417:
383:, she created a retrospective exhibition "Spine, Chapter 20", of new pieces. Unlike all previous Chapters, this exhibit did not incorporate the specifics of the venue, instead reflecting upon all of her work to date. Together the Chapters form a figurative book – an overarching structure for all the paintings. "The installation itself has a 'spine': an 80-foot wall extending from one corner of the room, on which most of the roughly 30 paintings are hung, creating a sense of space – even emptiness, if you turn your attention toward the walls where paintings are customarily hung in the Neuberger." according to
331:, noting "Quaytman makes reference in the title to both the seat of seeing (i am), and the classical meter of poetry", and "Quaytman's sophisticated dissection of the complexities of seeing and the manifold aspects that inform perception is evident not only in individual works, but also in the relationship between specific works installed in the exhibition, and in the cumulative effect of the whole," and
284:, for which she made 40 paintings, in recognition of her 40th birthday, plus another 40 for a local gallery. The 80 paintings were all linked conceptually, and formed the first "chapter": "The Sun, Chapter 1". In the exhibit, she references the death of her grandfather and great-grandfather, by train crash near the location in Queens, building on a newspaper article clipped from the
341:
120:, best known for paintings on wood panels, using abstract and photographic elements in site-specific "Chapters", now numbering 35. Each chapter is guided by architectural, historical and social characteristics of the original site. Since 2008, her work has been collected by a number of modern art museums. She is also an educator and author based in
393:. Pieces in this chapter pull elements from all her previous chapters, such as "Distracting Distance / Hardy", in which a nude woman stands in front of the Marcel Breuer window at the Whitney. "Spine, Chapter 20" also provided the final chapter of an impressive physical book – the retrospective she published in 2011,
249:
After winning the 1992 Rome Prize, in that year of uninterrupted time to pursue artistic development, Quaytman began to make a series of paintings which belonged together, which she described as "sentences." She cites her epiphany as "The stance of the painting is the profile", after which she
309:
in New York, and a two-person show with artist Josef Strau, at Vilma Gold in London, for which she created "iamb, Chapter 12". This collection related to the use of light by Strau (actual lamps), and illustration, based on an image from
364:. For the show, she created "Distracting Distance, Chapter 16", which reflects on the shape of the window and its reference to perspective, as well as on a famous painting in the Whitney – "A Woman in the Sun", by
293:
Each subsequent chapter reflects and adapts elements of the venue in which they are initially shown. For "Lodz Poem, Chapter 2", at the Lodz Poland
Biennial, she focused on two early Polish modernists,
337:"The paintings in R. H. Quaytman's exhibition are cerebral, physically thought out and resolutely optical. They engage painting on every level in a restrained way; they also engage one another."
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261:. A silkscreen of Graham himself would later be featured in her work. She found the use of silkscreening to be liberating, and cites influence from
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246:, teaching painting in the Masters of Fine Arts program, and is frequently a visiting artist, scholar or lecturer at other colleges and museums.
164:. Quaytman credits both her father and step-father with greatly influencing her development as an artist. Quaytman was an Artist in Residence at
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505:(2011) Published by Sternberg Press, Kunsthalle Basel and Sequence, 15.24 x 24.45 cm, 416 pp, 380 color ill., hardcover with dust jacket
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492:(2008) Published by MER Paper Kunsthalle, on the occasion of the exhibition "From One O to the Other" at Orchard, NY, 47 pp, 2008.
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238:, run by twelve partners, including artists, filmmakers, art historians and curators. Since 2006 she has been on the faculty of
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magazine, with an essay by Paul Galvez describing her international "triumvirate of installations" in the past three years.
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thought of her paintings in the context of the audience walking by, grouped together and observed with peripheral vision.
