45:
268:
best friend, David. They embrace, and
Johnnie tells David he loves him. Everyone on the boat is talking about sin and salvation. There is then a church ceremony on the boat, with an ironic digression on the Bible being based on white symbolism. Later, the boys are waiting for their friend Sylvia to be alone as they have brought her a present. Johnnie leaves David and Roy to be alone for a while. When Johnnie joins David and Roy at the riverside, it is time for them to leave. David is with Sylvia, Roy is with another girl, and Johnnie is alone.
582:, where Pete starts singing, and Boona joins them. As Vidal suggests moving to another club and thus discarding Boona, Ada invites him along. Later, Talley informs The Narrator that he saw Boona steal ten American dollars (in francs) from Ada's handbag. After the unresolved accusation, they all return to their houses. The Narrator picks up Paul from Mme Dumont, looking towards their voyage towards the United States.
749:
lunch. However, as he suggests taking her out at night, she feels confused and emotional, and they return to work. Later, since Paul called her earlier to say he would be away at some art gallery with Cosmo, she goes to a bar and thinks back to an ex-boyfriend who had treated her like a slavegirl on a farm. In tears, she walks out of the bar, feeling disoriented.
414:. His friend Jules lets him stay in a room he is renting in a white neighbourhood; despite hiding, Peter is eventually found out by the other neighbours and the landlady. She evicts him, and he goes back to Jules's, who says he will let him stay at his place. Jules and Peter engage in a long philosophical discussion about the nature of
267:
Johnnie and Roy are brothers going on a religious outing on a boat with their church. Johnnie's father, Gabriel, tells him to be good, and
Johnnie replies that he need not reprimand him. Johnnie and Gabriel get in a verbal fight, and Johnnie is left visibly angry. Johnnie gets a moment alone with his
177:
Whilst Roy and John are forbidden to play on the
Rockpile as the other boys from the neighborhood do, Roy decides to go anyway once, asking John not to tell anyone as he will be right back. There he gets into a fight and gets hurt, starts bleeding. He is brought back into the house and as the father
342:
It is Jamie's thirty-fourth birthday, and he is at Eric's parents' place to celebrate. Eric's father upbraids him for being alone, with no wife or children, only a dog and his mother. Then Eric and his father go for a walk, during which Eric learns that all the land around him is his, thanks to his
748:
Ruth is living with Paul, who has taken to coming back home in the wee hours of night, putting forth that they are not married and that he tells her everything. She feels rejuvenated when Mr Davis not only suggests making her his own secretary and increasing her salary, but also takes her out to
343:
father's self-discipline and the passing down of land from generation to generation. Jamie, on the other hand, has lost his land, and the land of Eric's father has grown even larger because he bought Jamie's. Back at the house, Jamie blows out the candles.
535:
perspective. Major themes of the story include darkness and light; music; ice; pain, passing it on, and growing from it; and absence. Throughout the short story there are several mentions of "the war," although it is not stated which one.
422:
in
America. Later, he goes to dinner with his friend Ida, who suggests suing the landlady, but he prefers not to. He then leaves, takes the subway, and goes to a black bar where he buys a drink for two women.
338:
In a rural setting, young Eric lives on a large farm with his parents, who are friends with Jamie, a farmer who has lost his farm to Eric's father. Eric's parents are celebrating with Jamie his birthday.
578:
Back to his last night in Paris, the protagonist and Vidal go to a jazz joint, where his music is being played and a group of black
Americans entice them to join them. They then all move to a
350:, Eric goes to wash his hands at the outdoor pump and runs into Jamie. The latter takes him into a barn and strangles him, while his mother in the kitchen. Jamie walks away with his dog.
1331:
1216:
468:
178:
gets home, he tries to blame the woman and John for letting Roy go there. He favors Roy because he is his biological son, while John, his stepson, serves as the scapegoat.
1363:
1358:
972:
791:
Ruth's brother. He came upon her as she was about to make love when she was seventeen, and beat up the boy and called her names; they didn't talk after that.
