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1296:, arguing that depicting the mystical entity Cthulhu as "a monster with tentacles" contradicts Lovecraft's original intent. Drawing the undrawable posed a challenge to Burrows. As he felt his strengths lay in clean lines and clarity of detail, he could not rely on abstraction in his monster scenes to maintain stylistic consistency. Instead, he emphasized the bizarre nature of textures, ensuring that the full picture remained elusive despite clear depiction of his monster. Burrows drew inspiration for monsters from a wide range of earlier works, including the movie
1875:, Tom Shapira commended the book for its accurate portrayal of Lovecraft's personality and habits. He also highlighted how Lovecraft and his contemporaries fictionalized each other, and praised the blend of fiction and reality that offers a more authentic depiction of Lovecraft than a straightforward biography. In 2023, literary scholar Steve Corbeille noted the increasing efforts in the Mythos genre in America to critically address the racism, misogyny, and homophobia of its originators, citing this series as a notable example.
1753:, which emerged in the 1970s, blurs the line between fiction and reality, suggesting that fictional deities such as Cthulhu and Yog-Sothoth are communicable entities. Although Moore dismisses the notion of Lovecraft's work being genuinely occult â labeling it "astral cosplay" and "certainly not important magic" â he does acknowledge the subversive power of fiction. As Jake Poller explains, fiction can be incorporated into the human imagination to subvert the "prosaic fiction of reality", a process Moore refers to as magic.
696:. Howard seduces Robert, and they have sex while looking into the alien stone. Afterwards, Robert calls on Lovecraft at his home. Lovecraft helps Robert find lodgings, and then Robert accompanies him to visit his mother in the mental hospital. Robert waits while Lovecraft sees his mother and pretends not to overhear their exchange. Lovecraft rejoins him and they depart. Lovecraft's mother looks on after them and sees the same weird creatures in the air that Annesley does through his spectacles.
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interrupts the story's progress and encourages the reader to ponder the world within the story itself. When the protagonist, Robert Black, enters underground or dreamland, the layout shifts from horizontal to vertical, implying a change in the level of reality being depicted. In the final issue, where the world itself undergoes dynamic transformation, the panel layout becomes more varied.
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insisted that it is necessary to "refocus the readershipâs attention upon the things that are genuinely frightening or disturbing about
Lovecraftâs writing." According to him, Lovecraft's works were about how scientific progress had made the world too complex for the traditional worldview to grasp, and about the urge to escape from that complexity, as symbolized by the opening sentence of
724:. Believing that Lovecraft has been ordained by the occult group to be their 'Redeemer', Robert panics and returns to his lodgings. He writes a letter to Tom Malone, in which he warns him about everything he has discovered on his travels, unaware that the steeple window of St. John's Church appears to be getting nearer and nearer his own. Suddenly,
1626:. These accessories subtly signal the characters' sexual orientation, though their meaning is not explicitly conveyed to the reader. Robert Black makes discreet sexual advances toward several men throughout the series, with his first overt sexual encounter occurring in issue #9. Shortly afterward, Black learns of his new friend H. P. Lovecraft's
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1911:, praised the series' "a more abject apocalypse" for accurately representing Lovecraft's worldview, where human existence is deemed worthless. He also noted that the comic is significant for "delivering original and genuinely disturbing horror" even by the standard of today, when horror has permeated a wide range of genres.
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In reviewing the series, Matthew
Kirschenblatt quotes Moore as saying that the increased flow of information at the turn of the century marked a critical point in human society. According to Kirschenblatt, the series portrays the fear that the advent of popular media has facilitated the dissemination
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Maciej
Sulmicki notes that the realistic art in the book closely reflect historical facts, emphasizing the contrast between the "objective" visual representation and the subjective text. In many scenes, Black's memoranda rationalize the anomalies, overlooking the supernatural phenomena implied in the
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was one of his final comic works, and
Fischer theorizes that Moore symbolically reflects on his achievements in comics through the Lovecraftian Mythos in the story. Similarly, Matthew Kirschenblatt notes that the endingâwhere a character abandons everything and tear up a bookâcould symbolize Mooreâs
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trophy being changed from a bust of him in 2016. However, when
Lovecraft himself is featured in pop culture (especially in comics), his bigotry is often ignored or, conversely, caricatured and exaggerated without depiction of the historical context. Lovecraft lived in the United States during a time
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theorized that all of
Lovecraft's works constituted one large "hypernovel". Moore embraced this idea and developed connections between characters and events in each story, many of which were set in overlapping time periods and regions. Unlike Lovecraft's many followers who attempted to systemize the
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Moore believed that contemporary
Lovecraftian fiction was based on an outdated view of the subject, and he set out to create "ultimate Lovecraft story" based on the latest literary insights. He is also critical of the Mythos incorporated in mainstream popular culture as parodies and merchandise, and
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It's pretty much a fact that our entire universe is a mental construct. We don't actually deal with reality directly. We simply compose a picture of reality from what's going on in our retinas, in the timpani of our ears, and in our nerve endings. We perceive our own perception, and that perception
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The first issue of the series was published by Avatar Press in May 2015. Several variants with different covers were produced, including the "Pantheon" edition, featuring supernatural entities from
Lovecraft's works, and the "Women of HPL" edition. The final issue, #12, was published in April 2017.
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features primarily Robert Black's commonplace book. These memoirs reveal Black's feelings, which are not fully expressed in the main comic narrative, adding multiple layers to the story. Sometimes Black's collection of pamphlets and other literary materials are also included, as well as drafts and
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meticulous research was conducted on props, costumes, and scenery. At times, more than 300 images were referenced for a single building that appeared in the background of a two-page scene, and the characters' movements were detailed using maps of the era. In a panel, the actual pages of that day's
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male majority and was prejudiced against other groups. According to Moore, Lovecraft was "an entrenched social insider unnerved by new and alien influences from without." Moore believed that
Lovecraft's fears were deeply linked to contemporary modes of thought and could be key to understanding the
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Craig
Fischer suggests that Providence functions as a metafictional summation of Moore's own career as a comics creator. Moore has frequently clashed with major U.S. publishers over adaptations and spin-offs, and has even had disputes with fans who support these publishers. Over time, Moore grew
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to contemporary American comics by exploring Lovecraftâs covert racism, misogyny, and dysfunctional sexuality. By the series' conclusion, the "fragile construct" of "human reality" is dismantled, revealing a chaotic and irrational nature of the world. The characters accept this transformation as
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seems to offer liberation from a corrupt and oppressive reality, it ultimately leads to a realm where all meaning is utterly lost. The Cthulhu cult in the comic engages in unrestricted orgies and interracial sex, thereby unintentionally materializing the malevolent god. Santorun notes that this
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attacking commuters on a subway, and Pitman offers to show him his "technique" in the hope it will make Robert better understand his perilous situation. He takes him down to his basement and introduces him to a ghoul called King George. Afterward, Robert convinces himself that Pitman has merely
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society, which overthrows the human world in the story, is composed predominantly of elderly white men who discard those they consider genetically or intellectually inferior, while exploiting women, children, and people of color. This portrayal can be seen as an epitome of American history and
1190:. Black hides his identity to avoid social prejudice and shows little sympathy for other minorities. Moore has stated that while Black might be seen as "cowardly and unethical" and therefore less sympathetic by today's readers, he prioritized realistic characterization that reflected the time.
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is being diminished. Similarly, Matthew Green notes that the mythical world overcame human reality in the story not because it was a truer form of the world, but because it was a stronger fiction. Green interprets the narrative as a critique of the proliferation of popular discourses, such as
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Matthew Green argues that the comicâs characters and narrative are deeply intertwined with real-world issues as well as Lovecraftâs universe, reflecting Mooreâs belief that "culture â generated through a combination of desire and imagination â is fundamentally bound together with the world of
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Moore insisted that his portrayal of the historical United States be completely accurate. He believed that, although Lovecraft's works may seem old-fashioned and over-the-top to modern readers, Lovecraft himself was oriented toward realism. The horror arises from the gap between the unlikely
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notes that regular panel layouts have advantages in defining the basic beats of the narrative, as well as in breaking from them. Matthew Green discusses how Moore uses the modulation of panel layout to create metatextual effects. The beginning of each issue features a full-page panel, which
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The comic employs a consistent panel layout featuring four horizontal panels stacked vertically on each page. According to English scholar Craig Fischer, this format limits the full depiction of figures within a single panel, with details of architectures and natural objects occupying the
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Far from outlandish eccentricities, the fears that generated Lovecraftâs stories and opinions were precisely those of the white, middle-class, heterosexual, Protestant-descended males who were most threatened by the shifting power relationships and values of the modern world.
1010:, prophesied by Lovecraft through his stories, would be born on modern-day Earth through the rape and pregnancy of the main female character. Moore later realized that the mystery of why Lovecraft, a materialist, had visions of a supernatural world remained unexplained. In
376:. As they stake out the churchyard where Suydam often walks, Malone makes it clear that he's attracted to Robert. Suydam appears, cutting their conversation short, and Robert introduces himself as an occult scholar. Suydam invites Robert to his home to sell him some of his
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Robert takes the train back to New York and mails the letter to Malone before going to commit suicide in the same Lethal Chamber as his former lover, Jonathan. Lovecraft's career gains momentum and all his stories merge with reality: Malone goes mad after the events of
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was accepted. Whittaker contends that Moore effectively merges this historical perspective on homosexuality with contemporary notions of diversity, while also intertwining it with Lovecraft's works, which reflected conservative values in the early 20th-century.
549:. Elspeth delivers a message from the college to their front door, which alarms James and Hector enough that they pack and leave town immediately. Elspeth walks Robert back to the college and suggests they meet again later. Father Race takes Robert to meet
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at Saint Anselm College. O'Brien stays for a drink and Pitman puts up Robert for the night. The next day, Pitman reveals some of the identities of the people in the photograph to Robert. Robert catches a glimpse of one of Pitman's horrific paintings of
1887:, wrote that the comic elicits "horror, heightened awareness, joy, curiosity, ... a strange brew of seemingly contrary reactions." He also highlighted that the book introduces elements of emotion and sexuality not present in Lovecraft's original work.
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from his works, whereas Moore posits that repressed sexuality often manifests as violence. Zachary Rutledge suggests that Moore applied this theory to Lovecraftâs narratives, uncovering underlying violent sexual elements. For instance, in Lovecraftâs
53:
996:" (1994). This short story featured a contemporary setting to avoid falling into a pseudo-classical imitation, and critically addressed the racism and misogyny of Lovecraft. Comfortable with this approach, Moore further explored these themes after
490:". He leaves Robert in his shed and, unbeknownst to Robert, intends to feed him to his invisible monster brother. Aware of Robert's danger, Wheatley sees him off the property and warns him not to cut across the fields on his way back to town.
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918:. Carcosa sets the babe into the river as Brears, Perlman and Joshi look on from the bridge. Perlman wonders if there's anything in Robert's commonplace book that might help them reverse the situation, but Brears and Joshi are skeptical. As
1846:. The triumph of the inhuman world over the free will is one interpretation, while another possibility is that the pieces of paper that represent rebellion sink into the subconscious of the new world, potentially resurfacing in the future.
