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in such reports." He also urged that supportive legal measures should also be drafted. Explaining the rise in fakes originating from Bengal, he pointed to the revival of interest in art of early 20th century. "Bengal masters figured prominently in art history. Their works were few in circulation. Hence, when demand went up, it spawned fakes."
702:(Tagore), the medium being acrylic and canvas. Acrylic paints were not invented then. They are totally uninformed. The art world should wake up if it wants credibility. Institutions should be more careful. They have a certain responsibility to their heritage and legacy. The academic part of it should be more professional."
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The exhibition was curated by K.S. Radhakrishnan and the book was brought out in collaboration with the Delhi Art
Gallery. The book presents entire body of Ramkinkar's sketches, watercolours, etchings, oils and sculptures, together with many invaluable period photographs. This is considered to be the
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does not accommodate the refusal of many in colonized situations to internalize inferiority. Santiniketanâs artist teachersâ refusal of subordination incorporated a counter vision of modernity, which sought to correct the racial and cultural essentialism that drove and characterized imperial
Western
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and
Ramkinkar Baij, Siva Kumar notes, "If his friend and colleague Binodebihari painted the starker side of Santiniketan landscape, and saw himself as a lonely palm tree in the middle of the barren and parched Khoai, Ramkinkar saw himself as the Palash in full bloom: No leaves, bare branches, fully
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quoted him,"A national-level investigation agency should set up a team of specialists who follow only such cases so that they can see pattern or notice the involvement of same people or part of the same network. One can then consider putting an embargo on galleries and collectors whose names figure
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in
Kolkata, under principal Dipali Bhattacharya, had organised an exhibition of 23 Tagore paintings. And later 20 were found to be fake. Siva Kumar, who had already seen digital images of the paintings and, convinced that they were all fakes, had warned the college principal, Dipali Bhattacharya,
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The brief survey of the individual works of the core
Santiniketan artists and the thought perspectives they open up makes clear that though there were various contact points in the work they were not bound by a continuity of style but buy a community of ideas. Which they not only shared but also
1640:âThe Bhuddha and the Labyrinth of Bodies: Viewing the Ramp Obliquelyâ, The Ramp: a sculpture by K.S. Radhakrishnan, Art Alive Gallery, New Delhi, October 2204, Uttarayan Baroda, Vadodara, December 2004, Tao Art Gallery, Mumbai January 2005 and Galerie Sara Arakkal, Bangalore April 2005.
694:. According to Siva Kumar the fakes were "by an academically trained artist â not old Santiniketan. Elements have been taken from different prints and then collaged together...This (Tagore-faking) needs to be nipped in the bud. The other day, I came upon a notice about an exhibition of
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690:'s paintings and his works are of a rare kind. I had seen the reproductions and I knew they were fake. It's unfortunate because it completely destroys the oeuvre of the artist. But the problem of fakes is larger than what is made out of it." R. Siva kumar had revealed to the
1818:âSantiniketan. Eine Welt-Universität, Raman Siva Kumar in Gespräch mit Regina Bittner und Kathrin Rhombergâ, Das Bauhaus in Kalkutta. Eine Begegnung kosmopolitischer Avantgarden, Bauhaus Edition 36, Hatje Cantz Verlag, Ostfildern 2013, pp. 111â118.
1712:âSantiniketan: Its Ideals and its Masters,â From the Everyday to the Imagined: An Exhibition of Indian Art, (Authors: Jan Wee and R Siva Kumar), Singapore Art Museum, Singapore and Seoul National University, Seoul, South Korea, 2008. ISBN /
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1702:âSantiniketan:una comunidad de artistas e ideasâ, India Moderna, Casa Asia âInstitut Valencia dâArt Moderna, (authors: Juan Guardiola, John Falconer, K G Subramanyan, Deepak Ananth, Geeta Kapur and R Siva Kumar), Valencia â Spain, 2008,
1649:âIndigenous Modernism in Bengal: A Few Facetsâ, Catalogue introduction to an exhibition early modern art from Bengal in the collection of the Birla Academy, Birla Academy of Art and Culture, Kolkata, 21 to 5 February March 2006.
529:, Siva Kumar can be seen to have traversed full circle within this particular lineage of art practice and art writing in Bengal. An art historical journey that began with and has continuously returned to the work of
1774:âRabindranath Tagore como Pintor y Catalizador del Arte Indio Modernoâ Redescubriendo a Tagore, Amaranta, Indo-Latin American Cultural Initiative, Bombay in Collaboration with Sahitya Akademi, New Delhi, 2011.
289:. He also has co-curated an exhibition titled "Tryst with Destiny" for the Singapore Art Museum to mark the 50 years of Indian Independence and served as a curatorial adviser for Rhythms of India: The Art of
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modernity and modernism. Those
European modernities, projected through a triumphant British colonial power, provoked nationalist responses, equally problematic when they incorporated similar essentialisms.â
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reported, "The best show was the one (celebrating 50 years of Indian
Independence) curated by R. Siva Kumar of Santiniketan, 'The Making of a Contextual Modernism', exhibiting about a hundred works each of
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have been used to describe the kind of alternative modernity that emerged in non-European contexts. Professor Gall argues that âContextual
Modernismâ is a more suited term because âthe colonial in
675:'s paintings, curator of his largest Exhibition and the author/editor of the most comprehensive reference work on Rabindranath's paintings has played an important role in preventing Tagore-fakes.
1828:âLord, let each day of mine be a festival, a celebration: A conversation between R. Siva Kumar and K. G. Subramanyan,â K. G. Subramanyan: New Works, Seagull Foundation for the Arts, Kolkata 2014.