394:
Jamie: 34-year-old neighbor who goes to The
Rafters, a local bar, with Eric's father every night. His wife left him. Eric's father bought his failing farm.
1053:
565:
with his family and his sister, who is visiting. He then thinks back to the time he returned to
America after his mother's funeral, and the way the
1004:
134:
1368:
1353:
1172:
1158:
832:
28:
575:, and how the director had upbraided him for not playing it real. He then told him of the way a black man in America feels ostracised.
1029:
199:
1326:
1310:
882:
44:
957:
569:
made no sense to him, and people were treating him differently there. He goes on to think back to the time when he was shooting
1240:
591:
The
Narrator, the protagonist. He is a jazz singer and actor in a movie (played Chico). He lives in France with his family.
917:
997:
753:
733:
438:
Peter, the protagonist. He is a short black man. He was named after his father. He works as an actor in theatre plays.
1123:
1061:
757:
915:
Amine, Laila. 2015. "The Paris
Paradox: Colorblindness and Colonialism in African American Expatriate Fiction."
627:
Ada Holmes, the
African-American girl who invites Chico and Vidal to join her and her friends in the jazz joint.
1130:
1096:
903:
571:
415:
261:
895:
690:
666:
1248:
1165:
1045:
486:
990:
189:. The story also touches on the topics of reckless boys, familial love, favoritism, dominance, and abuse.
118:
1291:
1224:
1192:
532:
874:
1232:
1200:
944:
546:
501:
1318:
1256:
678:
1208:
1144:
1069:
737:
1037:
878:
726:
659:
566:
472:
182:
1151:
922:
670:
520:
146:
142:
126:
27:
This article is about the short story collection by James Baldwin. For the short story, see
782:
player. She left her family home in the South with him. They lived together for four years.
475:, stating that the right to vote cannot be denied due to "previous condition" of servitude.
1088:
816:
653:
527:
490:
166:
715:
682:
558:
of a man who does not heed the narrator's advice to "leave them downtown girls alone."
494:
249:
217:
150:
1347:
1275:
1137:
1014:
965:
853:
809:
705:
686:
674:
579:
411:
122:
76:
58:
802:
722:
257:
253:
17:
403:
Peter, an actor, is surreptitiously living in a white neighbourhood in New York.
441:
Jules Weissman, a Jewish boy who finds the room in New York for the protagonist.
358:
354:
347:
272:
233:
1283:
698:
419:
370:
362:
86:
926:
256:
are having a church outing, which, this year, happens to be boat trip up the
711:
598:
551:
550:(September 1960). Its title is a reference to the chorus of the traditional
479:
162:
138:
982:
779:
555:
366:
158:
618:
611:
407:
276:
186:
391:
Sophie: Eric's would-be little sister, buried in the church courtyard
665:
On his voyage to America after his mother's death, Chico would sing "
604:
445:
426:
154:
130:
752:
Racism is a major theme of the story. Moreover, Mr. Davis speaks in
769:
Ruth, a young black woman. She works for a life insurance company.
640:
562:
544:"This Morning, This Evening, So Soon" was originally published in
279:, as well as religious faith in the African-American community.
213:
Roy, son of Elizabeth and Gabriel who gets hurt on the rockpile.
986:
197:
The characters are the same as in Baldwin's earlier novel,
429:
and African-American life are major themes of this story.
708:
is said to have been to the restaurant they're going to.
467:
The title of the work is most likely a reference to the
239:
Aunt Florence, Gabriel's sister, who lives in the Bronx.
353:
Themes in the story include father-son relationships;
962:
English 206: American Literature After the Civil War
1302:
1267:
1217:
Negroes Are Anti-Semitic Because They're Anti-White
1184:
1107:
1080:
1021:
956:Professor Ryan at University of Louisiana, Monroe.
902:, edited by S. Feinstein and D. Rife. Bloomington:
102:
92:
82:
72:
64:
54:
852:
801:Ruth acknowledges that Paul does not look like a
785:Mr Davis, the other black man at Ruth's company.
