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257:... the material must be somewhat sophisticated, even highbrow, in a way 'mainstream' music is notâwhether through left-field instrumentation, unusual time signatures or the general high caliber of musicianship on display. (Thereâs a decent chance somebody in the band went to music school, though thatâs not a prerequisite.) But the pop component is equally essential: These songs have melodic lines, riffs, grooves and imagery that
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269:, the tonal structure of progressive pop overthrows harmony as its basic organizing structure. However, unlike rock and roll, progressive pop inverts received conventions, playing with them ironically, disrupting them, or producing shadows of them in new and unexpected forms. Some stylistic features include changes in
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reflected that "a lot of psychedelic bullshit was going on", referring to "garbage" being promoted in the charts, and that many artists who were doing ambitious works were instantly being labelled "pretentious". He believed: "Anybody that was any good ... was more or less becoming insignificant
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staff began exerting an increasing amount of control over the creative process that had previously belonged to the artists. Some of the major progressive bands transitioned to a more commercial sound and deemphasized the evocation of art music. By the early 1980s, the prevailing view was that the
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recognises the bands as the most significant contributors to the development of progressive rock, transforming rock from dance music into music that was made for listening to. Before the progressive pop of the late 1960s, performers were typically unable to decide on the artistic content of their
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seemed to mark rock music's coming of age ... Now, of course, with jaded memories, we think of it as ushering in an era of pomposity, with varying degrees of seriousness ... The question after 1967 was whether 'progressive' pop/rock was to be trusted, because it was dealing with issues
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reported that the pop music industry had been split "roughly eighty percent ugly and twenty percent idealist", with the eighty percent being "mainline pop" and the twenty percent being "progressive pop an esoteric feel". He predicted that in ten years, the genre would be called by another name
252:
s Ryan Reed acknowledged that the genre "sounds like an oxymoron" and is difficult to discern from other genres "without squinting". He explained that such "elusiveness is what makes 'prog-pop' a slippery term", although the genre is definable to a set of characteristics which follow:
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During the mid 1960s, pop music made repeated forays into new sounds, styles, and techniques that inspired public discourse among its listeners. The word "progressive" was frequently used, and it was thought that every song and single was to be a "progression" from the last.
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In the 1960s, the majority of mainstream pop music fell in two categories: guitar, drum and bass groups or singers backed by a traditional orchestra. It was also common for producers, songwriters, and engineers to freely experiment with musical form, orchestration,
380:" (which now refers to the 1950s style). The only artists who remained "rock" would be those who were considered at the vanguard of compositional forms, far from "radio friendly" standards, as Americans increasingly used the adjective "progressive" for groups like
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opined that there were "hugely ambitious" progressive pop records in the 1970s and 1980s that were "quite accessible on the surface, but if you to engage with them on a deeper level, you find layers in the production, musicianship and some thoughtful lyrics."
986:, Edward Macan defined "British symphonic pop" as a splinter of the progressive rock genre that relied on straightforward songwriting, rich vocal arrangements and quasi-orchestral fullness, citing Supertramp, ELO, 10cc, the Alan Parsons Project, and
407:
journalist described progressive pop as music appealing to the masses, but less disposable than the "six weeks in the charts and the 'forget it' music of older pop forms." By the late 1970s, "progressive pop" was roughly synonymous with
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as a work that was "made more to be thought about than danced to", and an album that "began a far-reaching trend" in its slowing-down of the tempos typically used in pop and rock music. In mid-1966, the UK release of the Beach Boys'
430:) under the "progressive rock" label. Parsons thought "progressive pop" was a better name, explaining that "what made progressive was the epic sound and the orchestration which very few people were doing that at the time."
211:
melodies ultimately influenced the creation of progressive rock (or "prog"). When prog records began declining in sales, some artists returned to a more accessible sound that remained commercially appealing until the 1990s.
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surveyed many pop musicians on whether they believed that the album was truly revolutionary or progressive. The author concluded that "the record's impact on artists and the men behind the artists has been considerable."
558:" (1967). In a further example of the reciprocal influences between themselves and the Beach Boys, the Beatles demonstrated "paradoxical lyrical content matched by music that was at once 'young' and 'old', rock and
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movement attempted to "bridge" the divide between "progressive" pop and its mass/chart counterpart, describing their general relationship as "one between boys and girls, middle-class and working-class." In 2008,
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The movement started as a byproduct of the mid-1960s economic boom, when record labels began investing in artists and allowing performers limited control over their own content and marketing. Groups who combined
575:'deeper' than simply interpersonal relationships. In the long run, the answer turned out to be 'no' (at least, that is, until a later generation of bands discovered the delight of pastiching the Beatles)."
550:, and the Beach Boys. ... We're all trying to do vaguely the same kind of thing." In the opinion of author Simon Philo, the Beatles' progressive pop was exemplified in the double A-sided single "
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277:
or experiments with larger forms. Electronic techniques such as echo, feedback, stereo, loudness, and distortion may be used to give the music the impression of space and lateral extension.
241:
The term "progressive" refers to the wide range of attempts to break with standard pop music formulas through methods such as extended instrumentation, personalized lyrics, and individual
654:, mach two) would ensure their survival into the eighties. ... they met the melodic requirements of AM radio while still producing thoughtful, original work." Bands like Queen and
791:. By the late 1970s, the era of record labels investing in their artists, giving them freedom to experiment and limited control over their content and marketing had ended. Corporate
596:. While progressive pop did not "shrink to a minority cult", as Cohn wrote one year later, "in England, I wasn't entirely wrong ... But, in America, I fluffed completely â the
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John Wray observed a recent progressive pop trend that involved large bands or collectives "with a disdain for clearly defined hierarchies", noting examples such as
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music. The latter genre was influenced by the "progressive" pop groups from the 1960s who combined rock and roll with various other music styles such as Indian
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had sections in their music that were quite intricate. We loved all that studio trickery and experimentation. Parallel to that were bands like
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from the 1960s. Although it reached widespread popularity, from 1975 onward, the genre declined in sales and was played with less frequency on
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This article is about a pop subgenre sometimes characterized as a more accessible form of progressive rock. Not to be confused with
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658:(ELO) played a type of progressive pop that was grounded in prog-rock without compromising their chart success. Reed cited ELO's "
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s Troy Smith believes that the album "established the group as forefathers of progressive pop, right from the beginning chords of '
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is credited for setting a precedent that allowed bands and artists to enter a recording studio and act as their own producers.