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1425:âOf Myth and Fairy Taleâ, conversation with K.G. Subramanyan, Of Myth and Fairy Tale: Recent Works, Birla Academy of Art and Culture and The Seagull Foundation of the Arts, Calcutta, 1989.
1224:, Pratikshan Books, Kolkata, 2011. ISBN Vol1: 978-81-89323-30-1 Vol2: 978-81-89323-31-1 Vol3: 978-81-89323-32-1 Vol4: 978-81-89323-33-1 Set: 978-81-89323-34-1 Catalogue: 978-81-89323-40-0.
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artists have contributed a new perspective on them by shifting the critical focus from nationalist revivalism to a context sensitive modernism. Among his curated exhibitions
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1508:âPost-modernism, New â Internationalism, Pluralismâ, in Art Objects in A Post-modern Age. (conference proceedings) Mohile Parikh Centre for the Visual Arts, Mumbai, 1997.
1551:âAbanindranathâs Arabian Nights: Native Flanerie and Anti-colonial Narrationâ, Nandan (Essays in Honour of K.G.Subramanyan), vol. 19, 1999, (published in December 2000).
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1690:âSara Abraham: Connoisseur and Collectorâ, Celebrating Sara: Sara Abraham's Collection of Art Over Fifty Years, TnQ Books and Journals, Chennai, February 2008.
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1696:âRemembering a Friend as Printmakerâ, Suranjan Basu 1957â2002: A Retrospective, Seagull Foundation for the Arts, Kolkata November 2008, pp. 81â88.
1528:âOn the Drawings and the Recent Paintings of K.G. Subramanyanâ, exhibition catalogue, K.G. Subramanyan: Paintings and Drawings, Seagull, December 1998.
3063:"Contemporary india art | india art gallery | online Indian art gallery delhi | contemporary art india | online gallery art india"
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1652:âBenodebehari Muhkopadhyay: Ekti Samikshaâ, Bangadarshan, vol. 8â9 Magh- Poush 1410â11 (January â December 2004), Pub. February 2006, pp. 33â 70.
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1815:âJogen Choudhury: Lyric and Enigmatic Visionsâ, Jogen Choudhury Retrospective, Nandan Kala Bhavana, Santiniketan 11â28 February 2013, pp. 4â8.
1699:âTravels into Liminality with Musuiâ, K.S. Radhakrishnan: Liminal Figures Liminal Space, Birla Academy of Art and Culture, Kolkata, November 2008.
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3089:"Benodebehari Mukherjee (1904â1980) : Centenary Retrospective / curated by Gulammohammed Sheikh and R. Siva Kumar. â Version details â Trove"
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1687:âRamkinkar Baij and Modernismâs Dual Commitmentsâ, Santal Family Positions around an Indian Sculpture, Museum van Hedendaagse Kunst, Antwerp 2008.
1428:âThe recent Worksâ, Of Myth and Fairy Tale: Recent Works, Birla Academy of Art and Culture and The Seagull Foundation of the Arts, Calcutta, 1989.
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Since 1981, Professor Siva Kumar, who is often considered to be "the most erudite and self-effacing art historian" of his time, has been teaching
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artists have been recognised as making an important contribution to the reassessment and critical reception of these artists. Reviewing his book
1545:âSantiniketan: Its Ideals and Its Mastersâ, Prabaha, An Exhibition of the Art of Bengal 1850â1999, Biswa Banga Sammalen, January 2000, Calcutta.
1605:âSanat Kar: Musings without Angstâ, Sanat Kar: A Retrospective of Bronzes and Prints, Birla Academy of Art and Culture, Kolkata September 2002.
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1578:âJogen Choudhuryâ, Sidewinder (an exhibition of Contemporary Indian and British Artists, Kolkata/Delhi/Mumbai), CIMA, Kolkata, February 2002.
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1581:âRavinder Reddyâ, Sidewinder (an exhibition of Contemporary Indian and British Artists, Kolkata/Delhi/Mumbai), CIMA, Kolkata, February 2002.
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Benodebehari
Mukherjee (1904â1980): Centenary Retrospective â Gulam Mohammed Sheikh, Binode Behari Mukherjee, R. Siva Kumar â Google Books
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2958:"Ramachandran, A Retrospective| Book| Store |SWB | Scholars without Borders, an online academic bookstore in India"
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1797:âA Celebration of this Oddly Mixed-up Sceneâ, introduction to K G Subramanyan exhibition at the Focus Gallery, Chennai, January 2013.
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492:, in New Delhi and elsewhere, and printed by India's leading art printer, Pragati Offset, based in Hyderabad, is thrillingly good.
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1370:âArt Treatises and Art Educationâ, (being a study of the nature and function of the art writings of Nandalal, Leonardo and Klee),
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1554:âRe-figuring Art, Re-articulating Figure: Indian Art 1870 â 1950â, Celebration of the Human Figure, Thinking Eye, New Delhi 2000.
1794:'Preface to Between Darkness and Magic: Examining the Kerala Metaphor', CIMA Gallery, Kolkata, 7 December 2012 to 5 January 2013
1643:âJogen Choudhury: Lyric and Enigmatic Visionsâ, in Jogen Choudhury: Enigmatic Visions, Glenbara Art Museum, Japan, January 2005.
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469:'s art historian, Prof R . Siva Kumar, has spent his entire working life researching the Bengal School of Art, especially the
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1548:âOf Roots and Differencesâ Exile and Longing: Emerging Art Practices From Kerala, Lakeeran Art Gallery, Mumbai November 2000.
