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as found in his works. According to different studies on literary journalism, works of Nick
Joaquin serve as examples of social sciences applied to the arts. This was further seen in his work âPhilippine lettersâ Dr Jekyll and Mr Hyde which, according to scholars, showed de Manila's career which oscillates between fiction and non-fiction. It was during 1960 wherein Nick Joaquin entered journalism from being a fiction writer. It was under the name of de Manila wherein he began to publish reportage in a literary journalistic style. This was then referred to as, he claimed, âNew Journalismâ in the United States according to the Philippine Daily Inquirer. Different literary scholars claim that the works of Nick Joaquin as de Manila exemplifies what he quotes as âgood reportage with grace of styleâ. One of de Manila's publication, âThe House on Zapote Streetâ, was termed journalism by the author but is read much like his fictional works under the name Nick Joaquin.
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Noticeably in his works namely After the Picnic and Summer
Solstice, the recurring theme of the rejection of the colonial self can be seen in the conflicts of the protagonist such as Chedeng, from After the Picnic, to reject Father Chavez's white-ego-ideals. In Chedeng's attempt to assert one's identity through rejection of the colonial self-imposed by society, she is confronted into choosing whether she would obliged with the white-ego ideal which asserts her security or rejection of the white-ego-ideal. Nick Joaquin also, every now and then, motleys this theme with other themes such as gender conflict, which can be evident in After the Picnic and Summer Solstice. A good example of Nick Joaquin's blending of themes is Summer Solstice, wherein he conflates gender conflict with colonial conflict, noticeable in the assertion of Doña Lupeng in the reclamation of the power of patriarchy by womanhood.
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both their good and bad qualities. In his essays, Nick
Joaquin is said to employ real life situations through symbolic qualities reflecting certain social and cultural values. This is done through the subject selection and form of writing chosen which are considered by many different fellow artists as unique. In terms of the development of the English language, Nick Joaquin was able to contribute to this by adding Filipino feelings, values, and nuances. Literary writers have mentioned how he was able to preserve the culture of the Filipinos through the use of a different tongue. The English language used by Nick Joaquin became a medium to express his literary artistry and Filipino Patriotism. Nick Joaquin was able to publish a large body of literary works during his time and through this, he has had great contribution to Philippine literature in English.
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Dying Wantonâ and âThe Mass of St. Sylvestreâ whose themes are said to be drawn from
Spanish traditions. Stories from Tropical Goth, although not as obvious according to critics, possessed a Christian background but there were arguments made that what is Christian is not necessarily theological. Different analysis of Nick Joaquin's works on these stories found in Tropical Goth reveal the use of primordial and pagan symbols. There is a fixation towards brute and the cult. Critics mention that while there are theological levels present in these stories, these were more at the folk level than dogmatic and were more reflective rather than perspective. These were then referred to as reflections of the theology of culture.
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of
Quijano de Manila. The beginning of Late Joaquin was seen after he had published two significant essays and three plays after 1975. Publications of Late Joaquin still deal with similar themes of history, paganism and Christianity and morality. His published article, The Manila Review on âCulture of Historyâ represent his philosophy of the past which underlies many of his early works. Critics emphasizes that in the later works, there is a sharper emphasis on freedom and choice as seen in his publication in December 1975 titled âFathers and Sons: A Melodrama in Three Reelsâ which was a dramatization of his earlier story âThree Generationsâ.
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national consciousness through important elements in
Catholic Spanish Heritage. In his self-confessed mission as a writer, he is a sort of "cultural apostle", whose purpose is to revive interest in Philippine national life through literature â and provide the necessary drive and inspiration for a fuller comprehension of their cultural background. His awareness of the significance of the past to the present is part of a concerted effort to preserve the spiritual tradition and the orthodox faith of the Catholic past â which he perceives as the only solution to our modern ills.
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Despite the gap, Lacaba argues that there is a recurring theme present in the later works of Nick
Joaquin. In Emmanuel Lacaba's criticism, he mentions the radical change in language, mainly through the dialogue used. Early Nick Joaquin, as Lacaba described through the example of Tropical Goth, made use of âlushâ language as well as âbaroqueâ once the readers get past the words used. Similar cases for âCandidoâs Apocalypseâ and âThe Order of Melchizedekâ which show more similarities than differences in the way of sentence patterns used.
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ten. He purveyed his father's personal library and loved the bookstores in downtown Manila. He read voraciously and intently, he read everything that had caught his eye. He enjoyed the âpoetry of Edna St. Vincent Millay and Vachel
Lindsay to the stories of Anton Chekhov, to the novels of Dostoyevsky, D. H. Lawrence, and Willa Cather. He read American magazines (Saturday Evening Post, Cosmopolitan, Harperâs Magazine) and discovered the fiction of Booth Tarkington, Somerset Maugham, F. Scott Fitzgerald, and Ernest Hemingway.â
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spirit, and the like. They are often set in old Manila, the walled city of
Intramuros, and sometimes Paco â as a symbol of congruence, the glory and culture of the past, rather than a geographical concept. His characters are mostly cultured intellectuals of past generations, while the opposing characters are usually from the materialistic modern age. Unless they are portrayed to adjust better than old men, women seldom have significant roles in this cultured world of the past.
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the works produced. They also referred to these years as the time wherein Nick
Joaquin was recognized as a first rank writer in the Philippines. Works included in these years include âProse and Poemsâ (1952), three stories in the âFree Pressâ (1965 - 1966) and The portrait of the Artist as a Filipino. Included in the first edition of Nick Joaquin's âProse and Poemsâ were the titles âThe Woman Who had Two Navelsâ (1961) and âLa Naval de Manilaâ (1964).
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261:, and reached the position of Colonel. He retired after he was wounded in action and moved on to a prolific career as a lawyer in Manila and the southern province of Laguna. Salomé Marquez was a well-educated woman who taught in a Manila public school. She was trained by Americans in English to teach at the public schools when the United States colonized the Philippines.
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268:) in Paco, Manila. Joaquin was said to have had an extremely happy childhood. The Joaquin children were tutored in Spanish & piano, and the children were encouraged to have an interest in the arts. The Joaquin household communicated in Spanish and heard mass regularly. Joaquin is a notably devout Christian and continued being so his whole life.
301:, where he worked as a proofreader. It was accepted by the writer and editor Serafin Lanot. Joaquin had felt a strong connection with the story of Don Quixote; he felt like he could identify with the character. Later in life, he used a similar iteration of Quixote in his various pen names, Quijano de PacĂł and Quijano de Manila.
649:. That is something we dd not know then and it's something we still mostly ignore. Our historians now say that the foreign war that Filipinos were made to fight, and for which they hewed timber, built ships, and gathered provisions, were of no concern to us and therefore not Philippine history. But if, for the war against the
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Nick Joaquin's name as a literary artist is considered, by different university professors, as a key figure in Philippine literature in English due to the imparted truths of his writing. In his different works, Nick Joaquin has presented objective realities about different events and people capturing
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Emmanuel Lacaba, member of Philippine Studies, argues that the three Free Press Stories known as âCandidoâs Apocalypseâ, â"Doña Jeronimaâ, and âThe Order of Melchizedekâ, were considered works under the older Nick Joaquin given the gap between these works and the earlier stories of âProse and Poemsâ.