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426:(1969), remembered that even though he considered some of his songs "pure pop", others continued to categorize his band (
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1968:
All the Madmen: Barrett, Bowie, Drake, the Floyd, The Kinks, The Who and the
Journey to the Dark Side of English Rock
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intimated in 1967: "we got a bit bored with 12 bars all the time, so we tried to get into something else. Then came
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was accompanied by advertisements in the local music press saying that it was "The Most
Progressive Pop Album Ever!"
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2010:
Music in
American Life: An Encyclopedia of the Songs, Styles, Stars, and Stories that Shaped our Culture
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588:(possibly "electric music"), and that its relationship to pop music would be similar to the one between
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Towards the end of the 1960s, progressive pop music was received with doubt and disinterest. The Who's
412:". Authors Don and Jeff Breithaupt define progressive pop in the 1970s and 1980s as a "leaner breed of
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Music created with the intention of listening, not dancing, was also the aim of progressive pop.
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1722:"Steven Wilson reveals the stories behind his album To the Bone - track by track and interview"
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attempted to define the recent developments in pop. In this article, titled "Progressive Pop",
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nation has kept growing and, for all his seriousness and pretensions to poetry, someone like
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and the
Beatles were among the earliest progenitors of progressive pop via albums such as
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535:". According to Reed, the song became the "most obvious starting point" in the genre.
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Prog-pop records sold poorly and appeared unfashionable following the emergence of
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3023:
1394:"Making ArrangementsâA Rough Guide To Song Construction & Arrangement, Part 1"
901:'s "untempered" guitar, the Beatles' use of instrumentation as a type of rhythm ("
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2029:
2008:
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1535:"Pet Sounds, the Most Progressive Pop Album ever OR as sickly as Peanut Butter".
708:" was one specific example of progressive pop named by Breithaupt and Breithaupt.
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that attempts to break with the genre's standard formula, or an offshoot of the
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1947:
Work and
Leisure: An Interdisciplinary Study in Theory, Education and Planning
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drew a sharp line between "pop" and "rock", thus eliminating the "roll" from "
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2238:
Legends of Rock Guitar: The
Essential Reference of Rock's Greatest Guitarists
1113:"The 80s Nostalgia Aesthetic Of Music's Hottest New Subgenre: Hypnagogic Pop"
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1989:
Rebellische Musik: gesellschaftlicher
Protest und kultureller Wandel um 1968
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760:, who were experimenting in the studio in a more progressive rock format."
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and cocoa, progressive and nostalgic" â all features that were shared on
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Among exemplar progressive pop music of this period, Paul Willis cites
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909:'s unusual, repeated cadences that make up the rhythm foundation for "
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2074:
Rocking the
Classics: English Progressive Rock and the Counterculture
1326:
1324:
1322:
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852:(2003) states that key changes are more common to "arty" genres like
274:
188:
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1897:"Progressive Rock, 'Close to the Edge,' and the Boundaries of Style"
1357:"Alan Parsons Project: "I think we were part of the punk rebellion""
865:
736:'s progressive traditions, says: "Those early 10cc records such as
2196:
Same and Other: Negotiating
African Identity in Cultural Production
1813:. In Cook, Nicholas; Clarke, Eric; Leech-Wilkinson, Daniel (eds.).
3635:
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617:
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Rocking the
Classics: English Progressive Rock and Counterculture
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was followed by the psychedelic and elaborately arranged single "
2110:
Listening to the Future: The Time of Progressive Rock, 1968â1978
1028:
753:
733:
331:
290:
204:
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2458:
2282:
The Songwriting Sourcebook: How to Turn Chords Into Great Songs
927:, and other sound effects. Some of the best known examples are
2416:
Music of the People: A Study of Popular Music in Great Britain
1237:
1235:
563:
1986:
Jacobshagen, Arnold; Leniger, Markus; Henn, Benedikt (2007).
1094:
1092:
2454:
2175:
Song Means: Analysing and Interpreting Recorded Popular Song
1925:
The Beatles as Musicians: The Quarry Men Through Rubber Soul
675:
2437:
The Music's All that Matters: A History of Progressive Rock
1562:
1560:
330:
categorised artists using terms previously associated with
939:'s use of homemade electronic sound effects for acts like
732:, who considered his band to be a continuation of ELO and
1137:
1135:
171:
in the 1970s and 1980s. It was originally termed for the
58:
A "progression" from mid-20th century pop music formulas.
2217:
British Invasion: The Crosscurrents of Musical Influence
2321:
Shepherd, John; Virden, Phil; Vulliamy, Graham (1977),
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1184:
1182:
3302:
2098:
Music of Yes: Structure and Vision in Progressive Rock
1446:
1313:
1301:
1265:
1253:
313:
that was created with the intention of listening, not
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has achieved the same mass appeal as earlier stars."