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commissioned to mark the 150th birth anniversary of Tagore are considered landmark exhibitions. The reputed Indian
Magazine,
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1452:âNandalal Bose: Landscape Drawingsâ, catalogue article for exhibition of Nandalalâs landscape drawings, Nandan Art Gallery,
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1498:âAbanindranath Tagoreâ, catalogue article 125th Birth Anniversary exhibition, Nandan Gallery, Kala Bhavan, September 1996.
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1662:âIntra Asian Transactions in Artâ, Nandan, Ramkinkar Baij Centenary Number, Santiniketan, December 2007, pp. 23â28.
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Sensibility Objectified: The Sculptures of Sarbari Roy Choudhury â Sarbari Roy Choudhury, R. Siva Kumar â Google Books
2336:"The Telegraph â Calcutta (Kolkata) â Metro â Fakes in the time of Tagore frenzy: finger of fraud at art college show"
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1693:âImages of an Enchanting Journeyâ, An Enchanting Journey: Paresh Maity's Kerala, Art Alive Gallery, New Delhi 2008.
1468:âThe Bengal School and the Modern Art Scene in Bengal: Some Observationsâ, Trends and Images, CIMA, Calcutta, 1993.
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465:) writes, "It collects excellently faithful reproductions of Rabindranath's paintings in large format. The editor,
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wrote, "The unparalleled quality of the volumes' reproductions, made from new scans of the original works kept in
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In 2014, Siva Kumar called for the formation of an investigation unit to track theft, copies and forgery of art.
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Catalogue text, Exhibition of Silkscreen prints by Kala Bhavana Teachers, Karzan Gallery, Vadodara, August 2004.
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3295:"Recent Publications â Recent Publications â Sensibility Objectified: The Sculptures of Sarbari Roy Choudhury"
1471:âHomage to Stella Kramrischâ, catalogue article to exhibition at Nandan Gallery, Kala Bhavan, September 1993.
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against holding the exhibition. But Bhattacharya went ahead with the claim that the paintings were "genuine".
2311:"Latest News Today: Breaking News and Top Headlines from India, Entertainment, Business, Politics and Sports"
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crop of painters. This is the crowning achievement in this hard-working and self-effacing scholar's career."
3474:"R.Siva Kumar speaking on the Paintings of Rabindranath Tagore, at Smithsonian American Art Museum, Part-II"
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3469:"R.Siva Kumar speaking on the Paintings of Rabindranath Tagore, at Smithsonian American Art Museum, Part-I"
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Overcoming Polarized Modernities: Counter-Modern Art Education: Santiniketan, The Legacy of a Poet's School
1518:âContemporary Indian Art: The Last Fifty yearsâ, Tryst with Destiny, Singapore Art Museum, Singapore, 1997.
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1418:âRamkinkarâs Sculptures and Paintingsâ, (towards a catalogue raisonne) with J.J. Narzary, Ramkinkar, ed.
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is a book by R. Siva Kumar that was brought out on the occasion of a massive retrospective exhibition of
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3451:"R. Siva Kumar says that values and sensitivity to art comes with continued exposure to works of art"-
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1659:, Faces of Indian Art: Through the Lens of Nemai Ghosh', Art Alive Gallery, New Delhi, September 2007.
1465:âThe Home and the World in Ravi Varmaâ, Ravi Varma: New Perspectives, National Museum, New Delhi, 1993.
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1646:âBlindness, Self, World and Art: Some Ruminations on Benodebehari, Chabi-lekha, Kolkata Vol. 2, 2005.
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Sensibility Objectified: The Sculptures of Sarbari Roy Choudhury: Amazon.co.uk: R. Siva Kumar: Books
533:, has tracked its course backwards in time to mark out its significant inheritance, not just of the
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1625:âAban-takurer Arabya-rajani: Deshi Flanerie evamâ, Evam Musairaâ,vol.9, no.4, January- March 2003.
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Catalogue article for the exhibition of sculptures by Somnath Hore at Kala Yatra, Bangalore, 1987.
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Catalogue article for K.G. Subramanyanâs exhibition of paintings by Kala Yatra at Bangalore, 1987.
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1655:'Notes on Benode Behari, Ram Kinkar, K. G. Subramanyan, Somnath Hore, Sarbari Roy Choudhuri, and
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Catalogue Article for exhibition of K.G. Subramanyanâs paintings, Sakshi Gallery, Madras, 1992.
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1477:âChittaprosadâ, catalogue article to exhibition at Nandan Gallery, Kala-Bhavan, November 1994.
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230:. His major research has been in the area of early Indian modernism with special focus on the
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1486:âContemporary Indian Sculpture: The Madras Metaphorâ, review article, Marg, September 1995.
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The Santiniketan Murals â Jayanta Chakrabarti, R. Siva Kumar, Arun Kumar Nag â Google Books
2771:"McMichael Canadian Art Collection > The Last Harvest: Paintings by Rabindranath Tagore"
1615:âJogen Choudhuryâ, exhibition catalogue, Gallery Bose Pacia Modern, New York, October 2002.
1489:âSomnath Hore: Images of Discontentâ, Somnath Hore: Bronzes, CIMA, Calcutta, November 1995.
1474:âLi Gotami Govindaâ, catalogue article to exhibition at Nandan, Kala Bhavan, November 1994.
