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Nick Joaquin

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as found in his works. According to different studies on literary journalism, works of Nick Joaquin serve as examples of social sciences applied to the arts. This was further seen in his work “Philippine letters’ Dr Jekyll and Mr Hyde which, according to scholars, showed de Manila's career which oscillates between fiction and non-fiction. It was during 1960 wherein Nick Joaquin entered journalism from being a fiction writer. It was under the name of de Manila wherein he began to publish reportage in a literary journalistic style. This was then referred to as, he claimed, “New Journalism” in the United States according to the Philippine Daily Inquirer. Different literary scholars claim that the works of Nick Joaquin as de Manila exemplifies what he quotes as “good reportage with grace of style”. One of de Manila's publication, “The House on Zapote Street”, was termed journalism by the author but is read much like his fictional works under the name Nick Joaquin.
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Noticeably in his works namely After the Picnic and Summer Solstice, the recurring theme of the rejection of the colonial self can be seen in the conflicts of the protagonist such as Chedeng, from After the Picnic, to reject Father Chavez's white-ego-ideals. In Chedeng's attempt to assert one's identity through rejection of the colonial self-imposed by society, she is confronted into choosing whether she would obliged with the white-ego ideal which asserts her security or rejection of the white-ego-ideal. Nick Joaquin also, every now and then, motleys this theme with other themes such as gender conflict, which can be evident in After the Picnic and Summer Solstice. A good example of Nick Joaquin's blending of themes is Summer Solstice, wherein he conflates gender conflict with colonial conflict, noticeable in the assertion of Doña Lupeng in the reclamation of the power of patriarchy by womanhood.
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both their good and bad qualities. In his essays, Nick Joaquin is said to employ real life situations through symbolic qualities reflecting certain social and cultural values. This is done through the subject selection and form of writing chosen which are considered by many different fellow artists as unique. In terms of the development of the English language, Nick Joaquin was able to contribute to this by adding Filipino feelings, values, and nuances. Literary writers have mentioned how he was able to preserve the culture of the Filipinos through the use of a different tongue. The English language used by Nick Joaquin became a medium to express his literary artistry and Filipino Patriotism. Nick Joaquin was able to publish a large body of literary works during his time and through this, he has had great contribution to Philippine literature in English.
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Dying Wanton” and “The Mass of St. Sylvestre” whose themes are said to be drawn from Spanish traditions. Stories from Tropical Goth, although not as obvious according to critics, possessed a Christian background but there were arguments made that what is Christian is not necessarily theological. Different analysis of Nick Joaquin's works on these stories found in Tropical Goth reveal the use of primordial and pagan symbols. There is a fixation towards brute and the cult. Critics mention that while there are theological levels present in these stories, these were more at the folk level than dogmatic and were more reflective rather than perspective. These were then referred to as reflections of the theology of culture.
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of Quijano de Manila. The beginning of Late Joaquin was seen after he had published two significant essays and three plays after 1975. Publications of Late Joaquin still deal with similar themes of history, paganism and Christianity and morality. His published article, The Manila Review on “Culture of History” represent his philosophy of the past which underlies many of his early works. Critics emphasizes that in the later works, there is a sharper emphasis on freedom and choice as seen in his publication in December 1975 titled “Fathers and Sons: A Melodrama in Three Reels” which was a dramatization of his earlier story “Three Generations”.
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national consciousness through important elements in Catholic Spanish Heritage. In his self-confessed mission as a writer, he is a sort of "cultural apostle", whose purpose is to revive interest in Philippine national life through literature – and provide the necessary drive and inspiration for a fuller comprehension of their cultural background. His awareness of the significance of the past to the present is part of a concerted effort to preserve the spiritual tradition and the orthodox faith of the Catholic past – which he perceives as the only solution to our modern ills.
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Despite the gap, Lacaba argues that there is a recurring theme present in the later works of Nick Joaquin. In Emmanuel Lacaba's criticism, he mentions the radical change in language, mainly through the dialogue used. Early Nick Joaquin, as Lacaba described through the example of Tropical Goth, made use of “lush” language as well as “baroque” once the readers get past the words used. Similar cases for “Candido’s Apocalypse” and “The Order of Melchizedek” which show more similarities than differences in the way of sentence patterns used.
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ten. He purveyed his father's personal library and loved the bookstores in downtown Manila. He read voraciously and intently, he read everything that had caught his eye. He enjoyed the “poetry of Edna St. Vincent Millay and Vachel Lindsay to the stories of Anton Chekhov, to the novels of Dostoyevsky, D. H. Lawrence, and Willa Cather. He read American magazines (Saturday Evening Post, Cosmopolitan, Harper’s Magazine) and discovered the fiction of Booth Tarkington, Somerset Maugham, F. Scott Fitzgerald, and Ernest Hemingway.”
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spirit, and the like. They are often set in old Manila, the walled city of Intramuros, and sometimes Paco – as a symbol of congruence, the glory and culture of the past, rather than a geographical concept. His characters are mostly cultured intellectuals of past generations, while the opposing characters are usually from the materialistic modern age. Unless they are portrayed to adjust better than old men, women seldom have significant roles in this cultured world of the past.
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the works produced. They also referred to these years as the time wherein Nick Joaquin was recognized as a first rank writer in the Philippines. Works included in these years include “Prose and Poems” (1952), three stories in the “Free Press” (1965 - 1966) and The portrait of the Artist as a Filipino. Included in the first edition of Nick Joaquin's “Prose and Poems” were the titles “The Woman Who had Two Navels” (1961) and “La Naval de Manila” (1964).
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Nick Joaquin's name as a literary artist is considered, by different university professors, as a key figure in Philippine literature in English due to the imparted truths of his writing. In his different works, Nick Joaquin has presented objective realities about different events and people capturing
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Emmanuel Lacaba, member of Philippine Studies, argues that the three Free Press Stories known as “Candido’s Apocalypse”, “"Doña Jeronima”, and “The Order of Melchizedek”, were considered works under the older Nick Joaquin given the gap between these works and the earlier stories of “Prose and Poems”.
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to the scholar, and shoes to the man on the street. Epochal enough was the transfer of Western flora and fauna to the Philippines. Even more epochal was the transfer here of Western technology, with the galleons serving, literally, as vessels and media. What Philippine culture owes the Manila Galleon
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Throughout the occupation, Joaquin had continued writing. “The Woman Who Felt Like Lazarus” and the essay “La Naval de Manila” were borne out of this war period Joaquin had detested. His work had appeared in the Philippine Review, an English-language journal, in 1943. His story, "It Was Later Than We
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The Late Nick Joaquin is defined by critics as the time 10 years after his absence from the field of fiction. These years, as defined by Lacaba, were about Joaquin devoting himself entirely to Free Press and journalistic writing. This was defined by Joaquin the essayist. He wrote under the pseudonym
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Critics of Nick Joaquin's works mention the presence of theological dimensions in his writings. These critics, such as Lumbera, referred to Nick Joaquin as the most stimulating lay theologian, 1968. Such examples of works containing theological dimensions include “"Doña Jeronima”, “The Legend of the
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awarded him an honorary Associate in Arts (A.A.) and a scholarship to St. Albert's Convent, the Dominican monastery in Hong Kong. There he was once again close to his family's original goal for him to enter the seminary. Joaquin and his family were devoutly Christian. He notably heard mass daily and
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Nick Joaquin attended Paco Elementary School and went to Mapa High School for secondary education. However, in his third year informed his mother that he wanted to drop out because he felt that the classroom was too confined for him and that he learned more outside of it. His mother Salomé, a former
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Nick Joaquin's foray into literary journalism involved bringing together his two careers. Joaquin argued that Philippine letters during the 1950s and 1960s were polarized into extremes: literature and journalism. Joaquin, under the name of Quijano de Manila during that time, belonged to both worlds
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A theological theme revealed in the Early Joaquin works is the emphasis on history and time. These are evident, according to critics, in works such as “May Day Eve”. “Guardia de Honor”, and “The Order of Melchizedek” and while not as obvious, were present as thematic backgrounds in “Doña Jeronima”,
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An avid reader, Joaquin, used this time to pursue his passion for it. He was described as having a “rabid and insane love for books” by his sister-in-law Sarah K. Joaquin. His parents had encouraged his interest in books early on. He already had a borrower's card at the National Library when he was
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The Joaquins had lived a handsome life until Don Leocadio lost the family fortune in a failed investment on an oil exploration project in the late 1920s. The family moved out of their Herran home and into a rented house in Pasay. Don Leocadio passed not long after. The young Joaquin was only twelve
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Critics, such as Furay, define Early Nick Joaquin through his nine stories of Tropic Gothic which emphasizes his talents in Philippine writing in English. Additionally, through the mention of works such as “Prose and Poems” (1952) and the three additional “Free Press stories” (1972), critics argue
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Attempting to characterize stories of Tropic Goth as what critics referred to as a product of the Early Nick Joaquin would be deceptive for it was written, along with majority of his works, during the thirties. Critics referred to the publication years of 1946 -1966 as most significant in terms of
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According to critics, Nick Joaquin is said to be a writer who sees the essence of being Filipino in the return to the Filipino's pre-Hispanic past. National identity is a very important topic for Nick Joaquin as evident in his works such as La Naval de Manila, After the Picnic and Summer Solstice.