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to the scholar, and shoes to the man on the street. Epochal enough was the transfer of Western flora and fauna to the Philippines. Even more epochal was the transfer here of Western technology, with the galleons serving, literally, as vessels and media. What Philippine culture owes the Manila Galleon
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Throughout the occupation, Joaquin had continued writing. âThe Woman Who Felt Like Lazarusâ and the essay âLa Naval de Manilaâ were borne out of this war period Joaquin had detested. His work had appeared in the Philippine Review, an English-language journal, in 1943. His story, "It Was Later Than We
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The Late Nick Joaquin is defined by critics as the time 10 years after his absence from the field of fiction. These years, as defined by Lacaba, were about Joaquin devoting himself entirely to Free Press and journalistic writing. This was defined by Joaquin the essayist. He wrote under the pseudonym
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Critics of Nick Joaquin's works mention the presence of theological dimensions in his writings. These critics, such as Lumbera, referred to Nick Joaquin as the most stimulating lay theologian, 1968. Such examples of works containing theological dimensions include â"Doña Jeronimaâ, âThe Legend of the
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awarded him an honorary Associate in Arts (A.A.) and a scholarship to St. Albert's Convent, the Dominican monastery in Hong Kong. There he was once again close to his family's original goal for him to enter the seminary. Joaquin and his family were devoutly Christian. He notably heard mass daily and
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Nick Joaquin attended Paco Elementary School and went to Mapa High School for secondary education. However, in his third year informed his mother that he wanted to drop out because he felt that the classroom was too confined for him and that he learned more outside of it. His mother Salomé, a former
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Nick Joaquin's foray into literary journalism involved bringing together his two careers. Joaquin argued that Philippine letters during the 1950s and 1960s were polarized into extremes: literature and journalism. Joaquin, under the name of Quijano de Manila during that time, belonged to both worlds
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A theological theme revealed in the Early Joaquin works is the emphasis on history and time. These are evident, according to critics, in works such as âMay Day Eveâ. âGuardia de Honorâ, and âThe Order of Melchizedekâ and while not as obvious, were present as thematic backgrounds in âDoña Jeronimaâ,
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An avid reader, Joaquin, used this time to pursue his passion for it. He was described as having a ârabid and insane love for booksâ by his sister-in-law Sarah K. Joaquin. His parents had encouraged his interest in books early on. He already had a borrower's card at the National Library when he was
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The Joaquins had lived a handsome life until Don Leocadio lost the family fortune in a failed investment on an oil exploration project in the late 1920s. The family moved out of their Herran home and into a rented house in Pasay. Don Leocadio passed not long after. The young Joaquin was only twelve
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Critics, such as Furay, define Early Nick Joaquin through his nine stories of Tropic Gothic which emphasizes his talents in Philippine writing in English. Additionally, through the mention of works such as âProse and Poemsâ (1952) and the three additional âFree Press storiesâ (1972), critics argue
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Attempting to characterize stories of Tropic Goth as what critics referred to as a product of the Early Nick Joaquin would be deceptive for it was written, along with majority of his works, during the thirties. Critics referred to the publication years of 1946 -1966 as most significant in terms of
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According to critics, Nick Joaquin is said to be a writer who sees the essence of being Filipino in the return to the Filipino's pre-Hispanic past. National identity is a very important topic for Nick Joaquin as evident in his works such as La Naval de Manila, After the Picnic and Summer Solstice.
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In a critical study of his prose and poems, the subjects depicted his nostalgia for the past, church rituals, legends, the mysterious, the different shades of evil, the power of the basic emotions over culture, the freedom of the will against fate, the mutability of the human body compared to the
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Joaquin continued publishing stories and poems between 1934 and 1941 in the Herald Mid-Week Magazine and the Sunday Tribune Magazine. The Commonwealth years were a particularly vibrant era in Philippine literature. Later, the Japanese occupation closed down the Tribune and other publications. The
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Different Analysis of Nick Joaquin's work, mainly âThe Woman Who Had Two Navelsâ and stories from âTropical Gothicâ, have led critics to mention the theme of individual free will as seen in the emphasis of choice and free will in the mentioned stories. This is found, in what critics refer to, as
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Before becoming one of the leading practitioners of Philippine literature in English, he was a seminarian in Hong Kong â who later realized that he could better serve God and humanity by being a writer. This is reflected in the content and style of his works, as he emphasizes the need to restore
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A little later, in 1937 he published his first short story in the Sunday Tribune Magazine, âThe Sorrows of Vaudevilleâ telling the story of the vaudevilles in Manilaâa city he was endlessly enamored by. It was accepted by the writer and editor Serafin Lanot.
448:. Published in 1952, it contains his most renowned short stories "Three Generations", âMay Day Eveâ, âAfter the Picnicâ, âThe Legend of the Dying Wantonâ, âThe Legend of the Virgin Jewelâ, and âIt Was Later than we Thoughtâ. Editor Seymour Laurence and poet
250:. There are varying accounts on the date of his birth, some cite it as September 15, 1917. This could stem from how Joaquin himself refrained from revealing his date of birth because he disliked the fuss of people coming over and celebrating his birthday.
556:"It was the Manila Galleon that brought the guitar to the kanto-boy, the caserola to the housewife, hammer and saw to the carpenter, hoe and spade to the farmer, easel and brush to the artist, the compass to the seaman, the clock to the office worker,
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Thought" and his translation of Rizal's Mi Ultimo Adios were also published. He was beginning to spark an interest from readers. However, the reticent Joaquin shied away from recognition. He had created this mysterious and distant author.
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is incalculable. Even that badge of nationalism, the barong tagalog, may have come over on those boats. Think of anything supremely Pinoyâguava or camote or sili or sibuyas verdeâand you find they were given to us by the galleons."
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After leaving school, Joaquin worked as an apprentice in a bakery in Pasay and later on in the publishing company TVT (Tribune-Vanguardia-Taliba.) This allowed him a small taste of an industry he would spend most of his life in.
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After being honored as National Artist, Joaquin used his position to work for intellectual freedom in society. He secured the release of imprisoned writer José F. Lacaba. At a ceremony on Mount Makiling attended by First Lady
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Joaquin received several honors and distinctions in the fields of literature and journalism. In 1973, his collection of poems and short stories won the SEATO Literary Award. In 1976, he was conferred the title of
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a diwata and the mountain's mythical maiden. Joaquin touched on the importance of freedom and the artist. After that, Joaquin was excluded by the Marcos regime as a speaker at important cultural events.
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Tropical Gothic was reviewed in Philippine studies by H.B. Furay, Lourdes Busuego Pabo, and Emmanuel Lacaba. Critics describe this as the end of what they refer to as the Early Joaquin.
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Very early on, Joaquin was already exploring his literary voice. At age 17, he published his first English poem about Don Quixote, in the literary section of the pre-World War II
998:. The plot was inspired by Nick Joaquin's 1960 article "The Boy Who Wanted to Become Society" later republished in the non-fiction crime anthology, Reportage on Crime (1977).
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345:. His journalism was both intellectual and provocative, an unknown genre in the Philippines at that time, and raised the country's level of reportage.
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Nick Joaquin argues that, "It was on the Manila Galleon that we began to become the Philippines." He, also writes about the war of Spain against the
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that the greatness of his writing lies in his themes used as well as deep intellectual analysis of Philippine culture embedded in his writing style.
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229:. Unlike Rizal and Recto, whose works were written in Spanish, Joaquin's major works were written in English despite being literate in Spanish.