772:Paul, a painter, Ruth's boyfriend. He is white.
756:with Ruth, strengthening their mutual sense of
216:John, Elizabeth's illegitimate elder son, born
998:
617:Uncle Norman, uncle of Chico and Louisa from
8:
540:"This Morning, This Evening, So Soon" (1960)
525:"Sonny's Blues" was originally published in
448:. She married a gay ballet dancer for money.
181:Themes of the story include the feelings of
129:", covers many topics related to anti-Black
37:
775:Cosmo, another painter, a friend of Paul's.
561:The Narrator is spending his last night in
223:Delilah, daughter of Elizabeth and Gabriel.
1005:
991:
983:
121:of eight short stories by American writer
43:
36:
444:Ida, a white girl of Irish descent, from
303:Mrs Jackson, David and Lorraine's mother.
1364:African-American short story collections
1359:Short story collections by James Baldwin
808:One of Ruth's co-workers has a crush on
658:Harriet and Louisa are going to see the
943:Kauffman, Stanley (December 12, 1965).
869:Schilb, John, and John Clifford. 2005.
843:
718:are mentioned with regards to clubbers.
639:Boona, a prize fighter originally from
210:Gabriel, the father, who is a preacher.
1054:Tell Me How Long the Train's Been Gone
732:Black Monday refers to the day of the
531:(1957). The story is written from the
410:where he was working, Peter is now in
355:generational transference of property
297:Lois, Johnnie's nine-year-old sister.
7:
633:Talley, one of the African Americans
554:"Tell Old Bill", which recounts the
306:David Jackson, John and Roy's friend
288:Gabriel Grimes, Johnnie's stepfather
1159:This Morning, This Evening, So Soon
833:Going to Meet the Man (short story)
736:decision, as it was referred to by
729:are mentioned through Vidal's film.
457:the two ladies in the bar in Harlem
226:Paul, son of Elizabeth and Gabriel.
29:Going to Meet the Man (short story)
636:Pete, one of the African Americans
630:Ruth, one of the African Americans
514:
271:Major themes of the story include
232:Richard, a boy who drowned in the
25:
871:Making Arguments about Literature
662:while Chico is at the jazz joint.
346:Later, after Eric's mother had a
135:African-American–Jewish relations
500:Peter says he cannot live up to
318:Sister Daniels, Sylvia's mother.
133:in American society, as well as
1241:The Evidence of Things Not Seen
778:Arthur, Ruth's ex-boyfriend, a
624:Jean Luc Vidal, a film director
594:Paul, son of Chico and Harriet.
309:Lorraine, David's elder sister.
945:"BOOKS: Going to Meet the Man"
454:the white couple on the subway
1:
1369:LGBT short story collections
1354:1965 short story collections
610:Louisa, Chico's sister from
754:African-American vernacular
734:Brown vs Board of Education
478:Some neighbors are playing
399:"Previous Condition" (1948)
382:Eric: 8 years old, blonde.
125:. The book, dedicated "for
34:1965 short story collection
1385:
1327:If Beale Street Could Talk
1311:Go Tell It on the Mountain
1062:If Beale Street Could Talk
1030:Go Tell It on the Mountain
900:The Jazz Fiction Anthology
830:
518:
200:Go Tell It on the Mountain
117:, published in 1965, is a
26:
744:"Come Out the Wilderness"
572:Les Fauves Nous Attendent
42:
1097:Blues for Mister Charlie
927:10.1215/00029831-3329578
904:Indiana University Press
894:Baldwin, James. 2009. "
822:African-American slavery
691:Great Getting-Up Morning
328:Johnnie's unnamed mother
1249:The Price of the Ticket
1166:Come Out the Wilderness
1108:Short story collections
973:Publisher's description
958:"Going to meet the Man"
851:Baldwin, James (1965).
827:"Going to Meet the Man"
515:"Sonny's Blues" (1957)
385:Father: 32 years old.