183:, unorthodox or colorful instrumentation, changes in
175:. Some stylistic features of progressive pop include
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1662:
1650:
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1330:
285:"Progressive pop" was originally the usual term for
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Pop music genre that emphasizes complexity and form
2134:The Beatles: Sgt. Pepper's Lonely Hearts Club Band
2071:
1922:
1878:Awopbopaloobop Alopbamboom: The Golden Age of Rock
1811:"Recording practices and the role of the producer"
570:. Musicologist Allan Moore writes: "At that time,
420:, who worked as an engineer on the Beatles' album
803:, continued the traditions of prog-pop. In 1985,
1944:Haworth, John Trevor; Smith, Michael A. (1975).
366:. After the release of the Beatles' 1967 album
416:" that was derivative of the Beatles. Producer
354:, while "Modern", the next category, comprised
255:
203:with various other music styles such as Indian
2324:Whose Music?: A Sociology of Musical Languages
1904:Understanding Rock: Essays in Musical Analysis
1214:
1162:
1160:
1158:
1156:
1154:
1152:
1150:
3408:
2470:
1855:Precious and Few: Pop Music of the Early '70s
1380:
1241:
893:'s disuse of ordinary conventions and tone ("
666:, who "infus the Beatlesâ kaleidoscopic post-
626:was one of prog-pop's "signature architects".
8:
2193:Palmberg, Mai; Baaz, Maria Eriksson (2001).
1202:
1098:
3415:
3401:
3393:
2826:
2477:
2463:
2455:
1902:. In John Covach; Graeme M. Boone (eds.).
1852:Breithaupt, Don; Breithaupt, Jeff (2014),
1832:Breithaupt, Don; Breithaupt, Jeff (2000),
1701:"The Outer Limits: How prog were Buggles?"
456:working in the studio with their producer
46:
2262:On Record: Rock, Pop and the Written Word
2235:Prown, Pete; Newquist, Harvey P. (1997).
1929:. New York, NY: Oxford University Press.
1815:The Cambridge Companion to Recorded Music
1470:
662:" as the "definitive statement" by ELO's
1141:
856:than they are to Top 40 pop songs, slow
2220:. Rowman & Littlefield Publishers.
1835:Night Moves: Pop Music in the Late '70s
1494:
1482:
1088:
842:
309:. The genre's initial premise involved
1764:
1752:
1614:
1590:
1458:
1434:
1277:
1190:
715:
687:Supertramp â "The Logical Song" (1979)
670:sing-alongs with symphonic grandeur."
2279:Roberts, Jim; Rooksby, Rikky (2003).
2259:(2006), "New Pop and its Aftermath",
2049:Hewitt, Paolo; Hellier, John (2015).
1906:. New York: Oxford University Press.
1740:
1674:
1602:
1578:
1566:
1551:
1422:
1289:
1226:
796:prog-rock style had ceased to exist.
369:Sgt. Pepper's Lonely Hearts Club Band
7:
1638:
1626:
1447:Shepherd, Virden & Vulliamy 1977
1314:Shepherd, Virden & Vulliamy 1977
1302:Jacobshagen, Leniger & Henn 2007
1266:Shepherd, Virden & Vulliamy 1977
1254:Shepherd, Virden & Vulliamy 1977
495:in music from the era, musicologist
2343:Beatles '66: The Revolutionary Year
2007:Edmondson, Jacqueline, ed. (2013).
499:identifies the Beatles' 1965 album
173:early progressive rock of the 1960s
2387:Prog: Una suite lunga mezzo secolo
1355:Wilson, Rich (November 25, 2015).
1065:The Man with the Child in His Eyes
799:Some mainstream pop acts, such as
25:
3739:Recording studio as an instrument
3678:Official Progressive Albums Chart
2052:Steve Marriott: All Too Beautiful
1720:Morgan, Clive (August 21, 2017).
1509:"50 greatest album-opening songs"
622:ELO performing in 1986. Frontman
167:genre that was commonly heard on
3789:
3788:
1779:"The Return of the One-Man Band"
1699:Lester, Paul (August 18, 2016).
1687:Breithaupt & Breithaupt 2000
1663:Breithaupt & Breithaupt 2014
1651:Breithaupt & Breithaupt 2000
1343:Breithaupt & Breithaupt 2000
1331:Breithaupt & Breithaupt 2000
1167:Reed, Ryan (November 20, 2019).
716:Problems playing this file? See
691:
630:Progressive rock (also known as
231:Pop music § Characteristics
3691:Progressive rock (radio format)
1507:Smith, Troy L. (May 24, 2016).
1111:Poyau, Morgan (July 13, 2011).
491:Citing a quantitative study of
2369:. Princeton University Press.
2137:. Cambridge University Press.
1817:. Cambridge University Press.
1400:. October 1997. Archived from
1049:I Wouldn't Want to Be Like You
484:music. The Beach Boys' leader
1:
2031:The Twisted Tale of Glam Rock
752:took that even further. Even
3744:Timeline of progressive rock
3724:Contemporary classical music
3526:Progression-based EDM genres
2607:Contemporary Christian music
2345:. New York, NY: HarperLuxe.
1971:. Little, Brown Book Group.
1169:"A Guide to Progressive Pop"
3303:
2241:. Hal Leonard Corporation.
2199:. Nordic Africa Institute.
2078:. Oxford University Press.
1777:Wray, John (May 18, 2008).
748:were pretty out there, and
527:style single". In October,
3858:
2327:, Transaction Publishers,
1215:Roberts & Rooksby 2003
776:
611:
442:
234:
224:
191:, experiments with larger
29:
3837:20th-century music genres
3784:
2306:. Bloomsbury Publishing.
2158:, Bloomsbury Publishing,
1381:Hewitt & Hellier 2015
1242:Prown & Newquist 1997
1025:The Things We Do for Love
982:Writing in his 1997 book
850:The Songwriting Sourebook
552:Strawberry Fields Forever
118:
3842:Progressive music genres
2419:. Barrie & Jenkins.
1965:Heylin, Clinton (2012).
1921:Everett, Walter (2001).