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Quijano de Manila. In 1996, he was chosen Journalist of the Year at the 11th National Press Club-Esso Journalism Awards. His nominator, the
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magazine, where he worked with Juan P. Dayang, the magazine's first publisher. Joaquin was also publisher of its sister publication,
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The Joaquin family lived in a two-story residential and commercial building, greatly uncommon at that time, on Herran Street (now
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lauded "Three Generations" as "a short story masterpiece" (1952). It was also selected as the best short story published in the
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to be completely malevolent in nature, but rather brought some beneficial things in the nation, such as the development of
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1028:. The screenplay was written by Ricardo Lee. Joaquin was consulted on the film. The cast included notable Filipino actors
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1052:(2017), which won the best picture award in the 2017 Metro Manila Film Festival. It is a screen adaptation of Joaquin's
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His work âThree Generationsâ was awarded Best Short Story published in the Philippine Review (March 1943-November 1944)
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National Artist for Literature by President and Mrs. Marcos cited having âopened a new vision of Filipino Lifeâ (1976)
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world. If that be true, then the folk of Soliman's Maynila should have impressed the Spanish with their knowledge of
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Joaquin was the fifth out of the ten children of Don Leocadio Joaquin and Salomé Marquez. Don Leocadio fought in the
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Nicomedes âNickâ Joaquin y Marquez, fondly called âOnchingâ by close family and friends was born on May 4, 1917, in
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Won the nation's most prestigious awards carrying material emoluments besides honor and privileges (March 27, 1976)
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is currently working on the film inspired by the sensibilities of Nick Joaquin's 1972 short story collection,
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Joaquin deeply admired José Rizal, the national hero of the Philippines, paying him tribute in such books as
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577:. On those who say that the Philippines was already advanced in trading with other cultures, Joaquin writes:
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479:. As a member of the Philippine Free Press staff, Joaquin published weekly articles under his journalistic
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was fond of praying the Holy Rosary. He only stayed in Hong Kong for two years before returning to Manila.
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editor Teodoro Locsin, remarked that Joaquin's work had raised journalism to the level of literature.
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Joaquin's level of morality which they mention as what makes his stories expressively theological.
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Won the Seato Literary Award Contest for his collection of short stories and poems (June 1, 1973)
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for Literature. He has been considered one of the most important Filipino writers, along with
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A third way to film the story: a Filipino film adaptation of a work of literary journalism
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in 1957, and was appointed as a member of the Motion Pictures commission under presidents
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Center for Agriculture and Rural Development Mutually Reinforcing Institutions (CARD MRI)
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201:; May 4, 1917 â April 29, 2004) was a Filipino writer and journalist best known for his
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1471:"'Lingua Franca' filmmaker Isabel Sandoval to shoot her 'most ambitious film' in Cebu"
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Joaquin died of cardiac arrest in the early morning of April 29, 2004, at his home in
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Journalist of the Year in the 11th National Press Club-Esso Journalism Awards (1966)
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990:(1979), is a 1979 Film Noir directed by Lino Brocka with the screenplay written by
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A Question of Heroes: Essays in Criticism on Ten Key Figures of Philippine History
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Fictioning National Identity-Decolonizing the Filipino self-image in Nick Joaquin
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Fictioning National Identity-Decolonizing the Filipino self-image in Nick Joaquin
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Fictioning National Identity-Decolonizing the Filipino self-image in Nick Joaquin
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An analytical study of the Spanish tradition in the prose works of Nick Joaquin
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Culture and History: Occasional Notes on the Process of Philippine Becoming
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Culture and History: Occasional Notes on the Process of Philippine Becoming
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Galdon, Joseph (1976). "Review: Tropical Gothic: Nick Joaquin Revisited".
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1500:"Wait a sec, is the 'Lingua Franca' director making a Nick Joaquin film?"
1353:. Quezon City, Philippines: University of the Philippines Press. p. 4-9.
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Journalism, Literature, and the Creative Communication Arts (1958â2008)
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The Quartet of the Tiger Moon: Scenes from the People Power Apocalypse
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The Quartet of the Tiger Moon: Scenes from the People Power Apocalypse
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Critics noted that Joaquin's literary prominence rests upon his book
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teacher, was devastated by the news, but still allowed him to do so.
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De Vera, Ruel (July 6, 2014). "Long Live Nick". Philippine Inquirer.
1278:(Master's thesis). Retrieved from Rizal Library's OPAC (rlo.800680)
1262:(Master's thesis). Retrieved from Rizal Library's OPAC (rlo.800054)
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4159:
4093:
4065:
3874:
3835:
3766:
3606:
3513:
3429:
3356:
3146:
2975:
2934:
2553:
2489:
2461:
959:
626:
590:
384:
347:
206:
1460:(2 ed.). Sage Publications. p. 272 - 275. Retrieved July 9, 2018.
1351:
Telic Contemplation: A Study of Grace in Seven Philippine Writers
3457:
2589:
423:, a women's magazine, and wrote the column âSmall Beerâ for the
4756:
4424:
4044:
3636:
3256:
2859:
2414:
2373:
1712:
1567:
1563:
1188:
The Aquinos of Tarlac: An Essay in History as Three Generations
857:
The Aquinos of Tarlac: An Essay on History as Three Generations
1204:
Jaime Ongpin: The Enigma: The Profile of a Filipino as Manager
1136:
Patnubay ng Sining at Kalinangan Award from the City of Manila
1528:
Nick Joaquin: National Artist for Literature at Panitikan.com
1056:. It was translated to Filipino and written as a libretto by
4988:
Alternative Indigenous Development Foundation, Inc. (AIDFI)
569:
As is evident from these passages, Joaquin did not see the
325:
young Joaquin had to look for ways to support his family.
272:
years old and this signalled a big change in their family.
308:
After Joaquin won a nationwide essay competition to honor
1006:(1981), is a 1981 psychological horror film directed by
906:
Mr. Rural Reform: The Times and Tidings of Manny Manahan
337:
After returning to the Philippines, Joaquin joined the
540:
Yet, Nick Joaquin also recognized the significance of
5037:
5009:
4969:
4941:
4912:
4876:
4832:
4803:
4770:
4701:
4673:
4647:
4621:
4593:
4562:
4519:
4491:
4463:
4435:
4369:
4336:
4307:
4246:
4218:
4190:
4149:
4121:
4083:
4055:
3991:
3963:
3892:
3864:
3825:
3794:
3756:
3708:
3680:
3647:
3596:
3562:
3531:
3503:
3475:
3447:
3419:
3346:
3318:
3267:
3177:
3136:
3105:
3072:
3044:
3013:
2965:
2924:
2898:
2870:
2811:
2758:
2730:
2671:
2638:
2605:
2579:
2543:
2512:
2479:
2451:
2425:
2236:
2177:
2082:
1975:
1958:
1881:
1858:
1811:
1755:
1669:
1651:
1626:
1601:
918:
Mr. F.E.U., the Culture Hero That Was Nicanor Reyes
162:
142:
128:
105:
76:
57:
1260:A critical study of Nick Joaquin's prose and poems
4046:Peace and International Understanding (1958â2008)
1101:Ten Most Outstanding Young Men of the Philippines
1200:The World of Damian Domingo: 19th Century Manila
1020:(2001), a movie based on Joaquin's short story "
46: and the surname or paternal family name is
4284:International Institute of Rural Reconstruction
1175:Journalism awards, including the highly coveted
964:Nick Joaquin on a 2010 stamp of the Philippines
3551:Gawad Kalinga Community Development Foundation
1202:(co-authored with Luciano P.R. Santiago); and
217:. Joaquin was conferred the rank and title of
5126:English-language writers from the Philippines
2385:
1724:
1579:
8:
2354:National Commission for Culture and the Arts
1317:: CS1 maint: multiple names: authors list (
362:The Storyteller's New Medium â Rizal in Saga
173:Order of National Artists of the Philippines
1339:Mojares, Resil B. "Nick Joaquin Biography".