365:; frontier mentality;
207:Elizabeth, the mother.
38:Going to Meet the Man
1292:Little Man Little Man
1225:No Name in the Street
1193:Notes of a Native Son
1173:Going to Meet the Man
1116:Going to Meet the Man
977:Going to Meet the Man
855:Going to Meet the Man
533:first-person singular
114:Going to Meet the Man
1233:The Devil Finds Work
1201:Nobody Knows My Name
667:I'm Coming, Virginia
547:The Atlantic Monthly
509:Crime and Punishment
502:Booker T. Washington
1319:I Am Not Your Negro
1257:Remember This House
918:American Literature
796:Cultural references
648:Cultural references
507:Fyodr Dostoyevsky,
462:Cultural references
300:Roy, Gabriel's Son.
39:
1209:The Fire Next Time
1145:Previous Condition
1070:Just Above My Head
949:The New York Times
738:John Bell Williams
18:Previous Condition
1341:
1340:
1185:Essay collections
727:Charles de Gaulle
567:Statue of Liberty
473:U.S. Constitution
388:Mother: pregnant
312:Sister McCandless
229:Sister McCandless
110:
109:
103:Publication place
16:(Redirected from
1376:
1303:Film adaptations
1007:
1000:
993:
984:
969:
964:. Archived from
952:
930:
913:
907:
898:." Pp. 17–48 in
892:
886:
867:
861:
860:
858:
848:
671:Take This Hammer
597:Mme Dumont, the
147:criminal justice
143:creative process
127:Beauford Delaney
94:Publication date
47:
40:
21:
1384:
1383:
1379:
1378:
1377:
1375:
1374:
1373:
1344:
1343:
1342:
1337:
1298:
1263:
1180:
1103:
1089:The Amen Corner
1076:
1046:Another Country
1038:Giovanni's Room
1017:
1011:
955:
942:
939:
934:
933:
914:
910:
893:
889:
868:
864:
850:
849:
845:
840:
835:
829:
817:Rocks in My Bed
815:Mr Davis hums "
798:
766:
746:
696:Vidal mentions
654:Mahalia Jackson
650:
588:
542:
528:Partisan Review
523:
517:
491:Ella Fitzgerald
464:
435:
401:
379:
336:
334:"The Man Child"
324:Reverend Peters
285:
246:
195:
175:
167:white supremacy
157:relationships,
95:
50:
35:
32:
23:
22:
15:
12:
11:
5:
1382:
1380:
1372:
1371:
1366:
1361:
1356:
1346:
1345:
1339:
1338:
1336:
1335:
1323:
1315:
1306:
1304:
1300:
1299:
1297:
1296:
1288:
1280:
1271:
1269:
1268:Collaborations
1265:
1264:
1262:
1261:
1253:
1245:
1237:
1229:
1221:
1213:
1205:
1197:
1188:
1186:
1182:
1181:
1179:
1178:
1177:
1176:
1169:
1162:
1155:
1148:
1141:
1134:
1127:
1111:
1109:
1105:
1104:
1102:
1101:
1093:
1084:
1082:
1078:
1077:
1075:
1074:
1066:
1058:
1050:
1042:
1034:
1025:
1023:
1019:
1018:
1012:
1010:
1009:
1002:
995:
987:
981:
980:
970:
968:on 2013-12-13.
953:
938:
937:External links
935:
932:
931:
921:87(4):739–68.
