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Quaker music

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24:, together. Absolute honesty and integrity was important to them, and people singing words together were often expressing thoughts that even if they were spiritually profound were not actually expressing true experience and profound beliefs of the singers, who were often merely parroting them. Music was at times also viewed as frivolous, and not in line with the value of Simplicity, in other words a distraction from what was really important in life. However, they did approve of "singing in the spirit," when the act of singing and making music was a natural and organic method of expressing belief. 141:
styles. Specifically, he practices Liberal Quakerism, and uses his music to speak about the Liberal Quaker experience and ideals. He currently travels and performs his music, and speaks about his life in the Society of Friends. He is also the director of “QuakerSpeak,” a YouTube channel which focuses
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During the 19th century there was a split within Quakerism, with one branch wanting to return to some of the ways of Protestant churches, with a programmed service including hymns, and the other wishing to retain the traditional service of silent worship punctuated by spontaneous ministry. Although
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composed of songs about the beginnings of the Quaker movement. This work inspired him to pursue a career creating “Spirit-led music.” His most popular, and most controversial, song to date is "Friend Speaks My Mind," for which he created a YouTube video entitled "Dance Party Erupts During Quaker
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Susan Stark is a Quaker singer and songwriter with a number of songs on YouTube. Her cassette Child of The Nuclear Age contained track "Live Up to the Light", setting to music the words of Caroline Fox describing a moment of profound spiritual experience in 1841.
20:, music was rejected as a non-spontaneous part of worship. As the early Quakers tried to distance themselves from the practices of the English Church at the time, they also distanced themselves from the church traditions of singing music, even 33:
non-programmed Quaker Meetings for Worship remained silent, for the most part, with music rarely used, the attitudes towards music began to shift towards a more relaxed view in the mid-nineteenth century. In particular, many of the poems of
119:, was founded in 1978 and have since brought organized music to the Quaker community. They have commissioned and performed multiple pieces, and developed the Quaker Festival Chorus. 183: 323: 84:, who was told it was a Quaker song. The song was, and continues to be, such a favorite of the Quaker community that is often wrongly attributed to Quaker or 497: 184:
https://web.archive.org/web/20150411091556/http://www.haverford.edu/library/special/exhibitions/online_exhibitions/quakermusic/index.html
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Historically, British Quakers had been especially reluctant to include music in their Meetings. However, London Quaker youth arts group,
44:," first published in 1868 by Robert Lowry, was adopted by twentieth century Quakers. The lyrics to the first verse are as follows: 41: 492:(4th ed.). London: The Yearly Meeting of the Religious Society of Friends (Quaker) in Britain. 2009. p. 26.04. 462: 377: 331: 246:
Taylor, Thomas (Fall 1986). "Richard Farnworth and Thomas Atkinson: The Earliest Quaker Writers on Sacred Music".
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Jon Watts is a Quaker musician, poet, and filmmaker. He has created and released six musical albums, combining
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Bourke, Rosamund (2003) "Quaker Beliefs: Diverse yet Distinctive," Quaker Studies: Vol. 7: Iss. 2, Article 7.
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Graves, Dan (December 1993). "Singing Out of the Silence: A Survey of Quaker Choral Music".
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in 2006. It was for his senior project at Guilford that Watts created the album
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Carroll, Kenneth (Spring 1984). "Singing in the Spirit in Early Quakerism".
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Watts graduated from the Quaker Leadership Scholarship Program at
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Life Flows on in Endless Song: Folk Songs and American History
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One of the most notable versions was created and performed by
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http://digitalcommons.georgefox.edu/quakerstudies/vol7/iss2/7