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In a critical study of his prose and poems, the subjects depicted his nostalgia for the past, church rituals, legends, the mysterious, the different shades of evil, the power of the basic emotions over culture, the freedom of the will against fate, the mutability of the human body compared to the
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Joaquin continued publishing stories and poems between 1934 and 1941 in the Herald Mid-Week Magazine and the Sunday Tribune Magazine. The Commonwealth years were a particularly vibrant era in Philippine literature. Later, the Japanese occupation closed down the Tribune and other publications. The
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Different Analysis of Nick Joaquin's work, mainly “The Woman Who Had Two Navels” and stories from “Tropical Gothic”, have led critics to mention the theme of individual free will as seen in the emphasis of choice and free will in the mentioned stories. This is found, in what critics refer to, as
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Before becoming one of the leading practitioners of Philippine literature in English, he was a seminarian in Hong Kong – who later realized that he could better serve God and humanity by being a writer. This is reflected in the content and style of his works, as he emphasizes the need to restore
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A little later, in 1937 he published his first short story in the Sunday Tribune Magazine, “The Sorrows of Vaudeville” telling the story of the vaudevilles in Manila—a city he was endlessly enamored by. It was accepted by the writer and editor Serafin Lanot.
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Thought" and his translation of Rizal's Mi Ultimo Adios were also published. He was beginning to spark an interest from readers. However, the reticent Joaquin shied away from recognition. He had created this mysterious and distant author.
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is incalculable. Even that badge of nationalism, the barong tagalog, may have come over on those boats. Think of anything supremely Pinoy—guava or camote or sili or sibuyas verde—and you find they were given to us by the galleons."
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After leaving school, Joaquin worked as an apprentice in a bakery in Pasay and later on in the publishing company TVT (Tribune-Vanguardia-Taliba.) This allowed him a small taste of an industry he would spend most of his life in.
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After being honored as National Artist, Joaquin used his position to work for intellectual freedom in society. He secured the release of imprisoned writer José F. Lacaba. At a ceremony on Mount Makiling attended by First Lady
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Joaquin received several honors and distinctions in the fields of literature and journalism. In 1973, his collection of poems and short stories won the SEATO Literary Award. In 1976, he was conferred the title of
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a diwata and the mountain's mythical maiden. Joaquin touched on the importance of freedom and the artist. After that, Joaquin was excluded by the Marcos regime as a speaker at important cultural events.
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Tropical Gothic was reviewed in Philippine studies by H.B. Furay, Lourdes Busuego Pabo, and Emmanuel Lacaba. Critics describe this as the end of what they refer to as the Early Joaquin.
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Very early on, Joaquin was already exploring his literary voice. At age 17, he published his first English poem about Don Quixote, in the literary section of the pre-World War II
998:. The plot was inspired by Nick Joaquin's 1960 article "The Boy Who Wanted to Become Society" later republished in the non-fiction crime anthology, Reportage on Crime (1977). 464:, the highest state honor given to individuals for their contributions to Philippine literature, and an award that Joaquin agreed to accept on the condition that the then 1723: 1318: 4283: 5120: 3550: 5090: 1716: 172: 98: 2384: 345:. His journalism was both intellectual and provocative, an unknown genre in the Philippines at that time, and raised the country's level of reportage. 633:
Nick Joaquin argues that, "It was on the Manila Galleon that we began to become the Philippines." He, also writes about the war of Spain against the
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that the greatness of his writing lies in his themes used as well as deep intellectual analysis of Philippine culture embedded in his writing style.
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Quijano de Manila. In 1996, he was chosen Journalist of the Year at the 11th National Press Club-Esso Journalism Awards. His nominator, the
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magazine, where he worked with Juan P. Dayang, the magazine's first publisher. Joaquin was also publisher of its sister publication,
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The Joaquin family lived in a two-story residential and commercial building, greatly uncommon at that time, on Herran Street (now
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lauded "Three Generations" as "a short story masterpiece" (1952). It was also selected as the best short story published in the
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to be completely malevolent in nature, but rather brought some beneficial things in the nation, such as the development of
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His work “Three Generations” was awarded Best Short Story published in the Philippine Review (March 1943-November 1944)
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National Artist for Literature by President and Mrs. Marcos cited having “opened a new vision of Filipino Life” (1976)
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world. If that be true, then the folk of Soliman's Maynila should have impressed the Spanish with their knowledge of
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Joaquin was the fifth out of the ten children of Don Leocadio Joaquin and Salomé Marquez. Don Leocadio fought in the
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Nicomedes “Nick” Joaquin y Marquez, fondly called “Onching” by close family and friends was born on May 4, 1917, in
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Won the nation's most prestigious awards carrying material emoluments besides honor and privileges (March 27, 1976)
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is currently working on the film inspired by the sensibilities of Nick Joaquin's 1972 short story collection,
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Joaquin deeply admired José Rizal, the national hero of the Philippines, paying him tribute in such books as
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was fond of praying the Holy Rosary. He only stayed in Hong Kong for two years before returning to Manila.
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editor Teodoro Locsin, remarked that Joaquin's work had raised journalism to the level of literature.
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Joaquin's level of morality which they mention as what makes his stories expressively theological.
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Won the Seato Literary Award Contest for his collection of short stories and poems (June 1, 1973)
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for Literature. He has been considered one of the most important Filipino writers, along with
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A third way to film the story: a Filipino film adaptation of a work of literary journalism
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in 1957, and was appointed as a member of the Motion Pictures commission under presidents
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Center for Agriculture and Rural Development Mutually Reinforcing Institutions (CARD MRI)
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Joaquin died of cardiac arrest in the early morning of April 29, 2004, at his home in
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Journalist of the Year in the 11th National Press Club-Esso Journalism Awards (1966)
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A Question of Heroes: Essays in Criticism on Ten Key Figures of Philippine History
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Fictioning National Identity-Decolonizing the Filipino self-image in Nick Joaquin
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Fictioning National Identity-Decolonizing the Filipino self-image in Nick Joaquin
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Fictioning National Identity-Decolonizing the Filipino self-image in Nick Joaquin
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An analytical study of the Spanish tradition in the prose works of Nick Joaquin
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Culture and History: Occasional Notes on the Process of Philippine Becoming
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Culture and History: Occasional Notes on the Process of Philippine Becoming
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Galdon, Joseph (1976). "Review: Tropical Gothic: Nick Joaquin Revisited".
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Journalism, Literature, and the Creative Communication Arts (1958–2008)
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The Quartet of the Tiger Moon: Scenes from the People Power Apocalypse
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The Quartet of the Tiger Moon: Scenes from the People Power Apocalypse
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Critics noted that Joaquin's literary prominence rests upon his book
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teacher, was devastated by the news, but still allowed him to do so.
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De Vera, Ruel (July 6, 2014). "Long Live Nick". Philippine Inquirer.
