112:, where he was in charge of the code books and, after each patrol, had to secretly report to the Admiralty on the morale of the French crew. From 1943 he was attached to Combined Operations Pilotage Parties, involved in daring explorations on enemy beaches in small craft in northern France. He served for more than a year in the Far East, his role being to reconnoitre Japanese beaches in
217:, published in 1969. McLean was of the opinion that the design and layout of magazines was of crucial importance and significance in the pre-television era, and this work became known as a practitioner's manual for those in the profession. He wrote the
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guides. By 1958 McLean was ready to move to a smaller concern, going into partnership with
Fianach Jardine and resuming general design work. He also edited 13 issues of
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In 1973 he moved with his wife and family and his business partner, Fianach
Jardine, to the relative seclusion of Dollar, Clackmannanshire, Scotland.
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to found the publishing company
Rainbird, McLean, designing and contributing to high-quality reproductions of bird and flower books, as well as the
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63:, where he worked on limited edition fine books. He went on to train in Germany and at the Edinburgh School of Printing, and worked at
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McLean continued as a practising typographer, and was called upon by well-known
British journals and magazines, such as
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151:, and at the same time became involved with Rev. Marcus Morris in the planning the layout of the new boys' comic, the
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magazine. In 1938 he joined the J. Walter
Thompson advertising agency, later moving to Lund Humphries printing in
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After moving to
Scotland, he continued to be involved in major national projects, including the design of the
224:, published in 1980, which drew on his unusually wide experience of the subject, as did his historical survey
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194:(1973) and on those in paper (1983). He translated some of Tschichold's books and wrote about him in
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1966–90, and much involved in assessing graphic design courses at art colleges all over
Britain.
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was published in 1963, with a second edition in 1972. This was followed by books on
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books and became an expert and well-known author of works on the subject. His
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Winger, Howard W. “Victorian Book Design and Colour
Printing . Ruari McLean.”
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lecturing on "Moxon to
Morison: The growth of typography as a profession."
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range, bringing
Tschichold to advise on design. From 1949 he taught at the
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He was apprenticed in the printing trade at the Shakespeare Head Press,
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239:(1958), and many of these have become standard reference works.
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Ruari McLean married Antonia Maxwell Carlisle in January 1945.
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Recipients of the Distinguished Service Cross (United Kingdom)
202:(1997). He later wrote his “typographical autobiography”,
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in 1946, with special responsibility for design of the
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Barker, Nicolas, and James Fergusson. “Ruari McLean.”
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in 1942, and was three times mentioned in dispatches.
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McLean was author of numerous other works, including
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shortly before the outbreak of the Second World War.
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Recipients of the Croix de Guerre 1939–1945 (France)
82:McLean was profoundly influenced by the work of
335:, Massey College in the University of Toronto.
434:Commanders of the Order of the British Empire
338:McLean, Ruari. “The Reproduction of Prints.”
24:(10 June 1917 – 27 March 2006) was a British
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325:John Randle, 'Ruari McLean 1917 – 2006', in
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284:, with which he collaborated with Jardine.
192:Victorian Bookbindings in Cloth and Leather
301:From 1981 he also became a trustee of the
188:Victorian Book Design and Colour Printing
160:In 1951 he entered into partnership with
287:Ruari McLean was Typographic Adviser to
16:British typographic designer (1917-2006)
469:British typographers and type designers
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210:, a record of his naval career (2003).
394:(London, England : 1986), 2006, 42–42.
454:Academics of the Royal College of Art
449:People educated at Eastbourne College
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489:20th-century Scottish businesspeople
444:People educated at The Dragon School
200:Jan Tschichold: A Life in Typography
90:, and he visited him at his home in
464:Royal Navy officers of World War II
407:(Chicago) 44, no. 1 (1974): 85–86.
363:Atterbury, Rowley (7 April 2006).
310:Sandars Readership in Bibliography
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124:, having been a recipient of the
102:During the war, he served in the
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178:Writing on design and typography
182:He was a prolific collector of
116:and other potential targets in
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120:. In 1943 he was awarded the
104:Royal Naval Volunteer Reserve
32:Early life and apprenticeship
474:Scottish publishers (people)
303:National Library of Scotland
196:Jan Tschichold: Typographer
122:Distinguished Service Cross
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459:People from Newton Stewart
484:Scottish company founders
365:"Obituary – Ruari McLean"
308:In 1982-1983 he held the
48:. He was educated at the
36:Ruari McLean was born in
278:Concise Scots Dictionary
342:4, no. 1 (1987): 40–45.
213:His best-known work is
22:John David Ruari McLean
282:New Testament in Scots
226:How Typography Happens
71:, Bedfordshire and at
405:The Library Quarterly
268:The Twentieth Century
314:Cambridge University
222:Manual of Typography
149:Royal College of Art
40:on 10 June 1917, in
26:typographic designer
228:, published by the
219:Thames & Hudson
237:Modern Book Design
54:Eastbourne College
294:He was appointed
65:Waterlow and Sons
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479:Scottish writers
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340:Print Quarterly
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320:Further reading
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230:British Library
215:Magazine Design
208:Half Seas Under
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162:George Rainbird
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126:Croix de Guerre
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98:Wartime service
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333:"Ruari McLean"
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139:McLean joined
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84:Jan Tschichold
42:Newton Stewart
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263:New Scientist
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257:The Economist
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167:About Britain
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50:Dragon School
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376:13 September
374:. Retrieved
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206:(2000), and
204:True to Type
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135:Early career
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67:Printing in
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429:2006 deaths
424:1917 births
392:Independent
327:Parenthesis
198:(1975) and
92:Switzerland
88:typographer
418:Categories
347:References
243:Later work
73:The Studio
298:in 1973.
232:in 2000.
184:Victorian
69:Dunstable
280:and the
77:Bradford
46:Galloway
38:Scotland
118:Sumatra
145:Puffin
61:Oxford
172:Motif
154:Eagle
114:Burma
109:Rubis
378:2009
289:HMSO
266:and
52:and
312:at
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296:CBE
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355:^
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252:'s
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