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Literary scholar Jackson Ayers notes that "(the series') violence and bleakness, moreover, convey what Moore sees as the horrific realities of contemporary culture." Ayers argues that Moore critiques the ideological legacy inherited from
1220:. When he worked on the comic adaptation of the prose story "The Courtyard," he thought it would be his only chance to collaborate with the legendary writer. However, Moore named him as a co-creator for his major Lovecraft comic series,
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as its guest speaker. To Robert's delight, one of the other attendees is none other than Lovecraft himself. The unwitting Robert introduces himself to Lovecraft, and it becomes ominously apparent that their meeting has been
684:. Annesley observes that Robert and Howard Charles are attracted to each other, and suggests Howard show Robert some of the local landmarks associated with the "Stell Saps". Howard takes Robert to St. John's Church, where
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A reviewer for the H. P. Lovecraft Historical Society described the subdued storytelling of the early chapters as "an exercise in subtlety that cleverly ratchets up tension in spite of very little obviously happening."
526:. Robert rents a room there, then visits Agent Frank Stubbs and his men, who are investigating where the meteorite came down. Going to bed that night, Robert experiences terrifying nightmares involving Mrs. Macey and a
1918:, noted that Burrows's calm, realistic style is effective for the story that starts quietly and then suddenly turns horrifyingly bizarre. Other reviewers have praised Burrows for his precise contours and rich details.
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Akira Okawada, writing for a Japanese fantasy fiction magazine, praised the novel for transcending parody to offer a radical re-telling. He singled out Chapter 7 as "one of the most convincing adaptations" of
1569:, suggesting that the original work also implied intercourse without consent. Rutledge argues that Mooreâs approach constructs a modern horror by confronting these elements, which are now viewed as
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feature a format of four horizontal panels stacked vertically. This layout made figure placement difficult, and the dense information in Moore's scripts challenged Burrows' compositional abilities.
1561:, but her individuality is only superficially addressed. Mooreâs retelling of this episode focuses on the woman's non-consensual impregnation and the resulting trauma. Another Lovecraft story, "
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from the 1980s to the 2000s, known for deconstructing established genres to present new perspectives. His disillusionment with major comic book publishers during the period led him to work for
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him in Elspeth's body. Afterward, the Being swaps bodies back again and "Elspeth" sends a traumatized Robert on his way. Running through the rain, a car passes Robert in which he can see
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described the comic as "true horror" highlighting its portrayal of "acceptance of failure, of impotence, of helplessness, of submission to doom," in contrast to Hollywood's formula of "
1652:. This addition may serve as a critique of both Lovecraftâs anti-communist stance and the contemporary political climate of the 2010s. Some critics draw parallels between the themes in
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visual narrative. This structure resembles one of the hallmarks of Lovecraft's original works, in which the reader perceives a more terrifying truth than the storyteller comprehends.
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The series received a 9.3 rating from critics and a 9.4 rating by general readers on the review aggregator Comic Book Roundup. The first paperback volume was nominated for a 2016
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was set in 1919, just before the completion of Lovecraft's persona popularized among later generations, and prior to the creation of Cthulhu and his friendships with people like
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Jacen Burrows' art have been met by mixed reactions among fans, with some appreciating his clean style while others criticizing his lack of dynamism. Craig Fischer, writing in
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352:. Feeling inspired and intrigued by this story, Robert returns to his office, where he learns that his jilted gay lover, Jonathan, has committed suicide in one of New York's
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movement, which promised utopian freedom and spiritual liberationâ a movement that also significantly influenced Moore's own development. Craig Fischer further contrasts
1773:(1986). The exploration of American culture and society through deconstruction of American horror was previously attempted in the "American Gothic" story arc (1985) from
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peripheries. Fischer suggests that this composition works well with Lovecraft's themes of human insignificance and the lurking horrors at the margins of perception.
676:, a scientist who has developed a pair of spectacles through which he can see extra-dimensional organisms which overlap our plane of reality. Annesley, a member of
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1228:. Burrows followed Moore's principles of thorough research and historical accuracy, striving to recreate the writer's vision as closely as possible. Moore's comic
1037:," despite initially being marginalized by mainstream literary circles. Over time, his work has been reevaluated, and by the 2000s, he became a popular subject of
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Lovecraft often used the term "unnameable" instead of specifically describing monsters and monstrosities. Moore believed this was a deliberate technique for an
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newspaper were reproduced. In addition to the materials provided by Moore, Burrows collected fashion books and other resources. The year 1919, situated between
720:, and soon realizes that the unwitting Lovecraft's father, Winfield Scott Lovecraft, and maternal grandfather, Whipple Van Buren Phillips, were both members of
1871:, an international group of enthusiasts, lauded the book as "brilliantly researched ... like looking at Lovecraft's works again for the very first time." In
1648:", which originally focuses on art and its interpretation, introduces a political dimension absent from Lovecraft's story, specifically referencing the 1919
3601:"'An altered view regarding the relationship between dreams and reality': Magic, politics and the comics medium in Alan Moore and Jacen Burrow's Providence"
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have the power to change perceptions, a power Moore refers to as magic. Matthew Green writes that Moore expands on this idea, highlighting the roles of the
561:, and his perception of time becomes distorted. He parts company with Wantage and finds Elspeth waiting for him. She takes him back to her lodgings, where
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Mythos, Moore aimed to place the original works within the context of biographical fact and the unstable post-World War I American society. The story of
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Corbail, Steve (2023). "Exploring Strategies of Reappropriation Related to the Cthulhu Mythos: A Comparison of Two Competing Models of Adaptation".
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which he believes Elspeth must have used on him. Pitman realizes he's failed to make Robert understand the truth and suggests he visit local author
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took place, also providing an overview of the global reception of Lovecraft's stories. Issue 12 serves as the grand finale, depicting the birth of
332:, which is rumoured to drive its readers insane. Robert visits one Doctor Alvarez, who once wrote an essay on the subject. Arriving at Alvarez's
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and flees, only to lose consciousness. Robert wakes up to find Suydam standing over him. He goes on his way, determined to investigate further.
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of ancient societies, can exert power over reality. This series depicts the world transformed by Lovecraft's expression, demonstrating that
1565:", features a villain who body-swaps with others. Moore's adaptation further explored the horror of physical violation through depiction of
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from his asylum, and Perlman wonders if they might find them at Saint Anselm College. He drives to Manchester but instead finds himself in '
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M. Cecilia Marchetto Santorun argues that Moore's Cthulhu cycle reverses the theme of "the power of imagination" explored in works such as
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as in several of his earlier comics. Using a highly realistic setting for an improbable genre, such as horror, mirrors his revision of the
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the most challenging work of Burrows' career. He reflected on the work as "really exhausting. Finishing it felt like finishing college."
1121:, among others. With this period setting, Moore sought to depict "the birth of modern America, and the birth of modern American terror."
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to locate Tobit Boggs, the man mentioned by Suydam. He walks to the Boggs Refinery and meets Boggs, who tells him about the occult group
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praised the subtle integration of horror elements into the everyday landscape, calling it "not merely jarring but genuinely shocking."
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using "the âOutsidersâ, perhaps âoccult Outsidersââwhom he is on the trail of across New Englandâas a metaphor for social outsiders".
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Shapira, Tom (2021). "Man or Cartoon: H.P. Lovecraft as a Comics Character". In Gonzalez, Antonio Alcala; Sederholm, Carl H (eds.).
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1800:, the heroine ends the old world by liberating the human spirit through imagination and merging it with the eternal. In contrast,
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and other works incorporated various styles of text, such as excerpts from newspaper articles and books from the fictional world,
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Moore stated that Lovecraft's uniqueness lay in his embodiment of the collective fears that American society had had at the time.
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1014:, the final installment of Moore's Cthulhu cycle, he went back in time to explore Lovecraft's human nature and creative process.
3066:""âŠAnd Providence Hesitates On The Very Cusp Of Another World Than This." Rejection, Resolution and Revelation in Providence #9"
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departure. Kirschenblatt added that the ending might be open to multiple interpretations, much like Mooreâs earlier works like
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Issues 1 through 10 are set in the year 1919, chronicling the journey of the protagonist, Robert Black, and his encounter with
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in search of Suydam. Mr. Posey puts him in touch with Detective Tom Malone, who shows him the church where Suydam lectures on
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glides slowly towards the place where they're standing, Perlman rips the book in half and scatters its pages into the water.
506:. He's shown around the college by Father Walter Race, who tells him there are government agents in the area investigating a
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represents an essentially good universe where one can achieve transcendent peace through spiritual quests symbolized by the
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Robert wakes from bad dreams, and James cooks breakfast for him and Hector. James and Hector argue over Hector's desire to
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governance in the UK, which Moore criticizes, as well as the populist rhetoric and incitement exemplified by figures like
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ideas for a novel he is working on. Matthew Kirschenblatt has noted that these prose segments can be read as an excellent
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is to us the entirety of the universe. I belierve magic is, on one level, the willful attempt to alter those perceptions.
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Moore has had an interest in Lovecraftian mythos since childhood, occasionally paying tribute in his works including
1745:, Lovecraft's creations have been perceived by some occultists as embodying true mystical knowledge. British mystic
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of a type of culture that was originally oral in nature, resulted in trivial information becoming so pervasive that
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has been well known among enthusiasts and researchers, resulted in growing criticism which led to the design of the
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and fish people. He checks out the next day and leaves town by bus, noting that the other passengers all look like
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1373:, each containing four issues. In 2021, a single-volume "compendium" edition was successfully crowdfunded through
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To give a different perspective to Lovecraft's "outsider" self-image, the protagonist, Robert Black, was set as a
992:. The series was never completed due to accidental loss of the manuscript, but a remaining part was published as "
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to Salem. That night at his hotel, Robert has a terrible nightmare involving his dead lover Jonathan, Tom Malone,
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and Robert's testament have acted as the conduit through which an outside force has taken purchase on humanity's
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increasingly critical of both the comics industry and its fandom, eventually announcing his retirement in 2016.
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2545:""Providence Was Really Exhausting. Finishing It Felt Like Finishing College": An Interview With Jacen Burrows"
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1083:, Moore viewed Lovecraft as a warm man who loved his hometown and friends, only exaggerating his own neuroses.
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influenced Lovecraft's early work, and Lovecraft admits that reading about Robert's strange experiences in his
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466:". He walks to the Wheatleys' farm and meets Wheatley himself, who informs him that he parted ways with the
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1864:, calling it one of the best of the 2010s, though he noted that it requires prior knowledge to appreciate.
607:, whom he hopes might do a better job. Robert bids him farewell and heads on his way. Pitman goes into his
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3152:"Down A Dark Path of Bibliomancy â The Necronomicon in Alan Moore and Jacen Burrows' Providence, Part 2"
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1041:. Moore spent several years reading as many research books on Lovecraft as he could find before writing
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1045:. For Moore, a self-taught high school dropout, this was his first experience recognizing the value of
3858:, Ambrose Bierce's "An Inhabitant of Carcosa" and Robert W. Chambers' "The Repairer of Reputations"".