1278:(Master's thesis). Retrieved from Rizal Library's OPAC (rlo.800680) 1262:(Master's thesis). Retrieved from Rizal Library's OPAC (rlo.800054) 4951: 4886: 4842: 4529: 4473: 4200: 4159: 4093: 4065: 3874: 3835: 3766: 3606: 3513: 3429: 3356: 3146: 2975: 2934: 2553: 2489: 2461: 959: 626: 590: 384: 347: 206: 1460:(2 ed.). Sage Publications. p. 272 - 275. Retrieved July 9, 2018. 1351:
Telic Contemplation: A Study of Grace in Seven Philippine Writers
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The Aquinos of Tarlac: An Essay in History as Three Generations
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The Aquinos of Tarlac: An Essay on History as Three Generations
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Jaime Ongpin: The Enigma: The Profile of a Filipino as Manager
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Patnubay ng Sining at Kalinangan Award from the City of Manila
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Nick Joaquin: National Artist for Literature at Panitikan.com
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Alternative Indigenous Development Foundation, Inc. (AIDFI)
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As is evident from these passages, Joaquin did not see the
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young Joaquin had to look for ways to support his family.
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years old and this signalled a big change in their family.
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After Joaquin won a nationwide essay competition to honor
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Mr. Rural Reform: The Times and Tidings of Manny Manahan
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After returning to the Philippines, Joaquin joined the
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Yet, Nick Joaquin also recognized the significance of
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Mr. F.E.U., the Culture Hero That Was Nicanor Reyes
162: 142: 128: 105: 76: 57: 1260:A critical study of Nick Joaquin's prose and poems 4046:Peace and International Understanding (1958–2008) 1101:Ten Most Outstanding Young Men of the Philippines 1200:The World of Damian Domingo: 19th Century Manila 1020:(2001), a movie based on Joaquin's short story " 46: and the surname or paternal family name is 4284:International Institute of Rural Reconstruction 1175:Journalism awards, including the highly coveted 964:Nick Joaquin on a 2010 stamp of the Philippines 3551:Gawad Kalinga Community Development Foundation 1202:(co-authored with Luciano P.R. Santiago); and 217:. Joaquin was conferred the rank and title of 5126:English-language writers from the Philippines 2385: 1724: 1579: 8: 2354:National Commission for Culture and the Arts 1317:: CS1 maint: multiple names: authors list ( 362:The Storyteller's New Medium – Rizal in Saga 173:Order of National Artists of the Philippines 1339:Mojares, Resil B. "Nick Joaquin Biography". 1295:Nick: A Portrait of the Artist Nick Joaquin 1108:Don Carlos Palanca Memorial Literary Awards 379:Joaquin represented the Philippines at the 4767: 4753: 4432: 4421: 4052: 4041: 3644: 3633: 3264: 3253: 2867: 2856: 2422: 2411: 2392: 2378: 2370: 1731: 1717: 1709: 1586: 1572: 1564: 1288: 1286: 1284: 1095:Philippines Free Press Short Story Contest 900:Manila, My Manila: A History for the Young 366:The Complete Poems and Plays of Jose Rizal 65: 54: 27:Filipino writer and journalist (1917–2004) 944:Siglo Filipino : Odyssey of a Nation 1749:Pambansang Alagad ng Sining ng Pilipinas 1293:Joaquin, Kismandi, Tony, Gloria (2015). 809:Language of the Streets and Other Essays 1334: 1332: 1330: 1328: 1248: 1131:Republic Cultural Heritage Award (1961) 833:Language of the Street and Other Essays 1310: 930:ABE: A Frank Sketch of E. Aguilar Cruz 924:Rizal in Saga: A Life for Student Fans 456:between March 1943 and November 1944. 5121:Burials at the Libingan ng mga Bayani 1103:(TOYM), Awardee for Literature (1955) 1010:, written for the screen by De Leon, 815:Manila: Sin City and Other Chronicles 403:, Joaquin delivered an invocation to 376:, as "Land That I Love, Farewell!". 196: 7: 1660:A Portrait of the Artist as Filipino 1410: 1408: 1406: 1396:Gonzalez, Gabriel Jose S.J. (1994). 1383:Gonzalez, Gabriel Jose S.J. (1994). 1370:Gonzalez, Gabriel Jose S.J. (1994). 1270: 1268: 1254: 1252: 1186:from the Manila Critics' Circle for 1156:Ramon Magsaysay Award for Literature 1054:A Portrait of the Artist as Filipino 797:Gloria Diaz & Other Delineations 742:A Portrait of the Artist as Filipino 536:Recognition of Spanish contributions 5091:National Artists of the Philippines 1740:National Artists of the Philippines 1237:National Artists of the Philippines 973:Contribution to Literary Journalism 791:Amalia Fuentes & Other Etchings 735:La Naval de Manila and Other Essays 213:. He also wrote using the pen name 2359:Cultural Center of the Philippines 773:Ronnie Poe & Other Silhouettes 257:by the side of his friend General 219:National Artist of the Philippines 25: 1297:. Manila: Anvil Publishing, Inc. 761:Joseph Estrada and Other Sketches 5040: 5012: 4972: 4944: 4915: 4879: 4835: 4806: 4773: 4719: 4704: 4676: 4650: 4624: 4596: 4565: 4522: 4494: 4466: 4438: 4387: 4372: 4339: 4310: 4249: 4221: 4193: 4152: 4124: 4086: 4058: 4009: 3994: 3966: 3895: 3867: 3828: 3797: 3759: 3726: 3711: 3683: 3650: 3599: 3565: 3534: 3506: 3478: 3450: 3422: 3349: 3321: 3270: 3258:Community Leadership (1958–2008) 3180: 3154: 3139: 3108: 3075: 3047: 3016: 2968: 2927: 2901: 2873: 2814: 2761: 2733: 2674: 2641: 2608: 2582: 2546: 2515: 2482: 2454: 2428: 1802: 352:Nick Joaquin is interred at the 167: 4269:Summer Institute of Linguistics 1258:Yaptenco, C. (September 1959). 