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neighborhood of New York City in 1963. When
Quaytman was 4, her mother began living with and later married
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511:(2012) Published by Museum Abteiberg Mönchengladbach, 21 x 16.5 x 2.5 cm, boxed set of 61 color cards
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In 2005, Quaytman was a founding member and the
Director of a cooperative gallery in Manhattan's
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626:"Guggenheim Museum Website, Nov 28, 2012 – Conversation with Contemporary Artist R.H. Quaytman"
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China Art
Objects Galleries, Los Angeles, CA Revolution, A Gallery Project, Ferndale, MI (1999)
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Momentum 15: Exhibition Guide, Chapter 15, The
Institute of Contemporary Art, Boston (2009)
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Constructivismes, curated by
Olivier Renaud-Clément, Almine Rech Gallery, Brussels (2009)
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works, with over 60 one-person exhibits. Her parents met while studying painting at the
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1086:"Neuberger Museum of Art, Dec 1, 2010 – Website for R. H. QUAYTMAN: SPINE, CHAPTER 20"
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368:, painted in 1961, the year of her birth. Photos of the entire room were published by
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allowing a full year of dedicated work. Additionally she studied for one year at the
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608:, Solomon R. Guggenheim Museum in New York, USA. October 12, 2018 - January 27, 2019
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360:. She was offered a north-facing room featuring a trapezoidal window designed by
302:, interweaving caption paintings and drawings from the World War II-era artists.
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The Book
Forever: An Articulation of R.H. Quaytman's Spine | The American Shot
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1469:"ICA – The Institute of Contemporary Art/Boston – Momentum 15: R.H. Quaytman"
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816:"ICA – The Institute of Contemporary Art/Boston – R.H. Quaytman – Artist Bio"
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and presented alongside the
Guggenheim's major retrospective of that artist.
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R. H. Quaitman as winner of the
Wolfgang Hahn Price 2015, Museum Ludwig
771:"Art in America Magazine, June 2010 – R.H. Quaytman, by Steel Stillman"
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585:– Passing Through The Opposite of What It Approaches, Chapter 25 –
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Her work is in numerous museum collections, including the
Whitney,
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517:(2016) Published by The Museum of Contemporary Art, Los Angeles.
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993:"Frieze Magazine, Jan 20, 2009 – R.H. Quaytman, by David Lewis"
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The Sun, Chapter 1, Spencer Brownstone Gallery, New York (2004)
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WorldCat Reference for Allegorical details, by R. H. Quaytman
136:, in 1961. Her mother is the noted American postmodern poet
1061:"Whitney Biennial: R. H. Quaytman (Contemporary Art Daily)"
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In 2017, her work was included in the Athens component of
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In 2001, she was invited to participate in a show at the
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679:"Harvey Quaytman, 64, Painter Known for Geometric Works"
199:, in 1989. She later worked as an assistant to artist
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imb,Chapter 12, Miguel Abreu Gallery, New York (2008)
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Galerie Edward Mitterrand, Geneva, Switzerland (2004)
1398:"R. H. Quaytman – Bibliography – Gladstone Gallery"
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WorldCat Reference for Chapter 24, by R.H. Quaytman
841:"R.H. Quaytman Biography – R.H. Quaytman on artnet"
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549:iamb,Chapter 12, Vilma Gold Gallery, London (2008)
1720:Skowhegan School of Painting and Sculpture alumni
305:In 2008, she was selected for a solo show at the
914:"Bard College Website – Bio of Rebecca Quaytman"
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670:
1333:WorldCat Reference for Spine, by R.H. Quaytman
935:"CV of R.H. Quaytman at Miguel Abreu Gallery"
447:a body of work derived from the notebooks of
217:Institut des Hautes Études en Arts Plastiques
65:Institut des Hautes Études en Arts Plastiques
8:
956:
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796:Skowhegan School of Painting & Sculpture
527:Spencer Brownstone Gallery, New York (1998)
356:(2010). Quaytman was selected for the 2010
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400:In 2011, her painting was on the cover of
166:Skowhegan School of Painting and Sculpture
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1444:"Frieze Magazine – Shows – R.H. Quaytman"
1176:"Search – Whitney Museum of American Art"
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150:School of the Museum of Fine Arts, Boston
1690:American people of Polish-Jewish descent
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16:American contemporary artist (born 1961)
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438:Museum of Contemporary Art, Los Angeles
646:Christine Smallwood (March 24, 2015).
587:Exhibition Page at Renaissance Society
140:, and her father was abstract painter
7:
1710:21st-century American women painters
1705:20th-century American women painters
1544:"Jay DeFeo : The Ripple Effect"
1368:. Museum Abteiberg Mönchengladbach.
1275:"R. H. Quaytman - Gladstone Gallery"
1099:Schwendener, Martha (Dec 17, 2010).
653:T: The New York Times Style Magazine
602:, France, Dijon, 3 Feb - 20 May 2018
209:National College of Art & Design
1013:The New York Times (Jan 22, 2009).