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1981:"The Curatorial Imperative Mohd Ahmad Sabih, Researcher for India | Asia Art Archive"
1584:âCulture specificity, Art Language and the Practice of Modernism: An Indian Perspectiveâ,
1332:ââŚ.. And the Theme is Destinyâ, (being an essay on the murals of Benodebehari Mukherjee),
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Awarded the title 'Rabindra Tattwacharya' by the Tagore Research Institute, Kolkata, 2015.
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1785:âThe Arabian Nights and the Web of Storiesâ, Art Etc., Kolkata June 2012, pp. 26â29.
1634:âNandalalâs Drawingsâ, Searching Lines, No. 2, Kala Bhavana, Santiniketan, December 2004.
1367:âK.G. Subramanyan: A Case for Versatilityâ, K.G. Subramanyan, Samyojita, Bangalore, 1983.
1937:
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Chakrabarti, Jayanta; Siva Kumar, R.; Nag, Arun Kumar; Visva-Bharati (1 January 1995).
1631:âRemembering Bhupenâ, A Tribute to Bhupen Khakhar, Tao Art Gallery, Mumbai August 2004.
1483:âAbanindranathâs Paintings based on the Rubaiyat of Omar Khayyam, Lavanya, August 1995.
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2932:"Ramachandran: A Retrospective (Volume I & II) Ella DATTA | Asia Art Archive"
345:, where he has held several offices, including that of the Principal. His writings on
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2145:. The Statesman (Calcutta) (Reproduced on www.martin-kaempchen.de). 4 September 2011.
1637:âBenodebehari Mukhopadhyaya: Ekti Samikshaâ, Bangadarshan 8â9, JanuaryâDecember 2004.
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1495:âAbanindranath Tagore: Beyond Nationalismâ, The Visva-Bharati News, MayâAugust 1996.
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interpreted and carried forward. Thus they do not represent a school but a movement.
2828:"A. Ramachandran to exhibit his works in Lalithkala Academy Kochi â Economic Times"
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1480:âPilgrims Progressâ, K.G. Subramanyan: Recent Works, CIMA, Calcutta, December 1994.
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1788:âMural Shilpy Subramanyanâ, Anustup, Vol 47, No. 1, Autumn 2012, pp. 851â864.
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1492:âImages of Experienceâ, Jogen: Oils and Drawings, CIMA, Calcutta, February 1996.
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1984:
1750:âA Priliminary Note on Khuddur Jatraâ, Khuddur Jatra, Prarikshan, Kolkata, 2009
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Current Exhibitions Upcoming Exhibitions Past Exhibitions (9 September 2011).
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Awarded 'Lifetime Achievement Award for Art History and Art Criticism' by the
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1791:âAn Extraordinary Cohesivenessâ, Sudhir Patrwardhan The Guild, November 2012.
1511:âImage and Imagination: Five Contemporary Artists in Indiaâ, review article,
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2011:
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Vice-President SVAAD (Santiniketan Visual Artists and Designers Association)
3019:. Viva Books, in association with, Visva-Bharati Pub. Department, Kolkata.
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and contributed articles to prestigious international projects such as the
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2809:"Mumbai gallery to exhibit Tagore's 'The Last Harvest' - Times of India"
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Kumar, R. Siva (1 January 1999). "Modern Indian Art: A Brief Overview".
3369:"Commemoration of 150th Birth Anniversary of, Shri Rabindranath Tagore"
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Translations of letters by Ravi Varma, Rabindranath and Abanindranath,
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2667:"Permanent Exhibitions | Exhibitions & Events | ęľëŚ˝ě¤ěë°ëŹźę´"
2007:"Friday Review Thiruvananthapuram / Interview : Insightful views"
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1339:âFaces of a Masterâ, (being an essay on the art of K.G. Subramanyan),
2525:"Santiniketan â The Making of a Contextual Modernism by R Siva Kumar"
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1736:âSantiniketan: A Development in Three Movementsâ, Gayatri Singha Ed.
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Chair Professor in Art, Painting and Illustrative Art and Cartooning
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3041:"R Siva Kumar: new books, used books, rare books by R. Siva Kumar @"
2693:"Rabindranath Tagore: Poet and Painter â Victoria and Albert Museum"
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Catalogue article for the Sudhir Khastgir retrospective exhibition,
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Member of the Board of Studies of the School of Art and Aesthetics,
234:. He has written several important books, lectured widely on modern
16:
Contemporary Indian art historian art-critic and curator (born 1956)
1955:"Erasing Borders:Passport to Contemporary Indian Art FebâJune 2008"
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Nominated as "Eminent Art Historian" to the General Council of the
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1318:âA Room Between Roomsâ (being an essay on the art of Ramkinkar),
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2069:"What you see when you see: Freedom through the eyes of artists"
1760:âSomnath Hore: A Socialist and Modernist Artistâ, Somnath Hore,
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is surely one of the finest art books to have been produced in
2749:"Welcome to High Commission of India, Kuala Lumpur (Malaysia)"
2095:"ADVENTURES IN ARCADIA- Experiments with the life of the mind"
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R. Siva Kumar being interviewed by a journalist in Dhaka, 2013
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2354:"Call for expert panel to scan masters' art â Times of India"
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2143:"Three Crown Jewels I. The Entire Pictorial Oeuvre Of Tagore"
1740:, Marg Publications, Mumbai, January 2009, pp. 104â117.
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vol. 58, no. 3, Fall 1999, College Art Association, New York.
1431:âRemembering Ramkinkarâ, Conversation with K.G. Subramanyan,
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commissioned to mark the fifty years of Indian independence,
265:, Kerala in 2010. He has also curated major exhibitions like
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He was awarded the Kesari puraskaram for art writing by the
1722:âRepresenting the Nation: Two paintings by Abanindranathâ,
1180:, Akar Prakar, Lalit Kala Akademi and Mapin, Kolkata, 2009.