956:Contribution to English Letters 767:Nora Aunor & Other Profiles 2625:Mohamed Suffian Mohamed Hashim 2416:Government Service (1958–2008) 1544:"Filipino American Literature" 1537:EncyclopĂŠdia Britannica Online 839:The Ballad of the Five Battles 1: 4356:Asian Institute of Technology 4294:Asian Institute of Management 1274:Busuego, L. (December 1953). 1125:Stonehill Award for the Novel 462:National Artist in Literature 1610:The Woman Who Had Two Navels 1419:. The Philippines: Bookmark. 803:Doveglion & Other Cameos 728:The Woman Who had Two Navels 625:knew very little even about 4994:Ma. Victoria Carpio-Bernido 4426:Emergent Leadership (2001–) 1374:. Quezon City. pp. 173–175. 1166:Ateneo de Manila University 821:Pop Stories for Groovy Kids 657:. And we might today be an 81:Nicomedes Joaquin y Marquez 5147: 3381:Pandurang Shastri Athavale 2861:Public Service (1958–2008) 1121:, U.S.) writing fellowship 721:The House On Zapote Street 527:Rejection of colonial self 29: 4766: 4752: 4431: 4420: 4051: 4040: 3643: 3632: 3263: 3252: 2866: 2855: 2421: 2410: 2349: 1800: 1746: 1115:Harper Publishing Company 827:Reportage on the Marcoses 425:Philippine Daily Inquirer 318:University of Santo Tomas 64: 5101:People from Paco, Manila 4289:Press Foundation of Asia 3215:Prateep Ungsongtham Hata 2717:Miriam Defensor Santiago 1498:Cabral, Katrina (2021). 1361:. Retrieved July 9, 2018 415:. He was then editor of 4581:Ambrosius Ruwindrijarto 3813:Atmakusuma Astraatmadja 3700:Edward Michael Law-Yone 2329:Federico Aguilar Alcuaz 2222:Amelia Lapeña-Bonifacio 1882:Film and Broadcast Arts 1782:Ildefonso P. Santos Jr. 1542:Hebbar, Reshmi (1998). 1456:Arriola, Joyce (2010). 1111:(1957–1958; 1965; 1976) 1060:. The music was set by 1012:Clodualdo del Mundo Jr. 621:noticed was that those 472:release the writer and 5096:Roman Catholic writers 4693:Aniceto Guterres Lopes 3743:Wannakuwatta Amaradeva 2693:Francisca Reyes-Aquino 2127:Felipe Padilla de LeĂłn 1415:Joaquin, Nick (1999). 1177:Journalist of the Year 1026:Amable “Tikoy” Aguiluz 965: 912:The D.M. Guevara Story 663: 631: 567: 485:Philippines Free Press 454:Philippines Free Press 413:San Juan, Metro Manila 357: 354:Libingan ng mga Bayani 339:Philippines Free Press 133:Libingan ng mga Bayani 5131:Magic realism writers 5086:Works by Nick Joaquin 4265:Operation Brotherhood 4025:Robert McCulloch Dick 3950:Eugenia Duran Apostol 3365:Mandakini Amte & 2990:Banoo Jehangir Coyaji 2401:Ramon Magsaysay Award 2192:Wilfrido Ma. Guerrero 2169:Fides Cuyugan-Asensio 2103:Antonino Buenaventura 1959:Historical Literature 1873:Salvacion Lim Higgins 1400:. Quezon City. p. 70. 1387:. Quezon City. p. 68. 1349:Nudas, Alfeo (1979). 1162:Tanglaw ng Lahi Award 1142:National Artist Award 963: 863:Almanac for Manileños 845:Reportage on Politics 639: 579: 554: 431:an opinion tabloid. 351: 255:Philippine Revolution 242:Early life and family 4141:Ahmad Syafi'i Maarif 2690:Jose Vasquez Aguilar 1890:Lamberto V. Avellana 1184:National Book Awards 1042:Raymond B. Bagatsing 755:A Question of Heroes 637:in the 17th century: 548:. Commenting on the 137:Loyola Memorial Park 5106:Writers from Manila 4991:Christopher Bernido 4790:Syeda Rizwana Hasan 4404:Genevieve Caulfield 4113:Laxminarayan Ramdas 3983:Prayoon Chanyavongs 3672:Abdullah Abu Sayeed 3386:Chandi Prasad Bhatt 3302:Zafrullah Chowdhury 3287:Tahrunessa Abdullah 3225:Sithiporn Kridakara 3000:Jayaprakash Narayan 2299:J. Navarro Elizalde 2257:Guillermo Tolentino 2157:Francisco Feliciano 2139:Ernani Joson Cuenco 2032:Virgilio S. Almario 2008:Francisco Arcellana 1820:Francisca R. Aquino 1788:JosĂ© MarĂ­a Zaragoza 1642:The Summer Solstice 1067:Filipina filmmaker 1032:(as Paeng Moreta,) 1024:", was directed by 1022:The Summer Solstice 779:Reportage on Lovers 500:Theology of culture 491:Themes & motifs 393:Ferdinand E. Marcos 310:La Naval de Manila, 71:Portrait of Joaquin 4198:    3937:Bienvenido Lumbera 3872:    3786:Amitabha Chowdhury 3585:Krasae Chanawongse 3511:    3495:Tunku Abdul Rahman 3233:Therdchai Jivacate 3170:Joaquin Villalonga 2697:Hilario Davide Jr. 2658:Akhtar Hameed Khan 2563:Morihiko Hiramatsu 2287:Hernando R. Ocampo 2056:Cirilo F. Bautista 2044:Bienvenido Lumbera 1984:Amado V. Hernandez 1944:Marilou Diaz-Abaya 1548:, Emory University 1149:S.E.A. Write Award 966: 785:Reportage on Crime 671:Early Nick Joaquin 647:independent entity 571:Spanish occupation 552:, Joaquin writes: 474:political prisoner 417:Philippine Graphic 389:Diosdado Macapagal 358: 99:Philippine Islands 5073: 5072: 5069: 5068: 5065: 5064: 5057:Krisana Kraisintu 5002:Antonio Oposa Jr. 4795:A.H.M. Noman Khan 4748: 4747: 4744: 4743: 4666:Ananda Galappatti 4613:Benjamin Abadiano 4539:Sanjiv Chaturvedi 4416: 4415: 4412: 4411: 4361:The Royal Project 4279:Harold Ray Watson 4274:William Masterson 4036: 4035: 4032: 4031: 3781:Palagummi Sainath 3628: 3627: 3624: 3623: 3589:Prayong Ronnarong 3248: 3247: 3244: 3243: 3237:Thongbai Thongpao 3202:Mechai Viravaidya 2851: 2850: 2847: 2846: 2783:Chamlong Srimuang 2778:Anand Panyarachun 2712:Jovito R. Salonga 2367: 2366: 2335:Francisco Coching 2317:Benedicto Cabrera 2275:Vicente Manansala 2245:Fernando Amorsolo 2145:Andrea Veneracion 2014:N. V. M. Gonzalez 1990:JosĂ© Garcia Villa 1706: 1705: 1417:Manila, my Manila 1087:JosĂ© Garcia Villa 691:Late Nick Joaquin 655:Dutch East Indies 450:JosĂ© GarcĂ­a Villa 381:International PEN 343:Quijano de Manila 312:sponsored by the 293:Career beginnings 215:Quijano de Manila 198:[hwaˈkin] 179: 178: 38:or maternal 18:Quijano de Manila 16:(Redirected from 5138: 5050: 5046: 5044: 5043: 5022: 5018: 5016: 5015: 4982: 4978: 4976: 4975: 4954: 4950: 4948: 4947: 4925: 4921: 4919: 4918: 4895:Kulandei Francis 4889: 4885: 4883: 4882: 4845: 4841: 4839: 4838: 4816: 4812: 