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122:. A letter from the painter to Jules-Antoine Castagnary, from July 14, 1867, suggests that Euphrasia, the philosopher's wife, appeared instead of the basket and the wicker armchair covered with fabrics. The canvas was therefore repainted, shortly before the artist's major personal exhibition in 1867. The painting seems a priori to be a posthumous tribute to
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Seized with other paintings by
Courbet at Durand-Ruel in June 1873, it was sold on November 26, 1877, to Jean-Hubert Debrousse, who acquired it for 1,500 francs, when the asking price was 5,000 francs. After Debrousse's death, his collection was auctioned at April 1900. The painting was then bought
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The philosopher, dressed in a blouse and trousers in toile de Nîmes, is shown seated, posing with his left hand on his face and the right hand on his leg, with his two daughters, one who reads, while the other engage in playful activity, to his left. Proudhon is seated on the steps in front of the
126:, who died on January 20, 1865, but in reality, the painter, knowing that his friend was sick, had the idea, shortly before his death, to execute a series of portraits depicting him. He also created two bust portraits, one showing Proudhon, and the other his wife.
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entrance of the
Parisian apartment where he lived at the intersection of the old Rue d'Hell and 146, Rue Notre-Dame-des-Champs. There are four books, a pencil case, and a manuscript, under which, traced in the stone of the last step, one can read "PJP 1853".
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Martin Écalle, "A propos du portrait de „Proudhon et ses
Enfants" par Gustave Courbet",
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102:. The main figure is a posthumously produced image of French philosopher
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147 cm Ă— 198 cm (58 in Ă— 78 in)
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Two other titles were given by
Courbet to this painting, namely
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106:, who appears with his two children reading and playing.
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is an oil-on-canvas group portrait by the French painter
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La Vie et l’œuvre de
Gustave Courbet: catalogue raisonné
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Fragmented France: Two
Centuries of Disputed Identity
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167:, Paris, Flammarion, 1996, pp. 229, 282 (French)
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94:, created in 1865, now held in the
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679:Group portraits by French artists
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130:for 6,150 francs by the city of
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313:Portrait of Charles Baudelaire
281:Self-Portrait with a Black Dog
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704:Paintings in the Petit Palais
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694:Paintings by Gustave Courbet
598:Jo, the Beautiful Irishwoman
503:Portrait of Countess Karoly
352:Young Ladies of the Village
214:. OUP Oxford. p. 145.
16:Painting by Gustave Courbet
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571:Portrait of Paul Chenavard
163:Petra ten-Doesschate Chu,
495:Proudhon and His Children
165:Correspondance de Courbet
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650:Le DĂ©jeuner sur l'herbe
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479:The Source of the Loue
400:The Seaside at Palavas
328:After Dinner at Ornans
208:Hayward, Jack (2007).
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104:Pierre-Joseph Proudhon
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614:Still-Life with Fruit
193:, no 4, 1959 (French)
408:The Painter's Studio
547:Woman with a Parrot
416:Madame Auguste Cuoq
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528:L'Origine du monde
447:The Hunt Breakfast
344:A Burial at Ornans
336:The Stone Breakers
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487:The Oak at Flagey
463:Femme nue couchée
392:The Wheat Sifters
275:List of paintings
221:978-0-19-921631-4
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617:(1871–1872)
609:(1869–1870)
601:(1865–1866)
482:(1863–1864)
368:The Bathers
331:(1848–1849)
321: 1848
308:(1844–1847)
292:(1843–1845)
142:Description
668:Categories
641:Portrayals
538:Le Sommeil
471:The Source
439:The Quarry
151:References
62:Dimensions
268:Paintings
606:The Wave
70:Location
625:Museums
110:History
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54:Medium
36:Artist
132:Paris
100:Paris
78:Paris
216:ISBN
118:and
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