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depicts the darker side of imagining the sublime. While the "end of the world" brought by Cthulhu in
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1468:. Issue 11 concludes Black's story and shifts the timeline back to 2006, the year in which events of
1269:," had a low cultural profile, making these materials scarce. Burrows utilized municipal and library
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2336:"'Lovecraft Never Said That His Entities Were Evil' â Alan Moore On Myth, Magic, And The Elder Gods"
1361:, a 64-page black-and-white comic book featuring contributions from several artists, was published.
336:, the door is answered by his landlady and lover, Mrs. Ortega, who shows him upstairs. In Alvarez's
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2913:"Traversing the Plateau of Leng: To Read is to Be Read in Alan Moore and Jacen Burrows' Providence"
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Lovecraft preferred to think of himself as a social outsider, but in reality, he belonged to the
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grandson, Willard. Willard takes an instant dislike to Robert, having perceived that Robert is "
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Burrows, Jacen; Moore, Alan (2017). "The Undrawable: Jacen Burrows and the Art of Providence".
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Robert has spent several weeks staying with Randall Carver discussing the relationship between
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2446:"Alan Moore Writes A Gay, Jewish Protagonist For Providence To Address Lovecraft's Prejudices"
2021:"Alan Moore Writes A Gay, Jewish Protagonist For Providence To Address Lovecraft's Prejudices"
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has inspired him further. Robert's liking for Lovecraft evaporates when he expresses both his
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2635:"Dancing In Cthulhu Slippers Before The Abyss â Jacen Burrows On Providence, Plus Art Reveal"
1833:, however, characters draw evil forces from the same Sephiroth to violate others' existence.
1113:. This era was also significant in U.S. political history, as it was being on the eve of the
296:. Black takes a leave of absence from his journalism career, with the intention of writing a
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2280:"Alan Moore's Secret Q&A Cult Exposed! Part I: You Won't Believe What They Asked Him!!"
1022:
4847:
4489:
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4351:
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3885:ćČĄćç°, æ (2024). "ăŹă€ă·ășă ăšă»ăŻă·ășă ăźæŽćăæ čćșăăçăćșăâăąă©ăłă»ă ăŒăą&ăžă§ă€ă»ăłă»ăăăŠășăăăȘăăăłăł ăăăăăłăčăAct1&2".
3711:
Poller, Jake (2021). "A Kind of Magic: Dreams and the Occult in Alan Moore's Providence".
2990:""And Thus Exemplify This Process." â Duality, Duplicity and Dissolution in Providence #2"
1465:
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585:. An off-duty policeman, Eamon O'Brien, shows him to the home of artist and photographer,
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to a point where it can change reality. Word has reached the FBI that a pregnant-looking
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1075:(1991) did not align with Moore's perspective. While Houellebecq emphasized Lovecraft's
4931:
4872:
4831:
4756:
4236:
4161:
4021:
3854:
Sulmicki, Maciej (2019). "Studies in Madness: Reality and Subjectivity in Alan Moore's
1858:
in the graphic novel category. Critic Tom Shapira praised the series on the website of
1673:." Ayers interprets this as Mooreâs commentary on the moral dangers posed by prolonged
1494:
1034:
919:
788:
487:
277:
1509:
As is common in Moore's works, each issue up to the tenth includes prose pages. While
260:
from 2015 to 2017. The story is both a prequel and sequel to Moore's previous stories
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2024:
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claimed that Lovecraft had received revelations from mystical beings through dreams.
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542:
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257:
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52:
3775:"'Terrible monsters Sin-bred': Blakean monstrosity in Alan Moore's graphic novels"
17:
3815:
2096:"Alan Moore Heralds Providence: 'It's Time To Go For A Reappraisal Of Lovecraft'"
5000:
4974:
4959:
4732:
4119:
2877:
1999:
1967:
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1742:
1623:
1558:
1374:
1311:
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has worked mostly with Avatar Press since 2002, teaming up with writers such as
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970:
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640:
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and develops a photograph of three ghouls posing with the dead body of O'Brien.
443:
345:
340:, Robert learns that the book mentions "an early Arab alchemical text" known as
1256:
weirdness and the realistic contemporary world of his time. In the artwork for
392:. When Suydam is called away, Robert sneaks into his basement and finds a vast
5013:
4936:
4761:
4693:
4604:
The Thackery T. Lambshead Pocket Guide to Eccentric & Discredited Diseases
4403:
4331:
3981:
3791:
3774:
1904:
1731:
1627:
1595:
1470:
1357:, a book showcasing Jacen Burrows' concept arts other artwork. In April 2021,
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Lovecraft has significantly impacted later generations as the founder of the "
1002:
946:
939:
911:
871:
838:
741:
725:
713:
648:
600:
515:
431:
262:
249:
161:
147:
1093:. He believed this theme was prescient enough to remain relevant even today.
1006:
was published in 2010 as a four-issue miniseries, in which the cosmic entity
553:, who guides him to the library and shows him a photograph of the members of
348:. He also learns that Alvarez was provided with a transcript by a man called
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4356:
4317:
4175:
4113:
4014:
3944:
3920:
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1792:
1783:
1766:
1735:
1723:
1711:
1549:
1521:
1080:
935:
608:
570:
439:
3616:
3393:""Leng. We're All on Leng": Alan Moore's Providence and the Cthulhu Mythos"
1630:
views, highlighting the source of his concealment and fears to the reader.
2700:"A Brand New Alan Moore Monthly Comic - Avatar Solicitations For May 2015"
2212:"Interview: Alan Moore on Providence, Jerusalem, League and more - Part 1"
1963:"Interview: Alan Moore on Providence, Jerusalem, League and more â Part 1"
4979:
4954:
4911:
4133:
1570:
1511:
1270:
907:
827:
796:
745:
737:
557:, which includes the late Edgar Wade, Elspeth's father. Robert reads the
502:, where he intends to visit Saint Anselm College to read its copy of the
435:
393:
377:
337:
333:
190:
178:
3751:
3331:"2016 Bram Stoker Award Winners & Nominees â The Bram Stoker Awards"
1622:, a custom Moore incorporated from his research into early 20th-century
4916:
3531:
1619:
1615:
1585:
1475:
1319:
1184:
1007:
915:
843:
824:
804:
736:) appears in the room and confirms that Robert has helped to fulfill a
657:
639:. Carver demonstrates to Robert the power of dreams by taking him into
483:
3927:
3552:
3448:"Time travel, slackers and Wonder Woman: the best comic books of 2016"
1907:
and gaining control to defeat the monster". Gerard Gibson, writing in
32:
This article is about the comics series. For the Marvel location, see
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1599:
1156:
961:
and splatter horror comics, writing several series based on works of
891:
816:
729:
620:
499:
479:
401:
373:
289:
4892:
530:
of Mr. Jenkins. He packs his bags and goes to Hector North's house,
288:
The series is set in 1919 and centres on Robert Black, a homosexual
2417:"Providence: Lovecraft, Sexual Violence, and the Body of the Other"
2378:"Watching a Serial of Strange Aeons: Alan Moore and Jacen Burrows'
2246:"Alan Moore Interview Part II - Punk Rock, Crossed, and Providence"
1588:
rights, had previously expressed his support through his 1988 poem
4969:
4035:
3035:"Mythic World Rewriting: Alan Moore and Jacen Burrows' Providence"
2817:"Providence: A Look Back at Alan Moore's Ultimate Lovecraft Story"
1581:
1243:
Burrows drew inspirations for his portrayal of male characters in
1238:
1197:
1049:. Notable sources of inspiration for him included Graham Harman's
1021:
934:
895:
886:, he learns that Brears and Sax have been and gone, and taken the
680:, tells Robert some of the group's history, and introduces him to
595:
397:
4800:
894:, he finds a delegation waiting which includes Brears, Sax, some
651:. On waking, Carver takes Robert to attend a literary event with
4995:
4378:
4108:
2785:"Alan Moore-Inspired Nightmares Of Providence in April Solicits"
1727:
1566:
566:
364:
Inspired to write his novel, Robert goes on sabbatical from the
4804:
3954:
1738:, and archives, alongside the arts, in the working of "magic."
2480:"American Dread: Alan Moore and the Racism of H. P. Lovecraft"
2178:"All About Alienation: Alan Moore On Lovecraft And Providence"
1996:"All About Alienation: Alan Moore On Lovecraft And Providence"
1719:
1545:
1187:
855:
624:
462:, and learns from his barber about Garland Wheatley, a local "
3950:
1883:." Dave Whittaker, reviewing for the comics research website
322:
and aspiring novelist, is sent by his editor, Mr. Posey, to "
292:
writer, initially working in New York as a reporter for the
2839:
2837:
1180:
was legal. Moore incorporated these elements into his work.
986:, a series of prose pieces based on Lovecraft's poem cycle,
3738:
Rutledge, Zachary (2024). "Hell as an Exploration of Sin".
3422:"Sandman to Hark! A Vagrant: the best comics of the decade"
2854:
2852:
2759:"Dreadful Beauty And Uber - Avatar Press July 2017 Solicts"
627:. He has also discovered, in an amateur publication called
3239:
3237:
2947:
2945:
2577:"Ask the Artist Interview with Providence's Jacen Burrows"
1329:
Moore is known for his grid-like, static panel layout. In
571:
Mr. Jenkins driving him into Manchester for the first time
510:. He also meets an assistant from the medical department,
344:("The Book of Starry Wisdom"), which describes methods of
547:
mistakes their bickering for James being sexually jealous
2121:
2119:
2117:
581:
Robert finds himself in the middle of a riot during the
3817:
Lovecraft in the 21st Century: Dead, But Still Dreaming
3212:
3210:
3208:
2505:"World Fantasy award drops HP Lovecraft as prize image"
2371:
2369:
2044:
2042:
795:
shoots himself; Lovecraft dies and Derleth becomes his
4659:
The Moon and Serpent Grand Egyptian Theatre of Marvels
1777:. The meticulous recreation of a historical period in
3028:
3026:
3024:
3022:
2906:
2904:
2902:
1584:
cultural history. Moore, a longstanding advocate for
1333:
each page is divided into two vertical halves, while
1306:, and fan art. Notable artists he referenced include
1000:
was adapted as a comic by Avatar in 2003. Its sequel
949:
is widely regarded as the most influential writer in
1761:
Moore states that he employed similar approaches in
520:
a precociously intelligent 13-year-old named Elspeth
5030:
4988:
4945:
4900:
4838:
4749:
4703:
4634:
4574:
4519:
4439:
4388:
4300:
4205:
4101:
3997:
647:before they are snatched and dropped by a flock of
218:
211:
199:
189:
177:
167:
157:
143:
138:
127:
111:
95:
85:
73:
68:
43:
4712:Alan Moore: Portrait of an Extraordinary Gentleman
3059:
3057:
3055:
740:in which Lovecraft's stories will bring about the
704:Robert and Lovecraft discuss how Lord Dunsany and
3680:Magic Words: The Extraordinary Life of Alan Moore
2306:"Haunted Resonance: An Interview With Alan Moore"
1722:is a form of magic in which the artist, like the
744:. In gratitude, Carcosa kneels before Robert and
2674:"Interview With Providence Artist Jacen Burrows"
2641:(Interview). Interviewed by Hannah Means Shannon
2452:(Interview). Interviewed by Hannah Means Shannon
2342:(Interview). Interviewed by Hannah Means Shannon
2102:(Interview). Interviewed by Hannah Means Shannon
1660:, which coincides with the series' publication.