4810: 4809: 4783: 4779: 4777: 4776: 4768: 4754: 4729: 4725: 4723: 4722: 4714: 4710: 4708: 4707: 4686: 4682: 4680: 4679: 4660: 4656: 4654: 4653: 4634: 4630: 4628: 4627: 4606: 4602: 4600: 4599: 4575: 4571: 4569: 4568: 4532: 4528: 4526: 4525: 4504: 4500: 4498: 4497: 4476: 4472: 4470: 4469: 4448: 4444: 4442: 4441: 4433: 4422: 4397: 4393: 4391: 4390: 4382: 4378: 4376: 4375: 4349: 4345: 4343: 4342: 4320: 4316: 4314: 4313: 4259: 4255: 4253: 4252: 4238:Ibn Abdur Rehman 4231: 4227: 4225: 4224: 4203: 4199: 4197: 4196: 4162: 4158: 4156: 4155: 4134: 4130: 4128: 4127: 4096: 4092: 4090: 4089: 4068: 4064: 4062: 4061: 4053: 4042: 4019: 4015: 4013: 4012: 4004: 4000: 3998: 3997: 3976: 3972: 3970: 3969: 3905: 3901: 3899: 3898: 3877: 3873: 3871: 3870: 3853:Michiko Ishimure 3838: 3834: 3832: 3831: 3807: 3803: 3801: 3800: 3769: 3765: 3763: 3762: 3736: 3732: 3730: 3729: 3721: 3717: 3715: 3714: 3693: 3689: 3687: 3686: 3660: 3656: 3654: 3653: 3645: 3634: 3609: 3605: 3603: 3602: 3575: 3571: 3569: 3568: 3544: 3540: 3538: 3537: 3516: 3512: 3510: 3509: 3488: 3484: 3482: 3481: 3467:Sombath Somphone 3460: 3456: 3454: 3453: 3432: 3428: 3426: 3425: 3376:Rajanikant Arole 3359: 3355: 3353: 3352: 3331: 3327: 3325: 3324: 3292:Fazle Hasan Abed 3280: 3276: 3274: 3273: 3265: 3254: 3229:Sophon Suphapong 3190: 3186: 3184: 3183: 3164: 3160: 3158: 3157: 3149: 3145: 3143: 3142: 3118: 3114: 3112: 3111: 3085: 3081: 3079: 3078: 3057: 3053: 3051: 3050: 3026: 3022: 3020: 3019: 2978: 2974: 2972: 2971: 2937: 2933: 2931: 2930: 2911: 2907: 2905: 2904: 2883: 2879: 2877: 2876: 2868: 2857: 2824: 2820: 2818: 2817: 2793:Phon Sangsingkeo 2771: 2767: 2765: 2764: 2743: 2739: 2737: 2736: 2684: 2680: 2678: 2677: 2663:Ibn Abdur Rehman 2651: 2647: 2645: 2644: 2618: 2614: 2612: 2611: 2592: 2588: 2586: 2585: 2556: 2552: 2550: 2549: 2525: 2521: 2519: 2518: 2492: 2488: 2486: 2485: 2464: 2460: 2458: 2457: 2438: 2434: 2432: 2431: 2423: 2412: 2394: 2387: 2380: 2371: 2251:Botong Francisco 2210:Severino Montano 2186:Atang de la Rama 2109:Lucrecia Kasilag 2068:Resil B. Mojares 2050:Lazaro Francisco 2002:Carlos P. Romulo 1920:Fernando Poe Jr. 1806: 1805: 1794:Francisco Mañosa 1733: 1726: 1719: 1710: 1617:Cave and Shadows 1588: 1581: 1574: 1565: 1547: 1515: 1514: 1512: 1510: 1495: 1489: 1488: 1486: 1484: 1479:. April 22, 2021 1467: 1461: 1454: 1448: 1445: 1439: 1438:(24): 455 - 463. 1428: 1422: 1420: 1412: 1401: 1394: 1388: 1381: 1375: 1368: 1362: 1347: 1341: 1340: 1336: 1323: 1322: 1316: 1308: 1290: 1279: 1272: 1263: 1256: 869:Cave and Shadows 851:Tropical Baroque 617:. All the early 575:national culture 544:contribution in 470:Ferdinand Marcos 266:Pedro Gil Street 259:Emilio Aguinaldo 211:English language 200: 195: 175: 171: 112: 90: 88: 69: 55: 21: 5146: 5145: 5141: 5140: 5139: 5137: 5136: 5135: 5076: 5075: 5074: 5061: 5041: 5039: 5038: 5033: 5013: 5011: 5010: 5005: 4973: 4971: 4970: 4965: 4961:Tadatoshi Akiba 4945: 4943: 4942: 4937: 4931:Hasanain Juaini 4916: 4914: 4913: 4908: 4880: 4878: 4877: 4872: 4836: 4834: 4833: 4828: 4822:Yang Saing Koma 4807: 4805: 4804: 4799: 4774: 4772: 4771: 4762: 4740: 4720: 4718: 4717: 4715: 4705: 4703: 4702: 4697: 4677: 4675: 4674: 4669: 4651: 4649: 4648: 4643: 4625: 4623: 4622: 4617: 4597: 4595: 4594: 4589: 4585:Dita Indah Sari 4566: 4564: 4563: 4558: 4544:Arvind Kejriwal 4523: 4521: 4520: 4515: 4495: 4493: 4492: 4487: 4483:Chen Guangcheng 4467: 4465: 4464: 4459: 4439: 4437: 4436: 4427: 4408: 4388: 4386: 4385: 4383: 4373: 4371: 4370: 4365: 4340: 4338: 4337: 4332: 4311: 4309: 4308: 4303: 4250: 4248: 4247: 4242: 4222: 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1073:Tropical Gothic 1069:Isabel Sandoval 1036:(Lupe Moreta), 984: 975: 958: 953: 940: 935: 896:(1988) (Editor) 882:Collected Verse 749:Tropical Gothic 715:Prose and Poems 702: 693: 673: 668: 546:the Philippines 538: 529: 520: 518:History or time 511: 509:Ethical aspects 502: 493: 446:Prose and Poems 442: 437: 405:Maria Makiling 374:Mi Ultimo Adios 335: 314:Dominican Order 295: 278: 244: 239: 193: 190:Marquez Joaquin 166: 158: 135: 124: 114: 110: 101: 92: 86: 84: 83: 82: 72: 60: 51: 32:Philippine name 28: 23: 22: 15: 12: 11: 5: 5144: 5142: 5134: 5133: 5128: 5123: 5118: 5113: 5108: 5103: 5098: 5093: 5088: 5078: 5077: 5071: 5070: 5067: 5066: 5063: 5062: 5060: 5059: 5053: 5051: 5035: 5034: 5032: 5031: 5025: 5023: 5007: 5006: 5004: 5003: 5000: 4995: 4992: 4989: 4985: 4983: 4967: 4966: 4964: 4963: 4957: 4955: 4939: 4938: 4936: 4935: 4932: 4928: 4926: 4910: 4909: 4907: 4906: 4901: 4896: 4892: 4890: 4874: 4873: 4871: 4870: 4865: 4860: 4855: 4852: 4848: 4846: 4830: 4829: 4827: 4826: 4823: 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Sionil JosĂ© 3914: 3908: 3906: 3890: 3889: 3887: 3886: 3884:Bharat Koirala 3880: 3878: 3862: 3861: 3859: 3858: 3855: 3850: 3847: 3845:Akira Kurosawa 3841: 3839: 3823: 3822: 3820: 3819: 3814: 3810: 3808: 3792: 3791: 3789: 3788: 3783: 3778: 3776:Mahasweta Devi 3772: 3770: 3754: 3753: 3751: 3750: 3745: 3739: 3737: 3706: 3705: 3703: 3702: 3696: 3694: 3678: 3677: 3675: 3674: 3669: 3663: 3661: 3641: 3640: 3637: 3630: 3629: 3626: 3625: 3622: 3621: 3619: 3618: 3612: 3610: 3594: 3593: 3591: 3590: 3587: 3582: 3581:Aree Valyasevi 3578: 3576: 3560: 3559: 3557: 3556: 3555:Antonio Meloto 3553: 3547: 3545: 3529: 3528: 3526: 3525: 3519: 3517: 3501: 3500: 3498: 3497: 3491: 3489: 3473: 3472: 3470: 3469: 3463: 3461: 3445: 3444: 3442: 3441: 3435: 3433: 3417: 3416: 3414: 3413: 3411:Rajendra Singh 3408: 3403: 3398: 3393: 3388: 3383: 3378: 3369: 3362: 3360: 3344: 3343: 3341: 3340: 3334: 3332: 3316: 3315: 3313: 3312: 3307: 3304: 3299: 3297:Muhammad Yunus 3294: 3289: 3283: 3281: 3261: 3260: 3257: 3250: 3249: 3246: 3245: 3242: 3241: 3239: 3238: 3235: 3230: 3227: 3222: 3217: 3212: 3211:Phra Parnchand 3209: 3204: 3199: 