1449:, pp. 187â188, 201.
1203:Palmberg & Baaz 2001
1099:Haworth & Smith 1975
1061:Electric Light Orchestra
656:Electric Light Orchestra
583:again." In 1969, writer
434:Evolution and popularity
428:the Alan Parsons Project
344:the Mothers of Invention
259:leeches on to your brain
3596:Intelligent dance music
479:, respectively. Author
394:Van der Graaf Generator
3700:Miscellaneous articles
3328:Popular music pedagogy
2390:(in Italian). Arcana.
2384:Zoppo, Donato (2014).
2341:Turner, Steve (2016).
2300:Sanchez, Luis (2014).
2155:Jethro Tull's Aqualung
2070:Macan, Edward (1997).
2028:Lenig, Stuart (2010).
1858:, St. Martin's Press,
1838:, St. Martin's Press,
1809:Blake, Andrew (2009).
905:", "Penny Lane"), and
793:artists and repertoire
680:
627:
461:
263:
3559:Related genres/scenes
3431:By style and subgenre
3333:Rockism and poptimism
2303:The Beach Boys' Smile
2214:Philo, Simon (2014).
2172:Moore, Allan (2016).
2152:Moore, Allan (2004),
2131:Moore, Allan (1997).
2100:, Chicago: Open Court
2055:. Dean Street Press.
1895:Covach, John (1997).
679:
621:
452:
225:Further information:
3323:Pop music automation
2434:Stump, Paul (1997).
2413:Lee, Edward (1970).
1053:Alan Parsons Project
372:, magazines such as
216:Definition and scope
3645:Associated theories
3313:Honorific nicknames
2560:Paisley Underground
1569:, pp. 119â121.
1280:, pp. 606â607.
1268:, pp. 186â188.
1256:, pp. 187â188.
827:Broken Social Scene
636:pop experimentalism
521:Wouldn't It Be Nice
3631:Rock in Opposition
3591:Experimental metal
2528:Adult contemporary
1784:The New York Times
1485:, pp. 311â12.
815:The New York Times
750:Godley & Creme
681:
628:
462:
320:In December 1966,
3827:Rock music genres
3804:
3803:
3729:Psychedelic music
3586:Experimental rock
3424:Progressive music
3390:
3389:
3372:Verseâchorus form
3318:Music and fashion
3270:
3269:
2977:Hong Kong English
2823:Regional variants
2493:Stylistic origins
2447:978-0-7043-8036-3
2440:. Quartet Books.
2397:978-88-6231-639-2
2376:978-1-4008-6514-7
2352:978-0-06-249713-0
2334:978-1-4128-4147-4
2313:978-1-62356-956-3
2292:978-1-61780-033-7
2272:978-1-134-93951-0
2248:978-0-7935-4042-6
2227:978-0-8108-8627-8
2206:978-91-7106-477-6
2185:978-1-317-05265-4
2165:978-1-4411-1315-3
2144:978-0-521-57484-6
2085:978-0-19-509887-7
2062:978-1-910570-69-2
2041:978-0-313-37986-4
2020:978-0-313-39348-8
1999:978-3-936655-48-3
1978:978-1-78033-078-5
1913:978-0-19-510005-1
1888:978-0-8021-3830-9
1865:978-1-4668-7649-1
1845:978-0-312-19821-3
1824:978-1-139-82796-6
1653:, pp. 67â68.
1617:, pp. 40â41.
1437:, pp. 39â40.
1009:Bohemian Rhapsody
968:reputed acclaim,
831:Animal Collective
696:
227:Progressive music
154:
153:
90:Mid-1960s â 1970s
63:Stylistic origins
16:(Redirected from
3849:
3832:Progressive rock
3822:Pop music genres
3792:
3791:
3621:Post-progressive
3581:Experimental pop
3576:Canterbury scene
3417:
3410:
3403:
3394:
3306:
3106:Balkan pop-folk
2827:
2479:
2472:
2465:
2456:
2451:
2430:
2401:
2380:
2356:
2337:
2317:
2296:
2275:
2252:
2231:
2210:
2189:
2168:
2148:
2127:
2101:
2089:
2077:
2066:
2045:
2024:
2003:
1982:
1961:
1940:
1928:
1917:
1901:
1891:
1868:
1848:
1828:
1796:
1795:
1793:
1791:
1774:
1768:
1762:
1756:
1750:
1744:
1738:
1732:
1731:
1717:
1711:
1710:
1696:
1690:
1684:
1678:
1672:
1666:
1660:
1654:
1648:
1642:
1636:
1630:
1624:
1618:
1612:
1606:
1600:
1594:
1588:
1582:
1576:
1570:
1564:
1555:
1549:
1543:
1542:
1541:. July 30, 1966.
1532:
1526:
1525:
1523:
1521:
1504:
1498:
1492:
1486:
1480:
1474:
1468:
1462:
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1420:
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1411:
1409:
1390:
1384:
1378:
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1340:
1334:
1328:
1317:
1311:
1305:
1299:
1293:
1287:
1281:
1275:
1269:
1263:
1257:
1251:
1245:
1239:
1230:
1224:
1218:
1212:
1206:
1200:
1194:
1188:
1177:
1176:
1164:
1145:
1139:
1130:
1129:
1127:
1125:
1108:
1102:
1096:
1072:
1001:Love Is the Drug
997:
991:
980:
974:
967:
959:
953:
950:
944:
925:unnatural reverb
920:
914:
887:
881:
854:progressive rock
847:
820:
706:The Logical Song
698:
697:
678:
518:
299:Gregorian chants
287:progressive rock
251:
237:Progressive rock
209:Asian-influenced
165:progressive rock
142:progressive rock
137:experimental pop
95:Derivative forms
87:Cultural origins
47:
32:Experimental pop
21:
3857:
3856:
3852:
3851:
3850:
3848:
3847:
3846:
3817:Progressive pop
3807:
3806:
3805:
3800:
3780:
3695:
3666:
3640:
3554:
3521:
3426:
3421:
3391:
3386:
3266:
3174:French Mandopop
3090:
2901:
2875:Brazilian (MPB)
2853:
2818:
2514:
2505:Traditional pop
2488:
2483:
2448:
2433:
2427:
2412:
2409:
2407:Further reading
2404:
2398:
2383:
2377:
2366:Profane Culture
2361:Willis, Paul E.
