163:
219:
179:
239:
199:
24:
151:
162:
198:
238:
218:
178:
126:. He found the instrument in the hands of traveling musicians and photographed both the musicians playing it, as well as the instruments themselves. In one photo he laid the rocks out with the other instruments to be photographed.
297:
Turkestanskii al'bom. Po rasporiazheniiu turkestanskago general-gubernatora general-ad"iutanta K. P. fon
Kaufmana 1-go. Chast' etnograficheskaia tuzemnoe naselenie v russkikh vladieniiakh Srednei Azii
302:
Turkestan Album. By order of the
Turkestan Governor-General, Adjutant-General K.P. von Kaufman I. The Ethnographical Part - Native populations in the Russian possessions of Central Asia
129:
A similar instrument to that in the
Russian photos is in the collection of the Metropolitan Museum of Art. The instrument in the museum's collection was collected in Afghanistan.
150:
371:
306:: The instrument was identified in the title of a photo, 'Trupa muzykantov. Tas-baz mualakchi kairak baz' printed under the photo. Each '
376:
295:
49:
104:
are flat oval stones used as clappers or castanets. They are small enough to hold two in one hand and are used in the music of
23:
386:
381:
112:
peoples. They are used as a percussion instrument and shaken, a pair in each hand to make clicking sounds and rattles.
68:(Concussion idiophones or plaque-clappers, Two or more complementary sonorous parts are struck against each other.)
244:
Dance for the
Pleasure of Sultan Ahmet III (1673-1736). The women are dancing, holding qairaqs or possibly
136:
are used by women at marriage ceremonies and "life-cycle ceremonies." In 1869. they were also played by
34:
61:
204:
Trupa muzykantov. Tas-baz mualakchi kairak baz (a troupe of musicians, dancer who also plays the
81:
123:
115:
Among the Tajiks, the instrument is played among those living in the plains or river valleys.
275:
168:
Two pairs of qairaq lie in a line beneath the other instruments. Top row, far right is the
304:]. Vol. 2. Military Topographical Department of the Turkestan Military District.
337:
365:
307:
137:
54:
122:
was photographed in 1869-1872 by a
Russian photographer, who was documenting
357:
322:
player. In this photo, the boys are dancing, not playing their instruments.
224:
The same group of musicians. The boys are posed with their instruments (
245:
109:
105:
88:
28:
Qairaq or kairak (stone castanets) mid-20th century, Afghanistan
318:
is a metal bowl used as a drum or cymbal). The other boy is a
310:' in the caption refers to one of the boys. One boy is a
80:
72:
60:
48:
40:
33:
144:", dancing boys who sometimes dressed as women.
76:Used in the music of Tajiks, Uzbeks and Afghans
8:
156:Musician plays a pair of qairaq in each hand
16:
338:"Qairaq (stone castanets) mid-20th century"
274:Merchant, Tanya (28 May 2015). "Qairaq ".
269:
267:
265:
263:
358:Recording of qairaqs being played, solo
332:
330:
259:
146:
289:
287:
15:
7:
184:Batcha, or Dancing Boys, one with a
14:
237:
217:
197:
177:
161:
149:
22:
62:Hornbostel–Sachs classification
188:cymbal, one with two pairs of
1:
208:, dancer who also plays the
372:Persian musical instruments
403:
342:Metropolitan Museum of Art
280:. Oxford University Press.
377:Tajik musical instruments
87:
21:
387:Concussion idiophones
35:Percussion instrument
382:Music of Uzbekistan
82:Related instruments
44:kairak, tash kairak
18:
277:Grove Music Online
294:A.L. Khun (ed.).
124:Russian Turkestan
94:
93:
394:
346:
345:
334:
325:
324:
291:
282:
281:
271:
241:
221:
201:
181:
165:
153:
26:
19:
402:
401:
397:
396:
395:
393:
392:
391:
362:
361:
355:
350:
349:
336:
335:
328:
293:
292:
285:
273:
272:
261:
256:
249:
242:
233:
232:) on the right.
222:
213:
202:
193:
182:
173:
166:
157:
154:
67:
29:
12:
11:
5:
400:
398:
390:
389:
384:
379:
374:
364:
363:
354:
353:External links
351:
348:
347:
326:
283:
258:
257:
255:
252:
251:
250:
243:
236:
234:
223:
216:
214:
203:
196:
194:
183:
176:
174:
167:
160:
158:
155:
148:
92:
91:
85:
84:
78:
77:
74:
70:
69:
64:
58:
57:
52:
50:Classification
46:
45:
42:
38:
37:
31:
30:
27:
13:
10:
9:
6:
4:
3:
2:
399:
388:
385:
383:
380:
378:
375:
373:
370:
369:
367:
360:
359:
352:
343:
339:
333:
331:
327:
323:
321:
317:
313:
309:
303:
299:
298:
290:
288:
284:
279:
278:
270:
268:
266:
264:
260:
253:
247:
240:
235:
231:
227:
220:
215:
211:
207:
200:
195:
191:
187:
180:
175:
171:
164:
159:
152:
147:
145:
143:
139:
135:
130:
127:
125:
121:
116:
113:
111:
107:
103:
99:
90:
86:
83:
79:
75:
71:
65:
63:
59:
56:
53:
51:
47:
43:
39:
36:
32:
25:
20:
356:
341:
319:
315:
311:
305:
301:
296:
276:
229:
225:
209:
205:
189:
185:
169:
141:
133:
131:
128:
119:
117:
114:
101:
97:
95:
41:Other names
366:Categories
314:player (a
254:References
55:idiophones
73:Developed
246:krakebs
134:qairaqs
320:kairak
230:kairak
210:kairak
190:qairaq
138:batcha
132:Today
120:kairak
102:kairak
98:qairaq
89:krakeb
66:111.12
17:Qairaq
300:[
110:Uzbek
106:Tajik
228:and
140:or "
118:The
108:and
96:The
316:tas
312:Tas
308:baz
226:tas
206:tas
186:tas
170:tas
142:baz
100:or
368::
340:.
329:^
286:^
262:^
344:.
248:.
212:.
192:.
172:.
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