1295:Nick: A Portrait of the Artist Nick Joaquin
1108:Don Carlos Palanca Memorial Literary Awards
379:Joaquin represented the Philippines at the
4767:
4753:
4432:
4421:
4052:
4041:
3644:
3633:
3264:
3253:
2867:
2856:
2422:
2411:
2392:
2378:
2370:
1731:
1717:
1709:
1586:
1572:
1564:
1288:
1286:
1284:
1095:Philippines Free Press Short Story Contest
900:Manila, My Manila: A History for the Young
366:The Complete Poems and Plays of Jose Rizal
65:
54:
27:Filipino writer and journalist (1917â2004)
944:Siglo Filipino : Odyssey of a Nation
1749:Pambansang Alagad ng Sining ng Pilipinas
1293:Joaquin, Kismandi, Tony, Gloria (2015).
809:Language of the Streets and Other Essays
1334:
1332:
1330:
1328:
1248:
1131:Republic Cultural Heritage Award (1961)
833:Language of the Street and Other Essays
1310:
930:ABE: A Frank Sketch of E. Aguilar Cruz
924:Rizal in Saga: A Life for Student Fans
456:between March 1943 and November 1944.
5121:Burials at the Libingan ng mga Bayani
1103:(TOYM), Awardee for Literature (1955)
1010:, written for the screen by De Leon,
815:Manila: Sin City and Other Chronicles
403:, Joaquin delivered an invocation to
376:, as "Land That I Love, Farewell!".
196:
7:
1660:A Portrait of the Artist as Filipino
1410:
1408:
1406:
1396:Gonzalez, Gabriel Jose S.J. (1994).
1383:Gonzalez, Gabriel Jose S.J. (1994).
1370:Gonzalez, Gabriel Jose S.J. (1994).
1270:
1268:
1254:
1252:
1186:from the Manila Critics' Circle for
1156:Ramon Magsaysay Award for Literature
1054:A Portrait of the Artist as Filipino
797:Gloria Diaz & Other Delineations
742:A Portrait of the Artist as Filipino
536:Recognition of Spanish contributions
5091:National Artists of the Philippines
1740:National Artists of the Philippines
1237:National Artists of the Philippines
973:Contribution to Literary Journalism
791:Amalia Fuentes & Other Etchings
735:La Naval de Manila and Other Essays
213:. He also wrote using the pen name
2359:Cultural Center of the Philippines
773:Ronnie Poe & Other Silhouettes
257:by the side of his friend General
219:National Artist of the Philippines
25:
1297:. Manila: Anvil Publishing, Inc.
761:Joseph Estrada and Other Sketches
5040:
5012:
4972:
4944:
4915:
4879:
4835:
4806:
4773:
4719:
4704:
4676:
4650:
4624:
4596:
4565:
4522:
4494:
4466:
4438:
4387:
4372:
4339:
4310:
4249:
4221:
4193:
4152:
4124:
4086:
4058:
4009:
3994:
3966:
3895:
3867:
3828:
3797:
3759:
3726:
3711:
3683:
3650:
3599:
3565:
3534:
3506:
3478:
3450:
3422:
3349:
3321:
3270:
3258:Community Leadership (1958â2008)
3180:
3154:
3139:
3108:
3075:
3047:
3016:
2968:
2927:
2901:
2873:
2814:
2761:
2733:
2674:
2641:
2608:
2582:
2546:
2515:
2482:
2454:
2428:
1802:
352:Nick Joaquin is interred at the
167:
4269:Summer Institute of Linguistics
1258:Yaptenco, C. (September 1959).
956:Contribution to English Letters
767:Nora Aunor & Other Profiles
2625:Mohamed Suffian Mohamed Hashim
2416:Government Service (1958â2008)
1544:"Filipino American Literature"
1537:EncyclopĂŠdia Britannica Online
839:The Ballad of the Five Battles
1:
4356:Asian Institute of Technology
4294:Asian Institute of Management
1274:Busuego, L. (December 1953).
1125:Stonehill Award for the Novel
462:National Artist in Literature
1610:The Woman Who Had Two Navels
1419:. The Philippines: Bookmark.
803:Doveglion & Other Cameos
728:The Woman Who had Two Navels
625:knew very little even about
4994:Ma. Victoria Carpio-Bernido
4426:Emergent Leadership (2001â)
1374:. Quezon City. pp. 173â175.
1166:Ateneo de Manila University
821:Pop Stories for Groovy Kids
657:. And we might today be an
81:Nicomedes Joaquin y Marquez
5147:
3381:Pandurang Shastri Athavale
2861:Public Service (1958â2008)
1121:, U.S.) writing fellowship
721:The House On Zapote Street
527:Rejection of colonial self
29:
4766:
4752:
4431:
4420:
4051:
4040:
3643:
3632:
3263:
3252:
2866:
2855:
2421:
2410:
2349:
1800:
1746:
1115:Harper Publishing Company
827:Reportage on the Marcoses
425:Philippine Daily Inquirer
318:University of Santo Tomas
64:
5101:People from Paco, Manila
4289:Press Foundation of Asia
3215:Prateep Ungsongtham Hata
2717:Miriam Defensor Santiago
1498:Cabral, Katrina (2021).
1361:. Retrieved July 9, 2018
415:. He was then editor of
4581:Ambrosius Ruwindrijarto
3813:Atmakusuma Astraatmadja
3700:Edward Michael Law-Yone
2329:Federico Aguilar Alcuaz
2222:Amelia Lapeña-Bonifacio
1882:Film and Broadcast Arts
1782:Ildefonso P. Santos Jr.
1542:Hebbar, Reshmi (1998).
1456:Arriola, Joyce (2010).
1111:(1957â1958; 1965; 1976)
1060:. The music was set by
1012:Clodualdo del Mundo Jr.
621:noticed was that those
472:release the writer and
5096:Roman Catholic writers
4693:Aniceto Guterres Lopes
3743:Wannakuwatta Amaradeva
2693:Francisca Reyes-Aquino
2127:Felipe Padilla de LeĂłn
1415:Joaquin, Nick (1999).
1177:Journalist of the Year
1026:Amable âTikoyâ Aguiluz
965:
912:The D.M. Guevara Story
663:
631:
567:
485:Philippines Free Press
454:Philippines Free Press
413:San Juan, Metro Manila
357:
354:Libingan ng mga Bayani
339:Philippines Free Press
133:Libingan ng mga Bayani
5131:Magic realism writers
5086:Works by Nick Joaquin
4265:Operation Brotherhood
4025:Robert McCulloch Dick
3950:Eugenia Duran Apostol
3365:Mandakini Amte &
2990:Banoo Jehangir Coyaji
2401:Ramon Magsaysay Award
2192:Wilfrido Ma. Guerrero
2169:Fides Cuyugan-Asensio
2103:Antonino Buenaventura
1959:Historical Literature
1873:Salvacion Lim Higgins
1400:. Quezon City. p. 70.
1387:. Quezon City. p. 68.
1349:Nudas, Alfeo (1979).
1162:Tanglaw ng Lahi Award
1142:National Artist Award
963:
863:Almanac for Manileños
845:Reportage on Politics
639:
579:
554:
431:an opinion tabloid.