2359:
2353:
2340:
2335:
2320:
2314:
2299:
2293:
2285:. Hal Leonard.
2278:
2273:
2257:Reynolds, Simon
2255:
2249:
2234:
2228:
2213:
2207:
2192:
2186:
2171:
2166:
2151:
2145:
2130:
2124:
2104:
2092:
2086:
2069:
2063:
2048:
2042:
2027:
2021:
2006:
2000:
1992:. Verlag Dohr.
1985:
1979:
1964:
1958:
1950:. Lepus Books.
1943:
1937:
1920:
1914:
1899:
1894:
1889:
1881:, Grove Press,
1871:
1866:
1851:
1846:
1831:
1825:
1808:
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1789:
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1776:
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1197:
1189:
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1140:
1133:
1123:
1121:
1110:
1109:
1105:
1097:
1090:
1081:
1076:
1075:
1033:Year of the Cat
998:
994:
981:
977:
965:
961:In response to
960:
956:
951:
947:
921:
917:
888:
884:
848:
844:
839:
818:
807:noted that the
801:Tears for Fears
781:
775:
723:
722:
714:
712:
711:
710:
709:
699:
692:
689:
682:
676:
646:), pop smarts (
616:
610:
533:Good Vibrations
516:
447:
441:
436:
364:the Small Faces
283:
249:
239:
233:
223:
221:Characteristics
218:
157:Progressive pop
50:Progressive pop
43:
28:
23:
22:
18:Progressive Pop
15:
12:
11:
5:
3855:
3853:
3845:
3844:
3839:
3834:
3829:
3824:
3819:
3809:
3808:
3802:
3801:
3799:
3798:
3785:
3782:
3781:
3779:
3778:
3777:
3776:
3771:
3766:
3761:
3756:
3751:
3741:
3736:
3734:Romantic music
3731:
3726:
3721:
3720:
3719:
3709:
3703:
3701:
3697:
3696:
3694:
3693:
3688:
3680:
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3648:
3646:
3642:
3641:
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3556:
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3455:
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3445:
3440:
3434:
3432:
3428:
3427:
3422:
3420:
3419:
3412:
3405:
3397:
3388:
3387:
3385:
3384:
3379:
3374:
3369:
3368:
3367:
3362:
3352:
3351:
3350:
3343:Talent manager
3340:
3335:
3330:
3325:
3320:
3315:
3310:
3309:
3308:
3299:
3294:
3289:
3278:
3276:
3275:Related topics
3272:
3271:
3268:
3267:
3265:
3264:
3259:
3258:
3257:
3247:
3245:SFR Yugoslavia
3242:
3237:
3232:
3227:
3222:
3217:
3216:
3215:
3205:
3204:
3203:
3193:
3188:
3183:
3182:
3181:
3176:
3166:
3161:
3156:
3155:
3154:
3149:
3139:
3134:
3133:
3132:
3127:
3122:
3117:
3112:
3104:
3098:
3096:
3092:
3091:
3089:
3088:
3083:
3078:
3073:
3068:
3063:
3058:
3057:
3056:
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3043:
3038:
3037:
3036:
3031:
3026:
3021:
3011:
3006:
3001:
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2999:
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2816:
2811:
2806:
2801:
2800:
2799:
2794:
2784:
2779:
2774:
2769:
2764:
2762:Schlager music
2759:
2754:
2749:
2748:
2747:
2742:
2737:
2732:
2727:
2717:
2712:
2711:
2710:
2700:
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2673:
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2646:
2636:
2631:
2626:
2625:
2624:
2619:
2609:
2604:
2599:
2594:
2592:Brill Building
2589:
2584:
2579:
2574:
2569:
2564:
2563:
2562:
2552:
2551:
2550:
2545:
2540:
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2338:
2333:
2318:
2312:
2297:
2291:
2276:
2271:
2253:
2247:
2232:
2226:
2211:
2205:
2190:
2184:
2169:
2164:
2149:
2143:
2128:
2122:
2102:
2090:
2084:
2067:
2061:
2046:
2040:
2025:
2019:
2004:
1998:
1983:
1977:
1962:
1956:
1941:
1935:
1918:
1912:
1892:
1887:
1869:
1864:
1849:
1844:
1829:
1823:
1805:
1798:
1797:
1769:
1757:
1755:, p. 188.
1745:
1743:, p. 202.
1733:
1712:
1691:
1679:
1677:, p. 187.
1667:
1665:, p. 136.
1655:
1643:
1641:, p. 244.
1631:
1629:, p. 242.
1619:
1607:
1595:
1583:
1571:
1556:
1554:, p. 119.
1544:
1527:
1499:
1487:
1475:
1473:, p. 890.
1471:Edmondson 2013
1463:
1461:, p. 217.
1451:
1439:
1427:
1415:
1404:on May 8, 2014
1398:Sound on Sound
1385:
1383:, p. 162.
1373:
1347:
1335:
1318:
1316:, p. 201.
1306:
1304:, p. 141.
1294:
1282:
1270:
1258:
1246:
1231:
1219:
1217:, p. 137.
1207:
1195:
1193:, p. 220.
1178:
1146:
1144:, p. 398.
1131:
1103:
1101:, p. 126.