1557:," a woman bears a child with the cosmic entity
1424:#9â12, Avatar Press, 144 pages, September 2017,
1072:H. P. Lovecraft: Against the World, Against Life
412:Upon arriving in Salem, Robert checks in at the
3415:
3413:
2570:
2568:
2566:
1741:As incorporated in Chapter 11 of the series as
1697:
1232:is notorious for its length and detail, making
1131:
2734:"H.P. Moorecraft: On the Ending of Providence"
2727:
2725:
2723:
2721:
2410:
2408:
2406:
2404:
2402:
2299:
2297:
2171:
2169:
2167:
2165:
1289:films to envision the atmosphere of the time.
980:(1999-2019). In the 1990s, Moore conceived of
787:play out; Lovecraft makes the acquaintance of
384:, a copy of which is held by his suppliers in
4816:
3966:
2628:
2626:
2624:
2622:
2473:
2471:
2469:
2467:
2252:(Interview). Interviewed by PĂĄdraig Ă MĂ©alĂłid
2218:(Interview). Interviewed by PĂĄdraig Ă MĂ©alĂłid
2066:"Their Other Last Hurrah â Cinema Purgatorio"
1251:, a prominent commercial artist of the time.ă
686:occult meetings were once held in the steeple
8:
2678:Facts in the Case of Alan Moore's Providence
2581:Facts in the Case of Alan Moore's Providence
2484:Facts in the Case of Alan Moore's Providence
2059:
2057:
1168:was on the rise due to growing immigration,
862:concludes that all Lovecraft's fiction, its
589:, who took the photograph of the members of
2911:Kirshenblatt, Matthew (February 21, 2017).
2439:
2437:
2329:
2327:
2312:(Interview). Interviewed by Miles Elilngham
1482:, and the subsequent rebirth of the world.
1273:, and watched period films and dramas like
514:, who invites him to stay with him and his
422:and that he obtained his transcript of the
4823:
4809:
4801:
3973:
3959:
3951:
3570:Irish Journal of Gothic and Horror Studies
3493:(Kindle ed.). Bloomsbury Publishing.
3187:
3150:Kirshenblatt, Matthew (January 31, 2017).
3089:
2843:
2538:
2536:
2534:
2532:
2530:
2528:
2526:
2376:Kirshenblatt, Matthew (January 23, 2017).
2089:
2087:
1909:Irish Journal of Gothic and Horror Studies
1781:is comparable to the thoroughness seen in
1418:Providence Act 3 Limited Edition Hardcover
1406:#5â8, Avatar Press, 176 pages, June 2017,
1400:Providence Act 2 Limited Edition Hardcover
1382:Providence Act 1 Limited Edition Hardcover
1172:was prevalent, and discrimination against
694:meteorite that fell to Earth in Manchester
51:
40:
4611:The Moon and Serpent Bumper Book of Magic
4189:Whatever Happened to the Man of Tomorrow?
3790:
3526:(sample ed.). Avatar. pp. 3â6.
2810:
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2806:
2273:
2271:
2269:
2267:
2239:
2237:
2235:
2233:
2205:
2203:
2201:
2199:
1388:#1â4, Avatar Press, 160 pages, May 2016,
498:Robert gets a ride with a Mr. Jenkins to
432:leading to a chamber connected to the sea
3279:
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3255:
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2963:
2951:
2936:
2871:
2869:
2867:
2138:
2136:
2134:
2125:
1053:(2012), which applies the philosophy of
910:. Carcosa appears, and Brears goes into
326:" a story about an infamous book called
5124:Adaptations of works by H. P. Lovecraft
3773:Santorun, M. Cecilia Marchetto (2020).
3366:
3354:
2551:(Interview). Interviewed by Alex Dueben
2184:(Interview). Interviewed by Nick Talbot
1927:
1598:, recounting how Christian society had
1051:Weird Realism: Lovecraft and Philosophy
645:cats who carry them up towards the Moon
400:and human remains. He is attacked by a
212:
5053:Works influenced by the Cthulhu Mythos
4196:DC Universe: The Stories of Alan Moore
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3291:
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3216:
3064:Whittaker, Dave (September 21, 2016).
3033:Kirshenblatt, Matthew (May 16, 2017).
2680:(Interview). Interviewed by Joe Linton
2048:
1596:anti-homosexual legislation in England
1442:#1â12, Avatar Press, 480 pages, 2021,
470:sect, but that there is a copy of the
4726:The Extraordinary Works of Alan Moore
4311:The League of Extraordinary Gentlemen
3228:
3199:
3175:
3137:
3125:
3113:
3101:
3013:
2886:The H.P. Lovecraft Historical Society
2858:
2659:
2613:
2601:
2360:
1961:Ă MĂ©alĂłid, PĂĄdraig (April 16, 2013).
1063:Lovecraft and the Decline of the West
488:aht uv a diff'run' story awlduhgethuh
7:
3943:at the Comic Book DB (archived from
3713:Journal of the Fantastic in the Arts
2732:Fischer, Craig (December 21, 2017).
1718:, well known for his assertion that
1369:The series was collected into three
957:, a niche publisher specializing in
898:, a woman 'housing' a member of the
434:where Boggs' grandfather brought in
3446:Thielman, Sam (December 19, 2016).
3420:Thielman, Sam (December 31, 2019).
3378:
2815:Tantimedh, Adi (November 5, 2020).
2672:Burrows, Jacen (January 27, 2016).
2415:Fischer, Craig (February 3, 2016).
2145:"Alan Moore Talks About Providence"
2064:Shapira, Tom (September 15, 2020).
763:; Lovecraft marries; the events of
682:Howard Charles, a young genealogist
4397:Yuggoth Cultures and Other Growths
3648:American Weird: Concept and Medium
3524:Dreadful Beauty: Art of Providence
2988:Whittaker, Dave (August 7, 2015).
2543:Burrows, Jacen (October 6, 2020).
1975:from the original on April 1, 2016
1936:"Alan Moore's Providence Revealed"
1869:H. P. Lovecraft Historical Society
1355:Dreadful Beauty: Art of Providence
430:. He shows him a "rum run" tunnel
25:
3860:Vistula University Working Papers
3391:Whittaker, Dave (June 19, 2015).
2633:Burrows, Jacen (March 23, 2015).
1096:Psychiatrist and literary critic
977:League of Extraordinary Gentlemen
890:with them. Continuing on foot to
338:heavily air-conditioned apartment
313:Robert Black, a reporter for the
4891:
4785:
4784:
4558:Alan Moore's Hypothetical Lizard
1994:Talbot, Nick (August 31, 2014).
1644:society. Mooreâs adaptation of "
692:in a box, in fact the very same
688:. They go inside and discover a
563:the Being that possesses Elspeth
256:, published by American company
4597:Alan Moore's Writing for Comics
3785:(1). Palgrave Macmillan: 1â15.
3562:"Alan Moore and Jacen Burrows,
2334:Moore, Alan (August 31, 2015).
2304:Moore, Alan (October 8, 2022).
2176:Moore, Alan (August 31, 2014).
1658:2016 U.S. presidential election
1353:In July 2017, Avatar published
906:. In the sky above them floats
830:go on sale. Then the events of
807:discover Lovecraft's work; the
772:The Case of Charles Dexter Ward
4148:For the Man Who Has Everything
2444:Moore, Alan (April 23, 2015).
2210:Moore, Alan (April 16, 2013).
635:he particularly admires named
599:demonstrated the same form of
478:. He introduces Robert to his
128:
1:
3599:Green, Matthew J. A. (2017).
2876:Dean, William (May 8, 2017).
2278:Moore, Alan (June 10, 2016).
2244:Moore, Alan (April 5, 2015).
2094:Moore, Alan (March 5, 2015).
1873:Lovecraft in the 21st Century
914:, giving birth to the infant
842:come to pass... and then the
643:, where they meet a group of
565:swaps bodies with Robert and
543:kill Robert and reanimate him
380:and tells him more about the
3491:Alan Moore: A Critical Guide
2143:Moore, Alan (May 24, 2015).
1809:serves as a critique of the
1152:dilemmas of modern society.
458:Robert gets his hair cut in
5159:Comics set in Massachusetts
5154:Comics set in New York City
5109:Works about H. P. Lovecraft
4719:The Mindscape of Alan Moore
4645:March of the Sinister Ducks
4155:Twilight of the Superheroes
1614:are depicted wearing green
1576:Dave Whittaker argues that
1544:Lovecraft notably excluded
1304:tabletop role-playing games
1282:Once Upon a Time in America
658:pre-ordained by dark forces
524:Mrs. Macey's boarding house
342:Kitab Al-Hikmah Al-Najmiyya
5175:
5007:Alan Moore's The Courtyard
4544:Alan Moore's The Courtyard
3682:(Kindle ed.). Aurum.
811:is marketed as the "real"
532:unaware of his new danger.
272:, and continues exploring
34:Providence (Marvel Comics)
31:
5079:Comic book limited series
4889:
4780:
3988:
3792:10.1057/s41599-020-0451-2
1694:Art, magic, and mysticism
1639:material relations." The
1563:The Thing on the Doorstep
902:and Lovecraftian scholar
784:The Shadow Over Innsmouth
778:The Thing on the Doorstep
500:Manchester, New Hampshire
50:
29:Comic book limited series
5149:New Hampshire in fiction
4565:Alan Moore's Magic Words
4537:Another Suburban Romance
4372:Top 10: The Forty-Niners
4141:Batman: The Killing Joke
4043:The Ballad of Halo Jones
1359:Nightmares Of Providence
5119:Comics set in the 1910s
5114:Works about journalists
5099:Rhode Island in fiction
3826:10.4324/9780367713065-7
3779:Palgrave Communications
3651:. Bloomsbury Publishing
3560:Gibson, Gerard (2017).
3489:Ayres, Jackson (2021).
1602:ancient cultures where
1540:Sexuality and queerness
974:(1985) and more recent
587:Ronald Underwood Pitman
482:daughter, Leticia, and
69:Publication information
3678:Parkin, Lance (2013).
3617:10.1386/stic.8.2.135_1
3188:Greve & Zappe 2020
3090:Greve & Zappe 2020
2939:, pp. 36, 39, 40.
2844:Greve & Zappe 2020
2478:Derie, Bobbie (2015).