351:
255:Philippine Revolution
242:Early life and family
4141:Ahmad Syafi'i Maarif
2690:Jose Vasquez Aguilar
1890:Lamberto V. Avellana
1184:National Book Awards
1042:Raymond B. Bagatsing
755:A Question of Heroes
637:in the 17th century:
548:. Commenting on the
137:Loyola Memorial Park
5106:Writers from Manila
4991:Christopher Bernido
4790:Syeda Rizwana Hasan
4404:Genevieve Caulfield
4113:Laxminarayan Ramdas
3983:Prayoon Chanyavongs
3672:Abdullah Abu Sayeed
3386:Chandi Prasad Bhatt
3302:Zafrullah Chowdhury
3287:Tahrunessa Abdullah
3225:Sithiporn Kridakara
3000:Jayaprakash Narayan
2299:J. Navarro Elizalde
2257:Guillermo Tolentino
2157:Francisco Feliciano
2139:Ernani Joson Cuenco
2032:Virgilio S. Almario
2008:Francisco Arcellana
1820:Francisca R. Aquino
1788:JosĂ© MarĂa Zaragoza
1642:The Summer Solstice
1067:Filipina filmmaker
1032:(as Paeng Moreta,)
1024:", was directed by
1022:The Summer Solstice
779:Reportage on Lovers
500:Theology of culture
491:Themes & motifs
393:Ferdinand E. Marcos
310:La Naval de Manila,
71:Portrait of Joaquin
4198:
3937:Bienvenido Lumbera
3872:
3786:Amitabha Chowdhury
3585:Krasae Chanawongse
3511:
3495:Tunku Abdul Rahman
3233:Therdchai Jivacate
3170:Joaquin Villalonga
2697:Hilario Davide Jr.
2658:Akhtar Hameed Khan
2563:Morihiko Hiramatsu
2287:Hernando R. Ocampo
2056:Cirilo F. Bautista
2044:Bienvenido Lumbera
1984:Amado V. Hernandez
1944:Marilou Diaz-Abaya
1548:, Emory University
1149:S.E.A. Write Award
966:
785:Reportage on Crime
671:Early Nick Joaquin
647:independent entity
571:Spanish occupation
552:, Joaquin writes:
474:political prisoner
417:Philippine Graphic
389:Diosdado Macapagal
358:
99:Philippine Islands
5073:
5072:
5069:
5068:
5065:
5064:
5057:Krisana Kraisintu
5002:Antonio Oposa Jr.
4795:A.H.M. Noman Khan
4748:
4747:
4744:
4743:
4666:Ananda Galappatti
4613:Benjamin Abadiano
4539:Sanjiv Chaturvedi
4416:
4415:
4412:
4411:
4361:The Royal Project
4279:Harold Ray Watson
4274:William Masterson
4036:
4035:
4032:
4031:
3781:Palagummi Sainath
3628:
3627:
3624:
3623:
3589:Prayong Ronnarong
3248:
3247:
3244:
3243:
3237:Thongbai Thongpao
3202:Mechai Viravaidya
2851:
2850:
2847:
2846:
2783:Chamlong Srimuang
2778:Anand Panyarachun
2712:Jovito R. Salonga
2367:
2366:
2335:Francisco Coching
2317:Benedicto Cabrera
2275:Vicente Manansala
2245:Fernando Amorsolo
2145:Andrea Veneracion
2014:N. V. M. Gonzalez
1990:José Garcia Villa
1706:
1705:
1417:Manila, my Manila
1087:José Garcia Villa
691:Late Nick Joaquin
655:Dutch East Indies
450:JosĂ© GarcĂa Villa
381:International PEN
343:Quijano de Manila
312:sponsored by the
293:Career beginnings
215:Quijano de Manila
198:[hwaËkin]
179:
178:
38:or maternal
18:Quijano de Manila
16:(Redirected from
5138:
5050:
5046:
5044:
5043:
5022:
5018:
5016:
5015:
4982:
4978:
4976:
4975:
4954:
4950:
4948:
4947:
4925:
4921:
4919:
4918:
4895:Kulandei Francis
4889:
4885:
4883:
4882:
4845:
4841:
4839:
4838:
4816:
4812:
4810:
4809:
4783:
4779:
4777:
4776:
4768:
4754:
4729:
4725:
4723:
4722:
4714:
4710:
4708:
4707:
4686:
4682:
4680:
4679:
4660:
4656:
4654:
4653:
4634:
4630:
4628:
4627:
4606:
4602:
4600:
4599:
4575:
4571:
4569:
4568:
4532:
4528:
4526:
4525:
4504:
4500:
4498:
4497:
4476:
4472:
4470:
4469:
4448:
4444:
4442:
4441:
4433:
4422:
4397:
4393:
4391:
4390:
4382:
4378:
4376:
4375:
4349:
4345:
4343:
4342:
4320:
4316:
4314:
4313:
4259:
4255:
4253:
4252:
4238:Ibn Abdur Rehman
4231:
4227:
4225:
4224:
4203:
4199:
4197:
4196:
4162:
4158:
4156:
4155:
4134:
4130:
4128:
4127:
4096:
4092:
4090:
4089:
4068:
4064:
4062:
4061:
4053:
4042:
4019:
4015:
4013:
4012:
4004:
4000:
3998:
3997:
3976:
3972:
3970:
3969:
3905:
3901:
3899:
3898:
3877:
3873:
3871:
3870:
3853:Michiko Ishimure
3838:
3834:
3832:
3831:
3807:
3803:
3801:
3800:
3769:
3765:
3763:
3762:
3736:
3732:
3730:
3729:
3721:
3717:
3715:
3714:
3693:
3689:
3687:
3686:
3660:
3656:
3654:
3653:
3645:
3634:
3609:
3605:
3603:
3602:
3575:
3571:
3569:
3568:
3544:
3540:
3538:
3537:
3516:
3512:
3510:
3509:
3488:
3484:
3482:
3481:
3467:Sombath Somphone
3460:
3456:
3454:
3453:
3432:
3428:
3426:
3425:
3376:Rajanikant Arole
3359:
3355:
3353:
3352:
3331:
3327:
3325:
3324:
3292:Fazle Hasan Abed
3280:
3276:
3274:
3273:
3265:
3254:
3229:Sophon Suphapong
3190:
3186:
3184:
3183:
3164:
3160:
3158:
3157:
3149:
3145:
3143:
3142:
3118:
3114:
3112:
3111:
3085:
3081:
3079:
3078:
3057:
3053:
3051:
3050:
3026:
3022:
3020:
3019:
2978:
2974:
2972:
2971:
2937:
2933:
2931:
2930:
2911:
2907:
2905:
2904:
2883:
2879:
2877:
2876:
2868:
2857:
2824:
2820:
2818:
2817:
2793:Phon Sangsingkeo
2771:
2767:
2765:
2764:
2743:
2739:
2737:
2736:
2684:
2680:
2678:
2677:
2663:Ibn Abdur Rehman
2651:
2647:
2645:
2644:
2618:
2614:
2612:
2611:
2592:
2588:
2586:
2585:
2556:
2552:
2550:
2549:
2525:
2521:
2519:
2518:
2492:
2488:
2486:
2485:
2464:
2460:
2458:
2457:
2438:
2434:
2432:
2431:
2423:
2412:
2394:
2387:
2380:
2371:
2251:Botong Francisco
2210:Severino Montano
2186:Atang de la Rama
2109:Lucrecia Kasilag
2068:Resil B. Mojares
2050:Lazaro Francisco
2002:Carlos P. Romulo
1920:Fernando Poe Jr.
1806:
1805:
1794:Francisco Mañosa
1733:
1726:
1719:
1710:
1617:Cave and Shadows
1588:
1581:
1574:
1565:
1547:
1515:
1514:
1512:
1510:
1495:
1489:
1488:
1486:
1484:
1479:. April 22, 2021
1467:
1461:
1454:
1448:
1445:
1439:
1438:(24): 455 - 463.
