1702:
348:
343:
298:
293:
338:
333:
328:
288:
283:
278:
42:
414:
as a "highly listenable, enjoyable album." Barnes singled out "Sitting in the Midday Sun" as a "wistfully irresistible" number and labeled "One of the
Survivors" the Kinks' "best outright rocker" in years. Gary Lucas, reviewing
427:
albums to be released this year (if not the best)? Of course I will." Focusing on the musical theater aspects of the LP, Barbara
Charone ranked the album as one of the "most impressive" of the Kinks' career.
1549:
883:
307:
1236:
1228:
1244:
1678:
1332:
960:
1533:
471:
on Velvel includes the single versions of "Preservation" and "One of the
Survivors", neither of which is available on the original vinyl release.
1756:
1583:
1078:
1399:
1129:
892:
782:
1525:
1348:
1631:
1626:
1541:
1212:
1030:
1746:
1576:
1415:
1308:
319:
1423:
1751:
1517:
1220:
1605:
1600:
1509:
1268:
357:
152:
1726:
1684:
1316:
650:
218:
1469:
1372:
1252:
1648:
1639:
1485:
1071:
974:
440:
81:
1493:
1300:
1144:
1124:
764:
1621:
861:
410:
by Ken Barnes was critical of Ray Davies' "tendency toward vaudevillian excess," but overall he rated
1741:
1736:
1731:
1477:
1204:
580:
543:
402:
231:
205:
443:, who declared "Sweet Lady Genevieve" to be the "real candidate for Davies' forgotten masterpiece".
1557:
1391:
1260:
969:
786:
698:
457:
369:
1705:
1671:
1653:
1501:
1340:
1324:
1292:
1284:
1064:
452:
170:
888:
480:
878:
1442:
874:
802:
17:
129:
934:
406:
200 at No. 177). However, it was well received by many critics at the time. A review in
1407:
702:
188:
1720:
1658:
1643:
1172:
460:") and an extended mix of "Money & Corruption/I Am Your Man", featuring an extra
1664:
1635:
1356:
813:
Krysia Kocjan, Lee Pavey, Lewis Rich, Pamela Travis, Sue Brown – additional singers
461:
117:
41:
1450:
1188:
1139:
1119:
1106:
798:
768:
758:
391:
122:
89:
853:
1180:
1149:
1114:
1099:
773:
741:
717:
493:
479:
The chorus from side 2's "Money and
Corruption" was used by the hackers group
94:
1134:
1087:
753:
387:
139:
54:
423:, also had high praise for the work, stating: "Dare I say it is one of the
777:
436:
270:
1044:
1364:
1196:
1049:
745:
386:
is a concept album and the 12th studio album by the
English rock group
749:
49:
483:
when attacking governmental websites during the 2014 World Cup.
1060:
1550:
Waterloo Sunset: The Very Best of The Kinks & Ray Davies
1056:
435:
have been sympathetic to its theatrical ambitions, such as
1031:"'Hacktivists' claim attacks on Brazil World Cup sites"
884:
Christgau's Record Guide: Rock Albums of the
Seventies
446:
The 1991 CD reissue on Rhino was a 2-CD set combining
1614:
1593:
1568:
1461:
1434:
1383:
1164:
688:
680:
607:
599:
511:
503:
187:
138:
128:
116:
100:
88:
77:
69:
61:
48:
34:
986:
984:
1679:Give the People What We Want: Songs of The Kinks
1016:Barbara Charone, The Kinks, Preservation Act 1,
275:
1072:
8:
990:Barnes, Ken, The Kinks: Preservation Act 1,
325:
1079:
1065:
1057:
922:. London, UK: Omnibus Press. p. 2005.
848:
846:
250:
40:
31:
674:
593:
497:
842:
256:
7:
627:"Money and Corruption/I Am Your Man"
1584:A Hole in the Sock of (Dave Davies)
277:
1229:Village Green Preservation Society
400:did not sell well (peaking on the
29:1973 studio album by the Kinks
25:
917:The Encyclopedia of Popular Music
557:"There's a Change in the Weather"
456:. It contained one bonus track ("
327:
1701:
1700:
1526:The Kinks Are Well Respected Men
1003:Gary Lucas, Preservation Act 1,
346:
341:
336:
331:
326:
296:
291:
286:
281:
276:
237:Released: 21 September 1973 (UK)
390:, released 16 November 1973 by
1333:Give the People What They Want
852:Erlewine, Stephen Thomas.