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Bengal Art: New Perspectives, Praikshan Essays in the Arts
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was shown at ten major museums of the world including the
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K.G. Subramanyan : the painted platters (Book, 2009)
1729:âGlobalism, Rabindranath and Some Thoughts on Locationâ,
1353:âPainting, Creativity and Communicationâ, Silpa O Samaj,
866:'Manojmohan Smarak Puraskar' for book on Ramkinkar Baij,
3464:"ALL THE SHARED EXPERIENCES OF THE LIVED WORLD, part-II"
2465:"RAMKINKAR BAIJ: AN UNDEFINED GENIUS? | Muktodhara"
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The Last Harvest : Paintings of Rabindranath Tagore
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Assam University Journal: Humanities and Social Sciences
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The Last Harvest : Paintings of Rabindranath Tagore
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Santiniketan: The Making of a Contextual Modernism, 1997
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The Last Harvest : Paintings of Rabindranath Tagore
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The Last Harvest : Paintings of Rabindranath Tagore
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and retrospectives of important Indian artists, such as
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The Last Harvest : Paintings of Rabindranath Tagore
168:
The Last Harvest : Paintings of Rabindranath Tagore
39:
The Last Harvest : Paintings of Rabindranath Tagore
3459:"ALL THE SHARED EXPERIENCES OF THE LIVED WORLD, part-I"
3110:
Mukherjee, Binode Behari; Siva Kumar, R. (April 2010).
3013:
Tagore, Rabindranath; Kumar, R. Siva (1 January 2005).
2645:"Rabindranath Tagore: The Last Harvest | New York"
2204:
Bengal Art: New Perspectives, Pratiksha, Kolkata 2010,
507:
Closely associated with the critical traditions of the
2498:. Visva-bharati.ac.in. 3 December 1956. Archived from
1676:, San Diego Museum of Art, California, February 2008.
1281:
Enchantment and Engagement: Murals of K.G. Subramanyan
815:
Trustee of the Foundation for Indian Art and Education
1665:âColonialism, Cross Cultural Contact and Modernismâ,
571:
R. Siva Kumar also received a special award from the
525:
Tapati Guha Takurta wrote: âWith this magnum opus on
3343:"K.G. Subramanyan: Drawings | Asia Art Archive"
1753:âSomnath Hore:A Reclusive Socialist and Modernistâ,
1598:âWhen was Modernismâ, (Riview of Geeta Kapurâs book
856:'Kesari Puraskaram'for contribution to art writing,
553:), but also in the little-known oeuvre of the later
2727:"Le Petit Palais â Rabindranath Tagore (1861â1941)"
2414:"Swami Shri Haridas to visit Sikkim | iSikkim"
2154:
2152:
1938:"Smithsonian Learning Lab: Discover, Create, Share"
1531:âGanesh Pyne: His Life and Timesâ, review article,
1231:, Mapin, Ahamedabad, 2011.(with contributions from
1062:, National Gallery of Modern Art, New Delhi, 2004.
1047:, National Gallery of Modern Art, New Delhi, 2003.
873:Felicitated with a plaque of special Honour by the
198:
188:
174:
155:
129:
115:
101:
93:
75:
50:
23:
3420:The Last Harvest: Paintings of Rabindranath Tagore
1878:Santiniketan: The Making of a Contextual Modernism
1862:The Last Harvest: Paintings of Rabindranath Tagore
1762:Prints, Drawings, Posters, Kala Bhavan and Seagull
1459:Magazine Symposium on Modern Art, Prajavani, 1992.
1037:, National Gallery of Modern Art, New Delhi, 1997.
1035:Santiniketan: The Making of a Contextual Modernism
915:Santiniketan: The Making of a Contextual Modernism
750:In 2013 R. Siva Kumar was granted an award by the
586:Santiniketan: The Making of a Contextual Modernism
355:Santiniketan: The Making of a Contextual Modernism
267:Santiniketan: The Making of a Contextual Modernism
3297:. Lalitkala.gov.in. 13 April 2011. Archived from
2490:
2488:
2486:
2015:. Chennai, India. 23 January 2009. Archived from
1672:âNandalal: His Vision of Art and Art Educationâ,
1445:âNandalalâs Concept of the Artist: An Overviewâ,
1095:, Visva Bharati and Viva Books, New Delhi, 2005.
2097:. Calcutta, India: The Telegraph. Archived from
1411:âRamkinkarer Jalaranger Chabbiâ, Ramkinkar, ed.
3371:. Rabindranathtagore-150.gov.in. Archived from
2616:Staatliche Museen zu Berlin, Generaldirektion.
739:authoritative volume on the âprolific masterâ.
619:
2910:K.G. Subramanyan, a retrospective (Book, 2003)
2245:"banglanews24.com news and entertainment 24x7"
1800:âRamkinkar Baij and Modern Indian Sculptureâ,
1521:âEarly Abanindranath and Modern Western Artâ,
1397:âReba Hore : Reality in a Tender Lightâ,
1007:Selected Works of Ramachandran: from 1964â2013
901:'s Paintings, Kala Bhavana, Santiniketan,1985.
789:for the improvement of art education in Kerala
575:for his contribution to the Indian art scene.
2773:. Mcmichael.com. 15 July 2012. Archived from
2519:
2517:
1438:âBinodini and Other Portraits of Ramkinkarâ,
1377:âBenodebehariâs Self-Portrait as an Artistâ,
8:
2595:"National Gallery of Modern Art, New Delhi"
2573:"K.G. Subramanyan : a retrospective /"
1771:, Nandan Gallery, Santiniketan, March 2011.
