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criteria for determining identity." For example, Ishmael initially describes
Queequeg as a cannibal and a savage, but soon realizes that his appearances are misleading. Vick believes that Ishmael's consideration of Queequeg that contrasts the "illusion of his darkness" with the "reality of his goodness" promotes questioning of the traditional ideas of the racial hierarchy. Vick mentions how Ishmael then states that "a man can be honest in any sort of skin", which contributes to her argument that Melville's language encourages a new and just way of thinking.
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285:
Queequeg's tattoos are described in the text as more geometric and square-shaped than the Māori tattoos that are often "rounded into spirals". Because the historical evidence points to Craik's book as an inspiration for
Melville, Ellis argues that these tattoos similarly indicate genealogy, family, and individual identities. Additionally, she believes that these parallels create a stronger link between Queequeg and Pacific origin cultures.
43:
493:, one of the 12 playable characters is a young woman named Ishmael. Her backstory, like that of every character in the game, mirrors that of her literary counterpart. Queequeg is an important figure in Ishmael's backstory, and is depicted as an intimidating, muscular woman who had taken Ishmael under her wing, and with whom Ishmael had formed a deeper bond.
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216:. The story outlines his royal, Polynesian descent, as well as his desire to "visit Christendom" that led him to leave his homeland. Queequeg is visually distinguished by his striking facial tattoos and tan skin. Ishmael encounters Queequeg in Chapter Four and they become unlikely friends. Once aboard the whaling ship the
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recovers from his illness, he does die by other means in the end. He does not survive the Pequod's wreck as
Ishmael is the only survivor. Still, he is ultimately responsible for saving Ishmael's life from beyond the grave. Ishmael survives the wreck by clinging to the coffin that had been made for Queequeg.
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In the novel, Queequeg is described as having an "ambitious soul" who had a strong "desire to visit
Christendom". Queequeg left home when he snuck onto a Sag Harbor ship that was passing by his father's land. At first rejected by the whaler that landed on his island, he skillfully jumped from a canoe
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At one point in chapter 10, Ishmael describes
Queequeg as having "large, deep eyes, fiery black and bold... He looked like a man who had never cringed and never had had a creditor... His forehead was drawn out in freer and brighter relief, and looked more expansive than it otherwise would." Ishmael
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mislabels him as Quohog in the forms enrolling him to work on the ship. Queequeg is unable to correct Peleg's mistake because he cannot read or write. He is only able to sign the document with a mark that replicates one tattoo on his right arm. Dissimilarly, Berthold mentions that the coffin allows
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Chapter Four begins with
Queequeg's arm "thrown over" Ishmael in his sleep. This scene is an abrupt, striking contrast to the previous chapter in which Queequeg threatens to kill Ishmael. Ishmael states that "You had almost thought I had been his wife." Soon after, in Chapter 10, Queequeg proclaims
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In her journal article "'Defamiliarization' and the
Ideology of Race in 'Moby Dick'", Martha Vick states that the "use of language to acknowledge equality bestows the highest dignity possible on a nonwhite character at the same time that it calls into question the use of racial characteristics as
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Toward the end of the novel
Queequeg falls ill and is presumed to die. In chapter 110, Queequeg expresses his desire to not be buried in his hammock, "according to the usual sea-custom", but rather that a canoe-like coffin be made for him when he dies. Sickness does not overtake Queequeg. While he
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Steven B. Herrmann analyzes this relationship in his journal article "Melville's
Portrait of Same-Sex Marriage in Moby-Dick." Herrmann believes that the "Ishmael-Queequeg 'marriage'...is the first portrait of same-sex marriage in American literature." He sees the physical affection between the two
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when
Ishmael and he are placed in the same room of The Spouter-Inn. At this moment, Queequeg had just returned from a whaling voyage and Ishmael was staying the night on the way towards a voyage as well. Queequeg returns late to the inn, not knowing that Ishmael has been booked into the same room
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While the descriptions of Queequeg's tattoos are dissimilar to those of the Māori Chief, Ellis claims that Melville took inspiration from Te Pēhi Kupe. The parallels and distinctions between his source of inspiration are important to Ellis's interpretation of Queequeg. Although they are similar,
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outline's one idea regarding the symbolic meaning of Queeqeug's coffin. When Queequeg heals and is no longer presumed to die in chapter 110, the book mentions how he spent many hours "carving the lid with all manner of grotesque figures and drawings…to copy parts of the twisted tattooing on his
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characters as Melville moving beyond the "cultural imprints of homophobia" in literature. Regardless of Herrmann's beliefs, it cannot be confirmed whether Melville intended for this to be a homosexual relationship; Melville leaves this interpretation to the reader.