1087:
1080:
1077:
1074:
1073:
1063:, 1977), and "
1057:Telephone Line
992:
975:
954:
945:
915:
882:
841:
840:
838:
835:
805:Simon Reynolds
774:
771:
762:Porcupine Tree
713:
700:
690:
685:
684:
683:
674:
673:
672:
650:), and style (
609:
606:
580:Pete Townshend
540:Paul McCartney
497:Walter Everett
467:The Beach Boys
440:
439:1960s: Origins
437:
435:
432:
297:melodies, and
282:
279:
222:
219:
217:
214:
152:
151:
150:
149:
144:
139:
134:
129:
124:
116:
115:
111:
110:
109:
108:
103:
101:Hypnagogic pop
96:
92:
91:
88:
84:
83:
82:
81:
76:
71:
64:
60:
59:
56:
52:
51:
26:
24:
14:
13:
10:
9:
6:
4:
3:
2:
3854:
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3737:
3735:
3732:
3730:
3727:
3725:
3722:
3718:
3715:
3714:
3713:
3712:Concept album
3710:
3708:
3705:
3704:
3702:
3698:
3692:
3689:
3687:
3685:
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3017:
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3007:
3005:
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2990:
2988:
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2966:
2965:Zhongguo feng
2963:
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2686:Dunedin sound
2684:
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2526:
2525:
2523:
2521:
2517:
2511:
2510:Rock and roll
2508:
2506:
2503:
2501:
2500:Tin Pan Alley
2498:
2497:
2495:
2491:
2487:
2480:
2475:
2473:
2468:
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2457:
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2426:9780214660672
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2268:
2265:, Routledge,
2264:
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2254:
2250:
2244:
2240:
2239:
2233:
2229:
2223:
2219:
2218:
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2208:
2202:
2198:
2197:
2191:
2187:
2181:
2178:. Routledge.
2177:
2176:
2170:
2167:
2161:
2157:
2156:
2150:
2146:
2140:
2136:
2135:
2129:
2125:
2123:0-8126-9368-X
2119:
2115:
2111:
2107:
2103:
2099:
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2091:
2087:
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2076:
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2068:
2064:
2058:
2054:
2053:
2047:
2043:
2037:
2033:
2032:
2026:
2022:
2016:
2012:
2011:
2005:
2001:
1995:
1991:
1990:
1984:
1980:
1974:
1970:
1969:
1963:
1959:
1957:0-86019-009-9
1953:
1949:
1948:
1942:
1938:
1936:0-19-514105-9
1932:
1927:
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1915:
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1905:
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1766:
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1758:
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1746:
1742:
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1729:
1728:
1727:The Telegraph
1723:
1716:
1713:
1708:
1707:
1702:
1695:
1692:
1689:, p. 67.
1688:
1683:
1680:
1676:
1671:
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1647:
1644:
1640:
1635:
1632:
1628:
1623:
1620:
1616:
1611:
1608:
1605:, p. 34.
1604:
1599:
1596:
1593:, p. 40.
1592:
1587:
1584:
1581:, p. 70.
1580:
1575:
1572:
1568:
1563:
1561:
1557:
1553:
1548:
1545:
1540:
1539:
1531:
1528:
1516:
1515:
1514:cleveland.com
1510:
1503:
1500:
1497:, p. 81.
1496:
1491:
1488:
1484:
1479:
1476:
1472:
1467:
1464:
1460:
1455:
1452:
1448:
1443:
1440:
1436:
1431:
1428:
1425:, p. 45.
1424:
1419:
1416:
1403:
1399:
1395:
1389:
1386:
1382:
1377:
1374:
1362:
1358:
1351:
1348:
1345:, p. 70.
1344:
1339:
1336:
1333:, p. 68.
1332:
1327:
1325:
1323:
1319:
1315:
1310:
1307:
1303:
1298:
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1286:
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1279:
1274:
1271:
1267:
1262:
1259:
1255:
1250:
1247:
1244:, p. 78.
1243:
1238:
1236:
1232:
1229:, p. 22.
1228:
1223:
1220:
1216:
1211:
1208:
1205:, p. 49.
1204:
1199:
1196:
1192:
1187:
1185:
1183:
1179:
1174:
1170:
1163:
1161:
1159:
1157:
1155:
1153:
1151:
1147:
1143:
1142:Reynolds 2006
1138:
1136:
1132:
1120:
1119:
1114:
1107:
1104:
1100:
1095:
1093:
1089:
1086:
1085:
1078:
1070:
1066:
1062:
1058:
1054:
1050:
1046:
1045:Peter Gabriel
1042:
1041:Solsbury Hill
1038:
1034:
1030:
1026:
1022:
1018:
1014:
1010:
1006:
1002:
999:Others were "
996:
993:
989:
985:
979:
976:
971:
964:
958:
955:
949:
946:
942:
938:
934:
933:Wall of Sound
930:
926:
919:
916:
912:
911:Madame George
908:
904:
903:Eleanor Rigby
900:
896:
892:
886:
883:
879:
878:rock and roll
875:
871:
867:
863:
859:
855:
851:
846:
843:
836:
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832:
828:
824:
817:
816:
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806:
802:
797:
794:
790:
786:
780:
772:
770:
767:
766:Steven Wilson
763:
759:
755:
751:
747:
746:
741:
740:
735:
731:
727:
721:
719:
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661:
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645:
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633:
625:
620:
615:
607:
605:
603:
599:
595:
591:
586:
581:
576:
573:
569:
568:Sgt. Pepper's
565:
561:
560:Tin Pan Alley
557:
553:
549:
545:
541:
538:The Beatles'
536:
534:
530:
526:
525:Wall of Sound
522:
515:
514:
509:
504:
503:
498:
494:
489:
487:
482:
478:
477:Sgt. Pepper's
474:
473:
468:
459:
458:George Martin
455:
451:
446:
438:
433:
431:
429:
425:
424:
419:
415:
411:
406:
401:
399:
395:
391:
387:
383:
379:
378:rock and roll
375:
371:
370:
365:
361:
357:
353:
349:
345:
341:
337:
333:
329:
325:
324:
318:
316:
312:
311:popular music
308:
307:the Yardbirds
304:
300:
296:
292:
288:
280:
278:
276:
272:
268:
267:rock and roll
262:
260:
254:
248:
244:
243:improvisation
238:
232:
228:
220:
215:
213:
210:
206:
202:
201:rock and roll
196:
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72:
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67:
66:
65:
61:
57:
53:
48:
45:
41:
37:
33:
19:
3793:
3683:
3484:
3377:Virtual band
3348:Talent agent
2858:The Americas
2767:Sophisti-pop
2751:
2661:Experimental
2436:
2415:
2386:
2365:
2342:
2323:
2302:
2281:
2261:
2237:
2216:
2195:
2174:
2154:
2133:
2109:
2106:Martin, Bill
2097:
2094:Martin, Bill
2073:
2051:
2034:. ABC-CLIO.