1428:
1422:
1420:
1412:
1401:
1394:
1388:
1381:
1375:
1368:
1362:
1347:
1341:
1340:
1336:
1323:
1322:
1316:
1308:
1290:
1279:
1272:
1263:
1256:
869:Cave and Shadows
851:Tropical Baroque
617:. All the early
575:national culture
544:contribution in
470:Ferdinand Marcos
266:Pedro Gil Street
259:Emilio Aguinaldo
211:English language
200:
195:
175:
171:
112:
90:
88:
69:
55:
21:
5146:
5145:
5141:
5140:
5139:
5137:
5136:
5135:
5076:
5075:
5074:
5061:
5041:
5039:
5038:
5033:
5013:
5011:
5010:
5005:
4973:
4971:
4970:
4965:
4961:Tadatoshi Akiba
4945:
4943:
4942:
4937:
4931:Hasanain Juaini
4916:
4914:
4913:
4908:
4880:
4878:
4877:
4872:
4836:
4834:
4833:
4828:
4822:Yang Saing Koma
4807:
4805:
4804:
4799:
4774:
4772:
4771:
4762:
4740:
4720:
4718:
4717:
4715:
4705:
4703:
4702:
4697:
4677:
4675:
4674:
4669:
4651:
4649:
4648:
4643:
4625:
4623:
4622:
4617:
4597:
4595:
4594:
4589:
4585:Dita Indah Sari
4566:
4564:
4563:
4558:
4544:Arvind Kejriwal
4523:
4521:
4520:
4515:
4495:
4493:
4492:
4487:
4483:Chen Guangcheng
4467:
4465:
4464:
4459:
4439:
4437:
4436:
4427:
4408:
4388:
4386:
4385:
4383:
4373:
4371:
4370:
4365:
4340:
4338:
4337:
4332:
4311:
4309:
4308:
4303:
4250:
4248:
4247:
4242:
4222:
4220:
4219:
4214:
4194:
4192:
4191:
4186:
4153:
4151:
4150:
4145:
4125:
4123:
4122:
4117:
4108:Jockin Arputham
4087:
4085:
4084:
4079:
4059:
4057:
4056:
4047:
4028:
4010:
4008:
4007:
4005:
3995:
3993:
3992:
3987:
3967:
3965:
3964:
3959:
3912:Zacarias Sarian
3896:
3894:
3893:
3888:
3868:
3866:
3865:
3860:
3849:Yasuji Hanamori
3829:
3827:
3826:
3821:
3798:
3796:
3795:
3790:
3760:
3758:
3757:
3752:
3748:Tarzie Vittachi
3727:
3725:
3724:
3722:
3712:
3710:
3709:
3704:
3684:
3682:
3681:
3676:
3651:
3649:
3648:
3639:
3620:
3616:14th Dalai Lama
3600:
3598:
3597:
3592:
3566:
3564:
3563:
3558:
3535:
3533:
3532:
3527:
3507:
3505:
3504:
3499:
3479:
3477:
3476:
3471:
3451:
3449:
3448:
3443:
3439:Fusaye Ichikawa
3423:
3421:
3420:
3415:
3350:
3348:
3347:
3342:
3322:
3320:
3319:
3314:
3306:Mohammed Yeasin
3271:
3269:
3268:
3259:
3240:
3207:Nilawan Pintong
3181:
3179:
3178:
3173:
3155:
3153:
3152:
3150:
3140:
3138:
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3132:
3109:
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3076:
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3009:
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2874:
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2726:
2675:
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2609:
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2601:
2583:
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2575:
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2508:
2483:
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2452:
2447:
2429:
2427:
2426:
2417:
2406:
2398:
2368:
2363:
2345:
2269:Victorio Edades
2263:Napoleon Abueva
2232:
2216:Salvador Bernal
2173:
2115:Lucio San Pedro
2078:
2038:Alejandro Roces
1971:
1954:
1896:Gerardo de LeĂłn
1877:
1854:
1807:
1803:
1798:
1751:
1742:
1737:
1707:
1702:
1672:Joaquin's works
1671:
1665:
1647:
1622:
1597:
1592:
1541:
1524:
1519:
1518:
1508:
1506:
1497:
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1305:
1292:
1291:
1282:
1273:
1266:
1257:
1250:
1245:
1228:
1082:
1073:Tropical Gothic
1069:Isabel Sandoval
1036:(Lupe Moreta),
984:
975:
958:
953:
940:
935:
896:(1988) (Editor)
882:Collected Verse
749:Tropical Gothic
715:Prose and Poems
702:
693:
673:
668:
546:the Philippines
538:
529:
520:
518:History or time
511:
509:Ethical aspects
502:
493:
446:Prose and Poems
442:
437:
405:Maria Makiling
374:Mi Ultimo Adios
335:
314:Dominican Order
295:
278:
244:
239:
193:
190:Marquez Joaquin
166:
158:
135:
124:
114:
110:
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92:
86:
84:
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82:
72:
60:
51:
32:Philippine name
28:
23:
22:
15:
12:
11:
5:
5144:
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5134:
5133:
5128:
5123:
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4609:
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4591:
4590:
4588:
4587:
4582:
4578:
4576:
4560:
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4557:
4556:
4554:Sandeep Pandey
4551:
4549:Nileema Mishra
4546:
4541:
4535:
4533:
4517:
4516:
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4513:
4507:
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4350:
4334:
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4323:
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4299:Corazon Aquino
4296:
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4266:
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4206:
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4176:
4174:Tetsu Nakamura
4171:
4165:
4163:
4147:
4146:
4144:
4143:
4137:
4135:
4119:
4118:
4116:
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4081:
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4020:
3989:
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3961:
3960:
3958:
3957:
3955:Sheila Coronel
3952:
3947:
3944:
3939:
3934:
3929:
3924:
3919:
3917:F. Sionil José
3914:
3908:
3906:
3890:
3889:
3887:
3886:
3884:Bharat Koirala
3880:
3878:
3862:
3861:
3859:
3858:
3855:
3850:
3847:
3845:Akira Kurosawa
3841:
3839:
3823:
3822:
3820:
3819:
3814:
3810:
3808:
3792:
3791:
3789:
3788:
3783:
3778:
3776:Mahasweta Devi
3772:
3770:
3754:
3753:
3751:
3750:
3745:
3739:
3737:
3706:
3705:
3703:
3702:
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3622:
3621:
3619:
3618:
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3610:
3594:
3593:
3591:
3590:
3587:
3582:
3581:Aree Valyasevi
3578:
3576:
3560:
3559:
3557:
3556:
3555:Antonio Meloto
3553:
3547:
3545:
3529:
3528:
3526:
3525:
3519:
3517:
3501:
3500:
3498:
3497:
3491:
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3473:
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3463:
3461:
3445:
3444:
3442:
3441:
3435:
3433:
3417:
3416:
3414:
3413:
3411:Rajendra Singh
3408:
3403:
3398:
3393:
3388:
3383:
3378:
3369:
3362:
3360:
3344:
3343:
3341:
3340:
3334:
3332:
3316:
3315:
3313:
3312:
3307:
3304:
3299:
3297:Muhammad Yunus
3294:
3289:
3283:
3281:
3261:
3260:
3257:
3250:
3249:
3246:
3245:
3242:
3241:
3239:
3238:
3235:
3230:
3227:
3222:
3217:
3212:
3211:Phra Parnchand
3209:
3204:
3199:
3197:Fua Hariphitak
3193:
3191:
3175:
3174:
3172:
3171:
3167:
3165:
3134:
3133:
3131:
3130:
3125:
3121:
3119:
3103:
3102:
3100:
3099:
3094:
3088:
3086:
3070:
3069:
3067:
3066:
3060:
3058:
3042:
3041:
3039:
3038:
3035:
3029:
3027:
3011:
3010:
3008:
3007:
3002:
2997:
2995:Manibhai Desai
2992:
2987:
2981:
2979:
2963:
2962:
2960:
2959:
2956:
2951:
2946:
2940:
2938:
2922:
2921:
2919:
2918:
2917:Mary H. Rutnam
2914:
2912:
2896:
2895:
2893:
2892:
2886:
2884:
2864:
2863:
2860:
2853:
2852:
2849:
2848:
2845:
2844:
2842:
2841:
2836:
2831:
2827:
2825:
2809:
2808:
2806:
2805:
2803:Puey Ungpakorn
2800:
2795:
2790:
2788:Jon Ungphakorn
2785:
2780:
2774:
2772:
2756:
2755:
2753:
2752:
2746:
2744:
2728:
2727:
2725:
2724:
2719:
2714:
2709:
2704:
2699:
2694:
2691:
2687:
2685:
2669:
2668:
2666:
2665:
2660:
2654:
2652:
2636:
2635:
2633:
2632:
2627:
2621:
2619:
2603:
2602:
2600:
2599:
2595:
2593:
2577:
2576:
2574:
2573:
2568:
2567:Hiroshi Kuroki
2565:
2559:
2557:
2541:
2540:
2538:
2537:
2532:
2528:
2526:
2510:
2509:
2507:
2506:
2501:
2495:
2493:
2477:
2476:
2474:
2473:
2467:
2465:
2449:
2448:
2446:
2445:
2441:
2439:
2419:
2418:
2415:
2408:
2407:
2399:
2397:
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2389:
2382:
2374:
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2364:
2362:
2361:
2356:
2350:
2347:
2346:
2344:
2343:
2337:
2331:
2325:
2323:Abdulmari Imao
2319:
2313:
2307:
2301:
2295:
2289:
2283:
2277:
2271:
2265:
2259:
2253:
2247:
2240:
2238:
2234:
2233:
2231:
2230:
2224:
2218:
2212:
2206:
2204:Daisy Avellana
2200:
2194:
2188:
2181:
2179:
2175:
2174:
2172:
2171:
2165:
2159:
2153:
2147:
2141:
2135:
2129:
2123:
2117:
2111:
2105:
2099:
2097:Jovita Fuentes
2093:
2091:Antonio Molina
2086:
2084:
2080:
2079:
2077:
2076:
2070:
2064:
2058:
2052:
2046:
2040:
2034:
2028:
2026:F. Sionil José
2022:
2016:
2010:
2004:
1998:
1992:
1986:
1979:
1977:
1973:
1972:
1970:
1969:
1967:Carlos Quirino
1962:
1960:
1956:
1955:
1953:
1952:
1946:
1940:
1934:
1932:Kidlat Tahimik
1928:
1922:
1916:
1910:
1908:Ishmael Bernal
1904:
1898:
1892:
1885:
1883:
1879:
1878:
1876:
1875:
1869:
1862:
1860:
1859:Fashion Design
1856:
1855:
1853:
1852:
1846:
1840:
1834:
1832:Lucrecia Reyes
1828:
1822:
1815:
1813:
1809:
1808:
1801:
1799:
1797:
1796:
1790:
1784:
1778:
1776:Leandro Locsin
1772:
1766:
1759:
1757:
1753:
1752:
1747:
1744:
1743:
1738:
1736:
1735:
1728:
1721:
1713:
1704:
1703:
1701:
1700:
1692:
1684:
1675:
1673:
1670:Adaptations of
1667:
1666:
1664:
1663:
1655:
1653:
1649:
1648:
1646:
1645:
1638:
1630:
1628:
1627:Short stories:
1624:
1623:
1621:
1620:
1613:
1605:
1603:
1599:
1598:
1593:
1591:
1590:
1583:
1576:
1568:
1562:
1561:
1555:
1549:
1539:
1530:
1523:
1522:External links
1520:
1517:
1516:
1504:Scout Magazine
1490:
1462:
1449:
1440:
1423:
1402:
1389:
1376:
1363:
1342:
1324:
1303:
1280:
1264:
1247:
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1234:
1227:
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1133:
1128:
1122:
1112:
1104:
1098:
1092:
1081:
1078:
1077:
1076:
1065:
1045:
1015:
999:
992:Jose F. Lacaba
983:
980:
974:
971:
957:
954:
952:
949:
948:
947:
939:
936:
934:
933:
927:
921:
915:
909:
903:
897:
891:
885:
879:
873:
865:
860:
854:
848:
842:
836:
830:
824:
818:
812:
806:
800:
794:
788:
782:
776:
770:
764:
758:
752:
746:
738:
732:
724:
718:
712:
703:
701:
698:
692:
689:
672:
669:
667:
664:
550:Manila Galleon
537:
534:
528:
525:
519:
516:
510:
507:
501:
498:
492:
489:
441:
438:
436:
433:
334:
331:
294:
291:
277:
274:
243:
240:
238:
235:
227:Claro M. Recto
177:
176:
164:
160:
159:
157:
156:
153:
150:
146:
144:
140:
139:
130:
126:
125:
115:
113:(aged 86)
109:April 29, 2004
107:
103:
102:
93:
80:
78:
74:
73:
70:
62:
61:
58:
26:
24:
14:
13:
10:
9:
6:
4:
3:
2:
5143:
5132:
5129:
5127:
5124:
5122:
5119:
5117:
5114:
5112:
5109:
5107:
5104:
5102:
5099:
5097:
5094:
5092:
5089:
5087:
5084:
5083:
5081:
5058:
5055:
5054:
5052:
5049:
5036:
5030:
5027:
5026:
5024:
5021:
5008:
5001:
4999:
4998:Romulo Davide
4996:
4993:
4990:
4987:
4986:
4984:
4981:
4968:
4962:
4959:
4958:
4956:
4953:
4940:
4933:
4930:
4929:
4927:
4924:
4911:
4905:
4902:
4900:
4897:
4894:
4893:
4891:
4888:
4875:
4869:
4866:
4864:
4861:
4859:
4856:
4853:
4850:
4849:
4847:
4844:
4831:
4824:
4821:
4820:
4818:
4815:
4802:
4796:
4793:
4791:
4788:
4787:
4785:
4782:
4769:
4765:
4760:
4759:Uncategorized
4755:
4751:
4737:
4734:
4733:
4731:
4728:
4713:
4712:United States
4700:
4694:
4691:
4690:
4688:
4685:
4672:
4665:
4664:
4662:
4659:
4646:
4639:
4638:
4636:
4633:
4620:
4614:
4611:
4610:
4608:
4605:
4592:
4586:
4583:
4580:
4579:
4577:
4574:
4561:
4555:
4552:
4550:
4547:
4545:
4542:
4540:
4537:
4536:
4534:
4531:
4518:
4512:
4511:Oung Chanthol
4509:
4508:
4506:
4503:
4490:
4484:
4481:
4480:
4478:
4475:
4462:
4456:
4453:
4452:
4450:
4447:
4434:
4430:
4423:
4419:
4405:
4402:
4401:
4399:
4396:
4381:
4380:United States
4368:
4362:
4359:
4357:
4354:
4353:
4351:
4348:
4335:
4328:
4325:
4324:
4322:
4319:
4306:
4300:
4297:
4295:
4292:
4290:
4287:
4285:
4282:
4280:
4277:
4275:
4272:
4270:
4267:
4264:
4263:
4261:
4258:
4245:
4239:
4236:
4235:
4233:
4230:
4217:
4211:
4208:
4207:
4205:
4202:
4189:
4182:
4180:
4177:
4175:
4172:
4170:
4169:Ikuo Hirayama
4167:
4166:
4164:
4161:
4148:
4142:
4139:
4138:
4136:
4133:
4120:
4114:
4111:
4109:
4106:
4104:
4103:Mother Teresa
4101:
4100:
4098:
4095:
4082:
4076:
4073:
4072:
4070:
4067:
4054:
4050:
4043:
4039:
4024:
4023:
4021:
4018:
4003:
4002:Great Britain
3990:
3984:
3981:
3980:
3978:
3975:
3962:
3956:
3953:
3951:
3948:
3945:
3943:
3940:
3938:
3935:
3933:
3930:
3928:
3927:Radio Veritas
3925:
3923:
3920:
3918:
3915:
3913:
3910:
3909:
3907:
3904:
3891:
3885:
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1089:'s Honor Roll
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1062:Ryan Cayabyab