1726:Vol. 6, No.1, January 2009, pp. 24â27.
1229:The Last Harvest: Paintings of Rabindranath
1175:Sensibility Objectified: The Sculptures of
3534:Academic staff of Visva-Bharati University
3213:"Pratikshan :: Books in Books on Art"
1674:Rhythms of India: The Art of Nandalal Bose
1612:2002, South Eastern Railway, Kolkata 2002.
1501:Entries on 9 Contemporary Indian Artists,
1090:My Pictures: A Collection of Paintings by
724:Ramkinkar Baij: A Retrospective, 1906-1980
309:. After completing his early education in
293:curated by Sonia Rhie Quintanilla for the
31:
20:
3509:20th-century Indian educational theorists
3345:. Aaa.org.hk. 5 June 2012. Archived from
2934:. Aaa.org.hk. 5 June 2012. Archived from
1738:Art and Visual Culture in India 1857â2007
1608:âModern Indian Art: Circa 1850 to 2000â,
1588:, Marg Publications, Mumbai, March 2002.
1002:National Gallery of Modern Art, Bangalore
785:Member of the committee appointed by the
3396:The Last Harvest | Mapin Publishing
2297:"We Are Blind to Beauty â OPEN Magazine"
1586:Contemporary Indian Art: Other Realities
1564:âAmong Viewers and Images: A Triptychâ,
2618:"Staatliche Museen zu Berlin: Kalender"
1894:
938:Benodebehari: A Centenary Retrospective
359:Benodebehari: A Centenary Retrospective
37:Siva Kumar lecturing at the opening of
3016:My Pictures: A Collection of Paintings
2398:: CS1 maint: archived copy as title (
2391:
2190:: CS1 maint: archived copy as title (
2183:
1346:âRembrandt and the Image as Parableâ,
998:National Gallery of Modern Art, Mumbai
597:critical tool in the understanding of
3215:. Pratikshanbooks.com. Archived from
2729:. petitpalais.paris.fr. 11 March 2012
1364:, Jehangir Art Gallery, Bombay, 1983.
1268:,Delhi Art Gallery, New Delhi, 2012.
1077:, Art Alive Gallery, New Delhi, 2004.
671:R. Siva Kumar, being an authority on
7:
1669:vol.27, Santiniketan, December 2008.
1600:When was Modernism and Other Essays
680:Government College of Art and Craft
2884:"Finding an expression of its own"
2271:"Finding an expression of its own"
2121:"Finding an expression of its own"
1571:âAbanindranath and His Legaciesâ,
1557:âAbanindranath and His Legaciesâ,
1538:âModern Indian Art: An Overviewâ,
1408:, vol. 9, no. 10, New Delhi, 1989.
1162:, Pratikshan Books, Kolkata, 2008.
1110:, Gallery Espace, New Delhi, 2007.
776:Principal, Kala Bhavana(2008â2010)
14:
3189:Paintings of Abanindranath Tagore
1844:Paintings of Abanindranath Tagore
1757:1, Kolkatta 2010, pp. 55â78.
1602:), Marg vol.53, no.3, March 2002.
1159:Paintings of Abanindranath Tagore
990:McMichael Canadian Art Collection
982:Galleria Nazionale d'Arte Moderna
566:Ram Kinkar Baij â A Retrospective
522:Paintings of Abanindranath Tagore
434:McMichael Canadian Art Collection
214:(born 3 December 1956), known as
3065:. Gallery espace. Archived from
2045:. Chennai, India. Archived from
1769:Arun Pal: Paintings and Drawings
1618:âAn Image From the Hinterlandâ,
1297:âK.C.S. Paniker: A Retrospectâ,
80:
3529:Visva-Bharati University alumni
3422:. Mapin Publishing Gp Pty Ltd.
3399:. Mapinpub.in. 26 December 2013
3238:Choudhury, Sarbari Roy (2009).
2753:www.indianhighcommission.com.my
2527:. Indiaclub.com. Archived from
2093:Ananya Vajpeyi (3 March 2013).
1804:, Vol. 3, No. 10, January 2013
1764:, February 2011, pp. 44â96
1573:Art of Bengal: Past and Present
1559:Art of Bengal: Past and Present
1535:, vol. 50, no. 4, January 1999.
1325:âSudhir Khastgir: A Critiqueâ,
1060:A Ramachandran: A Retrospective
659:Role in preventing Tagore fakes
589:Siva Kumar introduced the term
3554:20th-century Indian historians
3446:"Interview with R. Siva Kumar"
3191:. Pratikshan. 1 January 2009.
2669:. Museum.go.kr. Archived from
2225:. eProthomAlo. 13 January 2013
1126:National Gallery of Modern Art
994:National Gallery of Modern Art
942:National Gallery of Modern Art
932:National Gallery of Modern Art
919:National Gallery of Modern Art
765:National Gallery of Modern Art
733:National Gallery of Modern Art
560:In 2013 he was awarded by the
438:National Gallery of Modern Art
426:National Gallery of Modern Art
1:
1733:, Vol. 4, No.1, January 2009.
2826:Ashoke Nag (8 August 2013).
2620:. Smb.museum. Archived from
2039:"Lalithakala Akademi awards"
1983:. Aaa.org.hk. Archived from
986:National Visual Arts Gallery
974:The Art Institute of Chicago
758:Memberships and associations
742:Drawing distinction between
686:âThereâs a great market for
640:counter culture of modernity
601:, specifically the works of
430:National Visual Arts Gallery
418:The Art Institute of Chicago
218:, is an Indian contemporary
2855:. Seagull Books published.