238:. He was the son of High Chief, King as well various other well-respected individuals of his community. Queequeg's culture is referenced to be cannibalistic. The narration of the book makes it clear that cannibalism was not universally accepted at this time.
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goes on to equate this description of Queequeg to George Washington's head. Ishmael states: "It had the same long regularly graded retreating, like two long promontories thickly wooded on top. Queequeg was George Washington cannibalistically developed."
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but none as a whaler) is initially offered a 777th lay but eventually secures a 300th. In port, Queequeg carries his sharpened harpoon with him at all times, unless prevented from doing so. He shaves with his harpoon as well and smokes regularly from a
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for Queequeg to "reproduce his entire body" in terms of tattoos. Berthold sees this full representation of Queequeg's tattoos on the coffin as a reclamation of "the wholeness that the official discourse of a Peleg denies him" previously in chapter 18.
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with him. Ishmael is at first afraid of this unfamiliar person who he must share a bed with, however, he keeps an open mind. He quickly comes to the conclusion that "for all his tattooings he was on the whole a clean, comely looking cannibal."
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body." In his article, Berthold says that because of the tattoos carved into it, the coffin is "Queequeg's sacred text and co-extensive with his own body." Berthold sees this moment as in contrast to chapter 18 when
253:"). In chapter seventeen, Queequeg locks himself in his room in Nantucket to keep his fast and silence. Even after Ishmael enters the room, Queequeg is unbothered and does not acknowledge Ishmael's presence.
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and clamped to the side of the boat as it was leaving for the open sea, at which point the captain relented. He was trained as a whaleman during this time and continued in this profession going forward.
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character. The name was also taken as an email handle by Scully. In Season 11 Episode 7, Scully tells a security company representative her password to reset her home alarm is Queequeg.
281:. Records indicate that Melville's encounter with Craik's book in 1850 caused him to replace Bulkington (the originally intended companion of Ishmael) with a new character: Queequeg.
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using a small idol named Yojo, for whom he builds small ceremonial fires. As part of his religion, he practices a prolonged period of fasting and silence (which Ishmael calls his "
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265:, author Juniper Ellis contemplates the significance of Queequeg's face and bodily markings. Ellis claims that Melville was inspired by a representation of the
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Queequeg is native to the fictional island of Kokovoko (also known as Rokovoko), an "island far away to the West and South", or more specifically in the
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by striking a small drop of tar floating on the water with one throw. The owners are so impressed that they immediately offer him a 90th lay (
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of the ship's profit) in exchange for his signing on with the crew. By contrast, Ishmael (who has experience in the
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548:. New York: W.W. Norton & Company. pp. 31, 39, 44, 73–77, 81–2, 96–115, 117–119, 546–551, epilogue.
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Despite his interest in "Christendom", Queequeg practiced a pagan religion. Queequeg practices a form of
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741:"'The X-Files' Review: 'Rm9sbG93ZXJz' Keeps It Simple and Silent for a Creatively Daring Episode"
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Michael C. Berthold's journal article titled "Moby-Dick and American Slave Narrative" from the
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He is an extraordinary harpooner, demonstrating his skill for the money-tight owners of the
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that they are married, which in his country implies that they are "bosom friends".
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Ellis, Juniper. ""The Original Queequeg"? TE PEHI KUPE, TOI MOKO, AND MOBY-DICK".
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In Chapter Three, Queequeg stays out late selling human heads from New Zealand.
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Whipscars and Tattoos : The Last of the Mohicans, Moby-Dick, and the Maori
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715:"The X-Files: Can We Address That Queequeg Shout-Out on This Week's Episode?"
484:, operated by a crew who wear portraits of Herman Melville on their uniforms.
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American Silent Horror, Science Fiction and Fantasy Feature Films, 1913–1929
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779:"Much to Learn You Still Have: 8 Things You Might Not Know About Weequays"
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Fabulous Monsters: Dracula, Alice, Superman, and Other Literary Friends
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Queequeg's is the name of a coffee chain in the video game universe of
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named her dog Queequeg (last appearance Season 3 Episode 22) after the
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Soister, John T.; Nicolella, Henry; Joyce, Steve (January 31, 2013).