2030:
2013:. ABC-CLIO.
2009:
1988:
1967:
1946:
1924:
1903:
1877:
1854:
1834:
1814:
1801:
1800:
1790:December 16,
1788:. Retrieved
1782:
1772:
1767:, p. 5.
1760:
1748:
1736:
1725:
1715:
1704:
1694:
1682:
1670:
1658:
1646:
1634:
1622:
1610:
1598:
1586:
1574:
1547:
1538:Melody Maker
1536:
1530:
1520:December 14,
1518:. Retrieved
1512:
1502:
1495:Sanchez 2014
1490:
1483:Everett 2001
1478:
1466:
1454:
1442:
1430:
1418:
1406:. Retrieved
1402:the original
1397:
1388:
1376:
1366:December 14,
1364:. Retrieved
1360:
1350:
1338:
1309:
1297:
1285:
1273:
1261:
1249:
1222:
1210:
1198:
1172:
1122:. Retrieved
1116:
1106:
1083:
1082:
1017:Dream Weaver
995:
990:as examples.
983:
978:
970:Melody Maker
969:
962:
957:
948:
941:the Tornados
929:Phil Spector
918:
907:Van Morrison
899:Jimi Hendrix
885:
876:, and 1950s
874:12-bar blues
849:
845:
813:
798:
782:
743:
737:
730:Geoff Downes
724:
667:
660:Mr. Blue Sky
629:
602:James Taylor
577:
571:
567:
537:
528:
511:
507:
500:
490:
486:Brian Wilson
476:
470:
463:
460:, circa 1964
421:
418:Alan Parsons
405:Melody Maker
404:
402:
398:King Crimson
390:East of Eden
374:Melody Maker
373:
367:
352:Soft Machine
323:Melody Maker
321:
319:
284:
264:
256:
246:
240:
197:
156:
155:
114:Other topics
44:
3657:Eclecticism
3297:Teenybopper
3292:Sasaeng fan
3287:Bobby soxer
3041:Kazakhstani
3034:Shibuya-kei
2970:Chinoiserie
2923:Azerbaijani
2809:Traditional
2757:Psychedelic
2752:Progressive
2617:Bro-country
2555:Alternative
2538:Quiet storm
1765:Covach 1997
1753:Martin 1996
1615:Heylin 2012
1591:Heylin 2012
1459:Willis 2014
1435:Martin 1998
1292:, p. .
1278:Turner 2016
1191:Willis 2014
1021:Gary Wright
891:Frank Zappa
862:dance music
823:Arcade Fire
773:1980sâ2010s
745:Sheet Music
726:The Buggles
572:Sgt. Pepper
502:Rubber Soul
481:Bill Martin
454:The Beatles
403:In 1970, a
382:Jethro Tull
328:Chris Welch
303:the Beatles
265:Similar to
74:progressive
3811:Categories
3686:(magazine)
3616:Proto-prog
3500:Avant-prog
3448:Electronic
3365:Girl group
3338:Songwriter
3196:Macedonian
3169:French pop
3130:Turbo-folk
3086:Vietnamese
3076:Philippine
3004:Indonesian
2792:Electropop
2703:Orchestral
2676:Hypnagogic
2651:Disco polo
2114:Open Court
1741:Moore 2016
1675:Macan 1997
1603:Lenig 2010
1579:Moore 1997
1567:Philo 2014
1552:Philo 2014
1423:Blake 2009
1290:Zoppo 2014
1227:Moore 2004
1124:August 15,
1118:Vice Media
1079:References
1055:, 1977), "
1047:, 1977), "
1039:, 1977), "
1037:Al Stewart
1031:, 1976), "
1023:, 1976), "
1015:, 1976), "
1007:, 1976), "
1005:Roxy Music
988:Al Stewart
963:Pet Sounds
895:Uncle Meat
777:See also:
718:media help
702:Supertramp
664:Jeff Lynne
652:Roxy Music
648:Supertramp
624:Jeff Lynne
612:See also:
590:art movies
556:Penny Lane
529:Pet Sounds
508:Pet Sounds
472:Pet Sounds
445:Proto-prog
443:See also:
423:Abbey Road
410:rock music
348:Pink Floyd
281:Early uses
247:Treblezine
235:See also:
147:proto-prog
3707:Art music
3662:Formalism
3652:Auteurism
3626:Post-punk
3601:Krautrock
3548:Psytrance
3478:Metalcore
3438:Bluegrass
3382:Worldbeat
3355:Teen idol
3282:Celebrity
3262:Ukrainian
3255:VIA music
3186:Hungarian
3159:Eurodance
3147:Nederbeat
3102:Austropop
3071:Pakistani
3066:Malaysian
3024:KayĆkyoku
2897:Nueva ola
2870:Argentine
2842:Afrobeats
2797:Futurepop
2787:Synth-pop
2772:Space age
2735:Pop metal
2644:Freestyle
2634:Dancehall
2597:Bubblegum
2533:Christian
2486:Pop music
1873:Cohn, Nik
1639:Cohn 1970
1627:Cohn 1970
1361:Team Rock
1084:Citations
1071:, 1979).