1059:
1058:Rolando Tinio
1055:
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1040:(Amada), and
1039:
1038:Rica Peralejo
1035:
1034:Dina Bonnevie
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466:authoritarian
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430:
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421:Mirror Weekly
418:
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401:Imelda Marcos
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129:Resting place
127:
123:, Philippines
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104:
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96:
79:
75:
68:
63:
56:
53:
49:
45:
41:
37:
33:
19:
5029:Chen Shu-chu
4899:Harish Hande
4758:
4640:Yoon Hye-ran
4183:Seiei Toyama
4179:Saburo Okita
3942:Nick Joaquin
3941:
3932:James Reuter
3396:Vinoba Bhave
3367:Prakash Amte
3310:Angela Gomes
2890:Tee Tee Luce
2834:Li Kwoh-ting
2830:Shih-chu Hsu
2798:Prawase Wasi
2722:Haydee Yorac
2702:Grace Padaca
2444:Ek Sonn Chan
2341:Larry Alcala
2311:José T. Joya
2151:Ramon Santos
2121:Levi Celerio
2020:Edith Tiempo
1996:Nick Joaquin
1995:
1926:Manuel Conde
1914:Eddie Romero
1867:RamĂłn Valera
1850:Agnes Locsin
1838:Ramon Obusan
1826:Leonor Orosa
1756:Architecture
1748:
1694:
1686:
1678:
1658:
1640:
1633:
1615:
1608:
1595:Nick Joaquin
1594:
1558:Nick Joaquin
1552:Nick Joaquin
1536:
1533:Nick Joaquin
1507:. Retrieved
1503:
1493:
1481:. Retrieved
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1008:Mike De Leon
1002:
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734:
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700:Bibliography
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632:
599:Confucianism
580:
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248:Paco, Manila
245:
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214:
189:
185:
181:
180:
121:Metro Manila
111:(2004-04-29)
95:Paco, Manila
59:Nick Joaquin
52:
47:
43:
5116:2004 deaths
5111:1917 births
4980:Philippines
4934:Tri Mumpuni
4868:Yu Xiaogang
4854:Huo Daishan
4632:South Korea
4604:Philippines
4318:South Korea
4257:Philippines
4210:Sanduk Ruit
4075:Tang Xiyang
4017:Philippines
3946:Raul Locsin
3922:Lino Brocka
3903:Philippines
3542:Philippines
3523:Mahabir Pun
3162:Philippines
3124:Kim Sun-tae
3116:South Korea
3092:Pedro Orata
3083:Philippines
3033:H.B. Jassin
2682:Philippines
2535:Ali Sadikin
2237:Visual Arts
2228:Tony Mabesa
2133:José Maceda
2074:GĂ©mino Abad
1950:Ricardo Lee
1902:Lino Brocka
1844:Alice Reyes
1764:Juan Nakpil
1696:Ang Larawan
1635:May Day Eve
1049:Ang Larawan
1030:Edu Manzano
996:Ricardo Lee
982:Adaptations
938:Filmography
708:May Day Eve
477:Pete Lacaba
440:Recognition
143:Occupations
91:May 4, 1917
40:family name
36:middle name
5080:Categories
4904:Deep Joshi
4825:Koul Panha
4781:Bangladesh
4684:East Timor
4455:Ka Hsaw Wa
3857:Akio Ishii
3658:Bangladesh
3278:Bangladesh
3220:Sirindhorn
2944:Gao Yaojie
2404:recipients
2305:Ang Kiukok
1976:Literature
1938:Nora Aunor
1560:, PinoyLit
1359:082480659X
1243:References
1232:José Rizal
894:Intramuros
661:province."
659:Indonesian
223:José Rizal
152:playwright
149:Journalist
87:1917-05-04
4923:Indonesia
4851:Fu Qiping
4727:Hong Kong
4716:based in
4658:Sri Lanka
4573:Indonesia
4384:based in
4132:Indonesia
4006:based in
3805:Indonesia
3734:Sri Lanka
3401:Aruna Roy
3391:Ela Bhatt
3151:based in
3064:Ruth Pfau
3024:Indonesia
3005:V. Shanta
2985:Baba Amte
2741:Singapore
2523:Indonesia
1688:Kisapmata
1313:cite book
1164:from the
1003:Kisapmata
666:Criticism
643:Filipinos
623:Manileños
615:Shintoism
562:Cervantes
481:pseudonym
276:Education
237:Biography
182:Nicomedes
5048:Thailand
4814:Cambodia
4736:Chung To
4502:Cambodia
4395:Thailand
4347:Thailand
4229:Pakistan
3974:Thailand
3573:Thailand
3486:Malaysia
3188:Thailand
3055:Pakistan
2769:Thailand
2649:Pakistan
2616:Malaysia
2436:Cambodia
1476:GMA News
1226:See also
1182:Several
1171:Several
1119:New York
611:Buddhism
607:Hinduism
593:and the
194:Tagalog:
155:novelist
117:San Juan
30:In this
4863:Pan Yue
4761:(2009â)
4327:Pomnyun
2958:Wu Qing
2178:Theatre
1602:Novels:
1144:(1976).
1018:Tatarin
619:Kastila
542:Spanish
468:leader
299:Tribune
209:in the
48:Joaquin
44:Marquez
5045:
5020:Taiwan
5017:
4977:
4949:
4920:
4884:
4858:Ma Jun
4840:
4811:
4778:
4724:
4709:
4681:
4655:
4629:
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4570:
4527:
4499:
4471:
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4392:
4377:
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4129:
4091:
4063:
4014:
3999:
3971:
3900:
3833:
3802:
3764:
3731:
3719:Ceylon
3716:
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3604:
3570:
3539:
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3427:
3374:&
3354:
3326:
3275:
3185:
3159:
3144:
3113:
3080:
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2909:Ceylon
2906:
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2822:Taiwan
2819:
2766:
2738:
2679:
2646:
2613:
2587:
2551:
2520:
2487:
2459:
2433:
1699:(2017)
1691:(1981)
1683:(1979)
1680:Jaguar
1652:Plays:
1509:May 2,
1483:May 2,
1357:
1301:
1179:Award.
1168:(1997)
1158:(1996)
1152:(1980)
1138:(1964)
1127:(1960)
1097:(1949)
1091:(1940)
1080:Awards
988:Jaguar
951:Legacy
946:(2001)
932:(2004)
926:(1996)
920:(1995)
914:(1993)
908:(1990)
902:(1990)
890:(1988)
884:(1987)
878:(1986)
872:(1983)
859:(1983)
853:(1982)
847:(1981)
841:(1981)
835:(1980)
829:(1979)
823:(1979)
817:(1977)
811:(1977)
805:(1977)
799:(1977)
793:(1977)
787:(1977)
781:(1977)
775:(1977)
769:(1977)
763:(1977)
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745:(1966)
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731:(1961)
723:(1960)
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711:(1947)
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2137:1999
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2125:1997
2119:1997
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1942:2022
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