3197:Fua Hariphitak 3193: 3191: 3175: 3174: 3172: 3171: 3167: 3165: 3134: 3133: 3131: 3130: 3125: 3121: 3119: 3103: 3102: 3100: 3099: 3094: 3088: 3086: 3070: 3069: 3067: 3066: 3060: 3058: 3042: 3041: 3039: 3038: 3035: 3029: 3027: 3011: 3010: 3008: 3007: 3002: 2997: 2995:Manibhai Desai 2992: 2987: 2981: 2979: 2963: 2962: 2960: 2959: 2956: 2951: 2946: 2940: 2938: 2922: 2921: 2919: 2918: 2917:Mary H. Rutnam 2914: 2912: 2896: 2895: 2893: 2892: 2886: 2884: 2864: 2863: 2860: 2853: 2852: 2849: 2848: 2845: 2844: 2842: 2841: 2836: 2831: 2827: 2825: 2809: 2808: 2806: 2805: 2803:Puey Ungpakorn 2800: 2795: 2790: 2788:Jon Ungphakorn 2785: 2780: 2774: 2772: 2756: 2755: 2753: 2752: 2746: 2744: 2728: 2727: 2725: 2724: 2719: 2714: 2709: 2704: 2699: 2694: 2691: 2687: 2685: 2669: 2668: 2666: 2665: 2660: 2654: 2652: 2636: 2635: 2633: 2632: 2627: 2621: 2619: 2603: 2602: 2600: 2599: 2595: 2593: 2577: 2576: 2574: 2573: 2568: 2567:Hiroshi Kuroki 2565: 2559: 2557: 2541: 2540: 2538: 2537: 2532: 2528: 2526: 2510: 2509: 2507: 2506: 2501: 2495: 2493: 2477: 2476: 2474: 2473: 2467: 2465: 2449: 2448: 2446: 2445: 2441: 2439: 2419: 2418: 2415: 2408: 2407: 2399: 2397: 2396: 2389: 2382: 2374: 2365: 2364: 2362: 2361: 2356: 2350: 2347: 2346: 2344: 2343: 2337: 2331: 2325: 2323:Abdulmari Imao 2319: 2313: 2307: 2301: 2295: 2289: 2283: 2277: 2271: 2265: 2259: 2253: 2247: 2240: 2238: 2234: 2233: 2231: 2230: 2224: 2218: 2212: 2206: 2204:Daisy Avellana 2200: 2194: 2188: 2181: 2179: 2175: 2174: 2172: 2171: 2165: 2159: 2153: 2147: 2141: 2135: 2129: 2123: 2117: 2111: 2105: 2099: 2097:Jovita Fuentes 2093: 2091:Antonio Molina 2086: 2084: 2080: 2079: 2077: 2076: 2070: 2064: 2058: 2052: 2046: 2040: 2034: 2028: 2026:F. Sionil JosĂ© 2022: 2016: 2010: 2004: 1998: 1992: 1986: 1979: 1977: 1973: 1972: 1970: 1969: 1967:Carlos Quirino 1962: 1960: 1956: 1955: 1953: 1952: 1946: 1940: 1934: 1932:Kidlat Tahimik 1928: 1922: 1916: 1910: 1908:Ishmael Bernal 1904: 1898: 1892: 1885: 1883: 1879: 1878: 1876: 1875: 1869: 1862: 1860: 1859:Fashion Design 1856: 1855: 1853: 1852: 1846: 1840: 1834: 1832:Lucrecia Reyes 1828: 1822: 1815: 1813: 1809: 1808: 1801: 1799: 1797: 1796: 1790: 1784: 1778: 1776:Leandro Locsin 1772: 1766: 1759: 1757: 1753: 1752: 1747: 1744: 1743: 1738: 1736: 1735: 1728: 1721: 1713: 1704: 1703: 1701: 1700: 1692: 1684: 1675: 1673: 1670:Adaptations of 1667: 1666: 1664: 1663: 1655: 1653: 1649: 1648: 1646: 1645: 1638: 1630: 1628: 1627:Short stories: 1624: 1623: 1621: 1620: 1613: 1605: 1603: 1599: 1598: 1593: 1591: 1590: 1583: 1576: 1568: 1562: 1561: 1555: 1549: 1539: 1530: 1523: 1522:External links 1520: 1517: 1516: 1504:Scout Magazine 1490: 1462: 1449: 1440: 1423: 1402: 1389: 1376: 1363: 1342: 1324: 1303: 1280: 1264: 1247: 1246: 1244: 1241: 1240: 1239: 1234: 1227: 1224: 1223: 1222: 1219: 1216: 1213: 1210: 1207: 1180: 1169: 1159: 1153: 1145: 1139: 1133: 1128: 1122: 1112: 1104: 1098: 1092: 1081: 1078: 1077: 1076: 1065: 1045: 1015: 999: 992:Jose F. Lacaba 983: 980: 974: 971: 957: 954: 952: 949: 948: 947: 939: 936: 934: 933: 927: 921: 915: 909: 903: 897: 891: 885: 879: 873: 865: 860: 854: 848: 842: 836: 830: 824: 818: 812: 806: 800: 794: 788: 782: 776: 770: 764: 758: 752: 746: 738: 732: 724: 718: 712: 703: 701: 698: 692: 689: 672: 669: 667: 664: 550:Manila Galleon 537: 534: 528: 525: 519: 516: 510: 507: 501: 498: 492: 489: 441: 438: 436: 433: 334: 331: 294: 291: 277: 274: 243: 240: 238: 235: 227:Claro M. Recto 177: 176: 164: 160: 159: 157: 156: 153: 150: 146: 144: 140: 139: 130: 126: 125: 115: 113:(aged 86) 109:April 29, 2004 107: 103: 102: 93: 80: 78: 74: 73: 70: 62: 61: 58: 26: 24: 14: 13: 10: 9: 6: 4: 3: 2: 5143: 5132: 5129: 5127: 5124: 5122: 5119: 5117: 5114: 5112: 5109: 5107: 5104: 5102: 5099: 5097: 5094: 5092: 5089: 5087: 5084: 5083: 5081: 5058: 5055: 5054: 5052: 5049: 5036: 5030: 5027: 5026: 5024: 5021: 5008: 5001: 4999: 4998:Romulo Davide 4996: 4993: 4990: 4987: 4986: 4984: 4981: 4968: 4962: 4959: 4958: 4956: 4953: 4940: 4933: 4930: 4929: 4927: 4924: 4911: 4905: 4902: 4900: 4897: 4894: 4893: 4891: 4888: 4875: 4869: 4866: 4864: 4861: 4859: 4856: 4853: 4850: 4849: 4847: 4844: 4831: 4824: 4821: 4820: 4818: 4815: 4802: 4796: 4793: 4791: 4788: 4787: 4785: 4782: 4769: 4765: 4760: 4759:Uncategorized 4755: 4751: 4737: 4734: 4733: 4731: 4728: 4713: 4712:United States 4700: 4694: 4691: 4690: 4688: 4685: 4672: 4665: 4664: 4662: 4659: 4646: 4639: 4638: 4636: 4633: 4620: 4614: 4611: 4610: 4608: 4605: 4592: 4586: 4583: 4580: 4579: 4577: 4574: 4561: 4555: 4552: 4550: 4547: 4545: 4542: 4540: 4537: 4536: 4534: 4531: 4518: 4512: 4511:Oung Chanthol 4509: 4508: 4506: 4503: 4490: 4484: 4481: 4480: 4478: 4475: 4462: 4456: 4453: 4452: 4450: 4447: 4434: 4430: 4423: 4419: 4405: 4402: 4401: 4399: 4396: 4381: 4380:United States 4368: 4362: 4359: 4357: 4354: 4353: 4351: 4348: 4335: 4328: 4325: 4324: 4322: 4319: 4306: 4300: 4297: 4295: 4292: 4290: 4287: 4285: 4282: 4280: 4277: 4275: 4272: 4270: 4267: 4264: 4263: 4261: 4258: 4245: 4239: 4236: 4235: 4233: 4230: 4217: 4211: 4208: 4207: 4205: 4202: 4189: 4182: 4180: 4177: 4175: 4172: 4170: 4169:Ikuo Hirayama 4167: 4166: 4164: 4161: 4148: 4142: 4139: 4138: 4136: 4133: 4120: 4114: 4111: 4109: 4106: 4104: 4103:Mother Teresa 4101: 4100: 4098: 4095: 4082: 4076: 4073: 4072: 4070: 4067: 4054: 4050: 4043: 4039: 4024: 4023: 4021: 4018: 4003: 4002:Great Britain 3990: 3984: 3981: 3980: 3978: 3975: 3962: 3956: 3953: 3951: 3948: 3945: 3943: 3940: 3938: 3935: 3933: 3930: 3928: 3927:Radio Veritas 3925: 3923: 3920: 3918: 3915: 3913: 3910: 3909: 3907: 3904: 3891: 3885: 3882: 3881: 3879: 3876: 3863: 3856: 3854: 3851: 3848: 3846: 3843: 3842: 3840: 3837: 3824: 3818: 3817:Mochtar Lubis 3815: 3812: 3811: 3809: 3806: 3793: 3787: 3784: 3782: 3779: 3777: 3774: 3773: 3771: 3768: 3755: 3749: 3746: 3744: 3741: 