1734:, literary criticism,
1714:and a self-proclaimed
1708:
1252:
1247:from illustrations of
1206:
1142:
1061:'s critical biography
1030:
943:
868:collective unconscious
760:The Horror at Red Hook
522:, who suggests he try
402:glowing female monster
206:William A. Christensen
5094:Cthulhu Mythos comics
4551:A Disease of Language
4530:Alan Moore's Songbook
4085:Tharg's Future Shocks
4008:Maxwell the Magic Cat
3934:Grand Comics Database
2072:. Fantagraphics Books
1436:Providence Compendium
1242:
1201:
1025:
1018:Lovecraft Scholarship
938:
884:Miskatonic University
700:X: The Haunted Palace
690:shining trapezohedron
220:Act 1 Limited Edition
5129:Comics by Alan Moore
5104:LGBTQ-related comics
4680:The Highbury Working
3397:Sequart Organization
3311:. Comic Book Roundup
3231:, pp. 6, 21/32.
3156:Sequart Organization
3070:Sequart Organization
3039:Sequart Organization
2994:Sequart Organization
2917:Sequart Organization
2386:Sequart Organization
1650:Boston police strike
1065:(1990). Conversely,
583:Boston Police Strike
476:Saint Anselm College
396:containing a golden
298:Great American Novel
5089:2017 comics endings
5074:Avatar Press titles
4029:The Bojeffries Saga
3309:Comic Book Round Up
3140:, pp. 150â151.
3092:, pp. 207â208.
2966:, pp. 169â170.
2861:, pp. 9-10/32.
2706:. February 17, 2015
1942:. February 18, 2015
1690:exclusionist ones.
1345:Publication history
1161:World Fantasy Award
1090:The Call of Cthulhu
1055:speculative realism
844:Cthulian apocalypse
601:hypnotic suggestion
408:III: A Lurking Fear
252:and illustrated by
5084:2015 comics debuts
4965:Hounds of Tindalos
4868:Frank Belknap Long
4858:Clark Ashton Smith
4673:Snakes and Ladders
4590:The Mirror of Love
4258:Spawn/WildC.A.T.S.
3335:Bram Stoker Awards
2791:. January 25, 2021
2738:The Comics Journal
2549:The Comics Journal
2511:. November 9, 2015
2421:The Comics Journal
2070:The Comics Journal
1916:The Comics Journal
1861:The Comics Journal
1705:Alan Moore (2013)
1610:Gay characters in
1594:, which protested
1591:The Mirror of Love
1555:The Dunwich Horror
1498:Thierry Groensteen
1371:individual volumes
1365:Collected editions
1324:ZdzisĆaw BeksiĆski
1253:
1207:
1111:Clark Ashton Smith
1067:Michel Houellebecq
1057:to Lovecraft, and
1031:
989:Fungi from Yuggoth
944:
900:Great Race of Yith
766:The Dunwich Horror
752:XI: The Unnameable
668:Robert arrives in
474:in the library at
448:fish-human hybrids
309:I: The Yellow Sign
241:is a twelve-issue
213:Collected editions
18:Providence (comic)
5139:Historical comics
5061:
5060:
4798:
4797:
4583:Voice of the Fire
4431:Cinema Purgatorio
4078:D.R. & Quinch
4070:Special Executive
3689:978-1-78131-146-2
3605:Studies in Comics
3553:10.14945/00029538
3500:978-1-3500-6048-7
3246:, pp. 70â71.
2880:Providence: Act 1
1856:Bram Stoker Award
1821:, observing that
1687:critical thinking
1634:Social commentary
1580:subtly addresses
1478:, as foretold in
1294:alienating effect
1249:J. C. Leyendecker
1170:scientific racism
1125:Social minorities
1047:literary research
880:Lovecraft Country
551:Dr. Henry Wantage
374:occult philosophy
234:
233:
119:2015 â April
16:(Redirected from
5166:
4895:
4863:Robert E. Howard
4825:
4818:
4811:
4802:
4788:
4787:
4652:Brought to Light
4448:Brought to Light
4346:Tomorrow Stories
4126:John Constantine
3975:
3968:
3961:
3952:
3908:
3902:
3894:
3881:
3875:
3867:
3850:
3844:
3836:
3834:
3832:
3810:
3804:
3796:
3794:
3769:
3763:
3755:
3734:
3728:
3720:
3707:
3701:
3693:
3674:
3668:
3660:
3658:
3656:
3641:
3635:
3627:
3625:
3623:
3595:
3589:
3581:
3579:
3577:
3556:
3535:
3518:
3512:
3504:
3475:
3469:
3463:
3462:
3460:
3458:
3443:
3437:
3436:
3434:
3432:
3417:
3408:
3407:
3405:
3403:
3388:
3382:
3376:
3370:
3364:
3358:
3352:
3346:
3345:
3343:
3341:
3327:
3321:
3320:
3318:
3316:
3301:
3295:
3289:
3283:
3277:
3271:
3265:
3259:
3253:
3247:
3241:
3232:
3226:
3220:
3214:
3203:
3197:
3191:
3185:
3179:
3173:
3167:
3166:
3164:
3162:
3147:
3141:
3135:
3129:
3123:
3117:
3111:
3105:
3099:
3093:
3087:
3081:
3080:
3078:
3076:
3061:
3050:
3049:
3047:
3045:
3030:
3017:
3011:
3005:
3004:
3002:
3000:
2985:
2979:
2973:
2967:
2961:
2955:
2949:
2940:
2934:
2928:
2927:
2925:
2923:
2908:
2897:
2896:
2894:
2892:
2873:
2862:
2856:
2847:
2841:
2832:
2831:
2829:
2827:
2812:
2801:
2800:
2798:
2796:
2781:
2775:
2774:
2772:
2770:
2765:. April 19, 2017
2755:
2749:
2748:
2746:
2744:
2729:
2716:
2715:
2713:
2711:
2696:
2690:
2689:
2687:
2685:
2669:
2663:
2657:
2651:
2650:
2648:
2646:
2630:
2617:
2611:
2605:
2599:
2593:
2592:
2590:
2588:
2575:Burrows, Jacen.
2572:
2561:
2560:
2558:
2556:
2540:
2521:
2520:
2518:
2516:
2501:
2495:
2494:
2492:
2490:
2475:
2462:
2461:
2459:
2457:
2441:
2432:
2431:
2429:
2427:
2412:
2397:
2396:
2394:
2392:
2373:
2364:
2358:
2352:
2351:
2349:
2347:
2331:
2322:
2321:
2319:
2317:
2301:
2292:
2291:
2289:
2287:
2275:
2262:
2261:
2259:
2257:
2241:
2228:
2227:
2225:
2223:
2207:
2194:
2193:
2191:
2189:
2173:
2160:
2159:
2157:
2155:
2140:
2129:
2123:
2112:
2111:
2109:
2107:
2091:
2082:
2081:
2079:
2077:
2061:
2052:
2046:
2037:
2036:
2034:
2032:
2027:. April 23, 2015
2017:
2011:
2010:
2008:
2006:
1991:
1985:
1984:
1982:
1980:
1958:
1952:
1951:
1949:
1947:
1932:
1710:Alan Moore is a
1706:
1525:epistolary novel
1308:Bernie Wrightson
1276:Boardwalk Empire
1267:Roaring Twenties
1140:
1139:Alan Moore, 2014
1115:women's suffrage
1107:Robert E. Howard
1039:cultural studies
983:Yuggoth Cultures
815:; belief in the
803:; in the 1970s,
793:Robert E. Howard
710:commonplace book
577:VII: The Picture
528:rat-like version
508:fallen meteorite
428:Garland Wheatley
130:
122:
118:
112:Publication date
55:
41:
21:
5174:
5173:
5169:
5168:
5167:
5165:
5164:
5163:
5064:
5063:
5062:
5057:
5026:
4984:
4941:
4905:
4896:
4887:
4848:H. P. Lovecraft
4834:
4829:
4799:
4794:
4776:
4745:
4699:
4636:
4630:
4570:
4521:
4520:Comics based on
4515:
4462:A Small Killing
4435:
4384:
4324:Five Swell Guys
4302:
4296:
4276:Professor Night
4207:
4201:
4097:
4050:Captain Britain
3999:
3993:
3984:
3979:
3924:at Avatar Press
3916:
3911:
3895:
3889:(in Japanese).
3884:
3868:
3853:
3837:
3830:
3828:
3813:
3797:
3772:
3756:
3737:
3721:
3710:
3694:
3690:
3677:
3661:
3654:
3652:
3644:
3628:
3621:
3619:
3598:
3582:
3575:
3573:
3559:
3538:
3521:
3505:
3501:
3488:
3484:
3479:
3478:
3470:
3466:
3456:
3454:
3445:
3444:
3440:
3430:
3428:
3419:
3418:
3411:
3401:
3399:
3390:
3389:
3385:
3377:
3373:
3365:
3361:
3353:
3349:
3339:
3337:
3329:
3328:
3324:
3314:
3312:
3303:
3302:
3298:
3290:
3286:
3278:
3274:
3266:
3262:
3254:
3250:
3242:
3235:
3227:
3223:
3215:
3206:
3202:, p. 6/32.
3198:
3194:
3186:
3182:
3178:, pp. 8â9.
3174:
3170:
3160:
3158:
3149:
3148:
3144:
3136:
3132:
3124:
3120:
3112:
3108:
3100:
3096:
3088:
3084:
3074:
3072:
3063:
3062:
3053:
3043:
3041:
3032:
3031:
3020:
3016:, p. 3/32.
3012:
3008:
2998:
2996:
2987:
2986:
2982:
2974:
2970:
2962:
2958:
2950:
2943:
2935:
2931:
2921:
2919:
2910:
2909:
2900:
2890:
2888:
2875:
2874:
2865:
2857:
2850:
2842:
2835:
2825:
2823:
2814:
2813:
2804:
2794:
2792:
2783:
2782:
2778:
2768:
2766:
2757:
2756:
2752:
2742:
2740:
2731:
2730:
2719:
2709:
2707:
2698:
2697:
2693:
2683:
2681:
2671:
2670:
2666:
2662:, pp. 3â4.
2658:
2654:
2644:
2642:
2632:
2631:
2620:
2612:
2608:
2600:
2596:
2586:
2584:
2574:
2573:
2564:
2554:
2552:
2542:
2541:
2524:
2514:
2512:
2503:
2502:
2498:
2488:
2486:
2477:
2476:
2465:
2455:
2453:
2443:
2442:
2435:
2425:
2423:
2414:
2413:
2400:
2390:
2388:
2375:
2374:
2367:
2363:, pp. 3â5.
