebenkorn
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1911:Media related to
1772:. Politico Click.
1181:Amedeo Modigliani
1165:Judgment of Paris
1067:The Road Menders,
913:Laughlin Phillips
892:List of directors
838:software, a free
512:with canvases by
315:James H. Laughlin
187:James H. Laughlin
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1886:Official website
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965:Eugène Delacroix
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854:360-Degree tours
759:Phillips After 5
592:Nicolas de Staël
584:Georgia O'Keeffe
532:with El Greco’s
522:Édouard Vuillard
460:Vincent van Gogh
450:, Paul CĂ©zanne,
382:Clayton Fritchey
258:Georgia O'Keeffe
210:Vincent van Gogh
183:Washington, D.C.
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542:The Round Table
436:Gustave Courbet
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331:Johnstown Flood
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274:Berenice Abbott
202:Gustave Courbet
177:located in the
173:in 1921 as the
167:Duncan Phillips
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1696:the original
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1562:February 28,
1560:. Retrieved
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1384:the original
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1351:The Phillips
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1237:November 24,
1235:. Retrieved
1229:
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195:
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118:(since 2023)
74:38°54′41.0″N
1949:Embassy Row
1012:, 1886-1887
872:" in 1996.
769:Glenn Gould
588:Arthur Dove
554:Mark Rothko
548:(1932) and
540:still-life
456:Edgar Degas
270:Mark Rothko
262:Karel Appel
238:Arthur Dove
165:founded by
89: /
77:77°2′48.5″W
64:Coordinates
44:Established
1923:Categories
1794:2022-01-11
1649:2020-03-12
1433:January 4,
1390:January 4,
1302:2 December
1205:References
831:Meditation
801:multimedia
787:Live music
781:Emanuel Ax
612:Gene Davis
600:Betty Lane
580:John Marin
526:John Marin
417:modern art
388:Collection
323:Pittsburgh
311:Pittsburgh
309:. Born in
307:modern art
299:collection
293:(1881) by
163:art museum
106:Art museum
1809:"ArtWalk"
1520:Biography
952:1823-1825
860:Directors
848:Smart TVs
733:Education
658:Goh Annex
639:Goh Annex
546:Arab Song
464:Paul Klee
403:St. Peter
347:modernism
266:Joan MirĂł
234:Paul Klee
1536:Archived
1474:Archived
1454:Archived
1408:(2007).
1320:Archived
1263:March 9,
1193:See also
971:Paganini
866:Laughlin
824:Artwalks
754:Programs
721:Services
631:Building
530:van Gogh
421:Georgian
397:El Greco
206:El Greco
112:Director
52:Location
1900:within
1278:History
1029:The Ham
884:of the
844:laptops
375:Matisse
371:Gauguin
365:"; and
363:CĂ©zanne
280:History
141:Website
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1168:, 1908
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1107:, 1890
1050:, 1888
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993:, 1848
974:, 1832
779:, and
614:, and
508:, and
474:, and
161:is an
1564:2016
1435:2011
1422:ISBN
1392:2011
1304:2016
1265:2021
1239:2020
1126:1895
1088:1890
1069:1889
846:and
836:Zoom
713:Café
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