681:
600:
504:
1:
1757:Albums produced by Ray Davies
1577:Four More Respected Gentlemen
864:. Retrieved 11 November 2011.
320:Encyclopedia of Popular Music
431:Some more recent reviews of
211:Released: 20 April 1973 (US)
18:Preservation: Acts 1 & 2
1518:Come Dancing with The Kinks
1773:
1510:The Great Lost Kinks Album
1007:, 28 February 1974, p. 36.
832:Chris Hopper – photography
492:All tracks are written by
358:The Great Rock Discography
153:The Great Lost Kinks Album
1696:
1094:
829:Pat Doyle – art direction
712:
693:
685:
660:
651:Sitting in the Midday Sun
645:
634:
623:
612:
604:
575:
564:
553:
538:
527:
516:
508:
264:
261:
245:
219:Sitting in the Midday Sun
198:
183:
146:
39:
1470:The Kinks Greatest Hits!
879:"Consumer Guide '70s: K"
716:"One of the Survivors" (
450:with its 1974 follow-up
308:Christgau's Record Guide
1534:The Ultimate Collection
1424:BBC Sessions: 1964–1977
1269:Everybody's in Show-Biz
887:. robertchristgau.com.
467:The 1998 CD reissue of
441:Stephen Thomas Erlewine
1494:Then Now and Inbetween
1301:Schoolboys in Disgrace
915:Larkin, Colin (2011).
826:Roger Beale – engineer
823:Dave Davies – engineer
935:"The KINKS biography"
568:"Where Are They Now?"
1747:1970s concept albums
1478:Well Respected Kinks
1245:Lola Versus Powerman
1205:The Kink Kontroversy
977:on 23 December 2001.
939:The Great Rock Bible
810:John Beecham – brass
807:Laurie Brown – brass
793:Additional personnel
581:One of the Survivors
544:Sweet Lady Genevieve
252:Professional ratings
232:Sweet Lady Genevieve
206:One of the Survivors
1569:Unreleased projects
1558:The Essential Kinks
1392:Live at Kelvin Hall
1261:Muswell Hillbillies
1154:Gordon John Edwards
994:, 14 February 1974.
677:
596:
500:
475:Cultural references
253:
224:Released: June 1973
193:Preservation Act 1
1752:RCA Records albums
1654:The Kast Off Kinks
1632:Session performers
1502:The Kink Kronikles
1341:State of Confusion
1285:Preservation Act 2
1277:Preservation Act 1
1052:(list of releases)
1045:Preservation Act 1
963:Preservation Act 1
933:Strong, Martin C.
856:Preservation Act 1
675:
638:"Here Comes Flash"
594:
498:
469:Preservation Act 1
453:Preservation Act 2
448:Preservation Act 1
433:Preservation Act 1
417:Preservation Act 1
398:Preservation Act 1
383:Preservation Act 1
251:
171:Preservation Act 2
162:Preservation Act 1
35:Preservation Act 1
1714:
1713:
959:Josephes, Jason.
875:Christgau, Robert
727:
726:
671:
670:
590:
589:
379:
378:
249:
248:
179:
178:
16:(Redirected from
1764:
1727:The Kinks albums
1704:
1703:
1615:Related articles
1443:Kinksize Session
1400:One for the Road
1081:
1074:
1067:
1058:
1035:
1034:
1027:
1021:
1014:
1008:
1001:
995:
988:
979:
978:
973:. Archived from
956:
950:
949:
947:
945:
930:
924:
923:
912:
906:
905:
903:
901:
871:
865:
850:
761:– guitar, vocals
683:
678:
602:
597:
506:
501:
351:
350:
349:
345:
344:
340:
339:
335:
334:
330:
329:
301:
300:
299:
295:
294:
290:
289:
285:
284:
280:
279:
254:
238:
235:
225:
222:
212:
209:
148:
147:
112:
111:
107:
65:16 November 1973
44:
32:
21:
1772:
1771:
1767:
1766:
1765:
1763:
1762:
1761:
1717:
1716:
1715:
1710:
1692:
1686:Sunny Afternoon
1610:
1589:
1564:
1486:Sunny Afternoon
1457:
1430:
1379:
1200:(1965; US-only)
1184:(1965; US-only)
1160:
1090:
1085:
1055:
1039:
1038:
1033:. 12 June 2014.