3740: 3738: 3735: 3720: 3707: 3701: 3698: 3697: 3695: 3692: 3679: 3673: 3670: 3668: 3667:Matiur Rahman 3665: 3664: 3662: 3659: 3646: 3642: 3635: 3631: 3617: 3614: 3613: 3611: 3608: 3595: 3588: 3586: 3583: 3580: 3579: 3577: 3574: 3561: 3554: 3552: 3549: 3548: 3546: 3543: 3530: 3524: 3521: 3520: 3518: 3515: 3502: 3496: 3493: 3492: 3490: 3487: 3474: 3468: 3465: 3464: 3462: 3459: 3446: 3440: 3437: 3436: 3434: 3431: 3418: 3412: 3409: 3407: 3406:Shantha Sinha 3404: 3402: 3399: 3397: 3394: 3392: 3389: 3387: 3384: 3382: 3379: 3377: 3373: 3372:Mabelle Arole 3370: 3368: 3364: 3363: 3361: 3358: 3345: 3339: 3338:Cynthia Maung 3336: 3335: 3333: 3330: 3317: 3311: 3308: 3305: 3303: 3300: 3298: 3295: 3293: 3290: 3288: 3285: 3284: 3282: 3279: 3266: 3262: 3255: 3251: 3236: 3234: 3231: 3228: 3226: 3223: 3221: 3218: 3216: 3213: 3210: 3208: 3205: 3203: 3200: 3198: 3195: 3194: 3192: 3189: 3176: 3169: 3168: 3166: 3163: 3148: 3135: 3129: 3128:Park Won-soon 3126: 3123: 3122: 3120: 3117: 3104: 3098: 3095: 3093: 3090: 3089: 3087: 3084: 3071: 3065: 3062: 3061: 3059: 3056: 3043: 3037:Teten Masduki 3036: 3034: 3031: 3030: 3028: 3025: 3012: 3006: 3003: 3001: 2998: 2996: 2993: 2991: 2988: 2986: 2983: 2982: 2980: 2977: 2964: 2957: 2955: 2954:Liang Congjie 2952: 2950: 2949:Jiang Yanyong 2947: 2945: 2942: 2941: 2939: 2936: 2923: 2916: 2915: 2913: 2910: 2897: 2891: 2888: 2887: 2885: 2882: 2869: 2865: 2858: 2854: 2840: 2839:Jiang Menglin 2837: 2835: 2832: 2829: 2828: 2826: 2823: 2810: 2804: 2801: 2799: 2796: 2794: 2791: 2789: 2786: 2784: 2781: 2779: 2776: 2775: 2773: 2770: 2757: 2751: 2750:Goh Keng Swee 2748: 2747: 2745: 2742: 2729: 2723: 2720: 2718: 2715: 2713: 2710: 2708: 2707:Jesse Robredo 2705: 2703: 2700: 2698: 2695: 2692: 2689: 2688: 2686: 2683: 2670: 2664: 2661: 2659: 2656: 2655: 2653: 2650: 2637: 2631: 2630:B. C. Shekhar 2628: 2626: 2623: 2622: 2620: 2617: 2604: 2598:Keo Viphakone 2597: 2596: 2594: 2591: 2578: 2572: 2571:Yukiharu Miki 2569: 2566: 2564: 2561: 2560: 2558: 2555: 2542: 2536: 2533: 2531:Raden Kodijat 2530: 2529: 2527: 2524: 2511: 2505: 2504:J. M. Lyngdoh 2502: 2500: 2499:C.D. Deshmukh 2497: 2496: 2494: 2491: 2478: 2472: 2471:Yuan Longping 2469: 2468: 2466: 2463: 2450: 2443: 2442: 2440: 2437: 2424: 2420: 2413: 2409: 2405: 2402: 2395: 2390: 2388: 2383: 2381: 2376: 2375: 2372: 2360: 2357: 2355: 2352: 2351: 2348: 2342: 2338: 2336: 2332: 2330: 2326: 2324: 2320: 2318: 2314: 2312: 2308: 2306: 2302: 2300: 2296: 2294: 2293:Arturo R. Luz 2290: 2288: 2284: 2282: 2281:Cesar Legaspi 2278: 2276: 2272: 2270: 2266: 2264: 2260: 2258: 2254: 2252: 2248: 2246: 2242: 2241: 2239: 2235: 2229: 2225: 2223: 2219: 2217: 2213: 2211: 2207: 2205: 2201: 2199: 2198:Rolando Tinio 2195: 2193: 2189: 2187: 2183: 2182: 2180: 2176: 2170: 2166: 2164: 2163:Ryan Cayabyab 2160: 2158: 2154: 2152: 2148: 2146: 2142: 2140: 2136: 2134: 2130: 2128: 2124: 2122: 2118: 2116: 2112: 2110: 2106: 2104: 2100: 2098: 2094: 2092: 2088: 2087: 2085: 2081: 2075: 2071: 2069: 2065: 2063: 2062:Ramon Muzones 2059: 2057: 2053: 2051: 2047: 2045: 2041: 2039: 2035: 2033: 2029: 2027: 2023: 2021: 2017: 2015: 2011: 2009: 2005: 2003: 1999: 1997: 1993: 1991: 1987: 1985: 1981: 1980: 1978: 1974: 1968: 1964: 1963: 1961: 1957: 1951: 1947: 1945: 1941: 1939: 1935: 1933: 1929: 1927: 1923: 1921: 1917: 1915: 1911: 1909: 1905: 1903: 1899: 1897: 1893: 1891: 1887: 1886: 1884: 1880: 1874: 1870: 1868: 1864: 1863: 1861: 1857: 1851: 1847: 1845: 1841: 1839: 1835: 1833: 1829: 1827: 1823: 1821: 1817: 1816: 1814: 1810: 1795: 1791: 1789: 1785: 1783: 1779: 1777: 1773: 1771: 1770:Pablo Antonio 1767: 1765: 1761: 1760: 1758: 1754: 1750: 1745: 1741: 1734: 1729: 1727: 1722: 1720: 1715: 1714: 1711: 1698: 1697: 1693: 1690: 1689: 1685: 1682: 1681: 1677: 1676: 1674: 1668: 1662: 1661: 1657: 1656: 1654: 1650: 1644: 1643: 1639: 1637: 1636: 1632: 1631: 1629: 1625: 1619: 1618: 1614: 1612: 1611: 1607: 1606: 1604: 1600: 1596: 1589: 1584: 1582: 1577: 1575: 1570: 1569: 1566: 1559: 1556: 1554:, Answers.com 1553: 1550: 1545: 1540: 1538: 1534: 1531: 1529: 1526: 1525: 1521: 1505: 1501: 1494: 1491: 1478: 1477: 1472: 1466: 1463: 1459: 1453: 1450: 1444: 1441: 1437: 1433: 1427: 1424: 1418: 1411: 1409: 1407: 1403: 1399: 1393: 1390: 1386: 1380: 1377: 1373: 1367: 1364: 1360: 1356: 1352: 1346: 1343: 1335: 1333: 1331: 1329: 1325: 1320: 1314: 1306: 1304:9789712729331 1300: 1296: 1289: 1287: 1285: 1281: 1277: 1271: 1269: 1265: 1261: 1255: 1253: 1249: 1242: 1238: 1235: 1233: 1230: 1229: 1225: 1220: 1217: 1214: 1211: 1208: 1205: 1201: 1197: 1193: 1189: 1185: 1181: 1178: 1174: 1170: 1167: 1163: 1160: 1157: 1154: 1151: 1150: 1146: 1143: 1140: 1137: 1134: 1132: 1129: 1126: 1123: 1120: 1116: 1113: 1110: 1109: 1105: 1102: 1099: 1096: 1093: 1090: 1089:'s Honor Roll 1088: 1084: 1083: 1079: 1074: 1070: 1066: 1063: 1062:Ryan Cayabyab 1059: 1058:Rolando Tinio 1055: 1051: 1050: 1046: 1043: 1040:(Amada), and 1039: 1038:Rica Peralejo 1035: 1034:Dina Bonnevie 1031: 1027: 1023: 1019: 1016: 1013: 1009: 1005: 1004: 1000: 997: 993: 989: 986: 985: 981: 979: 972: 970: 962: 955: 950: 945: 942: 941: 937: 931: 928: 925: 922: 919: 916: 913: 910: 907: 904: 901: 898: 895: 892: 889: 886: 883: 880: 877: 874: 871: 870: 866: 864: 861: 858: 855: 852: 849: 846: 843: 840: 837: 834: 831: 828: 825: 822: 819: 816: 813: 810: 807: 804: 801: 798: 795: 792: 789: 786: 783: 780: 777: 774: 771: 768: 765: 762: 759: 756: 753: 750: 747: 744: 743: 739: 736: 733: 730: 729: 725: 722: 719: 716: 713: 710: 709: 705: 704: 699: 697: 690: 688: 684: 680: 676: 670: 665: 662: 660: 656: 652: 648: 644: 638: 636: 630: 628: 624: 620: 616: 612: 608: 604: 600: 596: 592: 588: 584: 578: 576: 572: 566: 563: 559: 553: 551: 547: 543: 535: 533: 526: 524: 517: 515: 508: 506: 499: 497: 490: 488: 486: 482: 478: 475: 471: 467: 466:authoritarian 463: 457: 455: 