1730:20th-century American male artists
1660:21st-century American male artists
1600:R. H. Quaytman at Museum Abteiberg
1590:R. H. Quaytman at Galerie Buchholz
1585:R.H. Quaytman at Gladstone Gallery
596:Jay DeFeo : The Ripple Effect
563:San Francisco Museum of Modern Art
540:Lodz Biennial, Lodz, Poland (2004)
215:, Ireland, and later the attended
132:Rebecca Howe Quaytman was born in
14:
1665:People from Guilford, Connecticut
1595:R. H. Quaytman at Saatchi Gallery
1558:"R. H. Quaytman: + x, Chapter 34"
1151:"R. H. Quaytman: + x, Chapter 34"
870:Princenthal, Nancy (2019-01-01).
561:New Work: R. H. Quaytman (2010),
472:R. H. Quaytman is represented by
253:After working as an assistant to
1040:"Whitney Museum – R.H. Quaytman"
703:Brennan, Michael (Apr 1, 2005).
397:, with 380 color illustrations.
344:Distracting Distance, Chapter 16
1715:Activists from New York (state)
963:"R H Quaytman Chapter 12: iamb"
961:Waltemath, Joan (Feb 4, 2009).
792:"Alumni & Faculty Database"
591:Morning Chapter 30 at MOCA DTLA
432:Her first major museum survey,
203:. In 1991, she was awarded the
1680:American LGBT rights activists
1655:21st-century American painters
1645:20th-century American painters
729:McQuaid, Cate (Nov 15, 2009).
606:R.H. Quaytman: + x, Chapter 34
572:Whitney Museum of American Art
1:
1364:Quaytman, Rebecca H. (2012).
1331:Quaytman, Rebecca H. (2011).
872:"The Pleasures of Refraction"
744:– via The Boston Globe.
677:Johnson, Ken (Apr 15, 2002).
244:Annandale-on-Hudson, New York
1670:Painters from New York City
1640:Painters from Massachusetts
648:"The Mother-Daughter Thing"
179:Her half-brother is writer
116:(born 1961) is an American
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1725:21st-century American Jews
152:. The family moved to the
1675:Painters from Connecticut
191:In 1987 she was hired by
1650:Artists from Connecticut
1279:www.gladstonegallery.com
1065:contemporaryartdaily.com
168:in 1982, and received a
128:Early life and education
1695:Jewish American artists
1226:"R. H. Quaytman – Tate"
1101:"Idiosyncratic Imagery"
731:"Signs and sensibility"
436:, was organized by the
377:Neuberger Museum of Art
375:Later in 2010, for the
219:in Paris to study with
1685:Artists from Manhattan
1130:www.thefreelibrary.com
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370:Contemporary Art Daily
345:
583:University of Chicago
509:Dalet (ך), Chapter 24
484:Selected publications
460:The Guggenheim Museum
443:In 2018, she created
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300:Wladyslaw Strzeminski
134:Boston, Massachusetts
40:Boston, Massachusetts
33:Rebecca Howe Quaytman
1402:gladstonegallery.com
1255:Miguel Abreu Gallery
896:"Website of Orchard"
474:Miguel Abreu Gallery
307:Miguel Abreu Gallery
282:Queens Museum of Art
1635:Bard College alumni
1630:Artists from Boston
1335:. Sternberg Press.
579:Renaissance Society
533:Optima, Chapter 3,
515:Morning: Chapter 30
434:Morning, Chapter 30
422:Morning, Chapter 30
158:David von Schlegell
118:contemporary artist
1105:The New York Times
1019:The New York Times
683:The New York Times
574:, New York (2010)
490:Allegorical decoys
440:, (MOCA) in 2016.
430:
391:Martha Schwendener
386:The New York Times
381:Purchase, New York
350:Rosa von Praunheim
346:
334:The New York Times
181:Mark von Schlegell
1375:978-3-924039-59-2
1342:978-1-934105-38-2
967:The Brooklyn Rail
709:The Brooklyn Rail
705:"Harvey Quaytman"
594:Participation at
537:, Brooklyn (2004)
498:978-90-769-7954-0
478:Gladstone Gallery
354:New York Memories
329:The Brooklyn Rail
319:, illustrated by
144:, well known for
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232:Lower East Side
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162:Yale University
142:Harvey Quaytman
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