2359:
2355:
2345:
2343:
2333:
2332:
2325:
2315:
2313:
2303:
2302:
2295:
2285:
2283:
2277:
2276:
2265:
2255:
2253:
2243:
2242:
2231:
2221:
2219:
2209:
2208:
2197:
2187:
2185:
2175:
2174:
2163:
2153:
2151:
2142:
2141:
2132:
2124:
2115:
2105:
2103:
2093:
2092:
2085:
2075:
2073:
2063:
2062:
2055:
2047:
2040:
2030:
2028:
2019:
2018:
2014:
2004:
2002:
1993:
1992:
1988:
1978:
1976:
1960:
1959:
1955:
1945:
1943:
1934:
1933:
1929:
1924:
1881:Pickman's Model
1852:
1759:
1757:Mata-narratives
1707:
1704:
1696:
1646:Pickman's Model
1641:Stella Sapiente
1636:
1542:
1537:
1507:
1488:
1466:H. P. Lovecraft
1462:
1457:
1367:
1347:
1196:
1174:people of color
1141:
1138:
1127:
1027:H. P. Lovecraft
1020:
963:H. P. Lovecraft
951:American comics
933:
928:
852:
754:
722:Stella Sapiente
706:Edgar Allan Poe
702:
678:Stella Sapiente
666:
637:H. P. Lovecraft
617:
591:Stella Sapiente
579:
555:Stella Sapiente
539:
537:VI: Out Of Time
496:
494:V: In The Walls
468:Stella Sapiente
456:
419:Stella Sapiente
410:
362:
354:Lethal Chambers
346:prolonging life
311:
306:
294:New York Herald
286:
274:H. P. Lovecraft
204:
150:
120:
116:
107:
64:
37:
30:
23:
22:
15:
12:
11:
5:
5172:
5170:
5162:
5161:
5156:
5151:
5146:
5144:Prequel comics
5141:
5136:
5131:
5126:
5121:
5116:
5111:
5106:
5101:
5096:
5091:
5086:
5081:
5076:
5066:
5065:
5059:
5058:
5056:
5055:
5050:
5045:
5040:
5034:
5032:
5028:
5027:
5025:
5024:
5017:
5010:
5003:
4998:
4992:
4990:
4986:
4985:
4983:
4982:
4977:
4972:
4967:
4962:
4957:
4951:
4949:
4943:
4942:
4940:
4939:
4934:
4932:Shub-Niggurath
4929:
4924:
4919:
4914:
4908:
4906:
4901:
4898:
4897:
4890:
4888:
4886:
4885:
4880:
4875:
4873:August Derleth
4870:
4865:
4860:
4855:
4850:
4844:
4842:
4836:
4835:
4832:Cthulhu Mythos
4830:
4828:
4827:
4820:
4813:
4805:
4796:
4795:
4793:
4792:
4781:
4778:
4777:
4775:
4774:
4769:
4764:
4759:
4757:Melinda Gebbie
4753:
4751:
4750:Related people
4747:
4746:
4744:
4743:
4736:
4729:
4722:
4715:
4707:
4705:
4701:
4700:
4698:
4697:
4690:
4683:
4676:
4669:
4666:The Birth Caul
4662:
4655:
4648:
4640:
4638:
4632:
4631:
4629:
4628:
4621:
4614:
4607:
4600:
4593:
4586:
4578:
4576:
4572:
4571:
4569:
4568:
4561:
4554:
4547:
4540:
4533:
4525:
4523:
4517:
4516:
4514:
4513:
4512:
4511:
4506:
4501:
4495:Marvel Comics
4493:
4486:
4479:
4472:
4465:
4458:
4451:
4443:
4441:
4437:
4436:
4434:
4433:
4428:
4421:
4414:
4407:
4400:
4392:
4390:
4386:
4385:
4383:
4382:
4375:
4368:
4361:
4360:
4359:
4354:
4342:
4335:
4328:
4327:
4326:
4314:
4306:
4304:
4301:America's Best
4298:
4297:
4295:
4294:
4287:
4280:
4279:
4278:
4273:
4261:
4254:
4247:
4240:
4233:
4226:
4219:
4211:
4209:
4208:Awesome Comics
4206:Image Comics /
4203:
4202:
4200:
4199:
4192:
4185:
4184:
4183:
4178:
4173:
4168:
4162:V for Vendetta
4158:
4151:
4144:
4137:
4130:
4129:
4128:
4116:
4111:
4105:
4103:
4099:
4098:
4096:
4095:
4088:
4081:
4074:
4060:
4046:
4039:
4032:
4025:
4022:V for Vendetta
4018:
4011:
4003:
4001:
3995:
3994:
3989:
3986:
3985:
3980:
3978:
3977:
3970:
3963:
3955:
3949:
3948:
3936:
3925:
3915:
3914:External links
3912:
3910:
3909:
3887:ăă€ăă©ăłăă»ăŻă©ăŒăżăŒăȘăŒ
3882:
3851:
3811:
3770:
3746:(2): 161â178.
3735:
3708:
3688:
3675:
3642:
3611:(2): 135â155.
3596:
3557:
3536:
3519:
3499:
3485:
3483:
3480:
3477:
3476:
3474:, p. 218.
3464:
3438:
3409:
3383:
3371:
3359:
3347:
3322:
3296:
3284:
3272:
3260:
3248:
3233:
3221:
3204:
3192:
3190:, p. 211.
3180:
3168:
3142:
3130:
3128:, p. 151.
3118:
3116:, p. 149.
3106:
3104:, p. 147.
3094:
3082:
3051:
3018:
3006:
2980:
2978:, p. 176.
2968:
2956:
2954:, p. 168.
2941:
2929:
2898:
2863:
2848:
2846:, p. 203.
2833:
2802:
2776:
2750:
2717:
2691:
2664:
2652:
2618:
2606:
2594:
2562:
2522:
2496:
2463:
2433:
2398:
2365:
2353:
2323:
2293:
2263:
2229:
2195:
2161:
2149:Previews World
2130:
2113:
2083:
2053:
2051:, p. 214.
2038:
2012:
1986:
1953:
1926:
1925:
1923:
1920:
1851:
1848:
1811:counterculture
1758:
1755:
1702:
1695:
1692:
1635:
1632:
1541:
1538:
1536:
1533:
1527:on their own.
1506:
1503:
1495:Comics scholar
1487:
1484:
1461:
1458:
1456:
1453:
1452:
1451:
1433:
1415:
1397:
1366:
1363:
1346:
1343:
1331:The Courtyard,
1195:
1192:
1136:
1126:
1123:
1035:Cthulhu Mythos
1019:
1016:
932:
929:
927:
924:
920:Shub-Niggurath
851:
848:
789:August Derleth
753:
750:
726:Johnny Carcosa
701:
698:
674:Henry Annesley
665:
662:
641:the Dreamlands
631:, a writer of
616:
613:
605:Randall Carver
578:
575:
538:
535:
495:
492:
455:
454:IV: White Apes
452:
409:
406:
361:
358:
310:
307:
305:
302:
285:
282:
278:Cthulhu Mythos
246:limited series
232:
231:
222:
216:
215:
209:
208:
201:
197:
196:
195:Juan Rodriguez
193:
187:
186:
181:
175:
174:
169:
165:
164:
159:
155:
154:
145:
141:
140:
136:
135:
132:
125:
124:
113:
109:
108:
106:
105:
99:
97:
93:
92:
90:Limited series
87:
83:
82:
77:
71:
70:
66:
65:
56:
48:
47:
28:
24:
14:
13:
10:
9:
6:
4:
3:
2:
5171:
5160:
5157:
5155:
5152:
5150:
5147:
5145:
5142:
5140:
5137:
5135:
5134:Horror comics
5132:
5130:
5127:
5125:
5122:
5120:
5117:
5115:
5112:
5110:
5107:
5105:
5102:
5100:
5097:
5095:
5092:
5090:
5087:
5085:
5082:
5080:
5077:
5075:
5072:
5071:
5069:
5054:
5051:
5049:
5046:
5044:
5041:
5039:
5036:
5035:
5033:
5029:
5023:
5022:
5018:
5016:
5015:
5011:
5009:
5008:
5004:
5002:
4999:
4997:
4994:
4993:
4991:
4987:
4981:
4978:
4976:
4973:
4971:
4968:
4966:
4963:
4961:
4958:
4956:
4953:
4952:
4950:
4948:
4944:
4938:
4935:
4933:
4930:
4928:
4925:
4923:
4920:
4918:
4915:
4913:
4910:
4909:
4907:
4904:
4899:
4894:
4884:
4881:
4879:
4876:
4874:
4871:
4869:
4866:
4864:
4861:
4859:
4856:
4854:
4851:
4849:
4846:
4845:
4843:
4841:
4837:
4833:
4826:
4821:
4819:
4814:
4812:
4807:
4806:
4803:
4791:
4783:
4782:
4779:
4773:
4770:
4768:
4765:
4763:
4760:
4758:
4755:
4754:
4752:
4748:
4742:
4741:
4737:
4735:
4734:
4730:
4728:
4727:
4723:
4721:
4720:
4716:
4714:
4713:
4709:
4708:
4706:
4702:
4696:
4695:
4691:
4689:
4688:
4687:Angel Passage
4684:
4682:
4681:
4677:
4675:
4674:
4670:
4668:
4667:
4663:
4661:
4660:
4656:
4654:
4653:
4649:
4646:
4642:
4641:
4639:
4633:
4627:
4626:
4625:Illuminations
4622:
4620:
4619:
4615:
4613:
4612:
4608:
4606:
4605:
4601:
4599:
4598:
4594:
4592:
4591:
4587:
4585:
4584:
4580:
4579:
4577:
4573:
4567:
4566:
4562:
4560:
4559:
4555:
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4546:
4545:
4541:
4539:
4538:
4534:
4532:
4531:
4527:
4526:
4524:
4522:Moore's prose
4518:
4510:
4507:
4505:
4502:
4500:
4497:
4496:
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4487:
4485:
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4464:
4463:
4459:
4457:
4456:
4452:
4450:
4449:
4445:
4444:
4442:
4440:Miscellaneous
4438:
4432:
4429:
4427:
4426:
4422:
4420:
4419:
4418:Crossed: +100
4415:
4413:
4412:
4411:Fashion Beast
4408:
4406:
4405:
4401:
4399:
4398:
4394:
4393:
4391:
4387:
4381:
4380:
4376:
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4362:
4358:
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4350:
4349:
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4340:
4339:Terra Obscura
4336:
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4329:
4325:
4322:
4321:
4320:
4319:
4315:
4313:
4312:
4308:
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4094:
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4082:
4080:
4079:
4075:
4072:
4071:
4066:
4065:
4061:
4058:
4057:
4056:Jaspers' Warp
4052:
4051:
4047:
4045:
4044:
4040:
4038:
4037:
4033:
4031:
4030:
4026:
4024:
4023:
4019:
4017:
4016:
4012:
4010:
4009:
4005:
4004:
4002:
4000:British works
3996:
3992:
3987:
3983:
3976:
3971:
3969:
3964:
3962:
3957:
3956:
3953:
3946:
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3892:
3888:
3883:
3879:
3873:
3865:
3861:
3857:
3852:
3848:
3842:
3827:
3823:
3820:. Routledge.
3819:
3818:
3812:
3808:
3802:
3793:
3788:
3784:
3780:
3776:
3771:
3767:
3761:
3753:
3749:
3745:
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3649:
3643:
3639:
3633:
3618:
3614:
3610:
3606:
3602:
3597:
3593:
3587:
3572:(16): 214â218
3571:
3567:
3565:
3558:
3554:
3550:
3546:
3542:
3537:
3533:
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3525:
3520:
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3496:
3492:
3487:
3486:
3481:
3473:
3468:
3465:
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3449:
3442:
3439:
3427:
3423:
3416:
3414:
3410:
3398:
3394:
3387:
3384:
3381:, p. 43.