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Carrie Newcomer, Annie Patterson, Peter Blood, David Wilcox,
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on interviews with Quakers of different backgrounds.
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Dance Party Erupts During Quaker Meeting for Worship
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http://www.friendsjournal.org/bum-rush-the-internet/
91:20th century English Quaker songwriters include 346:"About QuakerSpeak, the Quaker YouTube Channel" 8: 360:"A Few Songs Occasioned Anniversary Concert" 405:"Gary Sandman: Common traits of Quaker art" 293:. University of Illinois Press. p. 48. 111:Contemporary British Quaker choral music 195: 123:Contemporary American Quaker musicians 419:"Susan Stark | Rise up and Sing" 37:were set to music and well received. 7: 469:"Live Up to the Light" -Susan Stark 64:Thro' all the tumult and the strife 56:I hear the sweet, tho' far-off hymn 14: 48:My life flows on in endless song; 447:from the original on 2021-12-08. 434:Susan Stark at the FGC Gathering 490:Christian faith & practice 1: 103:, whose best-known song is " 76:How can I keep from singing? 72:It finds an echo in my soul— 42:How Can I Keep from Singing? 541: 60:That hails a new creation; 52:Above earth's lamentation, 68:I hear the music ringing; 151:A Few Songs Occasioned, 35:John Greenleaf Whittier 28:19th and 20th centuries 289:Wells, Robert (2009). 154:Meeting for Worship." 260:10.1353/qkh.1986.0014 217:10.1353/qkh.1984.0014 16:In the early days of 137:, rap, hip hop, and 97:Flanders & Swann 306:The Choral Journal 499:978-1-907123-01-6 105:Lord of the Dance 532: 525:Quaker practices 504: 503: 486: 480: 479: 455: 449: 448: 429: 423: 422: 415: 409: 408: 401: 395: 394: 370: 364: 363: 356: 350: 349: 342: 336: 335: 330:. Archived from 320: 314: 313: 301: 295: 294: 286: 280: 279: 243: 237: 236: 200: 147:Guilford College 540: 539: 535: 534: 533: 531: 530: 529: 520:Christian music 510: 509: 508: 507: 500: 488: 487: 483: 466: 463:Wayback Machine 456: 452: 431: 430: 426: 417: 416: 412: 403: 402: 398: 381: 378:Wayback Machine 371: 367: 358: 357: 353: 344: 343: 339: 328:esr.earlham.edu 322: 321: 317: 303: 302: 298: 288: 287: 283: 245: 244: 240: 202: 201: 197: 192: 169: 164: 125: 113: 79: 78: 74: 70: 66: 62: 58: 54: 50: 30: 12: 11: 5: 538: 536: 528: 527: 522: 512: 511: 506: 505: 498: 481: 450: 424: 410: 396: 365: 351: 337: 334:on 2014-11-04. 315: 296: 281: 248:Quaker History 238: 205:Quaker History 194: 193: 191: 188: 187: 186: 181: 175: 168: 165: 163: 160: 124: 121: 112: 109: 29: 26: 13: 10: 9: 6: 4: 3: 2: 537: 526: 523: 521: 518: 517: 515: 501: 495: 491: 485: 482: 477: 476: 471: 470: 464: 460: 454: 451: 446: 442: 441: 436: 435: 428: 425: 420: 414: 411: 406: 400: 397: 392: 391: 386: 385: 379: 375: 369: 366: 362:. April 2021. 361: 355: 352: 347: 341: 338: 333: 329: 325: 319: 316: 311: 307: 300: 297: 292: 285: 282: 277: 273: 269: 265: 261: 257: 254:(2): 83–101. 253: 249: 242: 239: 234: 230: 226: 222: 218: 214: 210: 206: 199: 196: 189: 185: 182: 180: 176: 174: 171: 170: 166: 161: 159: 155: 152: 148: 143: 140: 136: 131: 130: 122: 120: 118: 117:The Leaveners 110: 108: 106: 102: 101:Sydney Carter 98: 94: 89: 87: 83: 77: 73: 69: 65: 61: 57: 53: 49: 45: 43: 38: 36: 27: 25: 23: 19: 489: 484: 473: 468: 459:Ghostarchive 457:Archived at 453: 438: 433: 427: 413: 399: 388: 383: 374:Ghostarchive 372:Archived at 368: 354: 340: 332:the original 327: 318: 309: 305: 299: 290: 284: 251: 247: 241: 208: 204: 198: 156: 150: 144: 132: 126: 114: 93:Donald Swann 90: 82:Peter Seeger 75: 71: 67: 63: 59: 55: 51: 47: 46: 39: 31: 15: 312:(5): 15–24. 211:(1): 1–13. 135:spoken word 514:Categories 167:References 40:The hymn " 276:162244007 233:162288623 190:Footnotes 129:Joan Baez 88:origins. 18:Quakerism 461:and the 445:Archived 376:and the 268:41935204 225:41947005 475:YouTube 440:YouTube 390:YouTube 162:Sources 496:  274:  266:  231:  223:  99:, and 86:Shaker 22:Psalms 272:S2CID 264:JSTOR 229:S2CID 221:JSTOR 494:ISBN 139:folk 256:doi 213:doi 107:". 95:of 516:: 472:. 465:: 443:. 437:. 387:. 380:: 326:. 310:34 308:. 270:. 262:. 252:75 250:. 227:. 219:. 209:73 207:. 502:. 478:. 421:. 407:. 393:. 348:. 278:. 258:: 235:. 215::

Index

Quakerism
Psalms
John Greenleaf Whittier
How Can I Keep from Singing?
Peter Seeger
Shaker
Donald Swann
Flanders & Swann
Sydney Carter
Lord of the Dance
The Leaveners
Joan Baez
spoken word
folk
Guilford College
http://www.friendsjournal.org/bum-rush-the-internet/
http://digitalcommons.georgefox.edu/quakerstudies/vol7/iss2/7
https://web.archive.org/web/20150411091556/http://www.haverford.edu/library/special/exhibitions/online_exhibitions/quakermusic/index.html
doi
10.1353/qkh.1984.0014
JSTOR
41947005
S2CID
162288623
doi
10.1353/qkh.1986.0014
JSTOR
41935204
S2CID
162244007

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