1568:vol. 21, Santiniketan 2001.
1348:The Visva-Bharati Quarterly
1222:: Paintings of Rabindranath
1206:, The Guild, Mumbai, 2010.
1122:: A Centenary Retrospective
868:Paschimbanga Bangla Akademi
838:Chair of Indian Studies at
820:Rabindra Bharati University
772:Jawaharlal Nehru University
763:Member Advisory Committee,
752:Paschimbanga Bangla Akademi
562:Paschimbanga Bangla Akademi
3575:
3544:Indian arts administrators
2551:"Osians-The Auction House"
1767:âCatalogue Introductionâ,
1435:, vol. 9, New Delhi, 1990.
1401:, vol. 8, New Delhi, 1989.
1145:, The Guild, Mumbai, 2007.
970:Victoria and Albert Museum
792:Member Advisory Committee
414:Victoria and Albert Museum
305:R. Siva Kumar was born in
3029:– via Google Books.
2695:. Vam.ac.uk. 6 March 2012
1957:. Iaac.us. Archived from
1561:, C I M A, Kolkatta 2001.
1525:, vol. 17, December 1997.
1505:, Macmillan, London 1996.
885:Government of West Bengal
798:Member Executive Council
593:which later emerged as a
325:and completed his MFA in
120:Kendriya Vidyalaya Pattom
106:Kendriya Vidyalaya Pattom
30:
3559:Historians of Indian art
1404:âVersatile Expressionâ,
1336:, vol. 4, December 1981.
1327:Lalita Kala Contemporary
1322:, vol. 3, December 1980.
966:National Museum of Korea
944:, New Delhi, 2006 (with
808:Nominated member of the
634:Several terms including
406:National Museum of Korea
301:Early life and education
124:Visva-Bharati University
110:Visva-Bharati University
3116:. Vadehra Art Gallery.
1622:, vol.22, December 2002
1515:, vol. 48, no. 4, 1997.
1020:The Santiniketan Murals
851:Awards and recognitions
744:Benode Behari Mukherjee
615:Benode Behari Mukherjee
547:Benode Behari Mukherjee
390:Benode Behari Mukherjee
295:San Diego Museum of Art
279:Benode Behari Mukherjee
256:Oxford University Press
2125:www.frontlineonnet.com
1884:Ernest Binfield Havell
1362:Indian Sculpture Today
1329:, vol. 31, April 1981.
1265:Ramkinkar Baij (book)"
1143:: The Painted Platters
1120:Benodebehari Mukherjee
1115:Ghulam Mohammed Sheikh
946:Ghulam Mohammed Sheikh
668:
632:
363:Ghulam Mohammed Sheikh
283:Ghulam Mohammed Sheikh
3499:Indian art historians
2988:www.buybooksindia.com
2960:. SWB. Archived from
1657:Gulam Mohammed Sheikh
1575:, CIMA, Kolkata 2001.
1503:The Dictionary of Art
1355:Midnapur Silpi Chakra
1177:Sarbari Roy Choudhury
666:
478:Royal Asiatic Society
251:The Dictionary of Art
3524:Indian art educators
3504:Scholars from Kerala
909:Singapore Art Museum
787:Government of Kerala
591:Contextual Modernism
579:Contextual Modernism
527:Abanindranath Tagore
347:Abanindranath Tagore
183:Contextual Modernism
179:Bengal school of art
3514:Indian art curators
3418:Siva Kumar (2011).
2984:"Welcome to nginx!"
2777:on 13 December 2013
2759:on 14 January 2013.
2624:on 16 December 2012
2172:on 17 December 2013
2131:on 17 October 2007.
1872:Ananda Coomaraswamy
1839:Rabindra Chitravali
1782:, pp. 155â169.
1360:âSudhir Khastgirâ,
1220:Rabindra Chitravali
1113:R. Siva Kumar with
1092:Rabindranath Tagore
958:Museum of Asian Art
892:Curated exhibitions
840:Carleton University
818:Governor's Nominee
607:Rabindranath Tagore
573:University of Dhaka
543:Rabindranath Tagore
498:Rabindranath Tagore
494:Rabindra Chitravali
449:Rabindra Chitravali
398:Museum of Asian Art
382:Rabindranath Tagore
275:Rabindranath Tagore
232:Santiniketan School
203:Siddharth Sivakumar
163:Rabindra Chitravali
43:Museum of Asian Art
3549:Historians of Asia
3519:Indian art critics
3091:. Trove.nla.gov.au
2994:on 18 January 2013
2890:on 17 October 2007
2597:. Ngmaindia.gov.in
2359:The Times of India
2315:The Indian Express
2299:. 9 December 2012.
1406:The India Magazine
1128:, New Delhi, 2007.
1013:Major publications
934:, New Delhi, 2002.
928:: A Retrospective
921:, New Delhi, 1997.
911:, Singapore, 1997.