3380:
3375:
3372:
3369:, p. 80.
3368:
3363:
3360:
3356:
3351:
3348:
3336:
3332:
3326:
3323:
3310:
3306:
3300:
3297:
3294:, p. 32.
3293:
3288:
3285:
3282:, p. 12.
3281:
3280:Santorun 2020
3276:
3273:
3270:, p. 13.
3269:
3268:Santorun 2020
3264:
3261:
3258:, p. 10.
3257:
3256:Santorun 2020
3252:
3249:
3245:
3240:
3238:
3234:
3230:
3225:
3222:
3219:, p. 72.
3218:
3213:
3211:
3209:
3205:
3201:
3196:
3193:
3189:
3184:
3181:
3177:
3172:
3169:
3157:
3153:
3146:
3143:
3139:
3134:
3131:
3127:
3122:
3119:
3115:
3110:
3107:
3103:
3098:
3095:
3091:
3086:
3083:
3071:
3067:
3060:
3058:
3056:
3052:
3040:
3036:
3029:
3027:
3025:
3023:
3019:
3015:
3010:
3007:
2995:
2991:
2984:
2981:
2977:
2976:Rutledge 2024
2972:
2969:
2965:
2964:Rutledge 2024
2960:
2957:
2953:
2952:Rutledge 2024
2948:
2946:
2942:
2938:
2937:Sulmicki 2019
2933:
2930:
2918:
2914:
2907:
2905:
2903:
2899:
2887:
2883:
2881:
2872:
2870:
2868:
2864:
2860:
2855:
2853:
2849:
2845:
2840:
2838:
2834:
2822:
2821:Bleeding Cool
2818:
2811:
2809:
2807:
2803:
2790:
2789:Bleeding Cool
2786:
2780:
2777:
2764:
2763:Bleeding Cool
2760:
2754:
2751:
2739:
2735:
2728:
2726:
2724:
2722:
2718:
2705:
2704:Bleeding Cool
2701:
2695:
2692:
2679:
2675:
2668:
2665:
2661:
2656:
2653:
2640:
2639:Bleeding Cool
2636:
2629:
2627:
2625:
2623:
2619:
2615:
2610:
2607:
2603:
2598:
2595:
2582:
2578:
2571:
2569:
2567:
2563:
2550:
2546:
2539:
2537:
2535:
2533:
2531:
2529:
2527:
2523:
2510:
2506:
2500:
2497:
2485:
2481:
2474:
2472:
2470:
2468:
2464:
2451:
2450:Bleeding Cool
2447:
2440:
2438:
2434:
2422:
2418:
2411:
2409:
2407:
2405:
2403:
2399:
2387:
2383:
2381:
2372:
2370:
2366:
2362:
2357:
2354:
2341:
2340:Bleeding Cool
2337:
2330:
2328:
2324:
2311:
2307:
2300:
2298:
2294:
2281:
2274:
2272:
2270:
2268:
2264:
2251:
2247:
2240:
2238:
2236:
2234:
2230:
2217:
2213:
2206:
2204:
2202:
2200:
2196:
2183:
2179:
2172:
2170:
2168:
2166:
2162:
2150:
2146:
2139:
2137:
2135:
2131:
2128:, p. 11.
2127:
2126:Santorun 2020
2122:
2120:
2118:
2114:
2101:
2100:Bleeding Cool
2097:
2090:
2088:
2084:
2071:
2067:
2060:
2058:
2054:
2050:
2045:
2043:
2039:
2026:
2025:Bleeding Cool
2022:
2016:
2013:
2001:
1997:
1990:
1987:
1974:
1970:
1969:
1964:
1957:
1954:
1941:
1937:
1931:
1928:
1921:
1919:
1917:
1912:
1910:
1906:
1902:
1901:
1900:Bleeding Cool
1896:
1895:
1888:
1886:
1882:
1876:
1874:
1870:
1865:
1863:
1862:
1857:
1849:
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1780:
1776:
1772:
1768:
1764:
1756:
1754:
1752:
1748:
1747:Kenneth Grant
1744:
1739:
1737:
1733:
1729:
1725:
1721:
1717:
1713:
1701:
1693:
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1647:
1642:
1633:
1631:
1629:
1625:
1621:
1617:
1613:
1608:
1605:
1604:homosexuality
1601:
1597:
1593:
1592:
1587:
1583:
1579:
1574:
1572:
1568:
1564:
1560:
1556:
1551:
1547:
1539:
1534:
1532:
1528:
1526:
1523:
1518:
1514:
1513:
1505:Prose section
1504:
1502:
1499:
1496:
1492:
1485:
1483:
1481:
1477:
1473:
1472:
1467:
1459:
1454:
1449:
1448:9781592913398
1445:
1441:
1437:
1434:
1431:
1430:9781592912933
1427:
1423:
1419:
1416:
1413:
1412:9781592912926
1409:
1405:
1401:
1398:
1395:
1394:9781592912810
1391:
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1250:
1246:
1241:
1237:
1235:
1231:
1227:
1223:
1219:
1215:
1211:
1210:Jacen Burrows
1204:
1203:Jacen Burrows
1200:
1193:
1191:
1189:
1186:
1181:
1179:
1175:
1171:
1167:
1162:
1158:
1153:
1150:
1147:
1135:
1130:
1124:
1122:
1120:
1117:movement and
1116:
1112:
1108:
1104:
1099:
1098:Dirk W. Mosig
1094:
1092:
1091:
1084:
1082:
1078:
1074:
1073:
1069:'s biography
1068:
1064:
1060:
1056:
1052:
1048:
1044:
1040:
1036:
1028:
1024:
1017:
1015:
1013:
1009:
1005:
1004:
999:
998:The Courtyard
995:
994:The Courtyard
991:
990:
985:
984:
979:
978:
973:
972:
966:
964:
960:
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952:
948:
941:
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923:
921:
917:
913:
909:
905:
901:
897:
893:
889:
885:
881:
877:
873:
872:Merril Brears
869:
865:
861:
857:
850:XII: The Book
849:
847:
845:
841:
840:
835:
834:
833:The Courtyard
829:
826:
822:
819:power of the
818:
814:
810:
806:
802:
801:Robert Barlow
798:
794:
790:
786:
785:
780:
779:
774:
773:
768:
767:
762:
761:
751:
749:
747:
743:
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731:
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723:
719:
715:
711:
707:
699:
697:
695:
691:
687:
683:
679:
675:
671:
664:IX: Outsiders
663:
661:
659:
654:
650:
646:
642:
638:
634:
633:weird fiction
630:
626:
622:
615:VIII: The Key
614:
612:
610:
606:
602:
597:
592:
588:
584:
576:
574:
572:
568:
564:
560:
556:
552:
548:
545:, but Robert
544:
536:
534:
533:
529:
525:
521:
517:
513:
509:
505:
501:
493:
491:
489:
485:
481:
477:
473:
469:
465:
461:
453:
451:
449:
445:
441:
437:
433:
429:
425:
421:
420:
415:
414:Hillman Hotel
407:
405:
403:
399:
395:
391:
390:Massachusetts
387:
383:
379:
375:
371:
368:and heads to
367:
359:
357:
355:
351:
347:
343:
339:
335:
331:
330:
329:Sous Le Monde
325:
321:
320:
316:
308:
303:
301:
299:
295:
291:
283:
281:
279:
275:
271:
270:
269:The Courtyard
265:
264:
259:
255:
254:Jacen Burrows
251:
247:
244:
240:
239:
230:
226:
223:
221:
217:
214:
210:
207:
202:
198:
194:
192:
188:
185:
184:Kurt Hathaway
182:
180:
176:
173:
172:Jacen Burrows
170:
166:
163:
160:
156:
153:
152:Jacen Burrows
149:
146:
142:
139:Creative team
137:
133:
126:
114:
110:
104:
101:
100:
98:
94:
91:
88:
84:
81:
78:
76:
72:
67:
63:
62:Jacen Burrows
60:#1 cover, by
59:
54:
49:
46:
42:
39:
35:
27:
19:
5020:
5019:
5012:
5005:
4960:Elder Things
4927:Nyarlathotep
4883:Stephen King
4878:Fritz Leiber
4853:Robert Bloch
4767:John Reppion
4738:
4731:
4724:
4717:
4710:
4692:
4685:
4678:
4671:
4664:
4657:
4650:
4623:
4616:
4609:
4602:
4595:
4588:
4581:
4563:
4556:
4549:
4542:
4535:
4528:
4488:
4483:Dodgem Logic
4481:
4474:
4467:
4460:
4453:
4446:
4430:
4424:
4423:
4416:
4409:
4402:
4395:
4389:Avatar Press
4377:
4370:
4363:
4344:
4337:
4330:
4316:
4309:
4289:
4282:
4271:Jack-A-Dandy
4263:
4256:
4251:WildC.A.T.S.
4249:
4242:
4235:
4230:Judgment Day
4228:
4221:
4214:
4194:
4171:Evey Hammond
4160:
4153:
4139:
4132:
4118:
4090:
4083:
4076:
4068:
4062:
4054:
4048:
4041:
4034:
4027:
4020:
4013:
4006:
3991:Bibliography
3945:the original
3939:
3928:
3919:
3899:cite journal
3890:
3886:
3872:cite journal
3863:
3859:
3855:
3829:. Retrieved
3816:
3801:cite journal
3782:
3778:
3760:cite journal
3743:
3739:
3725:cite journal
3716:
3712:
3679:
3653:. Retrieved
3647:
3632:cite journal
3620:. Retrieved
3608:
3604:
3586:cite journal
3574:. Retrieved
3569:
3563:
3544:
3540:
3523:
3490:
3467:
3455:. Retrieved
3452:The Guardian
3451:
3441:
3429:. Retrieved
3426:The Guardian
3425:
3400:. Retrieved
3396:
3386:
3374:
3367:Corbeil 2023
3362:
3355:Shapira 2021
3350:
3338:. Retrieved
3334:
3325:
3313:. Retrieved
3308:
3305:"Providence"
3299:
3287:
3275:
3263:
3251:
3224:
3195:
3183:
3171:
3159:. Retrieved
3155:
3145:
3133:
3121:
3109:
3097:
3085:
3073:. Retrieved
3069:
3042:. Retrieved
3038:
3009:
2997:. Retrieved
2993:
2983:
2971:
2959:
2932:
2920:. Retrieved
2916:
2889:. Retrieved
2885:
2879:
2824:. Retrieved
2820:
2793:. Retrieved
2788:
2779:
2767:. Retrieved
2762:
2753:
2741:. Retrieved
2737:
2708:. Retrieved
2703:
2694:
2682:. Retrieved
2677:
2667:
2655:
2643:. Retrieved
2638:
2616:, p. 4.
2609:
2604:, p. 5.