908:
887:
873:. Boston, MA:
862:
842:
841:
839:
836:
831:Main article:
828:
825:
824:
823:
820:
813:
806:
797:
794:
793:
792:
789:
786:
783:
776:
773:
770:
765:
762:
745:
742:
741:
740:
730:
719:
716:existentialism
709:
703:
694:
683:Billie Holiday
663:
660:Folies Bergère
656:
649:
646:
645:
644:
637:
634:
631:
628:
625:
622:
615:
608:
603:Harriet, from
601:
595:
592:
587:
584:
541:
538:
519:Main article:
516:
513:
512:
511:
505:
498:
495:Cow-Cow Boogie
483:
476:
469:15th amendment
463:
460:
459:
458:
455:
452:
449:
442:
439:
434:
431:
400:
397:
396:
395:
392:
389:
386:
383:
378:
375:
335:
332:
331:
330:
325:
322:
321:Brother Elisha
319:
316:
313:
310:
307:
304:
301:
298:
295:
292:
289:
284:
281:
250:Fourth of July
245:
242:
241:
240:
237:
230:
227:
224:
221:
218:out of wedlock
214:
211:
208:
194:
191:
174:
173:"The Rockpile"
171:
151:drug addiction
108:
107:
104:
100:
99:
96:
93:
90:
89:
84:
80:
79:
74:
70:
69:
66:
62:
61:
56:
52:
51:
48:
33:
24:
14:
13:
10:
9:
6:
4:
3:
2:
1381:
1370:
1367:
1365:
1362:
1360:
1357:
1355:
1352:
1351:
1349:
1333:
1329:
1328:
1324:
1321:
1320:
1316:
1313:
1312:
1308:
1307:
1305:
1301:
1294:
1293:
1289:
1286:
1285:
1281:
1278:
1277:
1276:A Rap on Race
1273:
1272:
1270:
1266:
1259:
1258:
1254:
1251:
1250:
1246:
1243:
1242:
1238:
1235:
1234:
1230:
1227:
1226:
1222:
1219:
1218:
1214:
1211:
1210:
1206:
1203:
1202:
1198:
1195:
1194:
1190:
1189:
1187:
1183:
1174:
1170:
1167:
1163:
1160:
1156:
1153:
1152:Sonny's Blues
1149:
1146:
1142:
1139:
1138:The Man Child
1135:
1132:
1128:
1125:
1121:
1120:
1118:
1117:
1113:
1112:
1110:
1106:
1099:
1098:
1094:
1091:
1090:
1086:
1085:
1083:
1079:
1072:
1071:
1067:
1064:
1063:
1059:
1056:
1055:
1051:
1048:
1047:
1043:
1040:
1039:
1035:
1032:
1031:
1027:
1026:
1024:
1020:
1016:
1015:James Baldwin
1008:
1003:
1001:
996:
994:
989:
988:
985:
979:at Amazon.com
978:
974:
971:
967:
963:
959:
954:
950:
946:
941:
940:
936:
928:
924:
920:
919:
912:
909:
905:
901:
897:
896:Sonny's Blues
891:
888:
884:
883:9780312431471
880:
876:
872:
866:
863:
859:. Dial Press.
857:
856:
847:
844:
837:
834:
826:
821:
818:
814:
811:
810:Frank Sinatra
807:
804:
800:
799:
795:
790:
788:Ruth's father
787:
784:
781:
777:
774:
771:
768:
767:
763:
761:
759:
755:
750:
743:
739:
735:
731:
728:
724:
720:
717:
713:
710:
707:
706:Marlon Brando
704:
701:
700:
695:
692:
688:
687:Strange Fruit
684:
680:
676:
675:Precious Lord
672:
668:
664:
661:
657:
655:
652:
651:
647:
642:
638:
635:
632:
629:
626:
623:
620:
616:
613:
609:
606:
602:
600:
596:
593:
590:
589:
585:
583:
581:
580:pavement cafe
576:
574:
573:
568:
564:
559:
557:
553:
549:
548:
539:
537:
534:
530:
529:
522:
521:Sonny's Blues
510:
506:
503:
499:
496:
492:
488:
487:Hamp's Boogie
484:
481:
477:
474:
470:
466:
465:
461:
456:
453:
450:
447:
443:
440:
437:
436:
432:
430:
428:
424:
421:
417:
413:
412:New York City
409:
404:
398:
393:
390:
387:
384:
381:
380:
376:
374:
372:
368:
364:
360:
356:
351:
349:
344:
340:
333:
329:
326:
323:
320:
317:
314:
311:
308:
305:
302:
299:
296:
293:
290:
287:
286:
282:
280:
278:
274:
269:
265:
263:
262:Bear Mountain
259:
255:
251:
243:
238:
235:
231:
228:
225:
222:
219:
215:
212:
209:
206:
205:
204:
202:
201:
192:
190:
188:
184:
179:
172:
170:
168:
164:
160:
156:
152:
148:
144:
140:
136:
132:
128:
124:
123:James Baldwin
120:
116:
115:
106:United States
105:
101:
97:
91:
88:
85:
81:
78:
77:Short stories
75:
71:
67:
63:
60:
59:James Baldwin
57:
53:
49:First edition
46:
41:
30:
19:
1325:
1317:
1309:
1290:
1282:
1274:
1260:(unfinished)
1255:
1247:
1239:
1231:
1223:
1215:
1207:
1199:
1191:
1124:The Rockpile
1115:
1114:
1095:
1087:
1068:
1060:
1052:
1044:
1036:
1028:
976:
966:the original
961:
948:
916:
911:
899:
890:
875:St. Martin's
870:
865:
854:
846:
803:Michelangelo
751:
747:
723:Algerian War
697:
679:Swanee River
577:
570:
560:
545:
543:
526:
524:
508:
451:the landlady
425:
405:
402:
352:
345:
341:
337:
327:
291:Father James
270:
266:
258:Hudson River
254:parishioners
247:
244:"The Outing"
198:
196:
180:
176:
113:
112:
111:
359:masculinity
348:miscarriage
273:adolescence
234:Bronx River
1348:Categories
1284:A Dialogue
1131:The Outing
877:. p. 553.
838:References
764:Characters
699:Fanny Hill
586:Characters
433:Characters
420:Jewishness
406:Back from
377:Characters
371:loneliness
363:fatherhood
283:Characters
193:Characters
183:alienation
119:collection
87:Dial Press
1332:accolades
1013:Works by
929:. p. 752.
712:Hemingway
599:concierge
552:folk song
480:Beethoven
416:Blackness
163:sexuality
139:childhood
83:Publisher
780:clarinet
758:identity
556:lynching
367:jealousy
361:; white
357:; white
159:lynching
65:Language
1330:(2018;
1119:(1965)
805:statue.
619:Alabama
612:Alabama
471:of the
408:Chicago
294:Johnnie
277:puberty
248:On the
187:neglect
68:English
1322:(2016)
1314:(1984)
1295:(1976)
1287:(1973)
1279:(1971)
1252:(1985)
1244:(1985)
1236:(1976)
1228:(1972)
1220:(1967)
1212:(1963)
1204:(1961)
1196:(1955)
1100:(1964)
1092:(1954)
1073:(1979)
1065:(1974)
1057:(1968)
1049:(1962)
1041:(1956)
1033:(1953)
1022:Novels
881:
605:Sweden
446:Boston
427:Racism
369:; and
315:Sylvia
260:up to
165:, and
155:family
141:, the
131:racism
55:Author
1081:Plays
641:Tunis
563:Paris
73:Genre
879:ISBN
725:and
721:The
714:and
689:", "
685:'s "
677:", "
673:", "
669:", "
493:'s "
418:and
275:and
185:and
98:1965
975:of
923:doi
681:",
489:,"
1350::
960:.
947:.
819:".
760:.
693:".
497:."
373:.
264:.
252:,
203:.
169:.
161:,
153:,
149:,
145:,
137:,
1334:)
1175:"
1171:"
1168:"
1164:"
1161:"
1157:"
1154:"
1150:"
1147:"
1143:"
1140:"
1136:"
1133:"
1129:"
1126:"
1122:"
1006:e
999:t
992:v
951:.
925::
906:.
885:.
812:.
702:.
643:.
621:.
614:.
607:.
504:.
485:"
482:.
236:.
220:.
31:.
20:)
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