480:, the main characters, the Baudelaires, board a submarine named the
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894:, 1st ed., University of California Press, 1973, pp. 215–38.
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871:
STRAUCH, CARL F. “ISHMAEL: TIME AND PERSONALITY IN ‘MOBY-DICK.’”
849:, https://doi.org/10.2307/j.ctvnwbztx.20. Accessed 14 Dec. 2023.
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898:, https://doi.org/10.2307/jj.8085324.14. Accessed 14 Dec. 2023.
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638:""DEFAMILIARIZATION" AND THE IDEOLOGY OF RACE IN "MOBY-DICK""
838:, https://doi.org/10.2307/3044383. Accessed 14 Dec. 2023.
890:
ZOELLNER, ROBERT. “QUEEQUEG: The Well-Governed Shark.”
586:"Melville's Portrait of Same-Sex Marriage in Moby-Dick"
458:. Its supposed in-game rival chain is named Pequod's.
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A version of Queequeg appears as a character in the
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845:, Yale University Press, 2019, pp. 93–98.
222:, Queequeg becomes the harpooner for the mate
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892:The Salt-Sea Mastodon: A Reading of Moby-Dick
8:
570:. Columbia University Press. pp. 52–65.
544:Melville, Herman (1851). Simon, Pete (ed.).
487:In the South Korean indie horror gacha game
16:Fictional character from the novel Moby-Dick
356:Queequeg (center) and Ishmael approach the
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692:"The Greatest Bookish Moments of Futurama"
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834:, vol. 13, no. 3, 1958, pp. 249–54.
739:Miller, Liz Shannon (February 28, 2018).
474:In the eleventh book of Lemony Snicket's
127:Learn how and when to remove this message
612:"Moby-Dick and American Slave Narrative"
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413:'s most memorable role was Queequeg in
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857:. New York: Oxford University Press.
813:The Dream of the Great American Novel
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830:Leiter, Louis. “Queequeg’s Coffin.”
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584:Herrmann, Steven B. (Summer 2010).
293:Queequeg and Ishmael first meet in
1213:Bart Simpson's Treehouse of Horror
713:Panos, Maggie (February 2, 2016).
590:Jung Journal: Culture & Psyche
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777:Jennings, Dana (August 1, 2018).
206:is a character in the 1851 novel
1128:Hakugei: Legend of the Moby Dick
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690:Smith, Eric (January 2, 2014).
648:(3): 325–338 – via JSTOR.
622:(1): 135–148 – via JSTOR.
52:needs additional citations for
841:Manguel, Alberto. “QUEEQUEG.”
636:Vick, Martha C. (March 1992).
477:A Series of Unfortunate Events
430:The Day the Earth Stood Stupid
30:A Series of Unfortunate Events
21:A Series of Unfortunate Events
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1375:Male characters in literature
596:(3): 65–82 – via JSTOR.
230:Familial and cultural history
1262:Moby Dick and Mighty Mightor
1220:The Call of the Wretched Sea
816:. Harvard University Press.
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1309:Green Shadows, White Whale
853:Sanborn, Geoffrey (2011).
832:Nineteenth-Century Fiction
386:that he carries with him.
295:New Bedford, Massachusetts
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1234:Dopey Dick the Pink Whale
289:Relationship with Ishmael
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1027:Fast-Fish and Loose-Fish
887:. Accessed 14 Dec. 2023.
616:The Massachusetts Review
461:An alien species called
404:the 1956 film adaptation
1380:Characters in Moby-Dick
1332:In the Heart of the Sea
1324:In the Heart of the Sea
546:Moby-Dick, or The Whale
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181:In-universe information
19:For the submarine from
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332:Race through Queequeg
873:Studies in the Novel
667:McFarland Publishing
345:Skills and interests
320:Massachusetts Review
61:improve this article
1355:Fictional cannibals
1163:Moby Dick—Rehearsed
567:Tattooing the World
390:Cultural references
275:George Lillie Craik
263:Tattooing the World
236:South Pacific Ocean
212:by American author
141:Fictional character
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1080:(1971; unfinished)
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