2597:
2585:. Retrieved
2580:
2553:. Retrieved
2548:
2513:. Retrieved
2509:The Guardian
2508:
2499:
2487:. Retrieved
2483:
2454:. Retrieved
2449:
2424:. Retrieved
2420:
2389:. Retrieved
2385:
2379:
2356:
2344:. Retrieved
2339:
2314:. Retrieved
2309:
2284:. Retrieved
2254:. Retrieved
2249:
2220:. Retrieved
2215:
2186:. Retrieved
2181:
2152:. Retrieved
2148:
2104:. Retrieved
2099:
2074:. Retrieved
2069:
2031:February 22,
2029:. Retrieved
2015:
2005:February 22,
2003:. Retrieved
1989:
1977:. Retrieved
1966:
1956:
1946:February 22,
1944:. Retrieved
1940:Avatar Press
1930:
1915:
1913:
1908:
1898:
1894:The Guardian
1892:
1889:
1877:
1872:
1866:
1859:
1853:
1843:
1838:
1835:
1830:
1822:
1818:
1814:
1805:
1801:
1797:
1791:
1789:
1782:
1778:
1774:
1770:
1762:
1760:
1740:
1709:
1698:
1683:
1679:Donald Trump
1675:Conservative
1662:
1653:
1640:
1637:
1611:
1609:
1589:
1577:
1575:
1571:misogynistic
1543:
1529:
1516:
1510:
1508:
1493:
1489:
1486:Panel layout
1479:
1469:
1463:
1439:
1435:
1421:
1417:
1403:
1399:
1385:
1381:
1368:
1358:
1354:
1352:
1348:
1338:
1334:
1330:
1328:
1316:Mike Mignola
1297:
1291:
1280:
1274:
1257:
1254:
1244:
1233:
1225:
1221:
1214:Warren Ellis
1208:
1182:
1155:Lovecraft's
1154:
1149:heterosexual
1143:
1132:
1128:
1102:
1095:
1088:
1085:
1070:
1062:
1050:
1042:
1032:
1011:
1001:
997:
987:
981:
975:
969:
967:
955:Avatar Press
945:
887:
860:Carl Perlman
853:
837:
831:
821:Necronomicon
820:
813:Necronomicon
812:
808:
799:rather than
782:
776:
770:
764:
758:
755:
734:Nyarlathotep
721:
718:antisemitism
703:
677:
667:
653:Lord Dunsany
628:
618:
590:
580:
558:
554:
540:
512:Hector North
503:
497:
471:
467:
464:medicine man
457:
444:gas chambers
423:
417:
411:
381:
365:
363:
360:II: The Hook
341:
328:
318:
312:
293:
287:
267:
261:
258:Avatar Press
237:
236:
235:
219:
80:Avatar Press
57:
44:
38:
26:
5038:Anthologies
5001:Dream Cycle
4975:Serpent Men
4772:Steve Moore
4733:Show Pieces
4635:Spoken word
4455:Big Numbers
4120:Swamp Thing
4067:(including
4053:(including
3866:(2): 36â45.
3719:(2): 70â89.
3541:çż»èšłăźæć/æćăźçż»èšł
3482:Works cited
3472:Gibson 2017
3292:Parkin 2013
3244:Poller 2021
3217:Poller 2021
2878:"Review of
2583:(Interview)
2310:The Quietus
2282:(Interview)
2250:Comics Beat
2216:comics beat
2182:The Quietus
2049:Gibson 2017
2000:The Quietus
1968:Comics Beat
1905:jump scares
1796:(1999). In
1775:Swamp Thing
1751:Chaos magic
1743:metafiction
1666:pulp novels
1624:gay culture
1559:Yog-Sothoth
1375:Kickstarter
1312:Swamp Thing
1263:World War I
1258:Providence,
1218:Garth Ennis
1178:homosexuals
1119:Prohibition
1077:misanthropy
1059:S. T. Joshi
971:Swamp Thing
904:S. T. Joshi
874:has sprung
649:Nightgaunts
436:fish people
248:written by
203:Jim Kuhoric
191:Colorist(s)
179:Letterer(s)
5068:Categories
5048:Characters
5021:Providence
5014:Neonomicon
4937:Tsathoggua
4762:Leah Moore
4694:Unearthing
4476:Lost Girls
4425:Providence
4404:Neonomicon
4332:Tom Strong
4284:Youngblood
4167:Adam Susan
4064:Doctor Who
3982:Alan Moore
3940:Providence
3929:Providence
3921:Providence
3856:Providence
3564:Providence
3532:B0774PSMH6
3229:Green 2017
3200:Green 2017
3176:Green 2017
3138:Ayres 2021
3126:Ayres 2021
3114:Ayres 2021
3102:Ayres 2021
3014:Green 2017
2859:Green 2017
2660:Moore 2017
2614:Moore 2017
2602:Moore 2017
2380:Providence
2361:Moore 2017
1922:References
1839:Providence
1831:Providence
1815:Providence
1806:Providence
1802:Providence
1779:Providence
1763:Providence
1732:humanities
1671:Providence
1654:Providence
1628:homophobic
1612:Providence
1600:occultized
1578:Providence
1517:Providence
1480:Neonomicon
1471:Neonomicon
1440:Providence
1438:(collects
1422:Providence
1420:(collects
1404:Providence
1402:(collects
1386:Providence
1384:(collects
1339:Providence
1335:Neonomicon
1245:Providence
1234:Providence
1226:Providence
1222:Neonomicon
1166:xenophobia
1103:Providence
1043:Providence
1012:Providence
1003:Neonomicon
947:Alan Moore
940:Alan Moore
931:Background
926:Production
839:Neonomicon
742:apocalypse
714:homophobia
670:Providence
629:Pine Cones
484:semi-human
263:Neonomicon
250:Alan Moore
243:comic book
238:Providence
229:1592912818
162:Alan Moore
158:Written by
148:Alan Moore
144:Created by
134:12 (of 12)
58:Providence
45:Providence
4955:Deep Ones
4618:Jerusalem
4469:From Hell
4357:Greyshirt
4318:Promethea
4176:Norsefire
4114:Sodam Yat
4102:DC Comics
4015:Marvelman
3841:cite book
3698:cite book
3665:cite book
3547:: 77â85.
3509:cite book
2743:March 10,
2426:March 10,
1979:April 21,
1850:Reception
1827:Sephiroth
1823:Promethea
1819:Promethea
1798:Promethea
1793:Promethea
1784:From Hell
1769:genre in
1767:superhero
1736:philology
1550:eroticism
1522:modernist
1460:Structure
1299:The Thing
1265:and the "
1081:pessimism
864:criticism
823:spreads;
609:dark room
440:swastikas
426:from one
378:pamphlets
200:Editor(s)
168:Artist(s)
131:of issues
75:Publisher
4980:Shoggoth
4912:Azathoth
4790:Category
4740:The Show
4244:Violator
4134:Watchmen
3752:48771995
3740:Mythlore
3622:June 27,
3457:June 26,
3431:June 26,
3379:ćČĄćç° 2024
3340:June 22,
3315:June 22,
2891:June 25,
2826:June 26,
2795:June 22,
2769:June 22,
2710:June 22,
2645:June 22,
2555:June 22,
2515:July 14,
2456:June 22,
2346:June 22,
2316:June 20,
2286:July 14,
2256:June 25,
2222:June 20,
2188:June 20,
2154:June 20,
2106:June 22,
1973:Archived
1844:Watchmen
1787:(1989).
1771:Watchmen
1716:magician
1703:â
1656:and the
1620:bow ties
1618:and red
1512:Watchmen
1302:(1982),
1271:archives
1185:gay male
1137:â
959:bad girl
908:Azathoth
876:Aldo Sax
846:begins.
828:plushies
797:executor
746:fellates
738:prophecy
672:to meet
516:'friend'
394:sea cave
370:Flatbush
334:tenement
324:scare up
315:New York
284:Synopsis
4989:Related
4947:Species
4917:Cthulhu
4903:Deities
4840:Writers
4365:Top Ten
4265:Supreme
4092:Monster
3932:at the
3831:July 6,
3655:July 6,
3576:July 7,
3402:July 5,
3161:July 1,
3075:July 5,
3044:July 4,
2999:July 4,
2922:July 3,
2684:July 5,
2587:July 5,
2489:July 7,
2391:May 24,
2076:July 7,
1885:Sequart
1724:shamans
1476:Cthulhu
1322:), and
1320:Hellboy
1287:Chaplin
1194:Artwork
1008:Cthulhu
916:Cthulhu
854:At the
825:Cthulhu
805:hippies
4922:Hastur
4509:Meggan
4504:Jester
4490:Albion
4352:Cobweb
4303:Comics
4291:Voodoo
3750:
3686:
3530:
3497:
1712:mystic
1586:LGBTQ+
1535:Themes
1455:Styles
1446:
1428:
1410:
1392:
1285:, and
1230:script
1205:(2012)
1157:racism
1029:(1915)
942:(2008)
912:labour
892:Arkham
882:'. At
817:occult
730:avatar
621:dreams
596:ghouls
480:albino
366:Herald
350:Suydam
319:Herald
290:Jewish
227:
121:
117:
103:Horror
86:Format
5043:Books
5031:Lists
4970:Mi-Go
4704:Other
4575:Books
4237:Spawn
4223:Glory
4036:Skizz
3998:Early
3893:: 43.
3748:JSTOR
1829:. In
1817:with
1728:memes
1582:queer
1164:when
896:Mi-Go
888:Kitab
809:Kitab
748:him.
567:rapes
559:Kitab
504:Kitab
472:Kitab
460:Athol
424:Kitab
398:totem
386:Salem
382:Kitab
96:Genre
4996:Aklo
4499:Fury
4379:Smax
4216:1963
4109:Mogo
3905:link
3878:link
3847:link
3833:2024
3807:link
3766:link
3731:link
3704:link
3684:ISBN
3671:link
3657:2024
3638:link
3624:2024
3592:link
3578:2024
3528:ASIN
3515:link
3495:ISBN
3459:2024
3433:2024
3404:2024
3342:2024
3317:2024
3163:2024
3077:2024
3046:2024
3001:2024
2924:2024
2893:2024
2828:2024
2797:2024
2771:2024
2745:2024
2712:2024
2686:2024
2647:2024
2589:2024
2557:2024
2517:2024
2491:2024
2458:2024
2428:2024
2393:2024
2348:2024
2318:2024
2288:2024
2258:2024
2224:2024
2190:2024
2156:2024
2108:2024
2078:2024
2033:2016
2007:2016
1981:2016
1948:2016
1867:The
1616:ties
1567:rape
1548:and
1444:ISBN
1426:ISBN
1408:ISBN
1390:ISBN
1337:and
1224:and
1216:and
1176:and
1146:WASP
1109:and
1079:and
836:and
781:and
728:(an
716:and
623:and
304:Plot
266:and
225:ISBN
123:2017
4637:CDs
3822:doi
3787:doi
3613:doi
3549:doi
1720:art
1546:sex
1314:),
1188:Jew
856:FBI
732:of
625:art
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