1069:Kate Bush
789:punk rock
598:Woodstock
594:Hollywood
513:Cleveland
414:pomp rock
356:the Byrds
161:pop music
132:avant-pop
55:Etymology
40:Avant-pop
3795:Category
3611:New wave
3571:Art rock
3510:New prog
3505:Neo-prog
3360:Boy band
3225:Schlager
3208:Romanian
3014:Japanese
2997:Hindutva
2948:Mandopop
2933:Cantopop
2918:Assyrian
2885:Tropipop
2865:American
2847:Moroccan
2777:Sunshine
2740:Pop-punk
2720:Pop rock
2698:Operatic
2671:Hyperpop
2543:Rhythmic
2363:(2014).
2108:(1998).
2096:(1996),
1875:(1970),
1706:TeamRock
937:Joe Meek
785:new wave
764:founder
640:FM radio
632:art rock
614:Art rock
585:Nik Cohn
295:oriental
181:earworms
169:AM radio
127:art rock
3606:New pop
3566:Art pop
3458:Hip hop
3443:Country
3240:Turkish
3235:Swedish
3230:Serbian
3220:Russian
3201:Äalgija
3191:Italian
3164:Europop
3152:New pop
3137:British
3125:Tallava
3045:Korean
3029:RyĆ«kĆka
3009:Iranian
2987:Bhangra
2943:Hokkien
2928:Chinese
2890:Mexican
2715:Pop rap
2708:Baroque
2612:Country
2602:Chamber
2567:Ambient
1802:Sources
866:R&B
860:tunes,
809:New Pop
779:New Pop
668:Peppers
548:the Who
360:Donovan
315:dancing
301:, like
122:Art pop
106:New Pop
36:Art pop
3543:Trance
3533:Breaks
3250:Soviet
3213:Manele
3120:Manele
3110:Chalga
3095:Europe
2982:Indian
2960:Xinyao
2953:French
2913:Arabic
2837:Africa
2830:Africa
2730:Jangle
2629:Cringe
2622:Cowboy
2520:Styles
2444:
2423:
2394:
2373:
2349:
2331:
2310:
2289:
2269:
2245:
2224:
2203:
2182:
2162:
2141:
2120:
2082:
2059:
2038:
2017:
1996:
1975:
1954:
1933:
1910:
1885:
1862:
1842:
1821:
1408:May 8,
858:reggae
829:, and
493:tempos
396:, and
386:Family
275:rhythm
189:rhythm
3774:2010s
3769:2000s
3764:1990s
3759:1980s
3754:1970s
3749:1960s
3671:Media
3636:Zeuhl
3538:House
3473:Djent
3468:Metal
3179:Yé-yé
3142:Dutch
3115:LaĂŻko
3054:South
3049:North
2992:Filmi
2938:Hakka
2880:Latin
2814:Wonky
2782:Swamp
2745:Power
2681:Indie
2656:Dream
2639:Dance
2582:Beach
2577:Avant
2548:Urban
1900:(PDF)
1173:Tidal
1013:Queen
966:'
837:Notes
819:'
644:Queen
608:1970s
554:" / "
544:Dylan
523:', a
517:'
336:Cream
291:ragas
250:'
205:ragas
193:forms
177:hooks
38:, or
3717:List
3684:Prog
3517:Soul
3495:Rock
3490:Punk
3463:Jazz
3453:Folk
3304:Wota
3081:Thai
3019:City
2906:Asia
2804:Teen
2691:Twee
2666:Folk
2587:Beat
2442:ISBN
2421:ISBN
2392:ISBN
2371:ISBN
2347:ISBN
2329:ISBN
2308:ISBN
2287:ISBN
2267:ISBN
2243:ISBN
2222:ISBN
2201:ISBN
2180:ISBN
2160:ISBN
2139:ISBN
2118:ISBN
2080:ISBN
2057:ISBN
2036:ISBN
2015:ISBN
1994:ISBN
1973:ISBN
1952:ISBN
1931:ISBN
1908:ISBN
1883:ISBN
1860:ISBN
1840:ISBN
1819:ISBN
1792:2016
1522:2016
1410:2014
1368:2016
1126:2016
1029:10cc
935:and
897:)",
870:punk
787:and
754:ABBA
742:and
739:10cc
734:10cc
704:'s "
592:and
475:and
362:and
350:and
340:Love
332:jazz
305:and
273:and
229:and
207:and
187:and
179:and
79:rock
3485:Pop
3061:Lao
2725:Emo
2572:Art
1067:" (
1059:" (
1051:" (
1043:" (
1035:" (
1027:" (
1019:" (
1011:" (
1003:" (
931:'s
758:Yes
564:LSD
271:key
185:key
159:is
69:Pop
3813::
2116:.
2112:.
1781:.
1724:.
1703:.
1559:^
1511:.
1396:.
1359:.
1321:^
1234:^
1181:^
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2429:.
2400:.
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2316:.
2295:.
2251:.
2230:.
2209:.
2188:.
2147:.
2126:.
2088:.
2065:.
2044:.
2023:.
2002:.
1981:.
1960:.
1939:.
1916:.
1827:.
1794:.
1730:.
1709:.
1524:.
1412:.
1370:.
1175:.
1128:.
880:.
720:.
408:"
261:.
42:.
20:)
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.