905:Tryst with Destiny
861:Lalit Kala Akademi
810:Lalit Kala Akademi
794:Lalit Kala Akademi
781:Lalit Kala Akademi
669:
652:colonial modernity
648:Colonial modernity
486:W. Andrew Robinson
482:Cambridge Journals
321:, where he joined
263:Lalit Kala Akademi
3349:on 9 January 2014
3321:"K.G.Subramanyan"
3145:"K.G.Subramanyan"
2964:on 9 January 2014
2938:on 9 January 2014
2531:on 9 January 2014
2251:on 9 January 2014
2210:978-81-89323-11-0
2019:on 9 January 2014
1987:on 9 January 2014
1824:978-3-7757-3656-5
1780:978-81-921843-1-9
1292:Selected articles
1202:K. G. Subramanyan
1194:978-1-890206-03-1
1141:K. G. Subramanyan
1075:K.S. Radhakrisnan
1045:: A Retrospective
897:An Exhibition of
531:K. G. Subramanyan
457:, German scholar
361:(co-curated with
287:K. G. Subramanyan
281:(co-curated with
209:
208:
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3375:on 7 August 2013
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3323:. Guildindia.com
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3301:on 27 March 2014
3291:
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3275:. Amazon.co.uk.
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3147:. Guildindia.com
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3043:. Bookfinder.com
3037:
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2999:
2990:. Archived from
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2837:
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2817:
2816:
2815:on 16 June 2013.
2811:. Archived from
2805:
2799:
2798:ngmaindia.gov.in
2796:The Last Harvest
2793:
2787:
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2755:. Archived from
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2467:. Archived from
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2441:. Archived from
2435:
2429:
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2426:
2424:
2410:
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2403:
2397:
2389:
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2165:. Archived from
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2127:. Archived from
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2101:on 11 April 2013
2090:
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2073:Bangalore Mirror
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1945:
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1934:
1928:
1927:
1899:
1867:Stella Kramrisch
1812:, pp. 32â35
1684:, pp. 80â91
1449:, vol. 11, 1991.
1442:, vol. 10, 1990.
1343:, December 1981.
1287:, Kolkata, 2015.
1043:K.G. Subramanyan
1022:, Seagull Books.
988:, Kuala Lumpur,
926:K.G. Subramanyan
875:Dhaka University
630:
511:his writings on
432:, Kuala Lumpur;
246:Grove Art Online
212:Raman Siva Kumar
158:
97:Raman Siva Kumar
94:Other names
86:
84:
83:
64:
60:
58:
45:, Berlin (2012).
35:
21:
3574:
3573:
3569:
3568:
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3565:
3564:
3563:
3539:Indian curators
3479:
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3244:. Akar Prakar.
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2502:on 3 March 2016
2496:"R. Siva Kumar"
2494:
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2474:
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2471:on 3 April 2015
2463:
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2380:on 3 March 2016
2374:"Archived copy"
2372:
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2362:. 29 June 2014.
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2160:"Archived copy"
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1388:, vol. 9, 1986.
1381:, vol. 8, 1985.
1374:, vol. 7, 1984.
1350:, Vol. 46, 1982
1294:
1262:R. Siva Kumar,
1245:Martin Kämpchen
1227:R. Siva Kumar,
1217:R. Siva Kumar,
1199:R. Siva Kumar,
1173:R. Siva Kumar,
1156:R. Siva Kumar,
1138:R. Siva Kumar,
1106:R. Siva Kumar,
1088:R. Siva Kumar.
1073:R. Siva Kumar,
1058:R. Siva Kumar,
1040:R. Siva Kumar.
1033:R. Siva Kumar.
1018:R. Siva Kumar.
1015:
894:
853:
760:
754:for this book.
720:
661:
631:
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611:Ram Kinker Baij
581:
496:: Paintings of
459:Martin Kämpchen
447:In a review of
436:, Ontario; and
386:Ram Kinker Baij
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116:Alma mater
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1310:
1308:, March 1980.
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63:(age 67)
53:
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25:R. Siva Kumar
22:
19:
3452:
3419:
3413:
3401:. Retrieved
3395:
3389:
3377:. Retrieved
3373:the original
3363:
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3347:the original
3337:
3325:. Retrieved
3315:
3303:. Retrieved
3299:the original
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3240:
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3217:the original
3207:
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3149:. Retrieved
3139:
3127:. Retrieved
3112:
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3093:. Retrieved
3083:
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3067:the original
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3035:
3015:
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2996:. Retrieved
2992:the original
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2638:
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2622:the original
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2589:
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2553:. Osians.com
2545:
2533:. Retrieved
2529:the original
2504:. Retrieved
2500:the original
2473:. Retrieved
2469:the original
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2443:the original
2439:"Holding on"
2433:
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2378:the original
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2340:the original
2330:
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2314:
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2099:the original
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2063:
2051:. Retrieved
2047:the original
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2033:
2021:. Retrieved
2017:the original
2010:
2001:
1989:. Retrieved
1985:the original
1975:
1963:. Retrieved
1959:the original
1949:
1932:
1910:(3): 14â21.
1907:
1903:
1897:
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1849:Kala Bhavana
1801:
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1399:Art Heritage
1398:
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978:Petit Palais
964:, New York,
962:Asia Society
951:
937:
924:
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749:
741:
737:
723:
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721:
716:
706:
704:
685:
678:In 2011 the
677:
670:
651:
647:
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633:
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595:postcolonial
584:
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570:
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559:
535:Santiniketan
520:
517:Santiniketan
509:Santiniketan
506:
490:Santiniketan
475:
471:Santiniketan
452:
446:
422:Petit Palais
404:, New York;
402:Asia Society
366:
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351:Santiniketan
343:Kala Bhavana
336:
319:Santiniketan
317:he moved to
304:
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211:
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161:
157:Notable work
150:Kala Bhavana
18:
3489:1956 births
2418:isikkim.com
2176:25 November
1904:Art Journal
1802:Take on Art
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1454:Kala Bhavan
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