1029:
1028:
1024:
1015:
1011:
1002:
998:
989:
982:
958:
957:
953:
943:
941:
932:
931:
927:
914:
913:
909:
899:
897:
895:
873:
872:
868:
851:
844:
839:
733:
728:
676:CD bonus tracks
672:
591:
489:
477:
347:
342:
337:
332:
297:
292:
287:
282:
241:
236:
229:
228:
223:
216:
215:
210:
203:
202:
174:
165:
156:
109:
105:
104:
73:March–July 1973
57:
30:
23:
22:
15:
12:
11:
5:
1770:
1768:
1760:
1759:
1754:
1749:
1744:
1739:
1734:
1729:
1719:
1718:
1712:
1711:
1709:
1708:
1697:
1694:
1693:
1691:
1690:
1682:
1675:
1668:
1661:
1656:
1651:
1646:
1629:
1624:
1618:
1616:
1612:
1611:
1609:
1608:
1603:
1597:
1595:
1591:
1590:
1588:
1587:
1580:
1572:
1570:
1566:
1565:
1563:
1562:
1554:
1546:
1538:
1530:
1522:
1514:
1506:
1498:
1490:
1482:
1474:
1465:
1463:
1459:
1458:
1456:
1455:
1447:
1438:
1436:
1432:
1431:
1429:
1428:
1420:
1412:
1408:Live: The Road
1404:
1396:
1387:
1385:
1381:
1380:
1378:
1377:
1369:
1361:
1353:
1345:
1337:
1329:
1321:
1313:
1305:
1297:
1289:
1281:
1273:
1265:
1257:
1249:
1241:
1233:
1225:
1221:Something Else
1217:
1209:
1201:
1193:
1185:
1177:
1168:
1166:
1162:
1161:
1159:
1158:
1155:
1152:
1147:
1142:
1137:
1132:
1127:
1122:
1117:
1111:
1110:
1103:
1095:
1092:
1091:
1086:
1084:
1083:
1076:
1069:
1061:
1054:
1053:
1040:
1037:
1036:
1022:
1020:, 1973, p. 34.
1009:
996:
980:
951:
925:
907:
893:
866:
841:
840:
838:
835:
834:
833:
830:
827:
824:
815:
814:
811:
808:
805:
790:
789:
780:
771:
762:
756:
732:
729:
725:
724:
721:
714:
710:
709:
706:
695:
691:
690:
687:
684:
673:
669:
668:
665:
662:
658:
657:
654:
647:
643:
642:
639:
636:
632:
631:
628:
625:
621:
620:
617:
614:
610:
609:
606:
603:
592:
588:
587:
584:
577:
573:
572:
569:
566:
562:
561:
558:
555:
551:
550:
547:
540:
536:
535:
532:
529:
525:
524:
521:
520:"Morning Song"
518:
514:
513:
510:
507:
490:
488:
485:
476:
473:
377:
376:
373:
365:
364:
361:
353:
352:
323:
315:
314:
311:
303:
302:
273:
267:
266:
263:
259:
258:
247:
246:
243:
242:
240:
239:
226:
213:
199:
196:
195:
185:
184:
181:
180:
177:
176:
167:
158:
144:
143:
136:
135:
132:
126:
125:
120:
114:
113:
102:
98:
97:
92:
86:
85:
79:
75:
74:
71:
67:
66:
63:
59:
58:
53:
46:
45:
37:
36:
28:
24:
14:
13:
10:
9:
6:
4:
3:
2:
1769:
1758:
1755:
1753:
1750:
1748:
1745:
1743:
1740:
1738:
1735:
1733:
1730:
1728:
1725:
1724:
1722:
1707:
1699:
1698:
1695:
1689:
1687:
1683:
1681:
1680:
1676:
1674:
1673:
1669:
1667:
1666:
1662:
1660:
1657:
1655:
1652:
1650:
1647:
1645:
1644:Nicky Hopkins
1641:
1637:
1633:
1630:
1628:
1625:
1623:
1620:
1619:
1617:
1613:
1607:
1604:
1602:
1599:
1598:
1596:
1594:Concert tours
1592:
1586:
1585:
1581:
1579:
1578:
1574:
1573:
1571:
1567:
1560:
1559:
1555:
1552:
1551:
1547:
1544:
1543:
1539:
1536:
1535:
1531:
1528:
1527:
1523:
1520:
1519:
1515:
1512:
1511:
1507:
1504:
1503:
1499:
1496:
1495:
1491:
1488:
1487:
1483:
1480:
1479:
1475:
1472:
1471:
1467:
1466:
1464:
1460:
1453:
1452:
1448:
1445:
1444:
1440:
1439:
1437:
1433:
1426:
1425:
1421:
1418:
1417:
1413:
1410:
1409:
1405:
1402:
1401:
1397:
1394:
1393:
1389:
1388:
1386:
1382:
1375:
1374:
1370:
1367:
1366:
1362:
1359:
1358:
1354:
1351:
1350:
1349:Word of Mouth
1346:
1343:
1342:
1338:
1335:
1334:
1330:
1327:
1326:
1322:
1319:
1318:
1314:
1311:
1310:
1306:
1303:
1302:
1298:
1295:
1294:
1290:
1287:
1286:
1282:
1279:
1278:
1274:
1271:
1270:
1266:
1263:
1262:
1258:
1255:
1254:
1250:
1247:
1246:
1242:
1239:
1238:
1234:
1231:
1230:
1226:
1223:
1222:
1218:
1215:
1214:
1210:
1207:
1206:
1202:
1199:
1198:
1194:
1191:
1190:
1186:
1183:
1182:
1178:
1175:
1174:
1170:
1169:
1167:
1165:Studio albums
1163:
1156:
1153:
1151:
1148:
1146:
1143:
1141:
1138:
1136:
1133:
1131:
1128:
1126:
1123:
1121:
1118:
1116:
1113:
1112:
1109:
1108:
1104:
1102:
1101:
1097:
1096:
1093:
1089:
1082:
1077:
1075:
1070:
1068:
1063:
1062:
1059:
1051:
1047:
1046:
1042:
1041:
1032:
1026:
1023:
1019:
1013:
1010:
1006:
1000:
997:
993:
992:Rolling Stone
987:
985:
981:
976:
972:
971:
966:
964:
955:
952:
940:
936:
929:
926:
921:
918:
911:
908:
896:
894:0-89919-026-X
890:
886:
885:
880:
876:
870:
867:
863:
859:
857:
849:
847:
843:
836:
831:
828:
825:
822:
821:
820:
819:
812:
809:
806:
804:
800:
797:
796:
795:
794:
788:
784:
781:
779:
775:
772:
770:
766:
763:
760:
757:
755:
751:
747:
743:
740:
739:
738:
737:
730:
722:
719:
715:
711:
707:
704:
700:
696:
692:
679:
666:
663:
659:
655:
652:
648:
644:
640:
637:
633:
629:
626:
622:
618:
615:
611:
598:
585:
582:
578:
574:
570:
567:
563:
559:
556:
552:
548:
545:
541:
537:
533:
530:
526:
522:
519:
515:
502:
496:
495:
487:Track listing
486:
484:
482:
474:
472:
470:
465:
463:
459:
455:
454:
449:
444:
442:
438:
434:
429:
426:
422:
418:
413:
409:
408:Rolling Stone
405:
404:
399:
395:
393:
389:
385:
384:
374:
372:
371:
367:
366:
362:
360:
359:
355:
354:
324:
322:
321:
317:
316:
312:
310:
309:
305:
304:
274:
272:
269:
268:
260:
257:Review scores
255:
244:
233:
227:
220:
214:
207:
201:
200:
197:
194:
190:
186:
182:
173:
172:
168:
164:
163:
159:
155:
154:
150:
149:
145:
141:
137:
133:
131:
127:
124:
121:
119:
115:
103:
99:
96:
93:
91:
87:
83:
80:
76:
72:
68:
64:
60:
56:
51:
47:
43:
38:
33:
27:
19:
1685:
1677:
1670:
1663:
1640:Bobby Graham
1636:Clem Cattini
1627:Band members
1606:1965 US tour
1601:1965 UK tour
1582:
1575:
1556:
1548:
1542:Picture Book
1540:
1532:
1524:
1516:
1508:
1500:
1492:
1484:
1476:
1468:
1462:Compilations
1449:
1441:
1422:
1414:
1406:
1398:
1390:
1371:
1363:
1357:Think Visual
1355:
1347:
1339:
1331:
1323:
1315:
1307:
1299:
1291:
1283:
1276:
1275:
1267:
1259:
1251:
1243:
1235:
1227:
1219:
1213:Face to Face
1211:
1203:
1195:
1187:
1179:
1171:
1130:John Gosling
1105:
1098:
1043:
1025:
1017:
1012:
1004:
999:
991:
975:the original
968:
962:
954:
944:12 September
942:. Retrieved
938:
928:
920:
916:
910:
898:. Retrieved
882:
869:
858:> Review"
855:
854:"The Kinks:
817:
816:
792:
791:
783:John Gosling
735:
734:
699:Preservation
664:"Demolition"
491:
478:
468:
466:
462:instrumental
458:Preservation
451:
447:
445:
432:
430:
424:
420:
416:
412:Preservation
411:
407:
401:
397:
396:
382:
381:
380:
368:
356:
318:
306:
192:
169:
161:
160:
151:
50:Studio album
26:
1742:Rock operas
1737:1974 albums
1732:1973 albums
1672:Do It Again
1622:Discography
1451:Kwyet Kinks
1419:(1994/1996)
1416:To the Bone
1384:Live albums
1309:Sleepwalker
1189:Kinda Kinks
1145:Ian Gibbons
1140:Jim Rodford
1125:John Dalton
1120:Pete Quaife
1107:Dave Davies
900:28 February
799:Alan Holmes
765:John Dalton
759:Dave Davies
718:Single edit
392:RCA Records
1721:Categories
1325:Low Budget
1293:Soap Opera
1181:Kinks-Size
1157:Mark Haley
1150:Bob Henrit
1115:Mick Avory
1100:Ray Davies
837:References
774:Mick Avory
742:Ray Davies
531:"Daylight"
494:Ray Davies
142:chronology
134:Ray Davies
1688:(musical)
1135:Andy Pyle
1088:The Kinks
1005:Zoo World
970:Pitchfork
919:(5th edn)
818:Technical
787:keyboards
754:harmonica
736:The Kinks
731:Personnel
616:"Cricket"
481:Anonymous
421:Zoo World
403:Billboard
388:the Kinks
370:Pitchfork
140:The Kinks
55:the Kinks
1706:Category
961:"Kinks:
877:(1981).
862:AllMusic
595:Side two
499:Side one
437:AllMusic
271:Allmusic
130:Producer
84:, London
70:Recorded
62:Released
52: by
1365:UK Jive
1317:Misfits
1197:Kinkdom
1050:Discogs
464:break.
189:Singles
175:(1974)
166:(1973)
157:(1973)
1659:Argent
1561:(2014)
1553:(2012)
1545:(2008)
1537:(2002)
1529:(1987)
1521:(1986)
1513:(1973)
1505:(1972)
1497:(1969)
1489:(1967)
1481:(1966)
1473:(1966)
1454:(1965)
1446:(1964)
1427:(2001)
1411:(1988)
1403:(1980)
1395:(1968)
1376:(1993)
1373:Phobia
1368:(1989)
1360:(1986)
1352:(1984)
1344:(1983)
1336:(1981)
1328:(1979)
1320:(1978)
1312:(1977)
1304:(1975)
1296:(1975)
1288:(1974)
1280:(1973)
1272:(1972)
1264:(1971)
1256:(1971)
1248:(1970)
1240:(1969)
1237:Arthur
1232:(1968)
1224:(1967)
1216:(1966)
1208:(1965)
1192:(1965)
1176:(1964)
891:
750:guitar
746:vocals
703:Single
689:Length
608:Length
512:Length
425:nicest
375:9.8/10
265:Rating
262:Source
101:Length
78:Studio
1665:X-Ray
1253:Percy
1173:Kinks
803:brass
778:drums
686:Title
605:Title
509:Title
191:from
118:Label
90:Genre
1649:Konk
1018:Rock
946:2017
902:2019
889:ISBN
769:bass
723:4:07
708:3:37
667:4:07
656:3:47
641:2:41
630:6:01
619:2:56
586:4:31
571:3:28
560:2:59
549:3:26
534:3:19
523:2:00
419:for
363:5/10
95:Rock
82:Konk
1435:EPs
1048:at
860:at
713:13.
701:" (
694:12.
682:No.
601:No.
505:No.
439:'s
123:RCA
1723::
1642:,
1638:,
1634::
983:^
967:.
937:.
881:.
845:^
801:–
785:–
776:–
767:–
752:,
748:,
744:–
661:5.
646:4.
635:3.
624:2.
613:1.
576:6.
565:5.
554:4.
539:3.
528:2.
517:1.
394:.
313:C+
110:16
106:39
1080:e
1073:t
1066:v
965:"
948:.
904:.
720:)
705:)
697:"
653:"
649:"
583:"
579:"
546:"
542:"
234:"
230:"
221:"
217:"
208:"
204:"
108::
20:)
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