451: 447: 439: 434: 432: 430: 426: 422: 421:Mirror Weekly 418: 414: 409: 406: 402: 401:Imelda Marcos 396: 394: 390: 386: 382: 377: 375: 371: 367: 363: 355: 350: 346: 344: 340: 332: 330: 326: 322: 319: 315: 311: 306: 302: 300: 292: 290: 286: 282: 275: 273: 269: 267: 262: 260: 256: 251: 249: 241: 236: 234: 230: 228: 224: 220: 216: 212: 208: 204: 203:short stories 199: 191: 187: 183: 174: 170: 165: 161: 154: 151: 148: 147: 145: 141: 138: 134: 131: 129:Resting place 127: 123:, Philippines 122: 118: 108: 104: 100: 96: 79: 75: 68: 63: 56: 53: 49: 45: 41: 37: 33: 19: 5029:Chen Shu-chu 4899:Harish Hande 4758: 4640:Yoon Hye-ran 4183:Seiei Toyama 4179:Saburo Okita 3942:Nick Joaquin 3941: 3932:James Reuter 3396:Vinoba Bhave 3367:Prakash Amte 3310:Angela Gomes 2890:Tee Tee Luce 2834:Li Kwoh-ting 2830:Shih-chu Hsu 2798:Prawase Wasi 2722:Haydee Yorac 2702:Grace Padaca 2444:Ek Sonn Chan 2341:Larry Alcala 2311:JosĂ© T. Joya 2151:Ramon Santos 2121:Levi Celerio 2020:Edith Tiempo 1996:Nick Joaquin 1995: 1926:Manuel Conde 1914:Eddie Romero 1867:RamĂłn Valera 1850:Agnes Locsin 1838:Ramon Obusan 1826:Leonor Orosa 1756:Architecture 1748: 1694: 1686: 1678: 1658: 1640: 1633: 1615: 1608: 1595:Nick Joaquin 1594: 1558:Nick Joaquin 1552:Nick Joaquin 1536: 1533:Nick Joaquin 1507:. Retrieved 1503: 1493: 1481:. 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Shanta 2985:Baba Amte 2741:Singapore 2523:Indonesia 1688:Kisapmata 1313:cite book 1164:from the 1003:Kisapmata 666:Criticism 643:Filipinos 623:Manileños 615:Shintoism 562:Cervantes 481:pseudonym 276:Education 237:Biography 182:Nicomedes 5048:Thailand 4814:Cambodia 4736:Chung To 4502:Cambodia 4395:Thailand 4347:Thailand 4229:Pakistan 3974:Thailand 3573:Thailand 3486:Malaysia 3188:Thailand 3055:Pakistan 2769:Thailand 2649:Pakistan 2616:Malaysia 2436:Cambodia 1476:GMA News 1226:See also 1182:Several 1171:Several 1119:New York 611:Buddhism 607:Hinduism 593:and the 194:Tagalog: 155:novelist 117:San Juan 30:In this 4863:Pan Yue 4761:(2009–) 4327:Pomnyun 2958:Wu Qing 2178:Theatre 1602:Novels: 1144:(1976). 1018:Tatarin 619:Kastila 542:Spanish 468:leader 299:Tribune 209:in the 48:Joaquin 44:Marquez 5045:  5020:Taiwan 5017:  4977:  4949:  4920:  4884:  4858:Ma Jun 4840:  4811:  4778:  4724:  4709:  4681:  4655:  4629:  4601:  4570:  4527:  4499:  4471:  4443:  4392:  4377:  4344:  4315:  4254:  4226:  4157:  4129:  4091:  4063:  4014:  3999:  3971:  3900:  3833:  3802:  3764:  3731:  3719:Ceylon 3716:  3688:  3655:  3604:  3570:  3539:  3483:  3455:  3427:  3374:& 3354:  3326:  3275:  3185:  3159:  3144:  3113:  3080:  3052:  3021:  2973:  2932:  2909:Ceylon 2906:  2878:  2822:Taiwan 2819:  2766:  2738:  2679:  2646:  2613:  2587:  2551:  2520:  2487:  2459:  2433:  1699:(2017) 1691:(1981) 1683:(1979) 1680:Jaguar 1652:Plays: 1509:May 2, 1483:May 2, 1357:  1301:  1179:Award. 1168:(1997) 1158:(1996) 1152:(1980) 1138:(1964) 1127:(1960) 1097:(1949) 1091:(1940) 1080:Awards 988:Jaguar 951:Legacy 946:(2001) 932:(2004) 926:(1996) 920:(1995) 914:(1993) 908:(1990) 902:(1990) 890:(1988) 884:(1987) 878:(1986) 872:(1983) 859:(1983) 853:(1982) 847:(1981) 841:(1981) 835:(1980) 829:(1979) 823:(1979) 817:(1977) 811:(1977) 805:(1977) 799:(1977) 793:(1977) 787:(1977) 781:(1977) 775:(1977) 769:(1977) 763:(1977) 757:(1977) 751:(1972) 745:(1966) 737:(1964) 731:(1961) 723:(1960) 717:(1952) 711:(1947) 603:Taoism 558:Virgil 368:, and 333:Career 316:, the 207:novels 163:Awards 34:, the 4952:Japan 4887:India 4843:China 4530:India 4474:China 4446:Burma 4329:Sunim 4201:Nepal 4160:Japan 4094:India 4066:China 3875:Nepal 3836:Japan 3767:India 3691:Burma 3607:Tibet 3514:Nepal 3430:Japan 3357:India 3329:Burma 3147:Spain 2976:India 2935:China 2881:Burma 2554:Japan 2490:India 2462:China 2339:2018 2333:2014 2327:2009 2321:2006 2315:2006 2309:2003 2303:2001 2297:1999 2291:1997 2285:1991 2279:1990 2273:1981 2267:1976 2261:1976 2255:1973 2249:1973 2243:1972 2226:2022 2220:2018 2214:2003 2208:2001 2202:1999 2196:1997 2190:1997 2184:1987 2167:2022 2161:2018 2155:2014 2149:2014 2143:1999 2137:1999 2131:1997 2125:1997 2119:1997 2113:1991 2107:1988 2101:1988 2095:1976 2089:1973 2083:Music 2072:2022 2066:2018 2060:2018 2054:2014 2048:2009 2042:2006 2036:2003 2030:2003 2024:2001 2018:1999 2012:1997 2006:1990 2000:1982 1994:1976 1988:1973 1982:1973 1965:1997 1948:2022 1942:2022 1936:2022 1930:2018 1924:2009 1918:2006 1912:2003 1906:2001 1900:1997 1894:1982 1888:1976 1871:2022 1865:2006 1848:2022 1842:2014 1836:2006 1830:1988 1824:1976 1818:1973 1812:Dance 1792:2018 1786:2014 1780:2006 1774:1990 1768:1976 1762:1973 651:Dutch 635:Dutch 627:Islam 613:, or 609:, or 605:, of 601:, of 595:Malay 591:Japan 587:India 583:China 435:Works 429:Isyu, 385:Tokyo 3458:Laos 2590:Laos 1511:2022 1485:2022 1421:> 1355:ISBN 1319:link 1299:ISBN 1173:ESSO 994:and 560:and 427:and 391:and 225:and 205:and 186:Nick 106:Died 77:Born 3723:or 395:. 42:is 5082:: 1535:, 1502:. 1473:. 1434:. 1405:^ 1327:^ 1315:}} 1311:{{ 1283:^ 1267:^ 1251:^ 1198:; 1194:; 1190:; 1075:. 629:." 589:, 585:, 364:, 188:" 119:, 97:, 2393:e 2386:t 2379:v 1732:e 1725:t 1718:v 1587:e 1580:t 1573:v 1546:. 1513:. 1487:. 1436:4 1432:1 1321:) 1307:. 1206:. 1117:( 1064:. 1044:. 356:. 192:( 184:" 89:) 85:( 50:. 20:)

Index

Quijano de Manila
Philippine name
middle name
family name

Paco, Manila
Philippine Islands
San Juan
Metro Manila
Libingan ng mga Bayani
Loyola Memorial Park

Order of National Artists of the Philippines
[hwaˈkin]
short stories
novels
English language
National Artist of the Philippines
José Rizal
Claro M. Recto
Paco, Manila
Philippine Revolution
Emilio Aguinaldo
Pedro Gil Street
Dominican Order
University of Santo Tomas

Libingan ng mga Bayani
International PEN
Tokyo

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